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Osmanlı İmparatorluğu

• Osman Gazi Portresi — Bilinmeyen sanatçı · 19. yüzyıl · Kamu malı · Kaynak
• Orhan Gazi Portresi (Paolo Giovio, Vitae illustrium virorum'dan) — Bilinmeyen ağaç baskı sanatçısı, Paolo Giovio'nun portre koleksiyonundan · 16. yüzyıl · Pitts İlahiyat Kütüphanesi, Emory Üniversitesi · Kamu malı · Kaynak
• I. Murad ya da Amurath — Claude du Bosc · 1734 · Houghton Kütüphanesi, Harvard Üniversitesi · Kamu malı · Kaynak
• I. Bayezid'in Sultan İlan Edilişi (Hünername, I. cilt) — Osmanlı saray nakkaşları (metin: Seyyid Lokman) · 16. yüzyıl · Topkapı Sarayı Müzesi Kütüphanesi · Kamu malı · Kaynak
• Niğbolu Savaşı, 1396 — Bilinmeyen Osmanlı nakkaşı · Tarihsiz · Kamu malı · Kaynak
• “Yıldırım” I. Bayezid Niğbolu Savaşı'nda Haçlıları Bozguna Uğratıyor (Hünername) — Osmanlı saray nakkaşları (metin: Seyyid Lokman) · 1588 · Topkapı Sarayı Müzesi Kütüphanesi · Kamu malı · Kaynak
• Ankara Savaşı'ndan Sonra I. Bayezid'in Timur'un Huzuruna Getirilişi (Zafername) — Bilinmeyen Safevi nakkaşı · 16. yüzyıl · British Library · Kamu malı · Kaynak
• Bursa: von Hallwyl Ailesinin Küçük Asya ve Türkiye Yolculuğundan Fotoğraf, 1901 — Jenny Bergensten · 1901 · Hallwyl Müzesi, Stockholm · Kamu malı · Kaynak
• Bursa, Yeşil Cami'nin Nişi ve Penceresi — Sébah & Joaillier · 1888–1900 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Konstantinopolis ve Pera Haritası (Liber insularum Archipelagi) — Bilinmeyen müstensih, Cristoforo Buondelmonti'nin eserinden · y. 1475 · Walters Art Museum, Baltimore · Kamu malı · Kaynak
• Boğaziçi, Rumeli ve Anadolu Hisarı, Konstantinopolis, Türkiye — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890–1900 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Konstantinopolis Kuşatması (Le siège de Constantinople, Voyage d'Outremer) — Jean Le Tavernier · y. 1455 · Fransa Ulusal Kütüphanesi, Fr. 9087 · Kamu malı · Kaynak
• Fatih Sultan Mehmed Konstantinopolis'i Fethederken — Fausto Zonaro · 1903 · Kamu malı · Kaynak
• Fatih Sultan Mehmed'in Konstantinopolis'e Girişi — Jean-Joseph Benjamin-Constant · 1876 · Musée des Augustins, Toulouse · Kamu malı · Kaynak
• Ayasofya Camii, Konstantinopolis, Türkiye — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Fatih Sultan Mehmed — Gentile Bellini · 1480 · National Gallery, Londra · Kamu malı · Kaynak
• Oturan Kâtip — Gentile Bellini'ye atfedilir · 1479–1481 · Isabella Stewart Gardner Müzesi, Boston · Kamu malı · Kaynak
• Madalya: Fatih Sultan Mehmed — Costanzo da Ferrara · Model 1481 (eski bir sonradan döküm) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Bâb-ı Hümâyun, Topkapı Sarayı, Konstantinopolis — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Şah İsmail Çaldıran'da Osmanlı Ordusunu Gözlüyor (Şükri-i Bidlisi'nin Selimname'si, fol. 113a) — Osmanlı saray nakkaşları · y. 1525–1530 · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Profilden Kanuni Sultan Süleyman — Tiziano çevresi · 1530'lar · Kunsthistorisches Museum, Viyana · Kamu malı · Kaynak
• Kanuni Sultan Süleyman'ın (hd. 1520–66) Tuğrası (Resmî İmzası) — Osmanlı saray müzehhipleri · y. 1555–1560 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Rodos Kuşatması Sırasında Kanuni Sultan Süleyman (1522) (Süleymanname, MS Hazine 1517, fol. 149r) — Nakkaş Osman'a atfedilir · y. 1558 · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Mohaç Savaşı (Süleymannâme) — Osmanlı saray nakkaşları · 1558 · Topkapı Sarayı Müzesi Kütüphanesi · Kamu malı · Kaynak
• Başarısız Viyana Kuşatmasından Sonra Savaş Divanı — Osmanlı saray nakkaşları · 16. yüzyıl · Kamu malı · Kaynak
• Kanuni Sultan Süleyman'ın Şehzadeler Mustafa, Mehmed ve Selim'in Sünnet Düğünü İçin Atmeydanı'ndaki Saraya Gelişi (Hünername) — Osmanlı saray nakkaşları · 1584–1588 · Kamu malı · Kaynak
• İstanbul ve Galata (Beyân-ı Menâzil) — Matrakçı Nasuh · 1537 · İstanbul Üniversitesi Kütüphanesi · Kamu malı · Kaynak
• Kanuni Sultan Süleyman Kraliçe Isabella'yı ve Oğlu János Zsigmond'u Kabul Ediyor (Süleymanname) — Osmanlı saray nakkaşları · y. 1558 · Kamu malı · Kaynak
• Hristiyan Oğlanların Devşirme İçin Kayda Geçirilmesi (Süleymanname) — Osmanlı saray nakkaşları · 1558 · Kamu malı · Kaynak
• Kanuni Sultan Süleyman Hâlâ Hayattaymış Gibi Gösterilerek Osmanlı Ordusunun Zigetvar'dan Dönüşü — Nakkaş Osman · 1568–1569 · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Piri Reis Dünya Haritası — Piri Reis · 1513 · Topkapı Sarayı Müzesi Kütüphanesi, H. 1824 · Kamu malı · Kaynak
• Venedik Şehrinin Batı Kısmının Haritası (Kitâb-ı Bahriye) — Piri Reis'in eserinden · 17. yüzyılın sonu – 18. yüzyılın başı · Walters Art Museum · Kamu malı · Kaynak
• İstanbul (Kitâb-ı Bahriye nüshası) — Mustafa bin Mehmed Cündî · 1629 · Nuruosmaniye Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Barbaros Hayreddin — Anonim, İtalyan, 16. yüzyıl · 1530–60 · Metropolitan Sanat Müzesi · CC0 · Kaynak
• Barbaros'un Donanması Toulon'da Kışlıyor, 1543 — Matrakçı Nasuh · 16. yüzyıl · Kamu malı · Kaynak
• Nice Kuşatmasında Barbaros'la Birlikte Fransız Donanması, 1543 — Matrakçı Nasuh · 16. yüzyıl · Kamu malı · Kaynak
• Turgut Reis — Anonim (Hollandalı) · y. 1650–1750 · KU Leuven Kütüphaneleri · Kamu malı · Kaynak
• Malta Kuşatması: Türk Donanmasının Gelişi, 20 Mayıs 1565 — Matteo Perez d'Aleccio · 16. yüzyılın sonu · Royal Museums Greenwich · Kamu malı · Kaynak
• İnebahtı Deniz Savaşı — Cornelis de Wael · y. 1613–1667 · Kamu malı · Kaynak
• Dalgalı Asma Kıvrımlarıyla Bezeli Çini — Osmanlı çinicileri, Bursa · H. 824 / M. 1421 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Çiçekli Bitkiler Arasında İki Kuş Tasvirli Tabak — İznik çini ustaları · y. 1575–90 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Yelkenli Gemi Desenli Tabak — İznik çini ustaları · 17. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Çini Pano — İznik çini ustaları · 16. yüzyılın ikinci yarısı · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Bir Kaftandan Yaprak Madalyonlu Brokar İpek — Osmanlı dokumacıları, İstanbul · 1525–75 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Süleymaniye Camii, Konstantinopolis, Türkiye — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Sultan I. Ahmed Camii, iç mekân, Konstantinopolis, Türkiye — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Yeni Cami ve Eminönü Çarşısı, Konstantinopolis, Türkiye — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Hat Sanatıyla Oluşturulmuş Kalyon — ʿAbd al-Qadir Hisari · H. 1180 / M. 1766–67 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Sultan Ahmed Çeşmesi, Konstantinopolis, Türkiye — Bilinmeyen fotoğrafçı (Photoglob Co.) · 1890–1900 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Şehzade Mustafa'nın Oğlunun Bursa'da Ölümü (Hünernâme, II. cilt) — Osmanlı saray nakkaşları (metin: Seyyid Lokman) · y. 1585–1588 · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Kanuni Sultan Süleyman Erdel Prensi János Zsigmond'u 1566'da Zemun Yakınında Kabul Ediyor (ayrıntı), Zigetvar Seferi Tarihi'nden — Nakkaş Osman · 1568–1569 · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Osmanlı Ordusu 1569'da Tunus Şehrine Yürüyor (Şehnâme-i Selîm Hân) — Nakkaş Osman ve Ali · 1581 · Ağa Han Müzesi, Toronto · Kamu malı · Kaynak
• Sultan III. Murad Portresi — Bilinmeyen ressam · Bilinmiyor · Topkapı Sarayı Müzesi, İstanbul · Kamu malı · Kaynak
• Bir Yeniçeri Askeri — Anonim (Vanmour serisi) · y. 1700–1737 · Rijksmuseum, Amsterdam · Kamu malı · Kaynak
• Yeniçeri Ağası, Yeniçerilerin Başkomutanı — Anonim (Vanmour serisi) · y. 1700–1737 · Rijksmuseum, Amsterdam · Kamu malı · Kaynak
• Sadrazam Atmeydanı'ndan (Hipodrom) Geçiyor — Jean-Baptiste Vanmour · y. 1720–1737 · Rijksmuseum, Amsterdam · Kamu malı · Kaynak
• Bir Çadırın Önünde Ziyafet Veren Türk Saraylılar — Jean-Baptiste Vanmour · y. 1720–1737 · Rijksmuseum, Amsterdam · Kamu malı · Kaynak
• Seçkin Türk Kadınlarının Yemeği — Jean-Baptiste Vanmour · y. 1720–1737 · Rijksmuseum, Amsterdam · Kamu malı · Kaynak
• Sema Eden Dervişler — Jean-Baptiste Vanmour · y. 1720–1737 · Rijksmuseum, Amsterdam · Kamu malı · Kaynak
• Uyuyan Genç Kadın — Levni · y. 1718–1730 · Topkapı Sarayı Müzesi, H. 2169 · Kamu malı · Kaynak
• Surnâme-i Vehbî — Levni · 1720 · Topkapı Sarayı Müzesi Kütüphanesi · Kamu malı · Kaynak
• Su Üstünde Şenlikler (Surnâme-i Vehbî) — Abdulcelil Levni ve atölyesi · y. 1720 · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Gece Havai Fişekleri (Surnâme-i Vehbî) — Abdulcelil Levni ve atölyesi · y. 1720 · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Sünnet Şenliğinde Nahıllar (Surnâme-i Vehbî) — Abdulcelil Levni ve atölyesi · y. 1720 · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Sultan III. Ahmed Portresi — Jean-Baptiste Vanmour · y. 1700–1737 · Rijksmuseum, Amsterdam · Kamu malı · Kaynak
• Sadrazam Nevşehirli Damat İbrahim Paşa — Jean-Baptiste Vanmour · y. 1727–1730 · Rijksmuseum, Amsterdam · Kamu malı · Kaynak
• Cornelis Calkoen Sultan III. Ahmed'in Huzuruna Çıkmaya Giderken — Jean-Baptiste Vanmour · y. 1727–1730 · Rijksmuseum, Amsterdam · Kamu malı · Kaynak
• Elçi Cornelis Calkoen Sultan III. Ahmed'in Huzurunda, 14 Eylül 1727 — Jean-Baptiste Vanmour · y. 1727–1730 · Rijksmuseum, Amsterdam, SK-A-4078 · CC0 · Kaynak
• Patrona Halil — Jean-Baptiste Vanmour · y. 1730–1737 · Rijksmuseum, Amsterdam · Kamu malı · Kaynak
• Huzur Kabulünde Sultan III. Selim — Konstantin Kapıdağlı · 1803 · Kamu malı · Kaynak
• Sultan II. Mahmud — Athanasios Karantzoulas · 19. yüzyılın ikinci yarısı · Kamu malı · Kaynak
• Sultan I. Abdülmecid — Bilinmeyen sanatçı · 19. yüzyılın ortası · Kamu malı · Kaynak
• Büyük Nefin Genel Görünümü (Vue générale de la grande nef; Aya Sofia, Constantinople) — Gaspare Fossati · taş baskı: Louis Haghe · 1852 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Dolmabahçe Sarayı, Konstantinopolis, Türkiye — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Yeni Cami Önünde Bir Pazar, Konstantinopolis — Amedeo Preziosi · 1879 · Kamu malı · Kaynak
• Galata Köprüsü'nde Ertuğrul Süvari Alayı — Fausto Zonaro · 1901 · Milli Saraylar Resim Müzesi, İstanbul · Kamu malı · Kaynak
• Arzuhalci — Osman Hamdi Bey · 1910 · Kamu malı · Kaynak
• Kaplumbağa Terbiyecisi — Osman Hamdi Bey · 1906 · Pera Müzesi, İstanbul · Kamu malı · Kaynak
• Avlarını Getiren Balıkçılar — Fausto Zonaro · 19. yüzyılın sonu – 20. yüzyılın başı · Kamu malı · Kaynak

Babür İmparatorluğu

• Timur, Hümayun'un Huzurunda Tacı Babür'e Veriyor (Minto Albümü) — Govardhan · y. 1630 · Victoria and Albert Müzesi, Londra · Kamu malı · Kaynak
• Kitap Okuyan Bir Prensin İdealize Portresi, Babür Olarak Tanımlanır — Muhtemelen Aqa Riza · y. 1605–1615 · British Museum, Londra · Kamu malı · Kaynak
• Babür ve Maiyeti Andican Kalesi'nin Mirza Kapısı'na Yaklaşıyor, bir Babürnâme'den — Babür saray ressamları · 1598 · Ulusal Müze, Yeni Delhi · Kamu malı · Kaynak
• Hace Kadı ve Diğerleri Aba-bikr Mirza Dughlat'ın Kalesine Saldırıyor (Babürnâme) — Babür saray ressamları · 1598 · Ulusal Müze, Yeni Delhi · Kamu malı · Kaynak
• 1504'te Kâbil'in Alınışında Babür, bir Ekbername'den — Basawan ve Mahesha · y. 1586–1590 · Ulusal Asya Sanatı Müzesi (Freer Gallery of Art), Washington, D.C. · Kamu malı · Kaynak
• Babür, Kunduz'da Hanzade Begüm ve Diğer Hanımlarla Buluşuyor, bir Babürnâme'den — Mansur (kısmen kesilmiş bir yazıta göre) · 1598 · Kamu malı · Kaynak
• Babür, Vefa Bahçesi'nin Düzenlenmesini Denetliyor, bir Babürnâme'den — Babür saray ressamları · y. 1589–1590 · Kamu malı · Kaynak
• Panipat Savaşı, bir Babürnâme'den — Babür saray ressamları · 1598 · Kamu malı · Kaynak
• Sultan İbrahim'e Karşı Zaferin Ardından Babür Ganimeti ve Hümayun'un Selamını Kabul Ediyor, bir Ekbername'den — Babür saray ressamları · y. 1596–1597 ya da 1604 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Babür Saun Irmağı'nı Geçiyor, bir Babürnâme'den — Jaganath · 1598 · Ulusal Müze, Yeni Delhi · Kamu malı · Kaynak
• İmparator Hümayun — Bilinmeyen Delhili sanatçı · y. 1875 · Los Angeles County Sanat Müzesi · Kamu malı · Kaynak
• Babür, Hümayun'u Halefi İlan Ediyor, bir Ekbername'den — Lal'e atfedilir · 1602–1603 · British Library, Londra · Kamu malı · Kaynak
• Hümayun'un Gücerat Seferi Sırasında Sultan Bahadır'ın Kaçışı, bir Ekbername'den — Dharmdas · y. 1590 · Los Angeles County Sanat Müzesi · Kamu malı · Kaynak
• Hümayun ile Hamide Banu Begüm'ün Düğün Ziyafeti, bir Ekbername'den — Babür saray ressamları · y. 1595 · Kamu malı · Kaynak
• Karaca Han Hümayun'dan Af Diliyor, bir Ekbername'den — Babür saray ressamları · y. 1595 · Kamu malı · Kaynak
• Ekber ve Hümayun Bir Ağaç Evde, Kâbil (ayrıntı) — 'Abd al-Samad'a atfedilir · y. 1550–1556 · Kamu malı · Kaynak
• Mirza Kâmran Hümayun'a Boyun Eğiyor, bir Ekbername'den — Manohar · 1602–1603 · British Library, Londra · Kamu malı · Kaynak
• Hümayun, Hindistan'ı Yeniden Fethetmeden Önce Afganları Yeniyor, bir Ekbername'den — Babür saray ressamları · y. 1590 · Cleveland Sanat Müzesi · Kamu malı · Kaynak
• Hümayun Türbesi, Delhi — Bilinmeyen Delhili sanatçı · 1820 · British Library, Londra · Kamu malı · Kaynak
• Delhi. İmparator Hümayun'un Türbesi — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Bayram Han, Mankot Kuşatmasından Sonra Genç Ekber'e Dilekçe Sunuyor, 1557 (Ekbername'den bir sayfa) — Ekber'in atölyesinin ressamları, Lahor · y. 1590–1595 · Kamu malı · Kaynak
• Ekber'in Fil Hava'i ile Serüveni (Ekbername) — Basawan · y. 1590 · Victoria and Albert Müzesi, Londra · Kamu malı · Kaynak
• Malva'nın Düşüşü (Ekbername, ayrıntı) — Babür saray ressamları · y. 1600–1603 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Jaunpur Savaşı, 1561 (Ekbername) — Kanha (tasarım) ve Banwali Khord (boyama) · y. 1590 · Victoria and Albert Müzesi, Londra · Kamu malı · Kaynak
• Chittor Kuşatması Sırasında Bir Lağım Patlıyor (Ekbername, sol yarı) — Miskina (tasarım) ve Bhura (boyama) · y. 1590–1595 · Victoria and Albert Müzesi, Londra · Kamu malı · Kaynak
• Ekber, Chittor Kuşatmasında Jaimal'i Vuruyor (Ekbername) — Babür saray ressamları · y. 1590–1596 · Victoria and Albert Müzesi, Londra · Kamu malı · Kaynak
• Ranthambhor Kalesine Saldırı Sırasında Kuşatma Toplarını Yokuş Yukarı Çeken Öküzler (Ekbername) — Babür saray ressamları · y. 1590–1595 · Victoria and Albert Müzesi, Londra · Kamu malı · Kaynak
• Ekber'in Surat'a Zafer Girişi (Ekbername) — Farrukh Beg · y. 1590–1595 · Victoria and Albert Müzesi, Londra · Kamu malı · Kaynak
• Tukaroi Savaşı, 3 Mart 1575 (Ekbername) — Manohar · y. 1590 · Kamu malı · Kaynak
• Ekber'in Komutanı Ona 1576'da Bengal'in Fethini Bildiriyor (Ekbername) — ʿInayat Khanazad · 1603–1605 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Yunan Kralı Feridun Şah İslam'a Geçiyor ve Kızını Hamza'ya Veriyor (Hamzaname) — Mir Sayyid Ali'ye atfedilir · y. 1557–1572 · MAK – Uygulamalı Sanatlar Müzesi, Viyana · Kamu malı · Kaynak
• Şisan Barajı'nda Çarkı Çevirmek (Hamzaname) — Babür saray ressamları · y. 1558–1573 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Ekber Bir Çita Yakalıyor (Ekbername) — Babür saray ressamları · y. 1600–1603 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Ekber Bedahşan Elçilerinden Hediyeler Kabul Ediyor (Ekbername) — Babür saray ressamları · y. 1600–1603 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Ekber'in Oğullarının Sünnet Töreni (Ekbername, 126. resim) — Dharam Das · y. 1602–1603 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Ekber Fatehpur Sikri'nin İnşaatını Denetliyor (Ekbername) — Balchand · 1603–1605 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Fatehpur Sikri, Panch Mahal — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Ekber ve Cizvitler (Ekbername) — Narsingh · y. 1600–1603 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Ebu'l-Fazl Ekbername'yi Ekber'e Sunuyor — Govardhan · 1603–1605 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Agra Yakınlarında, Sikandra'daki İmparator Ekber Türbesi'nin Kapısı (Oriental Scenery, levha 9) — Thomas Daniell · 1795 · Wellcome Collection, Londra · Kamu malı · Kaynak
• İmparator Cihangir İki Oğlunu Kabul Ediyor — Manohar · y. 1605–1606 · British Museum, Londra · Kamu malı · Kaynak
• İmparator Cihangir Oğlu Hurrem'i Altınla Tartıyor — Manohar'a atfedilir · y. 1615 · British Museum, Londra · Kamu malı · Kaynak
• Divanda Cihangir — Abu'l Hasan · y. 1620–1624; y. 1628'de kısmen yeniden boyanmış · Güzel Sanatlar Müzesi, Boston · Kamu malı · Kaynak
• Benekli Çataltüylü, Şah Cihan Albümü'nden bir yaprak — Abu'l Hasan (resim); Mir 'Ali Haravi (hat, arka yüz) · y. 1610–1615 (hat y. 1540) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Bir Bukalemun — Ustad Mansur · 17. yüzyılın başı · Royal Collection Trust, Birleşik Krallık · Kamu malı · Kaynak
• Nilgau (Mavi Boğa) Etüdü, Şah Cihan Albümü'nden bir yaprak — Ustad Mansur (resim); Mir 'Ali Haravi (hat, ön yüz) · y. 1620 (hat y. 1540) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Büyük Boynuzgaga, Şah Cihan Albümü'nden bir yaprak — Ustad Mansur (resim); Mir 'Ali Haravi (hat, ön yüz) · y. 1615–1620 (hat y. 1540) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• İmparator Cihangir Şah Abbas'ı Kucaklıyor, St. Petersburg Albümü'nden — Abu'l Hasan · y. 1618 · Freer Gallery of Art, Washington, DC · Kamu malı · Kaynak
• Cihangir Bir Sufi Şeyhini Krallara Tercih Ediyor, St. Petersburg Albümü'nden — Bichitr · y. 1615–1618 · Freer Gallery of Art, Washington, DC · Kamu malı · Kaynak
• Nur Cihan, Cihangir ve Şehzade Hurrem'i Ağırlıyor — Babür saray ressamı · y. 1640–1650 · Freer Gallery of Art, Washington, DC · Kamu malı · Kaynak
• İmparator Cihangir'in Portresini Tutan Nur Cihan — Bishandas · 1627 · Cleveland Sanat Müzesi · Kamu malı · Kaynak
• Şah Cihan Tahta Çıkış Törenleri Sırasında En Büyük Üç Oğlunu ve Asaf Han'ı Kabul Ediyor (Padişahname) — Bichitr · y. 1630–1657 · Royal Collection Trust, Birleşik Krallık · Kamu malı · Kaynak
• Atlı Şah Cihan, Şah Cihan Albümü'nden bir yaprak — Payag · y. 1630 · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Şah Cihan Burhanpur'daki Sarayına Giriyor (Padişahname sayfası) — 'Abid · 1630–1631 · Kamu malı · Kaynak
• Dara Şükûh'un Düğün Alayı — Haji Madni · 1740'lar · Kamu malı · Kaynak
• Şah Cihan Bir Fil Dövüşünü İzliyor, bir Padişahname'den yaprak — Bulaqi · Muhtemelen 1639 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kılıç Han Teslim Olan Bir Şehrin Anahtarlarını Kabul Ediyor (Padişahname) — Murad'a atfedilir · y. 1646 · Guimet Müzesi, Paris · Kamu malı · Kaynak
• Şah Cihan'ın Adlarını ve Unvanlarını Taşıyan Rozet, Şah Cihan Albümü'nden bir yaprak — Babür saray müzehhibi · 17. yüzyıl · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Agra'daki Tac Mahal (The Taje Mahal, at Agra; Oriental Scenery, levha 18) — Thomas Daniell · Temmuz 1796 · Wellcome Collection, Londra · Kamu malı · Kaynak
• Agra, Tac Mahal — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Delhi Cuma Camii (The Jummah Musjed, Delhi; Oriental Scenery, levha 23) — Thomas Daniell · Ocak 1797 · Wellcome Collection, Londra · Kamu malı · Kaynak
• Evrengzîb Nilgau Avlıyor — Babür saray ressamı (Commons'ta Hashim'e atfedilmiş) · y. 1660 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Atlı İmparator Âlemgîr (hd. 1658–1707) — Babür saray ressamı · y. 1690–1710 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Bir Terasta Dinlenen Babürlü Prenses — Bilinmeyen Dekkenli ressam · y. 1680–1700 · Kamu malı · Kaynak
• Bijapur Sultanı II. Ali Adil Şah (Nusrati'nin Gülşen-i Aşk'ının baş resmi) — Bilinmeyen Dekkenli ressam (Haydarabad) · y. 1710 · David Koleksiyonu, Kopenhag · Kamu malı · Kaynak
• Golkonda Kuşatmasında İmparator Evrengzîb, 1687 — Bilinmeyen Hintli ressam · y. 1750–1790 · Anne S. K. Brown Askerî Koleksiyonu, Brown Üniversitesi Kütüphanesi · Kamu malı · Kaynak
• Imperii Magni Mogolis sive Indici Padschach (Büyük Moğol İmparatorluğu Haritası) — Matthäus Seutter · y. 1740 · Kamu malı · Kaynak
• Tahtırevanla Taşınan İmparator Evrengzîb — Bhavanidas · y. 1705–20 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Âlemgîr Portresi (hd. 1658–1707) — Babür saray ressamı · y. 1700 · Cleveland Sanat Müzesi · CC0 · Kaynak
• İmparator Evrengzîb Şehzade Muazzam'ı Kabul Ediyor — Bhavanidas'a atfedilir · y. 1707–1712 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Maiyetiyle Atlı Ferruhsiyer — Bilinmeyen Babürlü ressam · 18. yüzyıl · British Museum, Londra · Kamu malı · Kaynak
• Tahtta Oturan Nadir Şah Afşar'ın Portresi — Bilinmeyen Babürlü ressam · y. 1740–1750 · David Koleksiyonu, Kopenhag · Kamu malı · Kaynak
• Babür İmparatoru Muhammed Şah'ın (hd. 1719–1748) Elinde Doğanla Ölüm Sonrası Portresi — Muhammad Rizavi Hindi · 1764 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Delhi Cuma Camii'nin Doğu Kapısı (Oriental Scenery, levha 1) — Thomas Daniell · 1 Mart 1795 · Wellcome Collection, Londra · Kamu malı · Kaynak
• Babür İmparatoru Şah Âlem, Divani Fermanını Lord Clive'a Veriyor, Ağustos 1765 — Benjamin West · 1818 · British Library, Londra · Kamu malı · Kaynak
• II. Ekber'in Delhi Divanı — Ghulam Murtaza Khan'a atfedilir · y. 1811 · Ağa Han Müzesi, Toronto · Kamu malı · Kaynak
• Divan-ı Has, Kızıl Kale, Delhi, Kırmızı Tenteler (Şamiyaneler) ile — Ghulam 'Ali Khan · 1817 · British Library, Londra · Kamu malı · Kaynak
• Nehirden Kızıl Kale'nin Shah Burj, Saman Burj ve Asad Burj Kuleleri — Ghulam 'Ali Khan · y. 1852–1854 · Kamu malı · Kaynak
• Son Babür İmparatoru II. Bahadır Şah — Bilinmeyen Delhili ressam · y. 1850 · Kamu malı · Kaynak
• Sarayın Lahor Kapısı, Kızıl Kale, Delhi — Felice Beato · 1858 · Kamu malı · Kaynak

Bizans İmparatorluğu

• Constantius, Konstantin'i Halefi Olarak Atıyor — Peter Paul Rubens · 1622 · Yeni Güney Galler Sanat Galerisi, Sidney · Kamu malı · Kaynak
• Haç Görüsü — Raffaello okulu (Giulio Romano ve atölyesi) · 1520–1524 · Sala di Costantino, Vatikan Sarayı, Vatikan · Kamu malı · Kaynak
• Konstantin'in Milvius Köprüsü Savaşı'nda Maxentius'a Karşı Zaferi (duvar halısı) — Tasarım: Peter Paul Rubens; Paris'te dokunmuştur · 1623–1625 (tasarım 1622) · Philadelphia Sanat Müzesi · Kamu malı · Kaynak
• Konstantin'in Rüyası, Milvius Köprüsü Savaşı ve Gerçek Haç'ın Bulunuşu (Nazianzoslu Gregorios'un Vaazları, fol. 440r) — Bilinmeyen Bizanslı minyatürcü · 879–882 · Fransa Ulusal Kütüphanesi, Grec 510 · Kamu malı · Kaynak
• I. Konstantinos ve I. Justinyanus ile Meryem ve Çocuk İsa (güneybatı giriş mozaiği) — Bilinmeyen Bizanslı mozaik ustaları (fotoğraf: Myrabella) · 10. yüzyılın sonu · Ayasofya, İstanbul · Kamu malı · Kaynak
• Çemberlitaş (Yanık Sütun), Konstantinopolis, Türkiye — Bilinmeyen fotoğrafçı (Photoglob Co.) · 1890–1900 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Gerçek Haç ile İmparator Konstantin ve İmparatoriçe Helena — Bilinmeyen ikona ressamı · 14.–15. yüzyıl · Germanisches Nationalmuseum, Nürnberg · Kamu malı · Kaynak
• I. Konstantinopolis Konsili (Nazianzoslu Gregorios'un Vaazları, fol. 355r) — Bilinmeyen Bizanslı minyatürcü · 879–883 · Fransa Ulusal Kütüphanesi, Grec 510 · Kamu malı · Kaynak
• Aziz Ambrosius Theodosius'u Milano Katedrali'ne Almıyor — Anthony van Dyck · y. 1619–1620 · National Gallery, Londra · Kamu malı · Kaynak
• Konstantinopolis. Theodosius Dikilitaşı'nın Kaidesi — Pascal Sébah · 1870'ler · Strazburg Ulusal ve Üniversite Kütüphanesi (Numistral) · Kamu malı · Kaynak
• Yücegönüllülük ile Sağduyu Arasında Anicia Juliana (Viyana Dioskurides'i, fol. 6v) — Bilinmeyen Bizanslı minyatürcü; fotoğraf: Gennadii Saus i Segura (CC BY 4.0) · y. 512 · Avusturya Ulusal Kütüphanesi, Viyana (Cod. Med. gr. 1) · CC BY 4.0 · Kaynak
• Barberini Fildişi — Bilinmeyen Bizanslı fildişi oymacısı · 6. yüzyılın ilk yarısı · Louvre Müzesi, Paris (OA 9063) · CC0 · Kaynak
• İmparator I. Justinyanus ve Maiyeti (ayrıntı) — Bilinmeyen Bizanslı mozaik ustaları · y. 547 · San Vitale Bazilikası, Ravenna · Kamu malı · Kaynak
• İmparatoriçe Theodora ve Maiyeti (ayrıntı) — Bilinmeyen Bizanslı mozaik ustaları · y. 547 · San Vitale Bazilikası, Ravenna · Kamu malı · Kaynak
• Sadaka Dilenen Belisarius — Jacques-Louis David · 1781 · Palais des Beaux-Arts, Lille · Kamu malı · Kaynak
• Aynı Galerinin Doğu Yakasından Görünümü (Aya Sofia, Constantinople) — Gaspare Fossati (çizim); Louis Haghe (taş baskı) · 1852 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Kuzey Girişin Görünümü (Aya Sofia, Constantinople) — Gaspare Fossati (çizim); Louis Haghe (taş baskı) · 1852 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Kuyu Başında Rebeka ile Eliezer (Viyana Genesis'i) — Bilinmeyen Bizanslı minyatürcü · 6. yüzyıl · Avusturya Ulusal Kütüphanesi, Viyana (Cod. theol. gr. 31) · Kamu malı · Kaynak
• Lazarus'un Diriltilmesi (Rossano İncili) — Bilinmeyen Bizanslı minyatürcü · 6. yüzyıl · Piskoposluk Müzesi, Rossano · Kamu malı · Kaynak
• Pantokrator İsa — Bilinmeyen Bizanslı ikona ressamı · 6. yüzyıl · Azize Katerina Manastırı, Sina · Kamu malı · Kaynak
• Aziz Petrus İkonası — Bilinmeyen Bizanslı ikona ressamı · 6.–7. yüzyıl · Azize Katerina Manastırı, Sina · Kamu malı · Kaynak
• Meryem ve Çocuk İsa İkonası — Bilinmeyen dokumacı, Bizans Mısırı · 6. yüzyıl · Cleveland Sanat Müzesi · CC0 · Kaynak
• İkonoklastlarla Çarmıha Geriliş (Chludov Mezmurları, fol. 67r) — Bizanslı el yazması minyatürcüsü · y. 850–875 · Devlet Tarih Müzesi, Moskova · Kamu malı · Kaynak
• İtirafçı Aziz Niketas (II. Basileios Menologionu) — II. Basileios Menologionu'nun minyatürcüleri · y. 985 · Vatikan Apostolik Kütüphanesi · Kamu malı · Kaynak
• İtirafçı Aziz Athanasios (II. Basileios Menologionu) — II. Basileios Menologionu'nun minyatürcüleri · y. 985 · Vatikan Apostolik Kütüphanesi · Kamu malı · Kaynak
• Theophobos, İmparator Theophilos'un Kız Kardeşiyle Evleniyor (Madrid Skylitzes'i, fol. 53v) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• Theoktiste, Theodora'nın Kızlarına İkonalara Saygı Göstermeyi Öğretiyor (Madrid Skylitzes'i, fol. 44v) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• Ortodoksluğun Zaferi (İkonaların Yeniden Kabulü) — Bilinmeyen Bizanslı ikona ressamı · y. 1400 · British Museum, Londra · Kamu malı · Kaynak
• Mezmurları Besteleyen Davud (Paris Mezmurları, fol. 1v) — Bizanslı el yazması minyatürcüsü · y. 950–960 · Fransa Ulusal Kütüphanesi, Paris · Kamu malı · Kaynak
• Melek Yeşu'ya Görünüyor (Yeşu Tomarı) — Bizanslı el yazması minyatürcüsü · y. 950–975 · Vatikan Apostolik Kütüphanesi · Kamu malı · Kaynak
• Pelusionlu Aziz İsidoros (II. Basileios Menologionu) — II. Basileios Menologionu'nun minyatürcüleri · y. 985 · Vatikan Apostolik Kütüphanesi · Kamu malı · Kaynak
• Aziz Dimitrios İkonası — Bizanslı fildişi oymacısı · 950–1000 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Harbaville Triptiği — Bizanslı fildişi oymacısı · 10. yüzyılın ortası · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Rusların Vaftizi — Viktor Vasnetsov · y. 1890 · Devlet Tretyakov Galerisi, Moskova · Kamu malı · Kaynak
• II. Basileios ve VIII. Konstantinos'un Yer Aldığı Nomisma (arka yüz) — Konstantinopolis imparatorluk darphanesi · 977–1025 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Çarmıha Geriliş — Bizanslı mozaik ustaları · 11. yüzyılın başı · Hosios Loukas Manastırı, Beotya · Kamu malı · Kaynak
• Üç Meryem (mozaik ayrıntısı) — Bizanslı mozaik ustaları · y. 1042–1056 · Nea Moni Manastırı, Sakız Adası · Kamu malı · Kaynak
• IX. Konstantinos Monomakhos (Zoe mozaiğinden ayrıntı) — Bizanslı mozaik ustaları · 1042–1055 · Ayasofya, İstanbul · Kamu malı · Kaynak
• Bir İkona Çerçevesinden Aziz Yorgi Madalyonu — Bizanslı mine ustası · y. 1100 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kalkan Üzerinde Yükseltilen Bir İmparatorun Taç Giymesi (Madrid Skylitzes'i, fol. 10v) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• Krum Ordusunu Topluyor; Askerler I. Mikhail'i Savaşmaya Zorluyor (Madrid Skylitzes'i, fol. 11r) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• Slav Thomas Konstantinopolis'e Saldırıp Kuşatıyor (Madrid Skylitzes'i, fol. 32v) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• Bizans Donanması Asi Donanmayı Rum Ateşiyle Yakıyor (Madrid Skylitzes'i, fol. 34v, ayrıntı) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• Omurtag ve II. Mikhail'in Elçileri (Madrid Skylitzes'i, fol. 35r) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• Bulgarlar, Krenites ve Kourtikios Komutasındaki Bizanslıları Yeniyor (Madrid Skylitzes'i, fol. 108r, ayrıntı) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• VI. Leon ve Arap Elçileri; VII. Konstantinos'un Taç Giymesi (Madrid Skylitzes'i, fol. 114v) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• Bizanslılar Preslav'a Hücum Ediyor (Madrid Skylitzes'i, fol. 166r, ayrıntı) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• İoannes Tzimiskes'in Zafer Girişi (olası tanımlama) (Madrid Skylitzes'i, fol. 172v) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• Alusian, Peter Delyan'a Katılıyor; Selanik'ten Huruç (Madrid Skylitzes'i, fol. 217r) — Bilinmeyen minyatürcü · 12. yüzyıl · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• IV. Romanos ile Eudokia'nın Evliliği; Malazgirt Savaşı (1071); IV. Romanos ve Alparslan (Boccaccio, De casibus, Fransızca çeviri) — Bilinmeyen Fransız minyatürcü · 15. yüzyıl · Fransa Ulusal Kütüphanesi, Paris (Français 236, fol. 203) · Kamu malı · Kaynak
• Passages d'outremer: İznik Savaşı (1097) — Jean Colombe · y. 1474 · Fransa Ulusal Kütüphanesi, Paris (Français 5594, fol. 37v) · Kamu malı · Kaynak
• Pantokrator İsa (kubbe mozaiği) — Bilinmeyen Bizanslı mozaik ustaları · y. 1100 · Dafni Manastırı, Atina · Kamu malı · Kaynak
• Merhametli İsa (Eleemon) Mozaik İkonası — Bilinmeyen Bizanslı sanatçı · 12. yüzyılın ilk yarısı · Bode-Museum, Staatliche Museen zu Berlin · Kamu malı · Kaynak
• II. İoannes Komnenos ile İmparatoriçe İrene Arasında Meryem ve Çocuk İsa — Bizanslı mozaik ustaları · y. 1118–1122 · Ayasofya, İstanbul · Kamu malı · Kaynak
• Vladimir Meryemi — Bilinmeyen Konstantinopolisli ressam · y. 1130 (sonradan yeniden boyanmış) · Devlet Tretyakov Galerisi, Moskova · Kamu malı · Kaynak
• İlahi Yükseliş Merdiveni — Bilinmeyen Bizanslı ressam · 12. yüzyıl · Azize Katerina Manastırı, Sina · Kamu malı · Kaynak
• Haçlıların Konstantinopolis'e Girişi (12 Nisan 1204) — Eugène Delacroix · 1840 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• San Marco'nun Bronz Atları, Venedik — Charles Caryl Coleman · 1876 · Minneapolis Sanat Enstitüsü · Kamu malı · Kaynak
• Deesis mozaiği, Ayasofya — Bizanslı mozaik ustaları; fotoğraf: Myrabella · 13. yüzyıl; fotoğraf 2012 · Ayasofya, İstanbul · Kamu malı · Kaynak
• II. Andronikos Palaiologos'un Monemvasia Metropolitliği İçin Hrisobulu — Bilinmeyen Bizanslı sanatçı · 1301 · Bizans ve Hristiyan Müzesi, Atina · Kamu malı · Kaynak
• Tahtta Oturan İsa ve Bağışçı Mozaiği (Theodoros Metokhites), Kariye Camii — Bizanslı mozaik ustaları; fotoğraf: Byzantine Institute çalışanları · y. 1315–1321; fotoğraf 1955 · Dumbarton Oaks, Washington, D.C. · CC0 · Kaynak
• Yaşayanların Diyarı İsa, mozaik lünet, Khora Kilisesi — Bizanslı mozaik ustaları; fotoğraf: Joseolgon · y. 1315–1321; fotoğraf 2026 · Kariye (Khora), İstanbul · CC BY 4.0 · Kaynak
• Anastasis freski, Khora Kilisesi — Bizanslı ressamlar · y. 1320 · Kariye (Khora), İstanbul · Kamu malı · Kaynak
• İsa'nın Doğuşu, Peribleptos Manastırı kilisesinde fresk, Mistra — Bizanslı ressamlar · y. 1348–1380 · Peribleptos Manastırı, Mistra · Kamu malı · Kaynak
• II. Manuel Palaiologos Portresi, Kardeşi Theodoros İçin Yazdığı Cenaze Söylevinden — Bilinmeyen Bizanslı minyatürcü · 15. yüzyılın başı · Fransa Ulusal Kütüphanesi, Paris (Suppl. gr. 309) · Kamu malı · Kaynak
• Konstantinopolis İmparatoru VIII. İoannes Palaiologos (madalya, ön yüz) — Pisanello · 1438 · Ulusal Sanat Galerisi, Washington · CC0 · Kaynak
• Müneccimlerin Alayı (ayrıntı: ortadaki kral) — Benozzo Gozzoli · 1459 · Cappella dei Magi, Palazzo Medici Riccardi, Floransa · Kamu malı · Kaynak
• Yeni Ahit Teslisi İkonası — Bilinmeyen Konstantinopolisli ressam · y. 1450 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Başmelek Cebrail, Bir İkonostasisin Kral Kapısı'ndaki Müjde Sahnesinden — Bilinmeyen Geç Bizans ressamı · 15. yüzyılın ikinci yarısı · Princeton Üniversitesi Sanat Müzesi · Kamu malı · Kaynak
• Konstantinopolis'in Düşüşü — Panagiotis Zografos, Ioannis Makriyannis'in yönetiminde · y. 1836–1839 · Kamu malı · Kaynak
• Konstantinopolis Kuşatması, dış cephe freski — Bilinmeyen Boğdanlı ressamlar; fotoğraf: DimiTalen · 1537; fotoğraf 2017 · Moldovița Manastırı, Vatra Moldoviței, Romanya · CC0 · Kaynak
• Irdikale (Yedikule) Yakınında Bizans Suru, Konstantinopolis, Türkiye — Bilinmeyen fotoğrafçı (Photoglob Co.) · 1890–1900 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Yedikule'den Konstantinopolis, Türkiye — Bilinmeyen fotoğrafçı (cam diyapozitif) · y. 1915 · Oregon Eyalet Üniversitesi Arşivleri · Kısıtlama yok · Kaynak
• Yerebatan Sarnıcı'nın İçi, Konstantinopolis — Michel-François Préaulx · 1814 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Başkalaşım — Yunanlı Theophanes'e atfedilir · 1400–1410 · Tretyakov Galerisi, Moskova · Kamu malı · Kaynak
• Dört Asker Aziz — Michael Damaskinos · 16. yüzyılın ikinci yarısı · Benaki Müzesi, Atina · Kamu malı · Kaynak
• Meryem'in Uykuya Dalışı — Giritli rahip ressam Viktor · y. 1650–1699 · Benaki Müzesi, Atina · Kamu malı · Kaynak
• İncil Yazarı Aziz Markos — Emmanuel Tzanes · 1657 · Benaki Müzesi, Atina · Kamu malı · Kaynak

Antik Mısır

• Kaplumbağa ve Güneş Tasvirli, Beyaz Çapraz Çizgili Kâse — Hanedanlık öncesi Mısırlı çömlekçiler (Nakada kültürü) · MÖ y. 4000–3400 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Gebelein Boyalı Keteni (ayrıntı) — Hanedanlık öncesi Mısırlı sanatçılar (Nakada kültürü) · MÖ y. 3600–3350 · Museo Egizio, Torino · CC0 · Kaynak
• İnsan, Hayvan ve Bitki Tasvirli Derin Kâse — Hanedanlık öncesi Mısırlı çömlekçiler (Nakada kültürü) · MÖ y. 3650–3300 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kayık Tasvirleriyle Bezeli Küp — Hanedanlık öncesi Mısırlı çömlekçiler (Nakada kültürü) · MÖ y. 3450–3350 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Sarmal Desenli Bezemeli Küp (Decorated Ware) — Hanedanlık öncesi Mısırlı çömlekçiler (Nakada kültürü) · MÖ y. 3650–3500 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Çocuklu Kadın Heykelciği — Hanedanlık öncesi Mısırlı zanaatkârlar · Hanedanlık Öncesi Dönem · Neues Museum, Berlin · CC0 · Kaynak
• Savaş Alanı Paleti (parça) — Geç Hanedanlık öncesi dönemin Mısırlı zanaatkârları · Geç Hanedanlık Öncesi Dönem, MÖ y. 3100 · British Museum, Londra · CC0 · Kaynak
• Narmer Paleti (erken dönem müze kartpostalı fotoğrafı) — Erken dönem Mısırlı zanaatkârlar · MÖ y. 3100 · Mısır Müzesi, Kahire (fotoğraf: Archivio fotografico, Museo Egizio, Turin) · CC0 · Kaynak
• Meidum Kazları (frizden ayrıntı), Itet Şapeli — Itet mezar şapelinin ressamları · MÖ y. 2600–2550 · Mısır Müzesi, Kahire · Kamu malı · Kaynak
• Rahotep ve Nofret Heykelleri — 4. Hanedan dönemi Mısırlı zanaatkârları · MÖ y. 26. yüzyıl · Mısır Müzesi, Kahire · CC0 · Kaynak
• Kahire, Palmiyeler ve Piramitler (Kairo, palmiers et pyramides) — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Samyelinin Yaklaşışı – Gize'de Çöl (Egypt and Nubia, cilt III) — Louis Haghe, David Roberts'ın eserinden · 1849 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Kral Menkaure'nin Hathor ve Bir Nom Tanrıçasıyla Üçlü Heykeli — 4. Hanedan dönemi Mısırlı zanaatkârları · MÖ y. 2500 · Mısır Müzesi, Kahire · CC0 · Kaynak
• Kralın Yakınları Memi ve Sabu — 4. Hanedan dönemi Mısırlı zanaatkârları · MÖ y. 2575–2465 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kral Sahure ve Bir Nom Tanrısı (ayrıntı) — 5. Hanedan dönemi Mısırlı zanaatkârları · MÖ y. 2458–2446 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Oturan Kâtip — Eski Krallık dönemi Mısırlı zanaatkârları · 4.–5. Hanedan, MÖ y. 2600–2350 · Louvre Müzesi, Paris · CC0 · Kaynak
• Perneb'in Mastaba Mezarı — 5. Hanedan dönemi Mısırlı zanaatkârları · MÖ y. 2381–2323 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kuş ve Sığır Getiren Adamlar Kabartması — 6. Hanedan dönemi Mısırlı zanaatkârları · MÖ y. 2311–2281 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Adak Taşıyıcıları Alayı Maketi (Meketre'nin mezarı) — Bilinmeyen Mısırlı sanatçı · MÖ y. 1981–1975 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Av Teknesi Maketi (Meketre'nin mezarı) — Bilinmeyen Mısırlı sanatçı · MÖ y. 1981–1975 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Meketre'nin Mezarından Sığır Ahırı Maketi — Bilinmeyen Mısırlı sanatçı · MÖ y. 1981–1975 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Ayakta Duran Su Aygırı (“William”) — Bilinmeyen Mısırlı sanatçı · MÖ y. 1961–1878 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kâhya Mentuwoser'in Steli — Bilinmeyen Mısırlı sanatçı · MÖ y. 1944 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Shu'lu Aamu Önderleri, II. Khnumhotep'in Mezarı, Beni Hasan (faksimile) — Norman de Garis Davies (faksimile) · Özgünü MÖ y. 1887–1878; faksimile 20. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Dokumacılar, Khnumhotep'in Mezarı (faksimile) — Norman de Garis Davies (faksimile) · Özgünü MÖ y. 1897–1878; faksimile 20. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• II. Senusret'in Adını Taşıyan Sithathoryunet Göğüslüğü ve Kolyesi — Bilinmeyen Mısırlı kuyumcu · MÖ y. 1887–1878 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Sfenks Olarak III. Senusret — Bilinmeyen Mısırlı heykeltıraş · MÖ y. 1878–1840 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Nakhtkhnum'un Tabutu — Bilinmeyen Mısırlı sanatçı · MÖ y. 1802–1640 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Hatşepsut'un Oturan Heykeli — Bilinmeyen Mısırlı heykeltıraş · MÖ y. 1479–1458 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Hatşepsut Sfenksi — Bilinmeyen Mısırlı heykeltıraş · MÖ y. 1479–1458 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Yabancılar, Menkheperraseneb'in Mezarı (faksimile) — Nina de Garis Davies (faksimile) · Özgünü MÖ y. 1479–1425; faksimile 20. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Karnak, Thutmose Tapınağı (Karnak, Temple de Thouthmes) — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Kerpiççiler, Rekhmire'nin Mezarı (faksimile) — Nina de Garis Davies (faksimile) · Özgünü MÖ y. 1479–1425; faksimile 20. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Berber Sahnesi, Userhat'ın Mezarı (faksimile) — Nina de Garis Davies (faksimile) · Özgünü MÖ y. 1427–1400; faksimile 20. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Menna ve Ailesi Bataklıkta Avlanırken, Menna'nın Mezarı (faksimile) — Nina de Garis Davies (faksimile) · Özgünü MÖ y. 1400–1352; faksimile 20. yüzyıl · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Nakht ve Ailesi Balık ve Kuş Avında, Nakht'ın Mezarı (faksimile) — Norman de Garis Davies (faksimile) · Özgünü MÖ y. 1400–1390; faksimile 20. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Nebamun'un Bataklıkta Kuş Avı — Bilinmeyen Tebli mezar ressamı · MÖ y. 1390–1350 · British Museum, Londra · Kamu malı · Kaynak
• Bahçede Havuz (Nebamun'un mezar şapeli) — Bilinmeyen Tebli mezar ressamı · MÖ y. 1380 · British Museum, Londra · Kamu malı · Kaynak
• Taşkın Sırasında Teb'deki Memnon Heykelleri (Egypt and Nubia, cilt II) — Louis Haghe, David Roberts'ın eserinden · 1848 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Parçalı Bir Heykelden Yüz, Muhtemelen Kraliçe Tiye — Bilinmeyen Mısırlı heykeltıraş · MÖ y. 1353–1336 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Akhenaton, Nefertiti ve Üç Kızını Gösteren Ev Sunağı — Bilinmeyen Mısırlı heykeltıraş; fotoğraf: Andreas Praefcke (2006) · MÖ y. 1340 · Mısır Müzesi ve Papirüs Koleksiyonu, Berlin (ÄM 14145) · Kamu malı · Kaynak
• Talatat: Nefertiti Portresi — Bilinmeyen Mısırlı heykeltıraş · MÖ y. 1353–1337 · Cleveland Sanat Müzesi (1959.188) · CC0 · Kaynak
• Kraliyet Ailesinden Bir Kadın Başı Biçiminde Kapaklı Kanopik Kavanoz — Bilinmeyen Mısırlı heykeltıraş · MÖ y. 1349–1336 ya da kısa süre sonra · Metropolitan Sanat Müzesi, New York (07.226.1, 30.8.54) · CC0 · Kaynak
• Geniş Gerdanlık — Bilinmeyen Mısırlı zanaatkâr · MÖ y. 1353–1336 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kral Tutankamon'a Sunulan Nubya Haracı, Huy'un Mezarı (faksimile) — Charles K. Wilkinson (Huy'un mezarındaki bir resimden faksimile, TT 40) · Özgünü MÖ y. 1353–1327; 20. yüzyıl faksimilesi · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Boyalı pano, muhtemelen Tutankamon'un Boyalı Sandığı'ndan — Bilinmeyen Mısırlı ressam; fotoğraf: Warren LeMay (2019) · MÖ y. 1332–1323 · Mısır Müzesi, Kahire (2019'da fotoğraflandığı hâliyle) · CC0 · Kaynak
• Kral Kâtibi Olarak Horemheb — Bilinmeyen Mısırlı heykeltıraş · MÖ y. 1336–1323 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Tutankamon'un Mezarındaki Kazılar: Eserlerin Çıkarılmasını Denetleyen Howard Carter — Agence Rol (basın fotoğrafı) · Ocak 1923 · Fransa Ulusal Kütüphanesi (BnF) · Kamu malı · Kaynak
• Karnak, Büyük Tapınağın Sütunlu Yolu — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• II. Ramses Heykeli — Bilinmeyen Mısırlı heykeltıraş · MÖ y. 1279–1213 · Museo Egizio, Torino (C 1380) · CC0 · Kaynak
• Abu Simbel Büyük Tapınağı'nın hipostil salonu, Mısır — David Roberts · 1849 · Yale İngiliz Sanatı Merkezi, New Haven · Kamu malı · Kaynak
• İsis'in Yol Gösterdiği Kraliçe Nefertari (faksimile) — Charles K. Wilkinson (Nefertari'nin mezarındaki bir resimden faksimile, QV 66) · Özgünü MÖ y. 1279–1213; 20. yüzyıl faksimilesi · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Iaru Tarlalarında Sennedjem ve Iineferti (faksimile) — Charles K. Wilkinson (Sennedjem'in mezarındaki bir resimden faksimile, TT 1) · 1922; özgünü MÖ y. 1295–1213 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Şarap Yapımı, Ipuy'un Mezarı (faksimile) — Charles K. Wilkinson (Commons'a göre; Ipuy'un mezarındaki bir resimden faksimile, TT 217) · Özgünü MÖ y. 1279–1213; 20. yüzyıl faksimilesi · Metropolitan Sanat Müzesi, New York (30.4.118) · CC0 · Kaynak
• Hunefer'in Ölüler Kitabı: Kalbin Tartılması — Bilinmeyen Mısırlı kâtip ve ressam · MÖ y. 1275 · British Museum, Londra · Kamu malı · Kaynak
• Osiris'in Huzurunda Ani, Ani'nin Ölüler Kitabı'ndan (faksimile) — E. A. Wallis Budge'ın faksimilesi (1890), bilinmeyen Mısırlı bir sanatçının eserinden · 1890 tarihli faksimile; özgünü MÖ y. 1250 · Özgün papirüs: British Museum, Londra · Kamu malı · Kaynak
• Büyük Harris Papirüsü, 2. Yaprak: Teb Üçlüsü'nün Önünde III. Ramses — Bilinmeyen Mısırlı kâtip ve ressam · MÖ y. 1150 · British Museum, Londra · Kamu malı · Kaynak
• Torino Papirüs Haritası (ayrıntı) — Bilinmeyen Mısırlı kâtip · MÖ y. 1150 · Museo Egizio, Torino (C 1879 + 1969 + 1899) · CC0 · Kaynak
• Amun-Re'nin şarkıcısı Henettawy'nin (F) İç Tabutu (ayrıntı) — Bilinmeyen Mısırlı sanatçı · MÖ y. 1000–945 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kedi tanrıça Bastet'in bronz figürü — Bilinmeyen Mısırlı sanatçı; fotoğraf: Gary Todd · Geç Dönem (MÖ 664–332) · British Museum, Londra · CC0 · Kaynak
• Horus Rahibi Imhotep'in (Imuthes) Ölüler Kitabı, güneş döngüsü — Bilinmeyen Mısırlı kâtip · MÖ y. 332–200 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Bitki çelengi, mumya maskesi ve diğer kartonaj parçalarıyla Nesmin'in mumyası (ayrıntı) — Bilinmeyen Mısırlı sanatçı · MÖ 200–30 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Philae, güney kesiminin genel görünümü (Phylae, vue générale de la partie du sud) — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Dendera (Tentyris): Büyük Tapınağın üst odalarından birinin tavanına oyulmuş zodyak (Description de l'Égypte) — Fransız seferinin sanatçıları (Description de l'Égypte) · 1809–1822 · New York Halk Kütüphanesi · Kamu malı · Kaynak
• Kleopatra'nın Ziyafeti — Giovanni Battista Tiepolo · 1743–1744 · National Gallery of Victoria, Melbourne · Kamu malı · Kaynak
• Herakleides'in Mumyası — Bilinmeyen Roma dönemi Mısırlı ressam · MS y. 120–140 · J. Paul Getty Museum, Los Angeles (91.AP.6) · CC0 · Kaynak
• Bir erkeğin Fayum cenaze portresi — Bilinmeyen Roma dönemi Mısırlı ressam; fotoğraf: Jebulon · Roma dönemi · Ulusal Arkeoloji Müzesi, Atina (env. 1627) · CC0 · Kaynak
• Bir kadının Fayum mumya portresi — Bilinmeyen Roma dönemi Mısırlı ressam; fotoğraf: Ketone16 · Roma dönemi · British Museum, Londra · Kamu malı · Kaynak
• Piramitler Savaşı (eskiz) — Wojciech Kossak · 1896 · Ulusal Müze, Varşova · Kamu malı · Kaynak
• Sfenksin Önünde Bonaparte (Oidipus) — Jean-Léon Gérôme · 1886 · Hearst Castle, San Simeon, Kaliforniya · Kamu malı · Kaynak
• Teb, Biban el-Moluk: doğudaki beşinci kraliyet mezarının arplar salonundan resimler (Description de l'Égypte) — Fransız seferinin sanatçıları (Description de l'Égypte) · 1809–1822 · New York Halk Kütüphanesi · Kamu malı · Kaynak
• Ayak tabureleriyle dört kraliyet koltuğu (I monumenti dell'Egitto e della Nubia) — Ippolito Rosellini (Fransız-Toskana seferi) · 1832–1844 · New York Halk Kütüphanesi · Kamu malı · Kaynak
• Genç Memnon: Ramesseum'dan II. Ramses'in dev göğüs heykeli — 19. Hanedan dönemi Mısırlı heykeltıraşlar; fotoğraf: Gary Todd · MÖ y. 1250 · British Museum, Londra · CC0 · Kaynak
• Jean-François Champollion'un Portresi — Léon Cogniet · 1831 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Büyük Piramit'in tepesindeki Prusya seferi — Johann Jakob Frey · 1842 · Kamu malı · Kaynak
• Sfenks ve piramitler, Mısır — Auguste Mariette'e atfedilir · Tarihsiz (1853 sonrası) · Getty Research Institute, Los Angeles · CC0 · Kaynak
• The Grammar of Ornament, Levha IV: Mısır No. 1 — Owen Jones · 1856 · Amgueddfa Cymru – Museum Wales · CC0 · Kaynak
• Mısır'da İsrail — Edward Poynter · 1867 · Guildhall Sanat Galerisi, Londra · Kamu malı · Kaynak

Moğol İmparatorluğu

• Tumanba Han, Eşi ve Dokuz Oğlu, bir Cengiznâme'den (Cengiz Han'ın Kitabı) yaprak — Basawan ve Bhim Gujarati · y. 1596 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kabil Han ve Ailesi (Câmiü't-Tevârîh, Supplément persan 1113, fol. 22v) — Timurlu saray ressamları, Herat · y. 1430–1434 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Cengiz Han ve Tuğrul (Ong Han) (Câmiü't-Tevârîh, Supplément persan 1113, fol. 105r) — Timurlu saray ressamları, Herat · y. 1430–1434 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Ülkesinde Yolculuk Eden Hükümdar (Diez Albümü, Diez A fol. 71, s. 50) — İlhanlı ressamlar (Tebriz?) · 14. yüzyılın ilk çeyreği · Berlin Devlet Kütüphanesi · Kamu malı · Kaynak
• Moğol Askerî Manevraları (Diez Albümü) — İlhanlı ressamlar · 14. yüzyılın başı · Berlin Devlet Kütüphanesi · Kamu malı · Kaynak
• Yemek Pişiren Moğollar (Câmiü't-Tevârîh, Supplément persan 1113) — Timurlu saray ressamları, Herat · y. 1430 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Moğol Doğancılığı (Diez Albümü, Diez A fol. 70, s. 15) — İlhanlı ressamlar · 14. yüzyıl · Berlin Devlet Kütüphanesi · Kamu malı · Kaynak
• Cengiz Han'a Biat, “rex tartarorum” (Hayton, Fleur des histoires de la terre d'Orient, NAF 886, fol. 14v) — Bilinmeyen Fransız minyatürcü · 14. yüzyıl · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Temuçin'in 1206'da Cengiz Han İlan Edilmesi (Câmiü't-Tevârîh, Supplément persan 1113, fol. 44v) — Timurlu saray ressamları, Herat · y. 1430–1434 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• İmparator Taizu'nun (Cengiz Han) Portresi, Yuan İmparatorlarının Yarım Boy Portreleri Albümü'nden — Yuan saray ressamları · 14. yüzyıl · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Moğollar ile Çinliler Arasında Savaş, 1211 (Câmiü't-Tevârîh, Supplément persan 1113, fol. 49) — Timurlu saray ressamları, Herat · y. 1430–1434 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Pekin (Zhongdu) Kuşatması, 1213–1214 (Câmiü't-Tevârîh, Supplément persan 1113, fol. 65v) — Timurlu saray ressamları, Herat · y. 1430–1434 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Moğol Savaşçılarının Takibi (Diez Albümü) — İlhanlı ressamlar · 14. yüzyılın başı · Berlin Devlet Kütüphanesi · Kamu malı · Kaynak
• Cengiz Han'ın Buhara Halkına Vaazı (Ahmed Tebrizî, Şehinşahnâme, Or. 2780) — Bilinmeyen İranlı ressam · 1397–1398 · British Library, Londra · Kamu malı · Kaynak
• Harezmşah Muhammed'in Ölümü (Câmiü't-Tevârîh, Supplément persan 1113, fol. 60v) — Timurlu saray ressamları, Herat · y. 1430–1434 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Terken Hatun'un Moğollarca Esir Alınması (Câmiü't-Tevârîh, Supplément persan 1113, fol. 84r) — Timurlu saray ressamları, Herat · y. 1430–1434 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Valiyan Savaşı, 1221 (Câmiü't-Tevârîh, Supplément persan 1113, fol. 72v) — Timurlu saray ressamları, Herat · y. 1430–1434 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Harezmşah Celaleddin'in Cengiz Han ve Ordusundan Kaçarak İndus'u Geçişi (Cengiznâme) — Banwari Khurd ve Dharm Das · 1596–1600 · British Museum, Londra · Kamu malı · Kaynak
• Cengiz Han'ın Ölümü (Marco Polo, Livre des merveilles, BnF fr. 2810) — Egerton Ustası · y. 1410–1412 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Kalka Savaşı (“Bataille de la Kalka, en 1224” yazılı) — Bilinmeyen gravürcü · 1855 · British Library · Kamu malı · Kaynak
• Ögeday Han'ın (Yuan İmparatoru Taizong) Portresi, Yuan imparatorları albümünden — Yuan saray ressamları · 14. yüzyıl · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Tahttaki Ögeday Han (Câmiü't-Tevârîh, BnF Supplément persan 1113) — Timurlu ressamlar, Herat · y. 1430 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Tahtta Batu Han (Câmiü't-Tevârîh, BnF Supplément persan 1113, fol. 91r) — Timurlu ressamlar, Herat · y. 1430–1434 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Görünmez Kent Kitej Efsanesi: Kerjenets Savaşı — Nicholas Roerich · 1913 · Kamu malı · Kaynak
• Tatarlar Dük II. Henryk'in Başını Liegnitz Kalesi Önüne Taşıyor (Hedwig Kodeksi, fol. 12) — Bilinmeyen Silezyalı minyatürcü · 1353 · J. Paul Getty Museum, Los Angeles · Kamu malı · Kaynak
• Legnica Savaşı (Aziz Hedwig Efsanesi) — Bilinmeyen minyatürcü · 15. yüzyıl · Kamu malı · Kaynak
• Silezyalı Aziz Hedwig Sunağı (sol ve sağ kanatlar) — Wielowieś Triptiği Ustası · y. 1430 · Kamu malı · Kaynak
• Mohi Savaşı, 1241 (Hayton, La Flor des estoires de la terre d'Orient, Cod. 2623, fol. 29r) — Bilinmeyen minyatürcü · 1350–1374 · Avusturya Ulusal Kütüphanesi, Viyana · Kamu malı · Kaynak
• İlk Moğol İstilası (Resimli Kronik, s. 125) — Macar saray minyatürcüsü (kronik Márk Kálti'ye atfedilir) · y. 1360 · Ulusal Széchényi Kütüphanesi, Budapeşte · Kamu malı · Kaynak
• Hülegü ve Eşi Dokuz Hatun (Câmiü't-Tevârîh) — Bilinmeyen İranlı ressam · 14.–15. yüzyıl · Kamu malı · Kaynak
• Hülegü ve Dokuz Hatun olarak yorumlanan Konstantin ve Helena (Süryanice lectionarium, Add. 7170) — Bilinmeyen Süryani minyatürcü · y. 1260 · British Library, Londra · Kamu malı · Kaynak
• Dağın Yaşlı Adamı (Livre des merveilles, fr. 2810, fol. 16v) — Bilinmeyen Parisli minyatürcü · y. 1410–1412 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Alamut'un Ele Geçirilişi, 1256 (Câmiü't-Tevârîh, BnF Supplément persan 1113, fol. 177v) — Timurlu ressamlar, Herat · y. 1430 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Hülegü Han Şiburgan'da Ziyafette (Câmiü't-Tevârîh, MS Dorn 289, fol. 241r) — Bilinmeyen İranlı ressam · 16. yüzyıl · Rusya Ulusal Kütüphanesi, St. Petersburg · Kamu malı · Kaynak
• Bağdat'ın Düşüşü (Diez Albümleri) — İlhanlı ressam · 14. yüzyılın başı · Berlin Devlet Kütüphanesi · Kamu malı · Kaynak
• Bağdat'ın Alınışı, 1258 (Hayton, Fleur des histoires de la terre d'Orient, NAF 886) — Bilinmeyen Fransız minyatürcü · 14. yüzyıl · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Bağdat Kuşatması, resimli bir yazmadan sayfa (büyük olasılıkla Babür Câmiü't-Tevârîh / Cengiznâme) — Babür saray ressamları · 1596 · Saint Louis Sanat Müzesi (388:1952) · Kamu malı · Kaynak
• Halife Müsta'sım'ın Hülegü Han'ın Huzuruna Getirilişi (Şehinşahnâme, Or. 2780, fol. 89v) — Bilinmeyen İranlı ressam · 1398 · British Library, Londra · Kamu malı · Kaynak
• Erbil Kuşatması, 1258–1259 (Câmiü't-Tevârîh, BnF Supplément persan 1113) — Timurlu ressamlar, Herat · y. 1430 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Köse Dağ Savaşı (Korikoslu Hayton, Fleur des histoires d'Orient, BnF NAF 886, fol. 18) — Bilinmeyen minyatürcü · 14. yüzyıl · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Hülegü'nün Altın Dinarı, el-Mavsıl — İlhanlıların el-Mavsıl (Musul) darphanesi · 662 H. (1263–1264) · Amerikan Nümismatik Derneği, New York · CC0 · Kaynak
• Oturan İki Figürlü, Lüster Boyalı Yıldız Çini (BK-1978-21) — Anonim çini ustası, Kâşân · y. 1266–1267 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Bir Çift Tasvirli Lüster Duvar Çinisi (1915.524) — Anonim çömlekçi, Kâşân · 1266 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Humus Savaşı (Câmiü't-Tevârîh, BnF Supplément persan 1113, fol. 236) — Bilinmeyen Timurlu ressam, Herat · y. 1430 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Gazan'ın İslam'a Geçişi (Câmiü't-Tevârîh, BnF Supplément persan 1113, fol. 239r) (modern bir kitaptan alınmıştır) — Bilinmeyen Timurlu ressam, Herat · y. 1430 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• İlhanlı Saray Sahnesi (Diez A fol. 70, s. 22, no. 1) — Bilinmeyen İlhanlı ressam · 14. yüzyılın başı · Berlin Devlet Kütüphanesi · Kamu malı · Kaynak
• Şah Zav'ın Tahta Çıkışı, Büyük Moğol Şehnamesi'nden yaprak — Bilinmeyen sanatçı, Tebriz · y. 1330–1340 · Arthur M. Sackler Gallery, Smithsonian Enstitüsü, Washington, D.C. · Kamu malı · Kaynak
• İskender Demir Seddi İnşa Ediyor, Büyük Moğol Şehnamesi'nden yaprak — Bilinmeyen sanatçı, Tebriz · y. 1330–1340 · Arthur M. Sackler Gallery, Smithsonian Enstitüsü, Washington, D.C. · Kamu malı · Kaynak
• Behram Gur Ejderhayı Öldürüyor, Büyük Moğol Şehnamesi'nden yaprak (1943.658.b) — Bilinmeyen sanatçı, Tebriz · y. 1330 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Sultaniye'deki Olcaytu (Muhammed Hudabende) Türbesi — Michel-François Préaulx · 1808–1809 · Kamu malı · Kaynak
• Kubilay Han'ın (Yuan İmparatoru Shizu) Portresi, Yuan imparatorları albümünden — Araniko'ya atfedilir (geleneksel atıf) · y. 1294 · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• İmparatoriçe Chabi'nin Portresi, Yuan imparatoriçeleri albümünden — Bilinmeyen Yuan saray ressamı · 13.–14. yüzyıl · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Avlanan Kubilay Han (ayrıntı) — Liu Guandao · 1280 · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Mōko Shūrai Ekotoba: Takezaki Suenaga Moğollara Saldırıyor — Tosa Nagataka'ya atfedilen tomarlardan kopya · Özgünü y. 1293; sonraki bir kopya · Ulusal Parlamento Kütüphanesi, Tokyo · Kamu malı · Kaynak
• Mōko Shūrai Ekotoba: Mitsui Sukenaga Kaçan Moğollara Ok Atıyor — Tosa Nagataka'ya atfedilen tomarlardan kopya · Özgünü y. 1293; sonraki bir kopya · Ulusal Parlamento Kütüphanesi, Tokyo · Kamu malı · Kaynak
• Yıkanan Atlar — Zhao Mengfu'ya atfedilir · Yuan hanedanı (1271–1368) · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Chaoyuan Tu (İlk Olan'a Saygı), Sanqing Salonu duvar resmi, 2. bölüm — Ma Junxiang ve atölyesi · 1325 · Yongle Sarayı, Shanxi · Kamu malı · Kaynak
• Anlatı Sahneli Meiping Vazo — Jingdezhen çömlekçileri (fotoğraf: Gary Todd) · 1320–1350 · CC0 · Kaynak
• İran İşi Pirinç Donanımlı Sekizgen Küp — Jingdezhen çömlekçileri (fotoğraf: Gary Todd) · 14. yüzyılın ortası · British Museum / Victoria and Albert Museum, Londra (Pekin'deki Çin Ulusal Müzesi'nde sergilenirken) · CC0 · Kaynak
• Anka Kuşları ve Çiçekler İşlenmiş Pano — Bilinmeyen Yuan dönemi nakışçısı · 14. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Polo kardeşler ve Marco Venedik'ten ayrılıyor (Livre des merveilles, BnF fr. 2810, fol. 4r) — Bilinmeyen Fransız minyatürcü · y. 1410–1412 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Polo kardeşlerin Buhara'ya varışı (Livre des merveilles, BnF fr. 2810) — Mazarine Ustası · y. 1410–1412 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Kubilay Han Polo kardeşlere altın levha veriyor (Livre des merveilles, BnF fr. 2810, fol. 3v) — Bilinmeyen Fransız minyatürcü · y. 1410–1412 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Phags-pa Yazılı Güvenli Geçiş Levhası (Paiza) — Bilinmeyen Yuan hanedanı dönemi metal ustası · 13. yüzyılın sonu · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Marco Polo Hürmüz'e varıyor (Livre des merveilles, BnF fr. 2810, fol. 14v) — Boucicaut Ustası ve atölyesi · y. 1410–1412 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Bir dağ geçidinden inen atlı, muhtemelen bir yam ulağı (Diez Albümleri) — Bilinmeyen 14. yüzyıl ressamı · 14. yüzyıl · Berlin Devlet Kütüphanesi · Kamu malı · Kaynak
• Kubilay Han fillerin taşıdığı bir köşkten avlanıyor (Livre des merveilles, BnF fr. 2810, fol. 42v) — Bilinmeyen Fransız minyatürcü · y. 1410–1412 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Tahttaki Büyük Kağan, Jean le Long'un çevirisi De l'estat et du gouvernement du grant Kaan'ın ön resmi (BnF fr. 2810, fol. 136v) — Mazarine Ustası · y. 1410–1412 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• İpek Yolu'nda Kervan (Katalan Atlası'ndan ayrıntı) — Abraham Cresques'e atfedilir · 1375 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Çin'de yoksullara yardım (Livre des merveilles, BnF fr. 2810, fol. 137v) — Mazarine Ustası · y. 1410–1412 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Töde Möngke ve Moğol Ordası, bir Cengiznâme'den yaprak — Tulsi ve Madhu · 1596 · Los Angeles County Sanat Müzesi · Kamu malı · Kaynak
• Uçan Turna Tasvirli Kâse — Bilinmeyen Altın Orda çömlekçisi (fotoğraf: Ted1968) · 14. yüzyıl · Louvre Müzesi, Paris · CC0 · Kaynak
• Metropolit Aleksiy Taydula'yı İyileştiriyor (Korkunç İvan'ın Resimli Vakayinamesi, 9. kitap, s. 208) — Anonim Rus el yazması minyatürcüleri · 1560'lar–1570'ler · Kamu malı · Kaynak
• Katalan Atlası'nda Altın Orda — Abraham Cresques'e atfedilir · 1375 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Timur, Belh'te tahta çıkışında huzura kabul ediyor, 9 Nisan 1370 (İbrahim Sultan'ın Zafernâme'si, ön resim) — Bilinmeyen Timurlu ressamlar, Şiraz · 1436 · Ulusal Asya Sanatı Müzesi, Smithsonian Enstitüsü, Washington, D.C. · Kamu malı · Kaynak
• Timur ile Toktamış Han Arasındaki Savaş (sağ bölüm), Topkapı H.2153 — Bilinmeyen Timurlu ressam · y. 1420–1440 · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• İzmir'deki Saint-Jean Şövalyeleri Kalesine Saldırı (Garrett Zafernâmesi) — Bilinmeyen Timurlu ressamlar, Herat (geleneksel olarak Bihzad'a atfedilir) · 15. yüzyılın sonu · Johns Hopkins Üniversitesi Kütüphanesi, Baltimore · Kamu malı · Kaynak
• Mısır Sultanı Nasır Ferec'in Elçileri Aralarında Bir Zürafanın da Bulunduğu Hediyelerini Timur'a Sunuyor (İbrahim Sultan'ın Zafernâme'si) — Bilinmeyen Timurlu ressamlar, Şiraz · 1436 · Worcester Sanat Müzesi · Kamu malı · Kaynak
• Şah-ı Zinde'de mozaik duvarlar, Semerkant — Sergei Prokudin-Gorsky · y. 1911 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Doğudan Gur-i Emir'in kubbesi, Semerkant — Sergei Prokudin-Gorsky · y. 1911 · Kongre Kütüphanesi · Kamu malı · Kaynak

Antik Yunan

• Boğa Üzerinden Atlama Freski (“Toreador Freski”), Knossos — Minos fresk ressamları (20. yüzyılın başında restore edildi) · MÖ y. 1600–1400 · Heraklion Arkeoloji Müzesi · Kamu malı · Kaynak
• “Zambaklı Prens” Kabartmalı Freski, Knossos (rekonstrüksiyon) — Minos fresk ressamları (modern rekonstrüksiyon) · MÖ y. 1600–1400 · Heraklion Arkeoloji Müzesi · CC0 · Kaynak
• “Mavili Hanımlar” Freskinin Reprodüksiyonu — Émile Gilliéron (Knossos'tan bir Minos freskinden reprodüksiyon) · 20. yüzyıl (özgünü MÖ y. 1525–1450) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Yunus Freski, Knossos — Minos fresk ressamları (restore edilmiş) · MÖ y. 1600–1400 · Heraklion Arkeoloji Müzesi · CC0 · Kaynak
• Hagia Triada Lahdi (uzun yüz) — Minos ressamları · MÖ y. 1400 · Heraklion Arkeoloji Müzesi · CC0 · Kaynak
• Gemi Alayı (“Filo”) Freski, Batı Evi, Akrotiri (1. bölüm) — Theralı fresk ressamları · MÖ y. 1600 · Ulusal Arkeoloji Müzesi, Atina · Kamu malı · Kaynak
• Bahar Freski, Akrotiri — Theralı fresk ressamları · MÖ y. 1600 · Ulusal Arkeoloji Müzesi, Atina · CC0 · Kaynak
• Boks Yapan Çocuklar Freski, B Binası, Akrotiri — Theralı fresk ressamları · MÖ 16. yüzyıl · Ulusal Arkeoloji Müzesi, Atina · CC0 · Kaynak
• Altın Ölü Maskesi (“Agamemnon'un Maskesi”), V. Kuyu Mezar, Miken — Mikenli kuyumcular · MÖ y. 1550–1500 · Ulusal Arkeoloji Müzesi, Atina · Kamu malı · Kaynak
• Aslanlı Kapı, Miken — Mikenli yapı ustaları · MÖ y. 1250 · CC0 · Kaynak
• Tavla Oynayan Akhilleus ve Aias (Attika siyah figürlü amforası, ayrıntı) — Exekias · MÖ 540–530 · Museo Gregoriano Etrusco, Vatikan Müzeleri · Kamu malı · Kaynak
• Patroklos'un Yarasını Saran Akhilleus (Attika kırmızı figürlü kyliksinin iç madalyonu) — Sosias Ressamı'na atfedilir · MÖ y. 500 · Antikensammlung, Berlin · CC0 · Kaynak
• Attika Kırmızı Figürlü Kyliks, İç Madalyon — Brygos Ressamı · MÖ y. 490 · J. Paul Getty Museum, Los Angeles · CC0 · Kaynak
• Truva Atı'nın Truva'ya Çekilişi — Giovanni Domenico Tiepolo · y. 1760 · National Gallery, Londra · Kamu malı · Kaynak
• Odysseus ve Sirenler (Attika kırmızı figürlü stamnosu, ayrıntı) — Siren Ressamı · MÖ y. 480–470 · British Museum, Londra · Kamu malı · Kaynak
• Ulysses ve Sirenler — John William Waterhouse · 1891 · National Gallery of Victoria, Melbourne · Kamu malı · Kaynak
• Herakles'in Olympos'a Girişi (siyah figürlü hydria) — Attikalı vazo ressamı; fotoğraf: Marie-Lan Nguyen · MÖ 6. yüzyıl · Danimarka Ulusal Müzesi, Kopenhag · CC BY 4.0 · Kaynak
• Khimaira ile Savaşan Bellerophon Tasvirli Kyliks — Lakonyalı vazo ressamı · MÖ y. 565 · J. Paul Getty Museum (Getty Villa), Los Angeles · CC0 · Kaynak
• Savaşçılar Vazosu (savaşa giden savaşçıların tasvir edildiği Miken krateri) — Mikenli vazo ressamları · MÖ y. 1200 · Ulusal Arkeoloji Müzesi, Atina · CC0 · Kaynak
• Mermer Kuros (Genç Erkek) Heykeli — Attikalı heykeltıraş · MÖ y. 590–580 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Peplos Kore'nin suluboya resmi (Akropolis 679), Archaiologike Ephemeris 1887, lev. 9 — Émile Gilliéron (suluboya); taşbaskı: K. Grundmann · 1887 (heykel MÖ y. 530) · Kamu malı · Kaynak
• Chigi Vazosu (ayrıntı: aulos eşliğinde ilerleyen hoplitler) — Chigi Ressamı · MÖ y. 650–640 · Museo Nazionale Etrusco di Villa Giulia, Roma · Kamu malı · Kaynak
• Delfi Arabacısı — Antik Yunan bronz heykeltıraşı · MÖ y. 478–474 · Delfi Arkeoloji Müzesi · CC0 · Kaynak
• Deniz Kaplumbağalı Egina Gümüş Stateri — Egina darphanesi · MÖ y. 550–456 · Fransa Ulusal Kütüphanesi (BnF), Paris · Kamu malı · Kaynak
• Dört Atlı Araba Yarışı Tasvirli Panathenaia Ödül Amforası — Kleophrades Ressamı · MÖ 490–480 · J. Paul Getty Museum, Los Angeles · CC0 · Kaynak
• Olympia — Carl Rottmann · 1839 · Neue Pinakothek, Münih · Kamu malı · Kaynak
• Paestum'daki Ceres Tapınağı — Constantin Hansen · 1875 · Kamu malı · Kaynak
• Sappho ve Alkaios — Lawrence Alma-Tadema · 1881 · Walters Sanat Müzesi, Baltimore · Kamu malı · Kaynak
• Kroisos'un Huzurunda Solon — Nikolaus Knüpfer · y. 1650–1652 · Kamu malı · Kaynak
• Odun Yığını Üzerinde Kroisos (Attika kırmızı figürlü amforası, A yüzü) — Myson · MÖ y. 500–490 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Milet Tiyatrosu — Antik çağ yapı ustaları; fotoğraf: Jarekadam · Helenistik ve Roma dönemleri; fotoğraf 2005 · Kamu malı · Kaynak
• Didyma Apollon Tapınağı, Pronaos — Antik çağ yapı ustaları; fotoğraf: Mark Landon · MÖ y. 300'de başlandı; fotoğraf 1991 · CC BY 4.0 · Kaynak
• Priene'deki Athena Polias Tapınağı — Antik çağ yapı ustaları; fotoğraf: O. Mustafin · MÖ 4. yüzyıl; fotoğraf 2020 · CC0 · Kaynak
• Sus'taki I. Dareios Sarayı'ndan Okçular Frizi — Ahameniş Pers zanaatkârları · MÖ y. 510 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Maraton Askeri — Luc-Olivier Merson · 1869 · École nationale supérieure des Beaux-Arts, Paris · Kamu malı · Kaynak
• Maraton — Carl Rottmann · 1847 · Neue Pinakothek, Münih · Kamu malı · Kaynak
• Thermopylai'da Leonidas — Jacques-Louis David · 1814 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Salamis Savaşı — Wilhelm von Kaulbach · 1868 · Maximilianeum, Münih · Kamu malı · Kaynak
• Yunan Hopliti ve Pers Savaşçısı (Attika kırmızı figürlü kyliksinin iç madalyonu) — Attikalı kırmızı figürlü vazo ressamı · MÖ 5. yüzyıl · CC0 · Kaynak
• Perikles'in mermer büstü (Yunan özgününden Roma dönemi kopyası) — Bilinmeyen Romalı heykeltıraş; fotoğraf: Gary Todd · MÖ 5. yüzyıla ait bir özgünün Roma dönemi kopyası · Altes Museum, Berlin · CC0 · Kaynak
• Tetradrahmi: Baykuş (arka yüz) — Atina darphanesi · MÖ 449–440 · Cleveland Sanat Müzesi (1941.296.b) · CC0 · Kaynak
• Parthenon — Frederic Edwin Church · 1871 · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Fidias ve Parthenon Frizi — Lawrence Alma-Tadema · 1868 · Birmingham Müzeleri · Kamu malı · Kaynak
• Perikles ve Aspasia Fidias'ın Atölyesini Ziyaret Ediyor — Louis Hector Leroux · 1898 · Kamu malı · Kaynak
• Varvakeion Athenası — Bilinmeyen Romalı heykeltıraş, Fidias'ın eserinden; fotoğraf: Gary Todd · MS 200–250 · Ulusal Arkeoloji Müzesi, Atina · CC0 · Kaynak
• Erekhtheion — Fotoğraf: George E. Koronaios · 2020 · CC0 · Kaynak
• Hephaistos Tapınağı — Fotoğraf: George E. Koronaios · 2020 · CC0 · Kaynak
• Sokrates ve Alkibiades — Kristian Zahrtmann · 1911 · Statens Museum for Kunst, Kopenhag (KMS8219) · Kamu malı · Kaynak
• Propylaia'dan Parthenon'un Görünümü (Views in Greece) — Edward Dodwell (John Bailey'nin elle renklendirilmiş akuatinti) · Çizim 1805; yayım 1821 · Kamu malı · Kaynak
• Herodot'un mermer büstü — Bilinmeyen Romalı heykeltıraş · MS 2. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Restore Edilmiş Hâliyle Mozoleion'un Güneydoğudan Görünümü — James Fergusson · 1862 · Kamu malı · Kaynak
• Hipokrat Demokritos'u Ziyaret Ediyor — Claes Corneliszoon Moeyaert · 1636 · Mauritshuis, Lahey · Kamu malı · Kaynak
• Sokrates'in Ölümü — Jacques-Louis David · 1787 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Platon'un Akademisi mozaiği — Bilinmeyen Romalı mozaik ustası · MÖ 1. yüzyıl · Ulusal Arkeoloji Müzesi, Napoli (env. 124545) · Kamu malı · Kaynak
• Atina Okulu — Raffaello · 1509–1511 · Vatikan Müzeleri, Vatikan · Kamu malı · Kaynak
• Homeros Büstüyle Aristoteles — Rembrandt · 1653 · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Diogenes — John William Waterhouse · 1882 · Yeni Güney Galler Sanat Galerisi, Sidney · Kamu malı · Kaynak
• Siraküza Savunmasını Yöneten Arşimet — Thomas Ralph Spence · 1895 · Kamu malı · Kaynak
• Homeros'un Tanrılaştırılması — Jean-Auguste-Dominique Ingres · 1827 · Louvre Müzesi, Paris (INV 5417) · Kamu malı · Kaynak
• İskender ve Bukefalos — Edgar Degas · 1861–1862 · Ulusal Sanat Galerisi, Washington · Kamu malı · Kaynak
• İskender ve Diogenes — Gioacchino Assereto · y. 1640 · Gemäldegalerie, Staatliche Museen zu Berlin · Kamu malı · Kaynak
• Granikos Savaşı — Charles Le Brun (Abraham Genoels ile birlikte) · 1665 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Gordion Düğümünü Kesen İskender — Jan Boeckhorst · 17. yüzyılın ortası · Palais des Beaux-Arts, Lille · Kamu malı · Kaynak
• İskender Mozaiği (ayrıntı: Bukefalos'un sırtında İskender) — Bilinmeyen Romalı mozaik ustası; fotoğraf: Gary Todd · MÖ y. 100 · Ulusal Arkeoloji Müzesi, Napoli · Kamu malı · Kaynak
• İskender'in İssos Savaşı — Albrecht Altdorfer · 1529 · Alte Pinakothek, Münih · Kamu malı · Kaynak
• İskender'in Ayaklarına Kapanan Pers Kraliçeleri (Dareios'un Çadırı) — Charles Le Brun · y. 1660–1661 · Versay Sarayı · Kamu malı · Kaynak
• İskender'in Babil'e Girişi (İskender'in Zaferi) — Charles Le Brun · 1664–1665 · Louvre Müzesi, Paris (INV 2898) · Kamu malı · Kaynak
• İskender ile Roksana'nın Düğünü — Il Sodoma (Giovanni Antonio Bazzi); fotoğraf: DIMSFIKAS · y. 1517 · Villa Farnesina, Roma · Kamu malı · Kaynak
• Büyük İskender ve Kampaspe Apelles'in Atölyesinde — Giovanni Battista Tiepolo · y. 1740 · Montreal Güzel Sanatlar Müzesi · Kamu malı · Kaynak
• İskenderiye Kütüphanesi'nde Ptolemaios Philadelphos — Vincenzo Camuccini · 1813 · Kamu malı · Kaynak
• Bergama Sunağı, Gigantomakhia frizi (Athena grubu) — Bilinmeyen Bergamalı heykeltıraşlar; fotoğraf: Gryffindor · MÖ 2. yüzyıl · Pergamonmuseum, Berlin · Kamu malı · Kaynak
• Bergama, yamaçtaki tiyatro — Fotoğraf: Rensi · 1992 · Kamu malı · Kaynak
• Tetradrahmi: Büyük İskender (ön yüz) — Lysimakheia darphanesi, Lysimakhos döneminde · MÖ 297–281 · Cleveland Sanat Müzesi (1917.984.a) · CC0 · Kaynak
• Milo Venüsü (Milos Afroditi) — Bilinmeyen Helenistik heykeltıraş; fotoğraf: Shonagon · MÖ y. 150–125 · Louvre Müzesi, Paris (Ma 399) · CC0 · Kaynak
• Güneş şapkalı ve yelpazeli bir kadını gösteren pişmiş toprak “Tanagra” figürini — Bilinmeyen Boiotialı koroplast; fotoğraf: Gary Todd · MÖ 325–300 · Altes Museum, Berlin · CC0 · Kaynak
• Laokoon ve Oğulları — Rodoslu Hagesandros, Polydoros ve Athanodoros'a atfedilir; fotoğraf: Wilfredor · Tartışmalı (Helenistik özgün ya da MS 1. yüzyıl eseri) · Vatikan Müzeleri, Vatikan · CC0 · Kaynak
• Semadirek'in Kanatlı Zafer Tanrıçası (Nike) — Bilinmeyen Helenistik heykeltıraş; fotoğraf: Wilfredor · MÖ y. 190 · Louvre Müzesi, Paris (Ma 2369) · CC0 · Kaynak
• Nemrut Dağı, Kommagene Kralı I. Antiokhos'un mezar kutsal alanı — Fotoğraf: E. Seven · Anıt MÖ 69–34; fotoğraf 2022 · Kamu malı · Kaynak
• Uyuyan Eros'un tunç heykeli — Bilinmeyen Helenistik tunç dökümcüsü · MÖ 3.–2. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak

Roma İmparatorluğu

• Kapitol Kurdu (Lupa Capitolina) — Bilinmeyen bronz dökümcü (ikizler 15. yüzyılda eklendi); fotoğraf: Wilfredor · Tartışmalı: MÖ 5. yüzyıl ya da MS 11.–12. yüzyıl · Kapitol Müzeleri, Roma · CC0 · Kaynak
• Dişi Kurdun Emzirdiği Romulus ile Remus — Peter Paul Rubens · y. 1616 · Kapitol Müzeleri (Pinacoteca Capitolina), Roma · CC0 · Kaynak
• Sabin Kadınlarının Kaçırılması — Nicolas Poussin · y. 1633–1634 · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Sabin Kadınlarının Araya Girmesi — Jacques-Louis David · 1799 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Leoparlar Mezarı, Monterozzi Nekropolü — Etrüsk ressamlar; fotoğraf: Gleb Simonov · MÖ y. 470 (fotoğraf 2024) · Monterozzi Nekropolü, Tarquinia · CC0 · Kaynak
• Fildişi Kakmalı Bronz Savaş Arabası (Monteleone Arabası) — Etrüsk zanaatkârlar · MÖ 6. yüzyılın ikinci çeyreği · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Horatiusların Yemini — Jacques-Louis David · 1784–1785 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Liktorlar Brutus'a Oğullarının Cesetlerini Getiriyor — Jacques-Louis David · 1789 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Lars Porsenna'nın Huzurunda Mucius Scaevola — Matthias Stom · 1640'ların başı · Kamu malı · Kaynak
• Cincinnatus Konsül Olmak İçin Yola Çıkıyor — Cornelis Cels · 1802 · Gent Güzel Sanatlar Müzesi (MSK) · Kamu malı · Kaynak
• Kartaca'yı Kuran Dido ya da Kartaca İmparatorluğu'nun Yükselişi — J. M. W. Turner · 1815 · Ulusal Galeri, Londra · Kamu malı · Kaynak
• Scipio Africanus'un Kartaca'ya Çıkışı (duvar halısı kartonu) — Michiel Coxcie'ye atfedilir (tasarım); anonim çizer · y. 1555 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Hannibal Roma'ya Ebedi Düşmanlık Yemini Ediyor — Bilinmeyen Fransız sanatçı · y. 1808 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Hannibal'in Alpleri Aşması (Münchener Bilderbogen no. 438) — Heinrich Leutemann · 1866 · Kamu malı · Kaynak
• Kar Fırtınası: Alpleri Aşan Hannibal ve Ordusu — J. M. W. Turner · 1812 · Tate, Londra · Kamu malı · Kaynak
• Cannae Savaşı'nda Paulus Aemilius'un Ölümü — John Trumbull · 1773 · Yale Üniversitesi Sanat Galerisi, New Haven · Kamu malı · Kaynak
• Siraküza Kuşatmasında Arkhimedes — Scipione Compagno'ya atfedilir · 17. yüzyıl · Kamu malı · Kaynak
• Scipio'nun Ölçülülüğü — Nicolas Poussin · 1640 · Puşkin Devlet Güzel Sanatlar Müzesi, Moskova · Kamu malı · Kaynak
• Massiva'yı Serbest Bırakan Scipio Africanus — Giovanni Battista Tiepolo · 1719–1721 ya da y. 1750 (kaynaklar farklı) · Walters Sanat Müzesi, Baltimore · Kamu malı · Kaynak
• Tunus Körfezi, Kartaca'nın Bulunduğu Yer, 10 Haziran 1857 — Amiral Sir Edward Gennys Fanshawe · 10 Haziran 1857 · Greenwich Kraliyet Müzeleri · Kamu malı · Kaynak
• Gracchusların Annesi Cornelia — Giuseppe Cades · 1776 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Minturnae'de Marius — Jean-Germain Drouais · 1786 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Cicero Catilina'yı Suçluyor — Cesare Maccari · 1880'ler · Palazzo Madama (İtalyan Senatosu), Roma · Kamu malı · Kaynak
• Vercingetorix Silahlarını Jül Sezar'ın Ayaklarına Atıyor — Lionel Royer · 1899 · Crozatier Müzesi, Le Puy-en-Velay · Kamu malı · Kaynak
• Sezar'ın Zafer Alayı: V. Filler — Andrea Mantegna; fotoğraf: anagoria · y. 1484–1492 · Kraliyet Koleksiyonu, Hampton Court Sarayı · Kamu malı · Kaynak
• Sezar, Kleopatra'ya Mısır Tahtını Veriyor — Pietro da Cortona · y. 1637 · Lyon Güzel Sanatlar Müzesi · Kamu malı · Kaynak
• Sezar'ın Ölümü — Vincenzo Camuccini; fotoğraf: Daderot · 1804–1805 · Ulusal Modern Sanat Galerisi, Roma · Kamu malı · Kaynak
• Antonius ile Kleopatra'nın Buluşması, MÖ 41 — Lawrence Alma-Tadema · 1885 · Kamu malı · Kaynak
• Aktium Savaşı, 2 Eylül MÖ 31 — Laureys a Castro · 1672 · Greenwich Kraliyet Müzeleri · Kamu malı · Kaynak
• Kleopatra'nın Ölümü — Jean-Baptiste Regnault · 1796–1797 · Kamu malı · Kaynak
• Prima Porta Augustus'u — Romalı heykeltıraş; fotoğraf: Daderot · MÖ y. 20–17 (ya da daha sonraki bir kopya) · Vatikan Müzeleri (Braccio Nuovo) · Kamu malı · Kaynak
• Augustus'un Altın Aureusu, Lugdunum — Lugdunum Roma imparatorluk darphanesi; fotoğraf: American Numismatic Society · MÖ 2–MS 4 · Amerikan Nümismatik Derneği, New York · CC0 · Kaynak
• Ara Pacis Augustae, “Tellus” kabartması (alçı kopya) — Romalı heykeltıraşların eserinden alçı kopya; fotoğraf: Daderot · Özgün eser MÖ 13–9; modern kopya · Spurlock Müzesi, Illinois Üniversitesi Urbana-Champaign · CC0 · Kaynak
• Gemma Augustea — Romalı değerli taş oymacısı; fotoğraf: O. Mustafin · MS y. 9–12 · Sanat Tarihi Müzesi, Viyana · CC0 · Kaynak
• Maecenas Özgür Sanatları İmparator Augustus'a Sunuyor — Giovanni Battista Tiepolo · 1743 · Devlet Ermitaj Müzesi, Sankt Petersburg · Kamu malı · Kaynak
• Livia Villası'ndan Bahçe Freski (detay) — Romalı duvar ressamları; fotoğraf: Gleb Simonov · MÖ y. 30–20 · Roma Ulusal Müzesi – Palazzo Massimo, Roma · CC0 · Kaynak
• Vergilius Aeneis'i Augustus ile Octavia'ya Okuyor — Jean-Joseph Taillasson · 1787 · Ulusal Galeri, Londra · Kamu malı · Kaynak
• Augustus'un Dev Oturan Heykeli — Romalı heykeltıraş; fotoğraf: Gary Todd · MS 1. yüzyılın ortası · Ulusal Arkeoloji Müzesi, Napoli · Kamu malı · Kaynak
• Augustus Anıt Mezarı'nın Rekonstrüksiyonu, Roma — Jan Goeree · 1704'ten önce · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Boscoreale'deki P. Fannius Synistor Villası'ndan Cubiculum (yatak odası) — Romalı ressamlar · MÖ y. 50–40 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Boscoreale'deki P. Fannius Synistor Villası'nın H Odası'ndan duvar resmi — Romalı ressamlar · MÖ y. 50–40 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• İlkbaharın başını gösteren mozaik zemin paneli — Romalı mozaik ustaları · MS 2. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Romulus ve Remus Evi'nden fresk (VII 7,10), Pompeii — Geremia Discanno · 1877'de yayımlandı · Kamu malı · Kaynak
• Forum ile Herkül Tapınağı arasındaki bir evden duvar resmi, Pompeii — Wilhelm Zahn · 1871'den önce · Kamu malı · Kaynak
• 25 numaralı oda, doğu duvarı, Küçük Çeşme Evi, Pompeii — Wilhelm Zahn · 1828 · Kamu malı · Kaynak
• Romalı Bir Sanatsever — Lawrence Alma-Tadema · 1868 · Kamu malı · Kaynak
• Vettii Evi'nin Peristili, Pompeii, İtalya — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890–1900 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Odeion, Pompeii (Le case ed i monumenti di Pompei) — Fausto ve Felice Niccolini · 1854–1896 · Kamu malı · Kaynak
• Pompeii'nin Son Günü — Karl Bryullov · 1830–1833 · Devlet Rus Müzesi, Sankt Petersburg · Kamu malı · Kaynak
• Roma Yangını Sırasında Nero — Hans Makart · 1865 · Kamu malı · Kaynak
• Kolezyum'un Dış Cephesi, Roma, İtalya — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890–1900 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Pollice Verso — Jean-Léon Gérôme · 1872 · Phoenix Sanat Müzesi · Kamu malı · Kaynak
• Kudüs Ganimetleri, Titus Takı'ndaki kabartma — Romalı heykeltıraşlar; fotoğraf: Jebulon · 81'den sonra; fotoğraf 2013 · Titus Takı, Forum Romanum, Roma · CC0 · Kaynak
• Traianus Sütunu (friz detayı) — Romalı heykeltıraşlar; fotoğraf: Gary Todd · 113; fotoğraf 2019 · Traianus Forumu, Roma · Kamu malı · Kaynak
• Traianus'un altın aureusu — Roma imparatorluk darphanesi · y. 112–117 · Amerikan Nümismatik Derneği, New York · CC0 · Kaynak
• Pantheon'un İçi, Roma — Giovanni Paolo Panini · y. 1734 · Ulusal Sanat Galerisi, Washington · Kamu malı · Kaynak
• Hadrianus Villası'ndan Kentaur Mozaiği — Romalı mozaik ustaları · y. 120–130 · Altes Museum, Berlin · Kamu malı · Kaynak
• Castel Sant'Angelo, Roma — John Inigo Richards · 1776 · Kamu malı · Kaynak
• İmparator Marcus Aurelius'un Son Sözleri — Eugène Delacroix · 1844 · Lyon Güzel Sanatlar Müzesi · CC0 · Kaynak
• Antik Roma — Giovanni Paolo Panini · 1757 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Orange. Roma Zafer Takı — Bilinmeyen fotoğrafçı (Photoglob Co.) · 1890 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Housesteads'in batısında Hadrianus Duvarı — Romalı yapı ustaları; fotoğraf: Steven Fruitsmaak · y. 122'de başlandı; fotoğraf 2007 · Kamu malı · Kaynak
• Gard Nehri üzerindeki Roma köprüsü, Nîmes, Fransa — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890–1900 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Segovia – Köprü — Bilinmeyen fotoğrafçı (Photoglob Co.) · 1900 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Claudius Su Kemeri ile Roma Kırları — Jean-Baptiste-Camille Corot · 1826 · Ulusal Galeri, Londra · Kamu malı · Kaynak
• Arena, dış cephe, Nîmes, Fransa — Bilinmeyen fotoğrafçı (Photoglob Co.) · y. 1890–1900 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Efes Büyük Tiyatrosu — Romalı yapı ustaları; fotoğraf: Norman Herr · fotoğraf 2008 · Kamu malı · Kaynak
• Hierapolis Tiyatrosu — Romalı yapı ustaları; fotoğraf: Iurieph · fotoğraf 2024 · CC0 · Kaynak
• Baalbek Tapınağı'nın Doğu Revakının Kalıntıları — David Roberts · 1839 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Marcus Aurelius Takı, Trablus (Views in the Ottoman Empire) — Luigi Mayer · 1803 · CC0 · Kaynak
• Heliogabalus'un Gülleri — Lawrence Alma-Tadema · 1888 · Kamu malı · Kaynak
• Zenobia'nın Palmira'ya Son Bakışı — Herbert Gustave Schmalz · 1888 · Kamu malı · Kaynak
• İmparator I. Konstantin'in mermer portre başı — Romalı heykeltıraş · y. 325–370 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Spalato'daki Katedral Meydanı — Rudolf von Alt · 1841 · Kamu malı · Kaynak
• Çöküş Dönemi Romalıları — Thomas Couture · 1847 · Orsay Müzesi, Paris · Kamu malı · Kaynak
• İmparator Honorius'un Gözdeleri — John William Waterhouse · y. 1883 · Güney Avustralya Sanat Galerisi, Adelaide · Kamu malı · Kaynak
• Roma'nın 410'da Barbarlarca Yağmalanması — Joseph-Noël Sylvestre · 1890 · Kamu malı · Kaynak
• Geiserik'in Roma'yı İstilası — Karl Bryullov · 1836 · Kamu malı · Kaynak
• Romulus Augustulus'un altın solidusu — Roma imparatorluk darphanesi · 475–476 · Amerikan Nümismatik Derneği, New York · CC0 · Kaynak
• İmparatorluğun Seyri: Yıkım — Thomas Cole · 1836 · New-York Tarih Derneği · Kamu malı · Kaynak

Japonya

• Parlayan Prenses'in Öyküsü (Taketori monogatari) — Bilinmeyen Japon ressam · 17. yüzyıl sonu · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Şair Ono no Komachi, Modern Giysili Altı Zarif Ölümsüz Şair (Fūryū yatsushi rokkasen) dizisinden, no. 2 — Hosoda Eishi · 1793–1797 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Sugawara no Michizane, Ayın Yüz Görünümü (Tsuki hyakushi) dizisinden — Tsukioka Yoshitoshi · 1880'ler · Kongre Kütüphanesi · Kamu malı · Kaynak
• Büyük Danışman Ban'ın Resimli Öyküsü (Ban Dainagon ekotoba), detay: yangını izleyen insanlar — Tokiwa Mitsunaga'ya atfedilir · 12. yüzyıl sonu · Idemitsu Sanat Müzesi, Tokyo · Kamu malı · Kaynak
• Ise Öyküleri'nden bir sahne: Su Aynası (Mizukagami), şiir kartı (shikishi) — Tawaraya Sōtatsu'ya atfedilir; hat: Konoe Hisatsugu · y. 1600 · Kamu malı · Kaynak
• Abe no Nakamaro'nun şiiri, Dadının Açıkladığı Yüz Şiir (Hyakunin isshu uba ga etoki) dizisinden — Katsushika Hokusai · y. 1835–1836 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Sadakat (Shin), Murasaki Shikibu olarak tasvir edilmiş, Beş Temel Erdem dizisinden — Suzuki Harunobu · y. 1767 · Chicago Sanat Enstitüsü · CC0 · Kaynak
• Resimli Genji Öyküsü (Genji monogatari emaki), Azumaya bölümü — Bilinmeyen saray ressamları · y. 1120–1140 · Tokugawa Sanat Müzesi, Nagoya · Kamu malı · Kaynak
• Kelebekler (Kochō), Genji Öyküsü'nün 24. bölümü, katlanır paravan — Bilinmeyen Japon ressam · 17. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kanjo: Bir Saray Hanımı — Torii Kiyonaga · Tarihsiz · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Sanjō Sarayı'na Gece Baskını, Heiji Dönemi Olaylarının Resimli Tomarları'ndan (Heiji monogatari emaki) — Bilinmeyen ressam · 13. yüzyılın ikinci yarısı (Kamakura dönemi) · Boston Güzel Sanatlar Müzesi · Kamu malı · Kaynak
• Gojō Köprüsü'nde Yoshitsune ile Benkei'nin Ay Işığındaki Dövüşü, Kyoto — Utagawa Kuniyoshi'ye atfedilir · Tarihsiz (19. yüzyıl) · Kamu malı · Kaynak
• Ateş (Taira no Kiyomori) — Tsukioka Yoshitoshi · Ağustos 1883 · Minneapolis Sanat Enstitüsü · Kamu malı · Kaynak
• Awazu no Hara Savaşı'nda (1184) Uchida Ieyoshi'yi Öldüren Tomoe Gozen — Ishikawa Toyonobu · y. 1750 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Ichi-no-Tani Savaşı (Heike Öyküsü'nden Sahneler paravan çiftinin sağ paravanı) — Kanō Okulu · 17. yüzyıl ortası · Minneapolis Sanat Enstitüsü · Kamu malı · Kaynak
• Kumagai Naozane ve Taira no Atsumori — Bilinmeyen sanatçı · 1811 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Nasu no Yoichi (Nasu no Yoichi / Naozane ve Atsumori yaprağından) — Adachi Ginkō · 1885 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Kendini Denize Atmaya Hazır, Dev Bir Çapaya Bağlı Tomomori (Dan-no-ura Savaşı) — Utagawa Kuniyoshi'ye atfedilir · Tarihsiz (19. yüzyıl) · Kamu malı · Kaynak
• Taira Hayaletlerinin Saldırısına Uğrayan Yoshitsune, Hōdo Yoshitsune koi no Minamoto ichidaikagami dizisinden — Utagawa Kuniyoshi · 1853 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Geleneksel olarak Minamoto no Yoritomo olduğu kabul edilen portre — Bilinmeyen ressam (geleneksel olarak Fujiwara no Takanobu'ya atfedilir) · Kamakura dönemi (tarihi tartışmalı) · Jingo-ji, Kyoto · Kamu malı · Kaynak
• Saijōsan'dan Geri Çekiliş (Saijōsan hikikaeshi no zu) — Utagawa Yoshitsuna · 1847 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Oda Nobunaga'nın Portresi — Bilinmeyen ressam · y. 1583 · Hideyoshi ve Kiyomasa Anı Müzesi, Nagoya · Kamu malı · Kaynak
• Honnō-ji Olayı — Yōsai Nobukazu · 1896 · Nagoya Şehri · Kamu malı · Kaynak
• Shizugatake'de Ay (Shizugatake tsuki), Ayın Yüz Görünümü (Tsuki hyakushi) dizisinden — Tsukioka Yoshitoshi · 1888 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Toyotomi Hideyoshi'nin Portresi — Bilinmeyen ressam; yazıt: Seishō Shōtai · y. 1600 · Kamu malı · Kaynak
• Hideyoshi ve Askerleri Nagoya Karargâhından Ayrılıyor (Mashiba Hideyoshi kō Nagoya jin sakite no shoshō kuridashi no zu) — Tsukioka Yoshitoshi · 19. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Zırh (Gusoku) — Yukinoshita Sadaie · 17. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Himeji Kalesi, asma tomar resmi — Bilinmeyen ressam · Y. 1870 (erken Meiji dönemi) olduğu söylenir; belgelenmemiş · Kamu malı · Kaynak
• Sekigahara Savaşı Katlanır Paravanı (Sekigahara kassen byōbu) — Bilinmeyen ressam · Geç Edo dönemi (19. yüzyıl) · Gifu Şehir Tarih Müzesi · Kamu malı · Kaynak
• Ōsaka Yaz Seferi Katlanır Paravanı (Ōsaka natsu no jin zu byōbu, “Kuroda paravanı”), sağ paravan — Bilinmeyen ressamlar · 17. yüzyıl başı · Osaka Kalesi Müzesi · Kamu malı · Kaynak
• Tōshō Daigongen Olarak Tokugawa Ieyasu'nun Portresi — Kanō Tan'yū · 17. yüzyıl · Osaka Kalesi Müzesi · Kamu malı · Kaynak
• Şogunluk Donanması, Edo Manzarası (Edo-zu byōbu) katlanır paravanından detay — Bilinmeyen ressam · y. 1634–1635 · Ulusal Japon Tarihi Müzesi, Sakura · Kamu malı · Kaynak
• Satta Geçidi'nde Tōkaidō Boyunca İlerleyen Daimyō Alayları — Utagawa Sadahide · 1862 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Deshima Planı, Bijzonderheden over Japan'dan — Isaac Titsingh'in eserinden · 1824–1825 · Hollanda Kraliyet Kütüphanesi, Lahey · Kamu malı · Kaynak
• Gece Baskını, Chūshingura'nın On Birinci Perdesi (Chūshingura jūichidanme youchi no zu) — Utagawa Kuniyoshi · 1834–1835 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Chiyoda İç Sarayı'nda Çiçek Seyri (Chiyoda Ōoku ohanami) — Toyohara Chikanobu · 1894 · Ulusal Diyet Kütüphanesi, Tokyo · Kamu malı · Kaynak
• Asakusa'daki Kinryūzan Tapınağı, Edo'nun Yüz Ünlü Manzarası dizisinden — Utagawa Hiroshige · 1856 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Suidō Köprüsü ve Surugadai (Suidōbashi Surugadai), Edo'nun Yüz Ünlü Manzarası dizisinden — Utagawa Hiroshige · 1857 · Brooklyn Müzesi · Kamu malı · Kaynak
• Kameido'daki Erik Bahçesi (Kameido umeyashiki), Edo'nun Yüz Ünlü Manzarası dizisinden — Utagawa Hiroshige · 1857 · Chester Beatty, Dublin · Kamu malı · Kaynak
• Shin-Ōhashi Köprüsü ve Atake Üzerinde Ani Sağanak (Ōhashi Atake no yūdachi), Edo'nun Yüz Ünlü Manzarası dizisinden — Utagawa Hiroshige · 1857 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Yanone Goro Rolünde Ichikawa Ebizo II ile Nakamura Tiyatrosu'nun İçinin Perspektif Görünümü — Okumura Masanobu · y. 1740 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Perspektif Resim (Uki-e): Kabuki Sezonunun Açılış Günü Şafakta Tiyatro Semti — Utagawa Toyoharu · y. 1780 · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Sevgi Dolu Bir Eşin Renkli Dizginleri (Koi nyōbō somewake tazuna) Oyununda Yakko Edobei Rolünde Kabuki Oyuncusu Ōtani Oniji III — Tōshūsai Sharaku · 1794 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Bir Oğlanın Yardımıyla Shibaraku Gösterisine Hazırlanan Oyuncu Ichikawa Danjūrō VII (surimono) — Utagawa Kunisada (I) · y. 1830 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Günümüzün Üç Güzeli (Tōji san bijin) — Kitagawa Utamaro · y. 1793 · Kamu malı · Kaynak
• Naniwa-ya Çayevi'nden Okita — Kitagawa Utamaro · 1790'lar · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Nakasu'da Akşam Serinliğinin Keyfi (Nakasu no suzumi) — Torii Kiyonaga · y. 1782–1783 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Alay Hâlinde Kurtizanlar ve Hizmetkârları (diptik) — Hosoda Eishi · y. 1790 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Soluk Pembe Kimonolu Geyşa, Modern Çam İğneleri (Tōsei matsu no ha) dizisinden — Keisai Eisen · y. 1828 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Çay Törenine Giden İç Saray Hanımları, Chiyoda no Ōoku dizisinden (triptik) — Toyohara Chikanobu · 1895 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kanagawa Açıklarında Dalganın Altında (Kanagawa oki nami ura), Fuji Dağı'nın Otuz Altı Görünümü'nden — Katsushika Hokusai · y. 1830–1832 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Açık Havada Fuji (Fuji Dağı'nın Otuz Altı Görünümü dizisinden) — Katsushika Hokusai · 1830'ların başı · Cleveland Sanat Müzesi · CC0 · Kaynak
• Zirvenin Altında Sağanak (Sanka hakuu), Fuji Dağı'nın Otuz Altı Görünümü'nden — Katsushika Hokusai · y. 1830–1832 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Kai Eyaleti'nde Kajikazawa (Kōshū Kajikazawa), Fuji Dağı'nın Otuz Altı Görünümü dizisinden — Katsushika Hokusai · y. 1830–1832 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Suruga Eyaleti'nde Ejiri (Sunshū Ejiri), Fuji Dağı'nın Otuz Altı Görünümü dizisinden — Katsushika Hokusai · y. 1830–1832 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Shimotsuke Eyaleti'ndeki Kurokami Dağı'nda Kirifuri Şelalesi'nde Hacılar, Çeşitli Eyaletlerde Şelale Gezisi'nden — Katsushika Hokusai · y. 1833 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Kisokaidō Yolunun Uzak Köşesindeki Amida Şelalesi, Çeşitli Eyaletlerde Şelale Gezisi'nden — Katsushika Hokusai · y. 1832–1833 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Beyaz Balıkçıl ve Süsenler — Utagawa Hiroshige · y. 1837 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Yatsuhashi'de Süsenler (Sekiz Köprü) — Ogata Kōrin · 1709'dan sonra · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Siyah Horoz ve Nandina, Canlıların Renkli Âlemi'nden (Dōshoku sai-e) — Itō Jakuchū · y. 1761–1765 · İmparatorluk Koleksiyonları Müzesi (Sannomaru Shōzōkan), Tokyo · Kamu malı · Kaynak
• Hakone Gölü'nün Resmi (Tōkaidō'nun Elli Üç Durağı dizisinden) — Utagawa Hiroshige · 1833 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Mishima'da Sabah Sisi (Mishima Asagiri), Tōkaidō'nun Elli Üç Durağı'ndan (Hoeido) — Utagawa Hiroshige · 1832–1834 · Hood Sanat Müzesi, Dartmouth College · Kamu malı · Kaynak
• Kambara'da Gece Karı (Kambara Yoru no Yuki), Tōkaidō'nun Elli Üç Durağı'ndan (Hoeido) — Utagawa Hiroshige · 1832–1834 · Hood Sanat Müzesi, Dartmouth College · Kamu malı · Kaynak
• Mariko'daki Ünlü Çayevi (Mariko Meibutsu Chaya), Tōkaidō'nun Elli Üç Durağı'ndan (Hoeido) — Utagawa Hiroshige · 1832–1834 · Hood Sanat Müzesi, Dartmouth College · Kamu malı · Kaynak
• Tōkaidō Üzerindeki Kanaya'dan Görülen Fuji, Fuji Dağı'nın Otuz Altı Görünümü dizisinden — Katsushika Hokusai · y. 1830–1832 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Shono'da Sağanak, Tōkaidō'nun Elli Üç Durağı dizisinden — Utagawa Hiroshige · 1833 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Yabuhara: Torii Geçidi ve Hokkataşı Pınarı, Kisokaidō'nun Altmış Dokuz Durağı'ndan — Keisai Eisen · y. 1835–1838 · Ulusal Diyet Kütüphanesi, Tokyo · Kamu malı · Kaynak
• Ōmori, Doğu Başkentinin Ünlü Yerleri dizisinden — Utagawa Kuniyoshi · 1830'ların başı · Cleveland Sanat Müzesi · CC0 · Kaynak
• Karabatakla Balık Avını İzleme Gezisi (Ukai-bune go-yū), triptik — Utagawa Kunisada · 1852 · Ulusal Diyet Kütüphanesi, Tokyo · Kamu malı · Kaynak
• Hakem Shikimori Inosuke ile Sumo Güreşçileri Shiranui Dakuemon ve Tsurugizan Taniemon — Utagawa Kuniyoshi · 1830'ların sonu–1840'ların başı · Kamu malı · Kaynak
• Amerikalıların Japonya'ya İlk Çıkışı — Eliphalet M. Brown, Wilhelm (Peter Bernard William) Heine'nin eserinden · 1855 · Ulusal Portre Galerisi, Smithsonian Enstitüsü, Washington · CC0 · Kaynak
• Kara Gemi Tomarı (detay) — Anonim Japon sanatçı · 1854 · Honolulu Sanat Müzesi · Kamu malı · Kaynak
• Yokohama'da Dokuma Kumaşları Ayıklayan Bir İngiliz (Igirisujin Yokohama ni orimono irowake no zu) — Utagawa Sadahide (oymacı: Koizumi Minokichi) · 1861 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Bir Amerikan Buharlı Gemisinin Gelip Gidişi — Utagawa Yoshikazu · 1861 · Kamu malı · Kaynak
• Tokyo-Takanawa Kıyısı Boyunca Uzanan Demiryolunda Buharlı Tren — Utagawa Hiroshige III · 1871 · Kamu malı · Kaynak
• Kōzuke Eyaleti'nde Tomioka İpek Fabrikası (Jōshū Tomioka seishijō), triptik — Utagawa Kuniteru II · 1872 · Ulusal Diyet Kütüphanesi, Tokyo · Kamu malı · Kaynak
• Meiji İmparatoru Mutsuhito — Uchida Kuichi · 1872–1873 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Meiji Anayasası'nın İlanının Kutlanması — Kobayashi Ikuhide · 1889 · Honolulu Sanat Müzesi · Kamu malı · Kaynak
• Gümüş Evlilik Yıl Dönümleri İçin Arabalı Alayda Meiji İmparatoru ve İmparatoriçesi (bir triptiğin sağ yaprağı) — Yōsai Nobukazu · 1894 · Honolulu Sanat Müzesi · Kamu malı · Kaynak
• Noge Yama'da Kiraz Çiçekleri (elle renklendirilmiş albümin baskı) — Tamamura Kōzaburō · y. 1880–1900 · Honolulu Sanat Müzesi · Kamu malı · Kaynak

Türkler ve Selçuklular

• Kül Tigin Heykelinin Başı — Göktürk heykeltıraş · y. 732 · Moğolistan Ulusal Müzesi, Ulan Batur · CC0 · Kaynak
• Burana'daki Balballar (Türk Taş Stelleri) — Türk taş oymacıları · 6.–10. yüzyıl · CC0 · Kaynak
• Uushgiin Uvur'daki Geyik Taşları, Moğolistan — Fotoğraf: Bernard Gagnon · Tunç Çağı (MÖ y. 1200–600) · CC0 · Kaynak
• Pazırık Halısı — Pazırık kültürü dokumacıları · MÖ y. 5.–3. yüzyıl · Devlet Ermitaj Müzesi, Sankt Petersburg · Kamu malı · Kaynak
• Kartallı Altın Taç (Xiongnu'ya atfedilir) — Bozkır kuyumcuları · Savaşan Devletler dönemi (MÖ 475–221) · Henan Eyalet Müzesi, Zhengzhou (özel sergi) · CC0 · Kaynak
• Attila ve Hunlar (Hunların Yağmaladığı Galya'da Bir Roma Villası) — Georges Rochegrosse · 1938'den önce · Kamu malı · Kaynak
• Tahttaki Oğuz Kağan, Câmiü't-Tevârîh'ten (Supplément persan 1113, f. 9) — Timurlu ressam · 15. yüzyıl · Fransa Ulusal Kütüphanesi, Paris · Kamu malı · Kaynak
• Oğuz Kağan'ın Ordugâhında Savaş Sahnesi, Hâfız-ı Ebrû'nun Mecmaü't-Tevârîh'inden — Timurlu ressam, Herat · y. 1425–1430 · Minneapolis Sanat Enstitüsü · Kamu malı · Kaynak
• Bir Câmiü't-Tevârîh Nüshasından Oğuz Kağan Minyatürleri — Bilinmeyen ressam · 14. yüzyıl · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Oğuz Kağan Şam'dan Bir Yük Yayla Gelen Elçiyi Kabul Ediyor, Mecmaü't-Tevârîh'ten — Timurlu ressam, Herat · y. 1425 · Walters Sanat Müzesi, Baltimore · Kamu malı · Kaynak
• Maniheist Kitap Parçası (bazılarınca Bögü Kağan'ın din değiştirmesi olarak yorumlanır) — Maniheist ressam, Hoço · 8.–9. yüzyıl · Asya Sanatı Müzesi, Berlin Devlet Müzeleri (MIK III 4979) · Kamu malı · Kaynak
• Maniheist Din Adamları, Hoço, α Harabesi (duvar resmi) — Maniheist duvar ressamı, Hoço · 10.–11. yüzyıl · Asya Sanatı Müzesi, Berlin Devlet Müzeleri · CC0 · Kaynak
• Uygur Prensleri, Bezeklik 9. Mağara (reprodüksiyon) — Uygur duvar ressamları · 9.–12. yüzyıl · Asya Sanatı Müzesi, Berlin Devlet Müzeleri (özgün eser) · Kamu malı · Kaynak
• Uygur Prensesleri, Bezeklik 9. Mağara (duvar resmi) — Uygur duvar ressamları · 8.–9. yüzyıl (müze etiketine göre) · Asya Sanatı Müzesi, Berlin Devlet Müzeleri · CC0 · Kaynak
• Uygur Bağışçı Çift, Bezeklik (duvar resmi parçası) — Uygur duvar ressamları; fotoğraf: Staatliche Museen zu Berlin · 10.–13. yüzyıl · Asya Sanatı Müzesi, Berlin Devlet Müzeleri · CC BY 4.0 · Kaynak
• Uygur Bağışçı, Bezeklik 17. Mağara (duvar resmi) — Uygur duvar ressamları · muhtemelen 10.–11. yüzyıl · Asya Sanatı Müzesi, Berlin Devlet Müzeleri · CC0 · Kaynak
• Tüccarlar, Bezeklik 45. Mağara (güney duvarı) — Bezeklik duvar ressamları · 618–907 (kaynağa göre; tarihi tartışmalı) · Kamu malı · Kaynak
• Palmiye Pazarı (muhtemelen), Doğu Kilisesi Tapınağı, Hoço (duvar resmi) — Doğu Kilisesi ressamı, Hoço · 683–770 · Asya Sanatı Müzesi, Berlin Devlet Müzeleri · CC0 · Kaynak
• Göldeki Ejderha, Bezeklik 19. Mağara (duvar resmi) — Uygur duvar ressamları · y. 1024–1155 · Asya Sanatı Müzesi, Berlin Devlet Müzeleri · CC0 · Kaynak
• Bir Keşiş, Bezeklik 4. Mağara (duvar resmi) — Uygur duvar ressamları · 1036–1161 · Asya Sanatı Müzesi, Berlin Devlet Müzeleri · CC0 · Kaynak
• Buğra Han'ın Kaşgar'da Tahta Çıkışı, Mecmaü't-Tevârîh'ten — Timurlu ressam, Herat · y. 1425 · Kamu malı · Kaynak
• Dîvânu Lugâti't-Türk'teki Dünya Haritası — Kâşgarlı Mahmud (yazar) · 1072–1074 (metin); 1266 tarihli nüsha · Millet Yazma Eser Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Kalon Minaresi, Buhara — Karahanlı ustaları · 1127 · CC0 · Kaynak
• Karahanlı Hükümdarı İlig Han Gazneli Mahmud'a Boyun Eğiyor, Câmiü't-Tevârîh'ten (f. 127v) — İlhanlı ressam, Tebriz · 1306–1314 · Edinburgh Üniversitesi Kütüphanesi (Or. MS 20) · Kamu malı · Kaynak
• Şair Firdevsî Gazneli Sultan Mahmud'un Huzurunda Eserinden Okuyor — Safevî saray ressamı, Tebriz · y. 1525 · İslam Sanatı Müzesi, Berlin Devlet Müzeleri (I. 5/82) · Kamu malı · Kaynak
• Firdevsî Sultan Mahmud'un Üç Şairine Yaklaşıyor — Darvish 'Abdi (hattat); bilinmeyen ressam · 1616–1620 · New York Halk Kütüphanesi · CC0 · Kaynak
• Otuz Cüzlük Bir Mushafın Onuncu Cüzünden Açılış Çift Sayfası — 'Uthman ibn Husayn al-Warraq (müstensih) · H. 466 / 1073–1074 · Âstân-ı Kuds-i Razavî Kütüphanesi, Meşhed (no. 4316) · Kamu malı · Kaynak
• Mihrap Panosu, Gazne Bölgesi — Gazneli ya da Gurlu taş oymacıları · 12. yüzyıl sonu–13. yüzyıl başı · Linden-Museum, Stuttgart · Kamu malı · Kaynak
• Gazneli Sultan Mahmud'un Camisi ve Türbesi (Afghaunistan, levha 10) — Teğmen James Rattray · y. 1839–1840 · Britanya Kütüphanesi, Londra · Kamu malı · Kaynak
• Gazne: Zafer Kuleleri — Robert Byron · 1940'ta yayımlandı · Kamu malı · Kaynak
• Yedi Ciltlik Bir Mushafın Beşinci Cildinden Çift Sayfa (Arabe 6041, ff. 61v–62r) — 'Uthman ibn Muhammad (müstensih) ve 'Ali ibn 'Abd al-Rahman (müzehhip) · 1111–1112 · Fransa Ulusal Kütüphanesi, Paris · Kamu malı · Kaynak
• Tahtında Selçuklu Sultanı Tuğrul Bey (H.1653, f. 304b) — İlhanlı üslubunda ressam · 1314 (Commons'a göre) · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Tahttaki Alp Arslan (H.1654, f. 202b) — Timurlu ressam · 15. yüzyıl başı · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Tahtında Alp Arslan, Câmiü't-Tevârîh'ten — İlhanlı ressam, Tebriz · 1306–1314 · Edinburgh Üniversitesi Kütüphanesi (Arabic 20) · Kamu malı · Kaynak
• Tahtında Selçuklu Sultanı Melikşah (H.1653, f. 308a) — İlhanlı üslubunda ressam · 1314 (Commons'a göre) · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Ulu Cami'nin Avlusu, İsfahan — Pascal Coste · 1851 · New York Halk Kütüphanesi · Kamu malı · Kaynak
• Harrakan Kümbetleri, Kazvin Eyaleti — Selçuklu dönemi ustaları; fotoğraf: Soroush R1998 · 1067 ve 1093 · CC BY 4.0 · Kaynak
• Hekimlerin Tedavi Ettiği Selçuklu Sultanı Muhammed bin Mahmud (H.1653, f. 320b) — İlhanlı üslubunda ressam · 1314 (Commons'a göre) · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Selçuklu Sultanı Sencer (H.1653, f. 313a) — İlhanlı üslubunda ressam · 1314 (Commons'a göre) · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Sultan Sencer Türbesi, Merv — Selçuklu ustaları; fotoğraf: Sergey Prokudin-Gorski · y. 1157; fotoğraf y. 1905–1915 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Kâse, Mina'i (Emaye) Seramik — İranlı çömlekçiler · 12./13. yüzyıl dönümü · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Eudokia ile IV. Romanos Diogenes'i Gösteren Nomisma (arka yüz) — Bizans darphanesi, Konstantinopolis · 1068–1071 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Malazgirt Savaşı (Boccaccio, De casibus virorum illustrium, BnF Français 226, fol. 265) — Rohan Ustası · 15. yüzyıl · Fransa Ulusal Kütüphanesi, Paris · Kamu malı · Kaynak
• Şemseddin İsmail'in Bakır Sikkesi, Sivas — Danişmendli darphanesi, Sivas; fotoğraf: American Numismatic Society · 1166–1168 · Amerikan Nümismatik Derneği, New York · CC0 · Kaynak
• Antakya Kuşatması (Sébastien Mamerot, Passages d'outremer, BnF Français 5594, fol. 59v) — Jean Colombe · y. 1474 · Fransa Ulusal Kütüphanesi, Paris · Kamu malı · Kaynak
• Kürboğa Antakya'yı Kuşatıyor — Bilinmeyen Fransız minyatürcü · 1337 · Fransa Ulusal Kütüphanesi, Paris · Kamu malı · Kaynak
• Antakya Önünde Savaş (David Aubert, Croniques abregies, fol. 532) — Bilinmeyen minyatürcü · 15. yüzyıl · Kamu malı · Kaynak
• II. Kutbeddin Sökmen'in Bakır Sikkesi, Hısn Keyfa, H. 594 — Artuklu darphanesi, Hısn Keyfa; fotoğraf: American Numismatic Society · 1198 · Amerikan Nümismatik Derneği, New York · CC0 · Kaynak
• Hasankeyf Şehri (Şerefnâme, MS Elliott 332, fols. 55b–56a) — Bilinmeyen ressam · 1597 · Bodleian Kütüphanesi, Oxford · Kamu malı · Kaynak
• II. Kılıç Arslan'ın Bakır Sikkesi (ön ve arka yüz) — Selçuklu darphanesi; fotoğraf: American Numismatic Society · 1156–1192 · Amerikan Nümismatik Derneği, New York · CC0 · Kaynak
• II. Kılıç Arslan Köşkü, Konya Selçuklu Sarayı — Garabed K. Solakian · 19. yüzyıl · SALT Araştırma, İstanbul · Kamu malı · Kaynak
• Sfenksli Altıgen Çini — Selçuklu çini ustaları, Konya · y. 1160–1180 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Ertuğrul Gazi Oğlu Savcı Bey'i Sultan Alâeddin Keykubad'a Gönderiyor (Tâcü't-Tevârîh) — Osmanlı saray ressamı · 1616 · Jacquemart-André Müzesi Kütüphanesi, Paris (MS 1314-1) · Kamu malı · Kaynak
• Sultanhanı Kervansarayı, Aksaray (ana taç kapı) — Selçuklu ustaları · 1229 · Kamu malı · Kaynak
• Sultanhanı'nın İç Kapısı — John Henry Haynes · 1887 · Harvard Üniversitesi · Kamu malı · Kaynak
• Sultanhanı, İç Mekân — John Henry Haynes · 1887 · Harvard Üniversitesi · Kamu malı · Kaynak
• Kızılkule ve Alanya Kalesi — Selçuklu ustaları; fotoğraf: Julian Lupyan · Yapım 1226; fotoğraf 2024 · CC0 · Kaynak
• Oturan Prensli Minai Kadeh — Kaşanlı çömlekçiler · 1180–1220 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Kâse — İranlı çömlekçiler · 12. yüzyıl sonu–13. yüzyıl başı · Cleveland Sanat Müzesi · CC0 · Kaynak
• At ve Süvari Betimli Minai Kâse — Kaşanlı çömlekçiler; fotoğraf: Daderot · 12.–13. yüzyıl · Royal Ontario Müzesi, Toronto · CC0 · Kaynak
• Ajurlu İbrik — İranlı çömlekçiler, muhtemelen Kaşan; fotoğraf: Daderot · 12. yüzyıl sonu ya da 13. yüzyıl başı · Cincinnati Sanat Müzesi · CC0 · Kaynak
• Kuş Biçimli Kap — İranlı metal ustaları · 12. yüzyıl · Cleveland Sanat Müzesi · CC0 · Kaynak
• Burç Figürlü İbrik (OA 5548) — Heratlı metal ustaları; fotoğraf: Tangopaso · 1185–1200 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Fil Saati, el-Cezerî'nin Ustalıklı Mekanik Düzenekler Bilgisi Kitabı'ndan — el-Cezerî'nin eserinden; Memlûk nüshası · 1315 (H. 715) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Tavuskuşlu Su Saati Tasarımı, el-Cezerî'nin Ustalıklı Mekanik Düzenekler Bilgisi Kitabı'ndan — el-Cezerî'nin eserinden; Memlûk nüshası · 1315 (H. 715) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Müzikli Kayık, el-Cezerî'nin Ustalıklı Mekanik Düzenekler Bilgisi Kitabı'ndan — el-Cezerî'nin eserinden; Farrukh ibn 'Abd al-Latif (hattat) · 1315 · Freer Sanat Galerisi, Smithsonian Enstitüsü, Washington, DC · Kamu malı · Kaynak
• Tavuskuşu Biçimli El Yıkama Düzeneği, el-Cezerî'nin Ustalıklı Mekanik Düzenekler Bilgisi Kitabı'ndan — el-Cezerî'nin eserinden; Memlûk nüshası · 1315 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Eşek Gücüyle Çalışan Su Çarkı Tasarımı, el-Cezerî'nin Ustalıklı Mekanik Düzenekler Bilgisi Kitabı'ndan — el-Cezerî'nin eserinden; Memlûk nüshası · 1315 (H. 715) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Mevlânâ'nın Babası Konya'daki Kâni'î Mezarlığı'nda Vaaz Veriyor — Bilinmeyen Osmanlı ressam · 1590 · Kamu malı · Kaynak
• Mevlânâ'nın Şems-i Tebrîzî ile Karşılaşması (Muhammed Tâhir'in Camiü's-siyer'i, H. 1230, fol. 121a) — Bilinmeyen ressam · 16. yüzyıl sonu · Topkapı Sarayı Müzesi Kütüphanesi, İstanbul · Kamu malı · Kaynak
• Mesnevî-i Ma'nevî'nin İlk 18 Beyti (Mevlânâ Müzesi 51, fol. 7a) — Muhammad ibn 'Abdallah al-Qunyavi al-Valadi (müstensih); Mukhlis ibn 'Abdallah al-Hindi (müzehhip) · Kasım–Aralık 1278 · Mevlânâ Müzesi, Konya · Kamu malı · Kaynak
• Mevlânâ Türbesi — Selçuklu ustaları; fotoğraf: Kadı · Yapım 1274; fotoğraf 2024 · CC BY 4.0 · Kaynak
• Mevlânâ Müzesi, Konya — Selçuklu, Karamanoğlu ve Osmanlı dönemi ustaları · 13.–16. yüzyıl · CC0 · Kaynak
• Dans Eden Derviş — Richard Morris Hunt · 1853 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Dönen Derviş İçin Eskiz — Jean-Léon Gérôme; fotoğraf: Daderot · y. 1868–1889 · Middlebury College Sanat Müzesi, Vermont · Kamu malı · Kaynak
• Bir Caminin İçi, Dans Eden Dervişler (La Mottraye, Travels, c. I, lev. 16) — William Hogarth · 1723–1724 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Hacı Bektaş Veli (Petit recueil de peintures turques, Turc 140, fol. 13v) — Bilinmeyen Osmanlı ressam · 17. yüzyıl · Fransa Ulusal Kütüphanesi, Paris · Kamu malı · Kaynak
• III. Alâeddin Keykubad I. Osman'a Berat Veriyor (Şerefnâme, MS Elliott 332, fols. 157–158) — Bilinmeyen ressam · 1597 · Bodleian Kütüphanesi, Oxford · Kamu malı · Kaynak

İran

• Kiros Silindiri — Babilli kâtip, Büyük Kiros için · MÖ 539 sonrası · British Museum, Londra · CC0 · Kaynak
• Okçular Frizi (AOD 487) — Ahameniş ustaları · y. MÖ 510 · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Kserkses Sarayı'ndan Duvar Bezemesi Parçası: Alayda "Muhafız" — Ahameniş heykeltıraşları · MÖ 486–465 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Persepolis'ten Hediye Taşıyan Figürlü Kabartma — Ahameniş heykeltıraşları · MÖ 500–450 · Los Angeles County Sanat Müzesi · Kamu malı · Kaynak
• Boynuzlu aslan-griffonlu levha — Ahameniş kuyumcuları · MÖ y. 6.–4. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Fantastik aslanımsı bir yaratığın ön gövdesiyle sonlanan kap — Ahameniş kuyumcuları · MÖ y. 5. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Boğa ön gövdesiyle sonlanan riton — Ahameniş gümüşçüleri · MÖ 6. yüzyıl sonu ya da 5. yüzyıl · Cincinnati Sanat Müzesi · CC0 · Kaynak
• Erkek heykelciği, Oxus Hazinesi (ME 1897,1231.1) — Ahameniş metal ustaları; fotoğraf: Marie-Lan Nguyen · MÖ 5.–4. yüzyıl · British Museum, Londra · CC BY 4.0 · Kaynak
• Processione sulla facciata della Grande Scala (Büyük Merdiven cephesinde alay) — Luigi Pesce · 1858 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Persepolis Kalıntıları — Alberto Pasini · Tarihsiz (sanatçı 1855–1856'da İran'da) · Kamu malı · Kaynak
• Kentaur ve kadın figürlü riton, Eski Nisa — Part fildişi oymacıları · MÖ 3.–2. yüzyıl · Devlet Doğu Sanatları Müzesi, Moskova · CC0 · Kaynak
• I. Şapur'un Romalılara karşı zaferini gösteren kaya kabartması, Tang-e Çogan, Bişapur — Sasani heykeltıraşları · y. MS 260–270 · CC0 · Kaynak
• Bir kral başı (MET 65.126) — Sasani gümüşçüleri · MS 4. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Taq-e Bostan, II. Erdeşir'in taç giyme sahnesini gösteren kaya kabartması — Antoin Sevruguin · 19. yüzyıl sonu · Rietberg Müzesi, Zürih · Kamu malı · Kaynak
• Tabak: Bir geyiği öldüren Kral I. Yezdicerd — Sasani gümüşçüleri · MS y. 399–420 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Bahram Gur ile Azade hikâyesinden av sahneli tabak — Sasani gümüşçüleri · MS y. 5. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Anahita Kabı — Sasani gümüşçüleri · MS 4.–5. yüzyıl · Cleveland Sanat Müzesi · CC0 · Kaynak
• Saldıran yaban domuzu tasvirli duvar panosu — Sasani alçı ustaları · MS y. 6. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Atlı dokuma parçası (2004.255) — Sasani dokumacıları · 5.–7. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Koç avlayan kral tasvirli tabak — Sasani gümüşçüleri · MS y. 450–550 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Gayumars'ın Sarayı, Şah Tahmasb'ın Şehname'sinden bir yaprak — Sultan Muhammad'a atfedilir · y. 1522–1525 · Ağa Han Müzesi, Toronto · Kamu malı · Kaynak
• Tahmuras Devleri Yeniyor, Şah Tahmasb'ın Şehname'sinden 23v numaralı yaprak — Sultan Muhammad · y. 1525 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Zahhak'a Kaderi Bildiriliyor, Şah Tahmasb'ın Şehname'sinden 29v numaralı yaprak — Sultan Muhammad · y. 1524 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Feridun, Zahhak'la savaşmaya giderken Dicle'yi geçiyor (Per 277.14) — Reza Abbasi'ye atfedilir · 1590–1600 · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Zal'i Simurg Kurtarıyor (Per 277.12) — Sadiqi Beg'e atfedilir · y. 1590'lar · Chester Beatty Kütüphanesi, Dublin · Kamu malı · Kaynak
• Zal, Rudaba'nın Balkonunun Altında, II. İsmail'in Şehname'sinden — Sadiqi Beg'e atfedilir · 1576 · David Koleksiyonu, Kopenhag · Kamu malı · Kaynak
• Rüstem, mücevherli ağacın altında Keyhüsrev'in huzurunda (S1986.159) — Bilinmeyen ressam, Gilan · 1493–1494 · Arthur M. Sackler Galerisi, Smithsonian Enstitüsü, Washington, D.C. · Kamu malı · Kaynak
• Rüstem, Bizhan'ı Kuyudan Kurtarıyor, bir Şehname'den sayfa — Bilinmeyen ressam, Horasan · y. 1570–1580 · Los Angeles County Sanat Müzesi · Kamu malı · Kaynak
• Güştasb Kayser'in Huzurunda Okçuluğunu Kanıtlıyor, Şah Tahmasb'ın Şehname'sinden 404r numaralı yaprak (ayrıntı) — 'Abd al-'Aziz ve Aqa Mirak'a atfedilir · y. 1525–1530 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Bahram Gur Gergedan-Kurdu Öldürüyor, Şah Tahmasb'ın Şehname'sinden 586r numaralı yaprak — 'Abd al-'Aziz ve Aqa Mirak'a atfedilir · y. 1530–1535 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Bahram Gur Siyah Köşkte Hint Prensesini Ziyaret Ediyor, bir Nizamî Hamse'sinden (Heft Peyker) — Bilinmeyen Timurlu ressam · y. 1400–1410 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Hüsrev, Yıkanan Şirin'i Seyrediyor, Nizamî'nin Hamse'sinden (Or. 2265, f. 53v) — Sultan Muhammad'a atfedilir · 1539–1543 · British Library, Londra · CC0 · Kaynak
• Mecnun Çölde Hayvanlarla, bir Nizamî Hamse'sinden — Aqa Mirak'a atfedilir · y. 1539–1544 · Kamu malı · Kaynak
• Hekimlerin Düellosu, Nizamî'nin Hamse'sinden (Or. 2265, f. 26) — Aqa Mirak · 1539–1543 · British Library, Londra · Kamu malı · Kaynak
• Bahram Beyaz Kubbeli Köşkü Ziyaret Ediyor, bir Nizamî Hamse'sinden (Heft Peyker) — Bilinmeyen ressam, Şiraz · y. 1560–1580 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Kuşların Toplantısı, Feridüddin Attar'ın Mantıku't-Tayr'ından bir sayfa — Habiballah of Sava · y. 1600 · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Yolcu ile Derviş, bir Sadi Gülistan'ından — Muhtemelen Hajji Muhammad · 1486 · Kamu malı · Kaynak
• Dünyevi ve Uhrevi Sarhoşluk Alegorisi, Hafız Divanı'ndan bir yaprak — Sultan Muhammad · y. 1531–1533 · Metropolitan Sanat Müzesi, New York ve Harvard Sanat Müzeleri · Kamu malı · Kaynak
• Süleyman ile Belkıs Birlikte Oturup Açıkça Sohbet Ediyor, Cami'nin Heft Evreng'inden — Bilinmeyen Safevi ressam · 1556–1565 · Freer Sanat Galerisi, Smithsonian Enstitüsü, Washington, D.C. · Kamu malı · Kaynak
• Yusuf Evliliği Şerefine Kraliyet Ziyafeti Veriyor, Cami'nin Heft Evreng'inden — Shaykh Muhammad'a atfedilir · 1556–1565 · Freer Sanat Galerisi, Smithsonian Enstitüsü, Washington, D.C. · Kamu malı · Kaynak
• Yeni Kral Beyaz Bir Filin Üstünde Şehirde Dolaştırılıyor, Kelile ve Dimne'den (H.362, fol. 169r) — Bilinmeyen ressam (muhtemelen Tebriz); Herat'ta Baysungur için yeniden kullanıldı · y. 1410–1425; 1431'de yeniden kullanıldı · Topkapı Sarayı Müzesi, İstanbul · Kamu malı · Kaynak
• Ebü'l-Meâlî Nasrullah'ın Baysungur için hazırlanan Kelile ve Dimne'sinin ön sayfası (sağ pano) (R. 1022) — Baysungur'un kütüphanesinin ressamları, Herat · 1429 · Topkapı Sarayı Müzesi, İstanbul · Kamu malı · Kaynak
• Prens Baysungur'un Huzurunda Av Sahnesi, Baysungur Şehname'sinin ön sayfası (MS 716, fol. 4r) — Baysungur'un kütüphanesinin ressamları, Herat · 1430 · Gülistan Sarayı Kütüphanesi, Tahran · Kamu malı · Kaynak
• Baysungur Şehname'sinden saray sahnesi (MS 716, s. 466) — Baysungur'un kütüphanesinin ressamları, Herat · 1430 · Gülistan Sarayı Kütüphanesi, Tahran · Kamu malı · Kaynak
• Muhtemelen At Üstünde Muhammed Cuki Portresi, Muhammed Cuki Şehname'sinden (MS 239, fols. 269v–270r), ayrıntı — Timurlu saray ressamı, Herat · y. 1440 · Royal Asiatic Society, Londra · Kamu malı · Kaynak
• Bahçede Kraliyet Ziyafeti, bir Şehname'nin çift sayfalık ön sayfasının sol yaprağı — Timurlu dönemi ressamı, Şiraz · y. 1440 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Sultan Hüseyin Mirza Baykara'nın Taç Giymesi (LTS1995.2.26) — Mansur'a atfedilir · y. 1469 · Art and History Trust Koleksiyonu, Ulusal Asya Sanatı Müzesi, Smithsonian Enstitüsü · Kamu malı · Kaynak
• Saray Şenliği (“Sultan Hüseyin Mirza Baykara'nın Haremi”), bir Emir Hüsrev-i Dihlevî Divanı'ndan — Muhtemelen Shah Muzaffar · 1481 · Art and History Trust Koleksiyonu · Kamu malı · Kaynak
• Nizamî Oğlu Muhammed'e Sesleniyor, Leyla ile Mecnun'dan — Behzad'a atfedilir · 1482 · Kamu malı · Kaynak
• Havernak Sarayı'nın İnşası, bir Nizamî Hamse'sinden (Or. 6810, fol. 154v) — Kamal al-Din Behzad'a atfedilir · y. 1494–1495 · British Library, Londra · Kamu malı · Kaynak
• Hareketli Kafes Desen İçinde Doğancı ve Hizmetkâr Tasvirli Brokar Kadife, bir Kaftandan — Safevi dokumacıları, Kaşan · y. 1525 · Cleveland Sanat Müzesi · CC0 · Kaynak
• At ve Seyis (albümden ayrılmış yaprak) — Haydar 'Ali'ye atfedilir · 16. yüzyıl başı · Freer Sanat Galerisi, Smithsonian Enstitüsü, Washington, D.C. · Kamu malı · Kaynak
• Bayram Şenliği Başlıyor (ayrıntı: tahtta genç bir prens), Hafız Divanı'ndan (“Cartier Hafız”) — Sultan Muhammad'a atfedilir · y. 1531 · Kamu malı · Kaynak
• Erdebil Halısı — Safevi dokumacıları (yazıtta Kaşanlı Maksud'un adı geçer) · 1539–1540 · Victoria and Albert Müzesi, Londra · Kamu malı · Kaynak
• Bir Manzarada Oturan I. Şah Tahmasb (1514–1576) — Safevi saray ressamı, Kazvin · y. 1575 · Cleveland Sanat Müzesi · Kamu malı · Kaynak
• Marino Grimani İran Elçisini Kabul Ediyor (ayrıntı) — Gabriele Caliari · 16. yüzyıl sonu ya da 17. yüzyıl başı · Doçlar Sarayı, Venedik · Kamu malı · Kaynak
• Nar Tutan Genç — Riza-yi Abbasi (ya da bir takipçisi) · y. 1600–1650 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Âşıklar — Reza Abbasi · 1630 · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• I. Şah Abbas'ın Bir Hizmetkârla Ayakta Portresi — Mu'in Musavvir · 1632–1633 (Hicri 1042) · Harvard Sanat Müzeleri (Arthur M. Sackler Müzesi), Cambridge, MA · Kamu malı · Kaynak
• Sanatçı Reza Abbasi'nin Portresi — Mu'in Musavvir · 19 Nisan 1676 · Kamu malı · Kaynak
• İsfahan Yolundaki Hollanda Elçisi — Jan Baptist Weenix · 1653–1659 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• İpek ve Metal İplikli Saray Halısı — Saray atölyesi, İsfahan · 17. yüzyıl · Cleveland Sanat Müzesi · CC0 · Kaynak
• Şah Camii, İsfahan (çinili tonozlar) — Safevi yapı ustaları · 1611–y. 1630 · CC0 · Kaynak
• I. Şah Tahmasb'ın Hümayun'u ağırlaması, Çihil Sütun Sarayı'nda duvar resmi, İsfahan — Safevi saray ressamları · y. 1647 (sonradan onarılmış) · Kamu malı · Kaynak
• Çaldıran Savaşı, Çihil Sütun Sarayı'nda duvar resmi, İsfahan — Safevi saray ressamları · 17. yüzyıl (sonradan onarılmış) · CC0 · Kaynak
• Bahçede Toplantı (çini pano, 03.9c) — Safevi çinicileri, İsfahan; fotoğraf: PierreSelim · 17. yüzyıl · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Kovalamaca Sahneli Çini Pano — Safevi çinicileri, İsfahan; fotoğraf: Daderot · 17. yüzyıl · Cinquantenaire Müzesi, Brüksel · Kamu malı · Kaynak
• Bir Saray Mabeyincisi (sağda) ile Bir Kraliyet Muhafızının (solda) İkili Portresi, Engelbert Kaempfer'in topladığı bir albümden — Jani · 1684–1685 (Hicri 1096) · British Museum, Londra · Kamu malı · Kaynak
• Nakş-ı Cihan Meydanı, İsfahan, Monuments modernes de la Perse'ten (lev. VI–VII) — Pascal Coste · 1867 · Kamu malı · Kaynak
• Meydan-ı Şah, İsfahan, bir asker geçidi sırasında — Antoin Sevruguin · 19. yüzyıl sonu · Rietberg Müzesi, Zürih · Kamu malı · Kaynak
• Veliaht Prens Abbas Mirza'nın Portresi — Mihr 'Ali'ye atfedilir · y. 1800 (müzayede tarihlemesi) · Kamu malı · Kaynak
• Abbas Mirza'nın Askerî Teftişi — Allahverdi Afshar · 1815–1817 · Devlet Ermitaj Müzesi, St. Petersburg · Kamu malı · Kaynak
• Feth Ali Şah'ın Portresi — Mihr 'Ali'ye atfedilir · 1816 (Hicri 1231) · Kamu malı · Kaynak
• Feth Ali Şah ve Yanında Bir Prens (muhtemelen Muhammed Mirza) — Mihr 'Ali'ye atfedilir · y. 1820 · Kamu malı · Kaynak
• Prens Yahya — Muhammad Hasan'a atfedilir · y. 1830 · Kamu malı · Kaynak
• Kaçar Hükümdarı Muhammed Şah ve Veziri Hacı Mirza Ağasi'nin Portresi — Kaçar saray ressamı · 19. yüzyılın ikinci çeyreği · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Nasreddin Şah — Luigi Pesce · 1840'lar (müze tarihlemesi) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kaçar Hükümdarı Feth Ali Şah'ın Oğlu Celaleddin Mirza — Abu'l-Hasan Ghaffari (Sani' al-Mulk) · 1859 · Smithsonian Enstitüsü, Washington, D.C. · Kamu malı · Kaynak
• Nasreddin Şah ve Saray Erkânı (ayrıntı), lake bir kalemdandan — Muhammad Isma'il (imzalı) · y. 1865 · Kamu malı · Kaynak
• Çerağ Gaz Caddesi, Tahran — Antoin Sevruguin · y. 1890 ya da sonrası (Commons: y. 1880) · Kamu malı · Kaynak

Çin

• Qin Shi Huang, Ardışık Hanedanların İmparator Portreleri (Lidai diwang xiang) albümünden — Bilinmeyen Çinli ressam · 18. yüzyıl · Kamu malı · Kaynak
• Pişmiş Toprak Ordu, 1 Numaralı Çukur: atlar ve askerler — Qin imparatorluk atölyeleri; fotoğraf: Gary Todd · Qin hanedanı, MÖ 3. yüzyıl sonu (fotoğraf 2009) · İmparator Qin Shi Huang Mozolesi Müzesi, Lintong · CC0 · Kaynak
• Pişmiş Toprak Ordu'dan diz çökmüş okçu — Qin imparatorluk atölyeleri; fotoğraf: Gary Todd · Qin hanedanı, MÖ 3. yüzyıl sonu (fotoğraf 2019) · İmparator Qin Shi Huang Mozolesi Müzesi, Lintong · CC0 · Kaynak
• Qin Shi Huang'ın mozolesinden 2 Numaralı Tunç Araba — Qin imparatorluk atölyeleri; fotoğraf: Gary Todd · Qin hanedanı, MÖ 3. yüzyıl sonu (fotoğraf 2014) · İmparator Qin Shi Huang Mozolesi Müzesi, Lintong · CC0 · Kaynak
• Zhongshan Prensi Liu Sheng'in yeşim ölü giysisi — Batı Han zanaatkârları; fotoğraf: Gary Todd · Batı Han, MÖ 113 öncesi (fotoğraf 2014) · Hebei Müzesi, Shijiazhuang · CC0 · Kaynak
• Mawangdui 1 Numaralı Mezar'dan T biçimli ipek üzerine resim (üst bölüm) — Bilinmeyen Batı Han ressamı · Batı Han, MÖ y. 168 · Hunan Eyalet Müzesi, Changsha · Kamu malı · Kaynak
• Küp (Hu) — Batı Han çömlekçileri · Batı Han, MÖ 202–MS 9 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Dansçı ve Müzisyenler (mezar figürleri) — Han hanedanı çömlekçileri · MÖ 1. yüzyıl–MS 1. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Çok Sayıda Memecikli TLV Aynası — Doğu Han tunç dökümcüleri · Doğu Han, MS 25–220 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Dörtnala Koşan Tunç At (Gansu'nun Uçan Atı) — Doğu Han tunç dökümcüleri; fotoğraf: Gary Todd · Doğu Han, MS 25–220 (fotoğraf 2013) · Gansu Eyalet Müzesi, Lanzhou · CC0 · Kaynak
• Saray Hanımlarına Eğitmenin Öğütleri (Leydi Feng ve ayı) — Gu Kaizhi'nin eserinden (Tang dönemi kopyası) · 4.–5. yüzyıla ait bir kompozisyonun Tang hanedanı kopyası · British Museum, Londra · Kamu malı · Kaynak
• Luo Irmağı Perisi, Minghui jizhen albümünden bir yaprak — Anonim Güney Song ressamı, Gu Kaizhi'nin eserinden · Güney Song hanedanı (1127–1279) · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Tang İmparatoru Taizong'un Ayakta Portresi — Bilinmeyen Ming saray ressamı · Ming hanedanı (1368–1644) · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• İmparator Taizong Tibet Elçisini Kabul Ediyor (Bunian tu) — Yan Liben'e atfedilir (muhtemelen bir Song kopyası) · 7. yüzyıla ait bir kompozisyonun Song hanedanı kopyası · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Koşumlu at, sancai sırlı pişmiş toprak — Tang hanedanı çömlekçileri; fotoğraf: Daderot · Tang hanedanı, 675–750 · Portland Sanat Müzesi, Oregon · Kamu malı · Kaynak
• Sancai sırlı deve — Tang hanedanı çömlekçileri; fotoğraf: Gary Todd · Tang hanedanı (618–907) (fotoğraf 2019) · Shaanxi Tarih Müzesi, Xi'an · CC0 · Kaynak
• Çifte Altılı Oynayan Saray Hanımları (ayrıntı) — Zhou Fang'a atfedilir (muhtemelen daha sonraki bir kopya) · Kompozisyon 8. yüzyıl; bu versiyon muhtemelen daha geç · Freer Sanat Galerisi, Washington, D.C. · Kamu malı · Kaynak
• Çiçekli Başlıklar Takan Saray Hanımları (ayrıntı) — Zhou Fang'a atfedilir · Tang ile Song hanedanı arası (tarihleme tartışmalı) · Liaoning Eyalet Müzesi, Shenyang · Kamu malı · Kaynak
• İmparator Minghuang'ın Shu'ya Yolculuğu — Li Zhaodao'nun eserinden (anonim) · 12. yüzyıl (Tang üslubundaki bir kompozisyonun Song kopyası) · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Han Xizai'nin Gece Eğlenceleri (ayrıntı) — Anonim Song ressamı, Gu Hongzhong'un eserinden · 10. yüzyıla ait bir özgün eserin Song hanedanı dönemi yeniden yapımı · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Song Taizu'nun Oturur Portresi — Bilinmeyen Song saray ressamı · Song hanedanı (960–1279) · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Dağlar ve Dereler Arasında Yolcular — Fan Kuan · y. 1000 · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Yaz Dağları — Qu Ding'e atfedilir · y. 1050 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Erken Bahar — Guo Xi · 1072 · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Song Renzong'un İmparatoriçesinin Oturur Portresi — Bilinmeyen Song saray ressamı · Song hanedanı (960–1279) · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Qingming Bayramında Nehir Boyunca (ayrıntı: Gökkuşağı Köprüsü) — Zhang Zeduan · 12. yüzyıl başı · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Çiçekler Arasında Ejderha Tasvirli Baldaken — Güney Song imparatorluk atölyesi, Hangzhou (bordür: Ming hanedanı) · 1100'lerin sonu (bordür Ming hanedanı) · Cleveland Sanat Müzesi · CC0 · Kaynak
• Uğurlu Turnalar — Song İmparatoru Huizong'a atfedilir · 1112 · Liaoning Eyalet Müzesi, Shenyang · Kamu malı · Kaynak
• İspinozlar ve Bambu — Song İmparatoru Huizong'a atfedilir · 12. yüzyıl başı · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Nilüfer Goncası Biçimli Küp: Jun seramiği — Kuzey Çinli çömlekçiler (Jun seramiği) · Kuzey Song–Jin hanedanı, 12.–13. yüzyıl · Cleveland Sanat Müzesi · CC0 · Kaynak
• Yeni Dokunmuş İpeği Hazırlayan Saray Hanımları (ayrıntı: ütüleme) — Geleneksel olarak İmparator Huizong'a atfedilir, Zhang Xuan'ın eserinden · 12. yüzyıl başı · Boston Güzel Sanatlar Müzesi · Kamu malı · Kaynak
• Nilüfer Havuzunda Ördekler (kesi ipek dokuma) — Zhu Kerou · Güney Song hanedanı (1127–1279) · Şanghay Müzesi · Kamu malı · Kaynak
• Nergis Leğeni, seladon (Ru seramiği) — Kuzey Song çömlekçileri (Ru seramiği); fotoğraf: NISHIKAWA Shigeru · Kuzey Song hanedanı · Osaka Doğu Seramikleri Müzesi (Sumitomo Grubu bağışı, Ataka Koleksiyonu) · CC BY 4.0 · Kaynak
• İmparatorluk Emriyle Hazırlanan Tarım ve İpekböcekçiliği Resimleri (Gengzhi tu) — Jiao Bingzhen (tasarımlar); Zhu Gui (kalıp oymacısı) · 1696 · British Museum, Londra · Kamu malı · Kaynak
• İmparatorluk İpekböcekçiliği Törenleri, 3. Tomar: Dut Yaprağı Toplama (ayrıntı) — Giuseppe Castiglione, Ding Guanpeng ve diğerleri · 1748 sonrası · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• İmparatorluk İpekböcekçiliği Törenleri, 4. Tomar: Kozaların Sunulması (ayrıntı) — Giuseppe Castiglione, Ding Guanpeng ve diğerleri · 1749 sonrası · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• İpek üretimi sahneli tabak — Jingdezhen porselen ressamları; fotoğraf: Daderot · y. 1745 · Peabody Essex Müzesi, Salem, Massachusetts · Kamu malı · Kaynak
• Manzara içinde bir topluluk tasvirli rolwagen vazo — Jingdezhen çömlekçileri · y. 1635–1650 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Çin'de bir çay plantasyonu: çay yapraklarını ısıtıp kurutan işçiler — Anonim Kanton ihracat ressamı · Tarihsiz (muhtemelen 19. yüzyıl başı) · Wellcome Collection · CC BY 4.0 · Kaynak
• Çin'de bir çay plantasyonu: çayı sandıklara dolduran işçiler — Anonim Kanton ihracat ressamı · Tarihsiz (muhtemelen 19. yüzyıl başı) · Wellcome Collection · CC BY 4.0 · Kaynak
• Ming İmparatoru Taizu'nun (Hongwu İmparatoru) Oturur Portresi — Anonim Ming saray ressamı · Ming hanedanı (1368–1644) · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Ming İmparatoru Chengzu'nun (Yongle İmparatoru) Oturur Portresi — Anonim Ming saray ressamı · Ming hanedanı (1368–1644) · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Seyisiyle Haraç Zürafası — Shen Du'nun (1357–1434) eserinden; bilinmeyen bir ressamın daha geç tarihli versiyonu · Özgün eser 1414; bu versiyon muhtemelen 16. yüzyıl · Philadelphia Sanat Müzesi · Kamu malı · Kaynak
• At Üstünde Ming İmparatoru Xuanzong — Anonim Ming saray ressamı · Ming hanedanı · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Yola Çıkış Alayı (ayrıntı) — Anonim Ming saray ressamları; fotoğraf: Zhenxiong Li · Ming hanedanı, 16. yüzyıl · Ulusal Saray Müzesi, Taipei · CC0 · Kaynak
• Pekin Saray Şehri (Yasak Şehir) — Zhu Bang'a atfedilir · y. 1522–1566 (Jiajing dönemi) · British Museum, Londra · Kamu malı · Kaynak
• Han Sarayında Bahar Sabahı (ayrıntı) — Qiu Ying · Ming hanedanı, 16. yüzyıl · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Eski Shu Devleti'nin Saray Hanımları — Tang Yin · Ming hanedanı, 16. yüzyıl başı · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Bin Dönümlük Bulutlar, Suzhou'daki Kaplan Tepesi'nden On İki Manzara'dan — Shen Zhou · y. 1491–1509 · Cleveland Sanat Müzesi · Kamu malı · Kaynak
• Manzara içinde Çinli bir hanım, bir bey ve maiyetleri tasvirli çifte su kabağı biçimli vazo — Jingdezhen çömlekçileri · y. 1635–1645 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Saray Kıyafetiyle Kangxi İmparatoru'nun Portresi — Anonim Qing saray ressamı · Geç Kangxi dönemi (18. yüzyıl başı) · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Kangxi İmparatoru'nun Güney Teftiş Gezisi, 7. Tomar: Wuxi'den Suzhou'ya (ayrıntı) — Wang Hui ve yardımcıları · 1690'lar · Kamu malı · Kaynak
• Kitap Okuyan Yongzheng İmparatoru'nun Portresi — Anonim Qing saray ressamı · Qing hanedanı, 18. yüzyıl · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Saray Kıyafetiyle Qianlong İmparatoru'nun Portresi — Giuseppe Castiglione · 1736 · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Saray Kıyafetiyle İmparatoriçe Xiaoxianchun'un Portresi — Anonim Qing saray ressamı · Qing hanedanı, 18. yüzyıl · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Tören Zırhıyla At Üstünde Qianlong İmparatoru — Giuseppe Castiglione · 1739 ya da 1758 (tarihleme tartışmalı) · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Yüz At (ayrıntı) — Giuseppe Castiglione · 1728 · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Qianlong İmparatoru'nun Güney Teftiş Gezisi, 6. Tomar: Büyük Kanal Boyunca Suzhou'ya Giriş (ayrıntı) — Xu Yang ve yardımcıları · 1764–1770 · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Şeftalili Vazo — Jingdezhen imparatorluk fırınları · Qianlong damgası ve dönemi (1736–1795) · Cleveland Sanat Müzesi · CC0 · Kaynak
• Ejderhalı Kaftan İçin Kadife Kumaş — Bilinmeyen Çinli dokumacılar · 17. yüzyıl (erken Qing hanedanı) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Edebî Toplantı (ayrıntı) — Song İmparatoru Huizong'a atfedilir · 12. yüzyıl başı · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Oyun Oynayan Yüz Çocuk — Su Hanchen'e atfedilir · 12. yüzyıl · Cleveland Sanat Müzesi · CC0 · Kaynak
• Beceriksiz Yöneticinin Bahçesi, f yaprağı — Wen Zhengming · 1551 · Metropolitan Sanat Müzesi, New York · Kamu malı · Kaynak
• Mangal Başında Karı Seyretmek, On İki Güzel paravanından — Anonim Qing saray ressamı · 1732 öncesi · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Kapı Eşiğinde Bambuyu Seyretmek, On İki Güzel paravanından — Anonim Qing saray ressamı · 1732 öncesi · Saray Müzesi, Pekin · Kamu malı · Kaynak
• Qingming Bayramında Nehir Boyunca, Qing Sarayı Versiyonu (bölüm) — Chen Mei, Sun Hu, Jin Kun, Dai Hong ve Cheng Zhidao · 1736 · Ulusal Saray Müzesi, Taipei · Kamu malı · Kaynak
• Müreffeh Suzhou: Köy Okulu (ayrıntı) — Xu Yang · 1759 · Liaoning Eyalet Müzesi, Shenyang · Kamu malı · Kaynak
• Müreffeh Suzhou: Düğün (ayrıntı) — Xu Yang · 1759 · Liaoning Eyalet Müzesi, Shenyang · Kamu malı · Kaynak
• On Bin Ülke Saraya Geliyor (Wanguo laichao tu), Yeni Yıl baskısı — Wang Junfu · 17. yüzyıl ortası–sonu · Kamu malı · Kaynak
• Çin düğün alayı — Anonim Kanton ihracat ressamı · 19. yüzyıl · Wellcome Collection · CC BY 4.0 · Kaynak
• Kanton'daki Hong'lar — Anonim Kanton ihracat ressamı · y. 1820 · Kamu malı · Kaynak
• Bir Ticaret Jonkası — Anonim Çinli ressam · 19. yüzyıl · Royal Museums Greenwich, Londra · Kamu malı · Kaynak
• Dane's Island'dan Whampoa Demirleme Yeri — Youqua · y. 1850 · Peabody Essex Müzesi, Salem · Kamu malı · Kaynak
• Edebiyat Tanrısı Belvederi, Yaz Sarayı, Pekin — Felice Beato · 6–18 Ekim 1860 · Peabody Essex Müzesi, Salem · Kamu malı · Kaynak
• Mançu Hanımlar, Pekin — John Thomson · 1869 · Wellcome Collection · CC BY 4.0 · Kaynak
• Emaycılar, Pekin — John Thomson · 1869 · Wellcome Collection · CC BY 4.0 · Kaynak
• Qing saray kıyafetli genç adam, Guangxu İmparatoru olduğu söylenir — Bilinmeyen fotoğrafçı · 1905'te yayımlandı · Kamu malı · Kaynak
• Dul İmparatoriçe Cixi — Yu Xunling · y. 1903–1905 · Freer Sanat Galerisi ve Arthur M. Sackler Galerisi Arşivleri, Smithsonian Enstitüsü · Kamu malı · Kaynak
• Dul İmparatoriçe Cixi'nin Portresi — Hubert Vos · 1905–1906 · Kamu malı · Kaynak
• Mareşal Li Xinhai Devrimi Sırasında Nanjing'i Geri Alıyor — Bilinmeyen Çinli baskı ustası · 1911 · Kongre Kütüphanesi · Kamu malı · Kaynak

Mezopotamya

• Uruk'taki Eanna kutsal alanından kil çivi mozaikli sütunlar (müze rekonstrüksiyonu) — Sümerli yapı ustaları (modern rekonstrüksiyon) · MÖ y. 3600–3200 · Bergama Müzesi, Berlin · CC0 · Kaynak
• Elinde kap tutan sakallı erkek tapınan figürü, Abu'nun Kare Tapınağı, Tell Asmar — Sümerli heykeltıraş · MÖ y. 2700–2600 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Ziyafet levhası, Büyük Şara Tapınağı, Tell Agrab — Sümerli heykeltıraş; fotoğraf: Daderot · MÖ y. 2700–2600 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Başlık — Sümerli kuyumcular · MÖ y. 2600–2500 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Bir lir için boğa başı süsü — Sümerli metal ustaları · MÖ y. 2600–2350 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Lagaş kralı Ur-Nanşe'nin ailesiyle birlikte delikli adak kabartması — Sümerli heykeltıraş; fotoğraf: Gary Todd · MÖ y. 2550–2500 · Louvre Müzesi, Paris · CC0 · Kaynak
• Lagaş kralı Eannatum'un zafer steli (Akbabalar Steli) — Sümerli heykeltıraş; fotoğraf: Gary Todd · MÖ y. 2450 · Louvre Müzesi, Paris · CC0 · Kaynak
• Ur Kraliyet Oyunu — Sümerli zanaatkârlar · MÖ y. 2600–2400 · British Museum, Londra · CC0 · Kaynak
• İmdugud (Anzu) ve iki geyik tasvirli bakır pano, Tell al-Ubeyd — Sümerli metal ustaları · MÖ y. 2500 · British Museum, Londra · CC0 · Kaynak
• Mari'nin yöneticisi Ebih-Il'in heykeli — Marili heykeltıraş; fotoğraf: Gary Todd · MÖ y. 2400 · Louvre Müzesi, Paris · CC0 · Kaynak
• Sayma taşlarıyla kil hesap küresi ve çivi yazısının gelişimi (sergi düzeni) — Mezopotamyalı muhasebeciler ve kâtipler · MÖ y. 3500–3000 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Silindir mühür ve modern baskısı: bir tapınak cephesi önünde ritüel sahnesi — Uruk dönemi mühür oymacısı · MÖ y. 3500–3100 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Proto-çivi yazılı tablet: silindir mühür baskılı arpa dağıtım hesabı — Jemdet Nasr dönemi kâtibi · MÖ y. 3100–2900 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Sümer çivi yazılı kil tablet, Arkaik dönem — Sümerli kâtip · MÖ y. 2900–2340 · Louvre Müzesi, Paris · CC0 · Kaynak
• Şuruppak'ın Öğütleri, Sümer atasözleri derlemesi — Sümerli kâtip · MÖ y. 2400 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Bir boğayı ve aslanları alt eden kahraman tasvirli Akad silindir mührü — Akadlı mühür oymacısı; fotoğraf: Daderot · MÖ y. 2350–2150 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Tarla ölçülerini kaydeden yuvarlak tablet, Tello (Girsu), Amar-Suen'in 8. yılı — Yeni Sümer kâtibi · MÖ y. 2039 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Hammurabi Yasası, Babil Kralı — Babilli heykeltıraşlar ve kâtipler · MÖ y. 1792–1750 · Louvre Müzesi, Paris · CC0 · Kaynak
• Hammurabi Yasası'nın Girişi (kil tablet, AO 10237) — Eski Babil kâtibi; fotoğraf: Marie-Lan Nguyen · Eski Babil dönemi · Louvre Müzesi, Paris · Kamu malı · Kaynak
• Gılgamış Destanı, XI. Tablet (Tufan Tableti) alçı kopyası (özgünü British Museum'da) — Asurlu kâtip (özgün tablet); fotoğraf: Daderot · MÖ 7. yüzyıl (özgün tablet) · Harvard Sami Müzesi, Cambridge, MA · Kamu malı · Kaynak
• Enheduanna Diski — Akadlı heykeltıraş · MÖ y. 2350–2300 · Penn Müzesi, Philadelphia · CC0 · Kaynak
• Bir hükümdar başı — Bilinmeyen metal ustası (İran ya da Mezopotamya) · MÖ y. 2300–2000 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Naram-Sin'in Zafer Steli — Akadlı heykeltıraş · MÖ y. 2250 · Louvre Müzesi, Paris · CC0 · Kaynak
• Mari Aslanı — Marili metal ustaları · MÖ 3. binyıl sonu–2. binyıl başı · Louvre Müzesi, Paris · CC0 · Kaynak
• Geştinanna'ya adanmış, fışkıran vazolu Gudea heykeli — Yeni Sümer heykeltıraşı · MÖ y. 2120 · Louvre Müzesi, Paris · CC0 · Kaynak
• Oturan Gudea heykeli — Yeni Sümer heykeltıraşı · MÖ y. 2150 · British Museum, Londra · CC0 · Kaynak
• Gudea'nın temel çivisi (diz çökmüş tanrı) — Yeni Sümer metal ustası · MÖ y. 2100 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Ningirsu tapınağının onarımını kutlayan Gudea konisi — Yeni Sümer kâtibi · MÖ y. 2100 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Kral Ur-Namma'nın temel figürü — Yeni Sümer metal ustası · MÖ y. 2112–2095 · Morgan Kütüphanesi ve Müzesi, New York · Kamu malı · Kaynak
• Ur Zigguratı (cephesi 1980'lerde yeniden kaplanmış alt kat) — Yeni Sümer dönemi yapı ustaları; fotoğraf: Tla2006 · MÖ y. 21. yüzyıl; fotoğraf 2006 · Kamu malı · Kaynak
• Muşhuşşu ejderhası ve ilahi simgeler tasvirli bir kudurrunun üst parçası — Babilli heykeltıraş · MÖ y. 1156–1025 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Nebukadnezar Silindiri — Yeni Babil kâtibi · MÖ 7. yüzyıl sonu–6. yüzyıl · Harvard Sami Müzesi, Cambridge, MA · Kamu malı · Kaynak
• II. Nebukadnezar'ın İştar Kapısı, özgün tuğlalarla yeniden kurulmuş — Yeni Babil yapı ustaları (modern rekonstrüksiyon) · MÖ y. 575 · Bergama Müzesi, Berlin · CC0 · Kaynak
• İştar Kapısı'ndan yürüyen ejderha — Yeni Babil tuğla ustaları (modern rekonstrüksiyon) · MÖ y. 575 · Bergama Müzesi, Berlin · CC0 · Kaynak
• İştar Kapısı'ndan sırlı tuğla boğa kabartması — Yeni Babil tuğla ustaları · MÖ y. 575 · İstanbul Arkeoloji Müzeleri · CC0 · Kaynak
• Yürüyen aslan tasvirli pano — Yeni Babil tuğla ustaları · MÖ y. 604–562 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Tören Yolu'ndan yürüyen aslan, Babil — Yeni Babil tuğla ustaları · MÖ y. 604–562 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• II. Nebukadnezar'ın taht salonundan pano (rekonstrüksiyon) — Yeni Babil tuğla ustaları (modern rekonstrüksiyon) · MÖ y. 604–562 · Ön Asya Müzesi, Berlin · CC0 · Kaynak
• Babil Surları (Babylonis Muri), Dünyanın Sekiz Harikası'ndan — Philips Galle, Maarten van Heemskerck'in eserinden · 1572 · Rijksmuseum, Amsterdam · CC0 · Kaynak
• Belşazar'ın Şöleni — Rembrandt van Rijn · y. 1635–1638 · Ulusal Galeri, Londra · Kamu malı · Kaynak
• Kral II. Asurnasirpal, Kuzeybatı Sarayı'ndan kabartma, Nimrud (G odası, 13 numaralı levha) — Asurlu heykeltıraş; fotoğraf: Daderot · MÖ 883–859 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Kuzeybatı Sarayı'ndan sırlı çini, Nimrud — Asurlu zanaatkârlar; fotoğraf: Gary Todd · MÖ y. 850–845 · British Museum, Londra (Hong Kong Tarih Müzesi'nde ödünç sergilenirken fotoğraflandı) · CC0 · Kaynak
• Dağ keçisi başı tasvirli tuğla parçası — Asurlu zanaatkârlar · MÖ y. 9. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• “Penceredeki kadın” kabartmalı mobilya levhası — Bilinmeyen fildişi oymacısı (muhtemelen Fenikeli) · MÖ y. 9.–8. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Çiçekli bir manzarada griffon kabartmalı mobilya levhası — Bilinmeyen fildişi oymacısı (Kuzey Suriye ya da Fenike üslubu) · MÖ y. 9.–8. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kanatlı insan başlı boğa (lamassu), Horsabad'dan bir kabartmanın alçı kopyası (AO 30228) — Bir Asur özgün eserinden; fotoğraf: Shonagon · Özgün eser MÖ 721–705 · Louvre Müzesi, Paris · CC0 · Kaynak
• Kral II. Sargon ve bir yüksek memur (AO 19873, AO 19874) — Asurlu heykeltıraş; fotoğraf: Shonagon · MÖ 721–705 · Louvre Müzesi, Paris · CC0 · Kaynak
• Horsabad'daki II. Sargon sarayından kabartmalar — Asurlu heykeltıraşlar; fotoğraf: Gary Todd · MÖ y. 721–705 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Horsabad'daki II. Sargon sarayının Şamaş tapınağından tunç bantlar: boğalarla adam — Asurlu metal ustaları; fotoğraf: Daderot · MÖ y. 721–705 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Kutsayan kanatlı cin (AO 19863) — Asurlu heykeltıraş; fotoğraf: Shonagon · MÖ 721–705 · Louvre Müzesi, Paris · CC0 · Kaynak
• II. Asurnasirpal'in aslan avı, Nimrud (muhtemelen bir kopya; özgün eser British Museum'da) — Asurlu heykeltıraş; fotoğraf: Gary Todd · MÖ 883–859 · Bergama Müzesi, Berlin · CC0 · Kaynak
• Oturan sfenks kabartmalı at göz siperi — Bilinmeyen fildişi oymacısı (Kuzey Suriye üslubu) · MÖ y. 8. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Savaş arabasındaki Kral III. Tiglat-Pileser'in kabartması, Nimrud — Asurlu heykeltıraş; fotoğraf: Ywpark2003 (Prof. Yong Woo Park) · MÖ 745–727 · İstanbul Arkeoloji Müzeleri · CC0 · Kaynak
• Asur askerlerini gösteren ortostatlar, Tell Tayinat — Asurlu taşra heykeltıraşları; fotoğraf: Daderot · MÖ 738 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Atları yeden seyis (AO 19883) — Asurlu heykeltıraş; fotoğraf: Shonagon · MÖ 721–705 · Louvre Müzesi, Paris · CC0 · Kaynak
• Bir kaleye saldıran Asurluları gösteren savaş sahnesi — Asurlu heykeltıraş · MÖ y. 704–681 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Asurlu muhafızların gözetiminde Babilli tutsaklar, Ninova'dan kabartma — Asurlu heykeltıraş; fotoğraf: Gary Todd · Asurbanipal dönemi (MÖ y. 668–631) · British Museum, Londra · CC0 · Kaynak
• Aslan avı: Asurbanipal mızrağını sıçrayan bir aslana saplıyor, Kuzey Sarayı, Ninova (muhtemelen bir kopya; özgün eser British Museum'da) — Asurlu heykeltıraş; fotoğraf: Gary Todd · MÖ 7. yüzyıl · Bergama Müzesi, Berlin · CC0 · Kaynak
• Asurbanipal'in aslan avı, Kuzey Sarayı, Ninova (muhtemelen bir kopya; özgün eser British Museum'da) — Asurlu heykeltıraş; fotoğraf: Gary Todd · MÖ 7. yüzyıl · Bergama Müzesi, Berlin · CC0 · Kaynak
• Oklarla vurulmuş aslan, Asurbanipal'in aslan avından, Kuzey Sarayı, Ninova — Asurlu heykeltıraş; fotoğraf: Capillon · MÖ y. 645–635 · British Museum, Londra · Kamu malı · Kaynak
• Silindir mühür: ayağını bir aslanın üstüne basmış İştar ve aracılık eden tanrıça Ninişkun — Akadlı mühür oymacısı; fotoğraf: Daderot · MÖ y. 2350–2150 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Silindir mühür ve modern baskısı: tanrıların savaşı — Akadlı mühür oymacısı · MÖ y. 2350–2150 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Dört yüzlü tanrıça, Ishchali — Eski Babil metal ustası; fotoğraf: Daderot · MÖ y. 2000–1600 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• İp halkalı bir direk tutan boğa-adam levhası, Nippur — Eski Babil zanaatkârı; fotoğraf: Daderot · MÖ y. 2000–1600 · Doğu Enstitüsü Müzesi, Chicago Üniversitesi · CC0 · Kaynak
• Humbaba'nın öldürülüşü (AO 22579) — Eski Babil zanaatkârı; fotoğraf: Shonagon · Eski Babil dönemi (MÖ y. 2000–1600) · Louvre Müzesi, Paris · CC0 · Kaynak
• Humbaba'yı betimleyen kolye ucu (SB 3562) — Bilinmeyen zanaatkâr; fotoğraf: Léna · MÖ y. 20.–15. yüzyıl · Louvre Müzesi, Paris · CC0 · Kaynak
• Silindir mühür: diz çökmüş bir buzağının üzerinde bir kahramanın saldırdığı kanatlı aslan-griffon — Orta Asur mühür oymacısı; fotoğraf: Daderot · MÖ y. 12.–11. yüzyıl · Morgan Kütüphanesi ve Müzesi, New York · Kamu malı · Kaynak
• Kartal başlı kanatlı apkallu, Kuzeybatı Sarayı, Nimrud — Asurlu heykeltıraş; fotoğraf: Gary Todd · MÖ 883–859 · British Museum, Londra · CC0 · Kaynak
• Bir aslanı alt eden kahraman (AO 19861) — Asurlu heykeltıraş; fotoğraf: Shonagon · MÖ 721–705 · Louvre Müzesi, Paris · CC0 · Kaynak
• Pazuzu başlı kolye ucu — Asurlu metal ustası · MÖ y. 8.–7. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Babil Kulesi — Yaşlı Pieter Bruegel · 1563 · Sanat Tarihi Müzesi, Viyana · Kamu malı · Kaynak
• Kuzeydoğudan Ninova — Frederick Charles Cooper · 1849 · Victoria and Albert Müzesi, Londra · Kamu malı · Kaynak
• Sırlı tuğla örnekleri (Échantillons de briques émaillées), Monument de Ninive'den — Eugène Flandin (çizimler); Imprimerie nationale, Paris · 1849 · New York Halk Kütüphanesi · Kamu malı · Kaynak
• Horsabad tunç aslanı — Paul-Émile Botta'nın eserinden, Monument de Ninive · 1850 · New York Halk Kütüphanesi · Kamu malı · Kaynak
• Büyük Kanatlı Boğa'nın indirilişi, Ninova keşif gezisinden — Austen Henry Layard'ın eserinden; görsel: Wellcome Collection · y. 1850 · Wellcome Collection · CC BY 4.0 · Kaynak
• Kaos Canavarı ve Güneş Tanrısı (A Second Series of the Monuments of Nineveh, 5. levha) — L. Gruner (çizim), yay. haz. Austen Henry Layard · 1853 · Kamu malı · Kaynak
• Bir Asur Sarayında Salon, Restore Edilmiş Hâli (The Monuments of Nineveh) — Austen Henry Layard · 1853 · British Museum · Kamu malı · Kaynak
• Nimrud Sarayları, Restore Edilmiş Hâli (The Monuments of Nineveh, 2. cilt, 1. levha) — Austen Henry Layard, James Fergusson'ın bir eskizinden · 1853 · British Museum · Kamu malı · Kaynak
• Sir Austen Henry Layard (1817–1894) — İngiliz Okulu · y. 1890 · Government Art Collection (İngiltere Büyükelçiliği, Ankara) · Kamu malı · Kaynak
• İştar Kapısı'nın kuzeyden genel görünümü (The Excavations at Babylon, şekil 19) — Robert Koldewey · 1914 · Kamu malı · Kaynak

Mayalar ve Aztekler

• Baş — Olmek sanatçı · MÖ 1200–300 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Tanrı Tasvirli Kelt Balta — Olmek sanatçı · MÖ 1000–300 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Oturan Figür — Olmek sanatçı · MÖ 12.–9. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• İçi Boş Oturan Figür — Olmek sanatçı · MÖ 1200–900 · Walters Sanat Müzesi, Baltimore · Kamu malı · Kaynak
• Yastığa Yaslanmış Uzanan Figür — Olmek sanatçı · MÖ 1200–900 · Walters Sanat Müzesi, Baltimore · Kamu malı · Kaynak
• Maske — Olmek sanatçı · MÖ 10.–6. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Tlaloc Tasvirli Üç Ayaklı Kap — Teotihuacanlı sanatçı · 550–650 · Los Angeles County Sanat Müzesi · Kamu malı · Kaynak
• Maske — Teotihuacanlı sanatçı · Klasik dönem, 1–550 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Büyük Tanrıça Tasvirli Ayna Arkalığı — Teotihuacan üslubunda çalışan sanatçı · 400–550 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Teotihuacan'dan duvar resmi — Teotihuacanlı sanatçı(lar) · 500–550 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Tikal I. Tapınak — Maya yapı ustaları; fotoğraf: Kaldari · y. 734 (fotoğraf 2015) · Tikal Ulusal Parkı, Guatemala · CC0 · Kaynak
• Kuzey Akropol'den Tikal tapınakları — Maya yapı ustaları; fotoğraf: Tikalphotos · MÖ y. 400–MS 900 (fotoğraf 2026) · Tikal Ulusal Parkı, Guatemala · CC0 · Kaynak
• Top Oyunu Sahası, Copán — Maya yapı ustaları; fotoğraf: Nosferattus · 738 (fotoğraf 2023) · Copán Arkeolojik Alanı, Honduras · CC0 · Kaynak
• Palenque'nin genel görünümü (ön sayfa, Incidents of Travel in Central America, Chiapas and Yucatan) — Frederick Catherwood'un eserinden; John Lloyd Stephens'ın kitabından · İngiliz baskısı 1854 (kitabın ilk yayımı 1841) · Kamu malı · Kaynak
• Büyük Teocalli'nin Geçidi, Uxmal — Frederick Catherwood · 1844 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Labnah'daki Geçit (Catherwood'un Views of Ancient Monuments in Central America & Yucatan'ından) — Frederick Catherwood · 1844 · Kongre Kütüphanesi · Kamu malı · Kaynak
• Sabachtsche'deki Kalıntılar — Frederick Catherwood · y. 1841–1842 · Yale İngiliz Sanatı Merkezi, New Haven · CC0 · Kaynak
• Bolonchen'deki Kuyu, Yucatán — Frederick Catherwood · 1843 · Yale İngiliz Sanatı Merkezi, New Haven · CC0 · Kaynak
• El Castillo, Chichen Itza (Incidents of Travel in Yucatan'dan) — Frederick Catherwood · 1843 · Kamu malı · Kaynak
• Tulum — Frederick Catherwood · 1844 · Kamu malı · Kaynak
• Copán'da Bir Stel — Frederick Catherwood · 1843 · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• E Steli'nde K'ak' Tiliw Chan Yopaat (kopya) — Maya heykeltıraşları (özgün eser); alçı kopyanın fotoğrafı: Blervis · 771 (fotoğraf 2025) · Museum of Us, San Diego · CC0 · Kaynak
• Bir Stelin Ön Yüzü (El Perú-Waka' 34 Numaralı Stel) — Mayalı heykeltıraş · 692 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Soylu Kadın Tasvirli Pano — Mayalı heykeltıraş · 795 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Tahttaki Hükümdar Kabartması — Chakalte' · 8. yüzyıl sonu (müze tarihi 770) · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Mitolojik Sahneli Kodeks Üslubunda Vazo (açınım) — Mayalı sanatçı · 7.–8. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Mitik bir sahne betimleyen çikolata kabı — Mayalı sanatçı; fotoğraf: Daderot · 650–800 (fotoğraf 2016) · Princeton Üniversitesi Sanat Müzesi · Kamu malı · Kaynak
• Buhurdan, Oturan Kral — Mayalı sanatçı · 4. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Figür — Mayalı sanatçı · 4.–10. yüzyıl · Cleveland Sanat Müzesi · CC0 · Kaynak
• Çocuklu kadın figürü — Mayalı sanatçı; fotoğraf: Daderot · y. 600–900 (fotoğraf 2013) · Fitchburg Sanat Müzesi, Massachusetts · CC0 · Kaynak
• Yaxchilán'ın 24 numaralı lentosu: III. Itzamnaaj Bahlam ve Leydi K'ab'al Xook — Maya heykeltıraşları · y. 723–726 · British Museum, Londra · CC0 · Kaynak
• Copán A Steli — Maya heykeltıraşları; fotoğraf: Nosferattus · 731 (fotoğraf 2023) · Copán Arkeolojik Alanı, Honduras · CC0 · Kaynak
• Çubuk Boncuk — Mayalı sanatçı · 250–550 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Glifli Stel Parçası (Tortuguero 6 Numaralı Anıt'ın parçası) — Mayalı heykeltıraş · 4.–9. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Kap, Mitolojik Sahne (açınım) — Mayalı sanatçı · 7.–8. yüzyıl · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Dresden Kodeksi, 2. sayfa — Mayalı kâtipler · y. 1200–1250 · Saksonya Eyalet ve Üniversite Kütüphanesi (SLUB), Dresden · CC0 · Kaynak
• Dresden Kodeksi, 9. sayfa — Mayalı kâtipler · y. 1200–1250 · Saksonya Eyalet ve Üniversite Kütüphanesi (SLUB), Dresden · Kamu malı · Kaynak
• Dresden Kodeksi, 43b sayfasından bir bölüm — Mayalı kâtipler · y. 1200–1250 · Saksonya Eyalet ve Üniversite Kütüphanesi (SLUB), Dresden · Kamu malı · Kaynak
• Dresden Kodeksi, 74. sayfa — Mayalı kâtipler · y. 1200–1250 · Saksonya Eyalet ve Üniversite Kütüphanesi (SLUB), Dresden · Kamu malı · Kaynak
• Madrid Kodeksi (Tro-Cortesianus), 34. sayfa (19. yüzyıl tıpkıbasımı) — Mayalı kâtipler · 15. yüzyıl (tıpkıbasım 19. yüzyıl) · Museo de América, Madrid (özgün eser) · Kamu malı · Kaynak
• Chicomoztoc, Yedi Mağara (Durán'ın Historia de las Indias atlasından levha) — Bilinmeyen litograf, Diego Durán'ın Historia de las Indias'ındaki resimlerden · 1867–1880 (1579–1581 tarihli bir el yazmasına dayanır) · British Library, Londra · Kamu malı · Kaynak
• Tenochtitlan'ın Kuruluşu: Kaktüsün Üstündeki Kartal (Durán'ın Historia de las Indias atlasından levha) — Bilinmeyen litograf, Diego Durán'ın Historia de las Indias'ındaki resimlerden · 1867–1880 (1579–1581 tarihli bir el yazmasına dayanır) · British Library, Londra · Kamu malı · Kaynak
• Mendoza Kodeksi, yaprak 2r: Tenochtitlan'ın Kuruluşu — Bilinmeyen Nahua ressamları · y. 1541 · Bodleian Kütüphaneleri, Oxford Üniversitesi · Kamu malı · Kaynak
• Hükümdar Huitzilihuitl (Durán'ın Historia de las Indias atlasından levha) — Bilinmeyen litograf, Diego Durán'ın Historia de las Indias'ındaki resimlerden · 1867–1880 (1579–1581 tarihli bir el yazmasına dayanır) · British Library, Londra · Kamu malı · Kaynak
• Coyoacán'a Karşı Savaş (Tovar Kodeksi ya da Ramírez Kodeksi) — Bilinmeyen Nahua ressamı · y. 1580'ler · Kamu malı · Kaynak
• Azcatitlan Kodeksi: Hükümdar Axayacatl — Bilinmeyen Nahua ressamları · 16. yüzyıl · Fransa Ulusal Kütüphanesi, Paris · Kamu malı · Kaynak
• Ixtlilxochitl Kodeksi, yaprak 106r: Nezahualcóyotl — Bilinmeyen Nahua ressamı · 16. yüzyıl sonu · Fransa Ulusal Kütüphanesi, Paris · Kamu malı · Kaynak
• Mendoza Kodeksi, yaprak 61r: Bir Evlilik Töreni — Bilinmeyen Nahua ressamları · y. 1541 · Bodleian Kütüphaneleri, Oxford Üniversitesi · Kamu malı · Kaynak
• Mendoza Kodeksi, yaprak 69r: Moctezuma'nın Sarayı (1938 Clark tıpkıbasımı) — Bilinmeyen Nahua ressamları · y. 1541 · Bodleian Kütüphaneleri, Oxford Üniversitesi · Kamu malı · Kaynak
• Tenochtitlan ve Meksika Körfezi haritası, Cortés'in Praeclara narratio'sundan — Bilinmeyen gravürcü (Hernán Cortés'in ikinci mektubuyla yayımlandı) · 1524 · Newberry Kütüphanesi, Chicago · Kamu malı · Kaynak
• Borgia Kodeksi, 56. sayfa: Quetzalcoatl-Ehecatl ve Mictlantecuhtli (1898 Loubat tıpkıbasımı) — Bilinmeyen Mezoamerikalı ressamlar · Fetih öncesi (tıpkıbasım 1898) · Vatikan Apostolik Kütüphanesi (özgün eser) · Kamu malı · Kaynak
• Borgia Kodeksi, 23. sayfa (1898 Loubat tıpkıbasımı) — Bilinmeyen Mezoamerikalı ressamlar · Fetih öncesi (tıpkıbasım 1898) · Vatikan Apostolik Kütüphanesi (özgün eser) · Kamu malı · Kaynak
• Fejérváry-Mayer Kodeksi, 1. sayfa: Dört Yön ve Xiuhtecuhtli — Bilinmeyen Mezoamerikalı ressamlar · Fetih öncesi · World Museum, Liverpool · Kamu malı · Kaynak
• Laud Kodeksi, yaprak 19: Tüylü Yılan ve Rüzgâr Tanrısı Ehecatl olarak Quetzalcoatl — Bilinmeyen Mezoamerikalı ressamlar · y. 15. yüzyıl · Bodleian Kütüphaneleri, Oxford Üniversitesi · Kamu malı · Kaynak
• Cospi Kodeksi, arka yüz, 21. levha — Bilinmeyen Mezoamerikalı ressamlar · y. 15. yüzyıl · Bologna Üniversitesi Kütüphanesi · Kamu malı · Kaynak
• Ríos Kodeksi (Vaticanus A), yaprak 16r — Bilinmeyen İtalyan kopyacı, bir Nahua özgün eserinden · y. 1566 · Vatikan Apostolik Kütüphanesi · Kamu malı · Kaynak
• Bir Tutulma, Floransa Kodeksi'nin 7. Kitabı'ndan — Bernardino de Sahagún için çalışan Nahua sanatçılar · y. 1577 · Biblioteca Medicea Laurenziana, Floransa · Kamu malı · Kaynak
• Çöreklenmiş Yılan — Mexica (Aztek) heykeltıraşı · 15. yüzyıl–16. yüzyıl başı · Metropolitan Sanat Müzesi, New York · CC0 · Kaynak
• Oturan Tanrı (Macuilxochitl?) — Mexica (Aztek) heykeltıraşı · 1350–1519 · Cleveland Sanat Müzesi · CC0 · Kaynak
• Aztek takvimi şeması, Descripción histórica y cronológica de las dos piedras'tan — Antonio de León y Gama · 1792 · Kongre Kütüphanesi (Jay I. Kislak Koleksiyonu) · Kamu malı · Kaynak
• Mendoza Kodeksi, yaprak 60r: Kızına Dokuma Öğreten Bir Anne — Bilinmeyen Nahua ressamları · y. 1541 · Bodleian Kütüphaneleri, Oxford Üniversitesi · Kamu malı · Kaynak
• Mendoza Kodeksi, yaprak 47r: Haraç Sayfası — Bilinmeyen Nahua ressamları · y. 1541 · Bodleian Kütüphaneleri, Oxford Üniversitesi · Kamu malı · Kaynak
• Bir Tüy Ustası, Floransa Kodeksi'nin 9. Kitabı'ndan — Bernardino de Sahagún için çalışan Nahua sanatçılar · y. 1577 · Biblioteca Medicea Laurenziana, Floransa · Kamu malı · Kaynak
• Tüy Başlık (“Moctezuma'nın Başlığı”) — Zelia Nuttall'ın Ancient Mexican Feather Work (1895) yayınındaki renkli levha, Mexica tüy işçiliğinden · y. 1515 (başlık); levha 1895 · Weltmuseum Wien, Viyana · Kamu malı · Kaynak
• “Menderes ve Güneş” Tüy Kalkan — Mexica tüy ustaları; fotoğraf: Landesmuseum Württemberg (H. Zwietasch, P. Frankenstein) · y. 1520 · Württemberg Eyalet Müzesi, Stuttgart · CC BY 4.0 · Kaynak
• Tzinacantlan'da Kılık Değiştirmiş Mexica Tüccarları Ketzal Tüyü Ediniyor, Floransa Kodeksi'nin 9. Kitabı'ndan — Bernardino de Sahagún için çalışan Nahua sanatçılar · y. 1577 · Biblioteca Medicea Laurenziana, Floransa · Kamu malı · Kaynak
• Tudela Kodeksi: Bir Kakao Ağacı — Bilinmeyen Nahua ressamları · 16. yüzyıl · Museo de América, Madrid · Kamu malı · Kaynak
• Dansçılar ve Huehuetl Çalan Bir Davulcu, Floransa Kodeksi'nin 9. Kitabı'ndan — Bernardino de Sahagún için çalışan Nahua sanatçılar · y. 1577 · Biblioteca Medicea Laurenziana, Floransa · Kamu malı · Kaynak
• Mexica Kartal ve Jaguar Savaşçıları, Floransa Kodeksi'nin 2. Kitabı'ndan — Bernardino de Sahagún için çalışan Nahua sanatçılar · y. 1577 · Biblioteca Medicea Laurenziana, Floransa · Kamu malı · Kaynak
• Totocalli, Moctezuma'nın Kuşhanesi, Floransa Kodeksi'nin 8. Kitabı'ndan (yaprak 30v) — Bernardino de Sahagún için çalışan Nahua sanatçılar · y. 1577 · Biblioteca Medicea Laurenziana, Floransa · Kamu malı · Kaynak
• Altıncı Kehanet: Gece Ağlayan Bir Kadın, Floransa Kodeksi'nin 12. Kitabı'ndan (yaprak 3r) — Bernardino de Sahagún için çalışan Nahua sanatçılar · y. 1577 · Biblioteca Medicea Laurenziana, Floransa · Kamu malı · Kaynak
• Azcatitlan Kodeksi: Cortés'in Ordusunun Malinche ile Gelişi — Bilinmeyen Nahua ressamları · 16. yüzyıl · Fransa Ulusal Kütüphanesi, Paris · Kamu malı · Kaynak
• Cortés Cempoala'ya Giriyor ve Totonak Beyi Xicomecoatl Tarafından Karşılanıyor (enconchado) — Anonim Yeni İspanya ressamı · 17. yüzyıl · Museo de América, Madrid · Kamu malı · Kaynak
• La Malinche ve Hernán Cortés Tlaxcala Beylerini Kabul Ediyor, Lienzo de Tlaxcala'dan bir sahne (19. yüzyıl çizgi kopyası) — Bilinmeyen kopyacı, kayıp 16. yüzyıl Tlaxcala özgün eserinden · Özgün eser y. 1550'ler; kopya 19. yüzyıl · Kamu malı · Kaynak
• Cortés ile Moctezuma'nın Buluşması (Meksika'nın Fethi dizisi) — Bilinmeyen sanatçılar · 17. yüzyılın ikinci yarısı · Kongre Kütüphanesi (Jay I. Kislak Koleksiyonu) · Kamu malı · Kaynak
• Cortés Tenochtitlan Kuşatması İçin Brigantinleri İnşa Ettiriyor, Durán'ın Historia de las Indias'ından, yaprak 217 — Diego Durán'ın el yazmasının bilinmeyen resimleyicisi · 1579 · İspanya Ulusal Kütüphanesi, Madrid · Kamu malı · Kaynak
• Tlatelolcalı Savaşçı Tzilacatzin İspanyollara Taş Fırlatıyor, Floransa Kodeksi'nin 12. Kitabı'ndan — Bernardino de Sahagún için çalışan Nahua sanatçılar · y. 1577 · Biblioteca Medicea Laurenziana, Floransa · Kamu malı · Kaynak
• Çiçek Hastalarıyla İlgilenen Bir Şifacı, Floransa Kodeksi'nin 12. Kitabı'ndan — Bernardino de Sahagún için çalışan Nahua sanatçılar · y. 1577 · Biblioteca Medicea Laurenziana, Floransa · Kamu malı · Kaynak
• San Miguel ve San Felipe de los Chichimecas Kasabaları ile San Francisco Chamacuero Köyü Haritası — Bilinmeyen ressam, Yeni İspanya · y. 1579–1580 · İspanya Kraliyet Tarih Akademisi, Madrid · Kamu malı · Kaynak
• Mexico City ve Meksika Vadisi Haritası (Uppsala Haritası) — Bilinmeyen yerli ressamlar, Mexico City · y. 1550 · Uppsala Üniversitesi Kütüphanesi · Kamu malı · Kaynak

Artwork credits

The artworks in Kadim are in the public domain or used under open licences (CC0, CC BY). CC BY images have been cropped and resized.

The Ottoman Empire

• Portrait of Osman I — Unknown artist · 19th century · Public domain · Source
• Portrait of Orhan Gazi (from Paolo Giovio, Vitae illustrium virorum) — Unknown woodcut artist, after Paolo Giovio's portrait collection · 16th century · Pitts Theology Library, Emory University · Public domain · Source
• Murad or Amurath I — Claude du Bosc · 1734 · Houghton Library, Harvard University · Public domain · Source
• Bayezid I Proclaimed Sultan (Hünername, vol. I) — Ottoman court painters (text by Seyyid Lokman) · 16th century · Topkapı Palace Museum Library · Public domain · Source
• The Battle of Nicopolis, 1396 — Unknown Ottoman painter · Undated · Public domain · Source
• Bayezid I, “The Thunderbolt”, Routs the Crusaders at the Battle of Nicopolis (Hünername) — Ottoman court painters (text by Seyyid Lokman) · 1588 · Topkapı Palace Museum Library · Public domain · Source
• Bayezid I Brought Before Timur after the Battle of Ankara (Zafarnama) — Unknown Safavid painter · 16th century · British Library · Public domain · Source
• Bursa: Photograph from the von Hallwyl Family's Journey through Asia Minor and Turkey, 1901 — Jenny Bergensten · 1901 · Hallwyl Museum, Stockholm · Public domain · Source
• Bursa, Niche and Window of the Green Mosque — Sébah & Joaillier · 1888–1900 · Rijksmuseum, Amsterdam · CC0 · Source
• Map of Constantinople and Pera (Liber insularum Archipelagi) — Unknown copyist, after Cristoforo Buondelmonti · c. 1475 · Walters Art Museum, Baltimore · Public domain · Source
• Bosphorus, Rumeli and Anadolu Hisarı, Constantinople, Turkey — Unknown photographer (Photoglob Co.) · c. 1890–1900 · Library of Congress · Public domain · Source
• Le siège de Constantinople (Voyage d'Outremer) — Jean Le Tavernier · c. 1455 · Bibliothèque nationale de France, Fr. 9087 · Public domain · Source
• Mehmed II Conquering Constantinople — Fausto Zonaro · 1903 · Public domain · Source
• The Entry of Mehmed II into Constantinople — Jean-Joseph Benjamin-Constant · 1876 · Musée des Augustins, Toulouse · Public domain · Source
• Mosque of St. Sophia, Constantinople, Turkey — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Sultan Mehmed II — Gentile Bellini · 1480 · National Gallery, London · Public domain · Source
• Seated Scribe — Gentile Bellini (attributed) · 1479–1481 · Isabella Stewart Gardner Museum, Boston · Public domain · Source
• Medal: Sultan Mehmed II — Costanzo da Ferrara · Model 1481 (old aftercast) · The Metropolitan Museum of Art, New York · CC0 · Source
• Imperial Gate, Topkapı Palace, Constantinople — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Shah Ismail Observing the Ottoman Army at Chaldiran (Selimname of Şükri-i Bidlisi, fol. 113a) — Ottoman court painters · c. 1525–1530 · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Sultan Suleiman in Profile — Circle of Titian · 1530s · Kunsthistorisches Museum, Vienna · Public domain · Source
• Tughra (Official Signature) of Sultan Süleyman the Magnificent (r. 1520–66) — Ottoman court illuminators · c. 1555–1560 · The Metropolitan Museum of Art, New York · CC0 · Source
• Suleiman I during the Siege of Rhodes (1522) (Süleymanname, MS Hazine 1517, fol. 149r) — Nakkaş Osman (attributed) · c. 1558 · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• The Battle of Mohács (Süleymannâme) — Ottoman court painters · 1558 · Topkapı Palace Museum Library · Public domain · Source
• War Council after the Unsuccessful Siege of Vienna — Ottoman court painters · 16th century · Public domain · Source
• Suleiman the Magnificent's Arrival at the Palace in Atmeydanı for the Circumcision Ceremony of His Princes Mustafa, Mehmed and Selim (Hünername) — Ottoman court painters · 1584–1588 · Public domain · Source
• Istanbul and Galata (Beyân-ı Menâzil) — Matrakçı Nasuh · 1537 · Istanbul University Library · Public domain · Source
• Suleiman Receiving Queen Isabella and Her Son John Sigismund (Süleymanname) — Ottoman court painters · c. 1558 · Public domain · Source
• Registration of Christian Boys for the Devshirme (Süleymanname) — Ottoman court painters · 1558 · Public domain · Source
• Return of the Ottoman Army from Szigetvár, Feigning that Suleiman I Is Still Alive — Nakkaş Osman · 1568–1569 · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Piri Reis World Map — Piri Reis · 1513 · Topkapı Palace Museum Library, H. 1824 · Public domain · Source
• Map of the Western Part of the City of Venice (Kitâb-ı Bahriye) — After Piri Reis · Late 17th – early 18th century · Walters Art Museum · Public domain · Source
• Istanbul (Kitâb-ı Bahriye copy) — Mustafa bin Mehmed Cündî · 1629 · Nuruosmaniye Library, Istanbul · Public domain · Source
• Hayreddin Barbarossa — Anonymous, Italian, 16th century · 1530–60 · The Metropolitan Museum of Art · CC0 · Source
• Barbarossa's Fleet Wintering in Toulon, 1543 — Matrakçı Nasuh · 16th century · Public domain · Source
• French Fleet with Barbarossa at the Siege of Nice, 1543 — Matrakçı Nasuh · 16th century · Public domain · Source
• Dragut Reis — Anonymous (Dutch) · c. 1650–1750 · KU Leuven Libraries · Public domain · Source
• The Siege of Malta: Arrival of the Turkish Fleet, 20 May 1565 — Matteo Perez d'Aleccio · Late 16th century · Royal Museums Greenwich · Public domain · Source
• The Battle of Lepanto — Cornelis de Wael · c. 1613–1667 · Public domain · Source
• Tile with Undulating Vine Scrolls — Ottoman tilemakers, Bursa · A.H. 824 / A.D. 1421 · The Metropolitan Museum of Art, New York · CC0 · Source
• Dish Depicting Two Birds among Flowering Plants — İznik potters · c. 1575–90 · The Metropolitan Museum of Art, New York · CC0 · Source
• Dish with Sailing-Ship Design — İznik potters · 17th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Tile Panel — İznik potters · Second half of the 16th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Brocaded Silk with Foliate Medallions from a Kaftan — Ottoman weavers, Istanbul · 1525–75 · Cleveland Museum of Art · CC0 · Source
• Süleymaniye Camii (mosque), Constantinople, Turkey — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Mosque of Sultan Ahmet I, interior, Constantinople, Turkey — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Yeni Cami mosque and Eminönü bazaar, Constantinople, Turkey — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Calligraphic Galleon — ʿAbd al-Qadir Hisari · A.H. 1180 / A.D. 1766–67 · The Metropolitan Museum of Art, New York · CC0 · Source
• The fountain of Sultan Ahmed, Constantinople, Turkey — Unknown photographer (Photoglob Co.) · 1890–1900 · Library of Congress · Public domain · Source
• The Death of Prince Mustafa's Son in Bursa (Hünernâme, vol. II) — Ottoman court painters (text by Seyyid Lokman) · c. 1585–1588 · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Suleiman I Receiving the Transylvanian Prince János Zsigmond near Zimony in 1566 (detail), from the History of the Szigetvár Campaign — Nakkaş Osman · 1568–1569 · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• The Ottoman Army Marching on the City of Tunis in 1569 (Şehnâme-i Selîm Hân) — Nakkaş Osman and Ali · 1581 · Aga Khan Museum, Toronto · Public domain · Source
• Portrait of Sultan Murad III — Unknown painter · Unknown · Topkapı Palace Museum, Istanbul · Public domain · Source
• A Janissary Soldier — Anonymous (Vanmour series) · c. 1700–1737 · Rijksmuseum, Amsterdam · Public domain · Source
• The Aga, Commander-in-Chief of the Janissaries — Anonymous (Vanmour series) · c. 1700–1737 · Rijksmuseum, Amsterdam · Public domain · Source
• The Grand Vizier Crossing the Atmeydanı (Hippodrome) — Jean-Baptiste Vanmour · c. 1720–1737 · Rijksmuseum, Amsterdam · Public domain · Source
• Turkish Courtiers Feasting before a Tent — Jean-Baptiste Vanmour · c. 1720–1737 · Rijksmuseum, Amsterdam · Public domain · Source
• Meal of Distinguished Turkish Women — Jean-Baptiste Vanmour · c. 1720–1737 · Rijksmuseum, Amsterdam · Public domain · Source
• Dancing Dervishes — Jean-Baptiste Vanmour · c. 1720–1737 · Rijksmuseum, Amsterdam · Public domain · Source
• Sleeping Young Woman — Levni · c. 1718–1730 · Topkapı Palace Museum, H. 2169 · Public domain · Source
• Surnâme-i Vehbî — Levni · 1720 · Topkapı Palace Museum Library · Public domain · Source
• Festivities on the Water (Surnâme-i Vehbî) — Abdulcelil Levni and workshop · c. 1720 · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Fireworks at Night (Surnâme-i Vehbî) — Abdulcelil Levni and workshop · c. 1720 · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Nahıls at the Circumcision Festival (Surnâme-i Vehbî) — Abdulcelil Levni and workshop · c. 1720 · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Portrait of Sultan Ahmed III — Jean-Baptiste Vanmour · c. 1700–1737 · Rijksmuseum, Amsterdam · Public domain · Source
• The Grand Vizier Nevşehirli Damat İbrahim Pasha — Jean-Baptiste Vanmour · c. 1727–1730 · Rijksmuseum, Amsterdam · Public domain · Source
• Cornelis Calkoen on his Way to his Audience with Sultan Ahmed III — Jean-Baptiste Vanmour · c. 1727–1730 · Rijksmuseum, Amsterdam · Public domain · Source
• Ambassador Cornelis Calkoen at his Audience with Sultan Ahmed III, 14 September 1727 — Jean-Baptiste Vanmour · c. 1727–1730 · Rijksmuseum, Amsterdam, SK-A-4078 · CC0 · Source
• Patrona Halil — Jean-Baptiste Vanmour · c. 1730–1737 · Rijksmuseum, Amsterdam · Public domain · Source
• Sultan Selim III in Audience — Konstantin Kapıdağlı · 1803 · Public domain · Source
• Sultan Mahmud II — Athanasios Karantzoulas · Second half of the 19th century · Public domain · Source
• Sultan Abdülmecid I — Unknown artist · Mid-19th century · Public domain · Source
• Vue générale de la grande nef (Aya Sofia, Constantinople) — Gaspare Fossati · lithograph by Louis Haghe · 1852 · Library of Congress · Public domain · Source
• Dolmabahçe Palace, Constantinople, Turkey — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• A Market in Front of the New Mosque (Yeni Cami), Constantinople — Amedeo Preziosi · 1879 · Public domain · Source
• The Ertuğrul Cavalry Regiment on the Galata Bridge — Fausto Zonaro · 1901 · National Palaces Painting Museum, Istanbul · Public domain · Source
• Arzuhalci (The Public Scribe) — Osman Hamdi Bey · 1910 · Public domain · Source
• The Tortoise Trainer — Osman Hamdi Bey · 1906 · Pera Museum, Istanbul · Public domain · Source
• Fishermen Bringing in the Catch — Fausto Zonaro · Late 19th – early 20th century · Public domain · Source

The Mughal Empire

• Timur Handing the Crown to Babur in the Presence of Humayun (Minto Album) — Govardhan · c. 1630 · Victoria and Albert Museum, London · Public domain · Source
• Idealised portrait of a prince reading, identified as Babur — Probably Aqa Riza · c. 1605–1615 · British Museum, London · Public domain · Source
• Babur and his retainers approach the Mirza's Gate of Andijan Fort, from a Baburnama — Mughal court painters · 1598 · National Museum, New Delhi · Public domain · Source
• Khwaja Qazi and Others Attacking the Fort of Aba-bikr Mirza Dughlat (Baburnama) — Mughal court painters · 1598 · National Museum, New Delhi · Public domain · Source
• Babur at the Capture of Kabul in 1504, from an Akbarnama — Basawan and Mahesha · c. 1586–1590 · National Museum of Asian Art (Freer Gallery of Art), Washington, D.C. · Public domain · Source
• Babur meets Khanzada Begam and other ladies at Qunduz, from a Baburnama — Mansur (per a partly trimmed inscription) · 1598 · Public domain · Source
• Babur supervising the laying out of the Garden of Fidelity, from a Baburnama — Mughal court painters · c. 1589–1590 · Public domain · Source
• The Battle of Panipat, from a Baburnama — Mughal court painters · 1598 · Public domain · Source
• Babur receives booty and Humayun's salute after the victory over Sultan Ibrahim, from an Akbarnama — Mughal court painters · c. 1596–1597 or 1604 · The Cleveland Museum of Art · CC0 · Source
• Babur crossing the River Saun, from a Baburnama — Jaganath · 1598 · National Museum, New Delhi · Public domain · Source
• Emperor Humayun — Unknown Delhi artist · c. 1875 · Los Angeles County Museum of Art · Public domain · Source
• Babur makes Humayun his successor, from an Akbarnama — Attributed to Lal · 1602–1603 · British Library, London · Public domain · Source
• Flight of Sultan Bahadur during Humayun's Campaign in Gujarat, from an Akbarnama — Dharmdas · c. 1590 · Los Angeles County Museum of Art · Public domain · Source
• The wedding feast of Humayun and Hamida Banu Begam, from an Akbarnama — Mughal court painters · c. 1595 · Public domain · Source
• Qaracha Khan asks Humayun for forgiveness, from an Akbarnama — Mughal court painters · c. 1595 · Public domain · Source
• Akbar and Humayun in a tree house, Kabul (detail) — Attributed to 'Abd al-Samad · c. 1550–1556 · Public domain · Source
• Mirza Kamran submits to Humayun, from an Akbarnama — Manohar · 1602–1603 · British Library, London · Public domain · Source
• Humayun defeating the Afghans before reconquering India, from an Akbarnama — Mughal court painters · c. 1590 · The Cleveland Museum of Art · Public domain · Source
• Mausoleum of Humayun, Delhi — Unknown Delhi artist · 1820 · British Library, London · Public domain · Source
• Delhi. Mausoleum of Emperor Humayoon — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Bairam Khan Petitions the Young Akbar after the Siege of Mankot, 1557 (page from the Akbarnama) — Painters of Akbar's workshop, Lahore · c. 1590–1595 · Public domain · Source
• Akbar's Adventures with the Elephant Hawa'i (Akbarnama) — Basawan · c. 1590 · Victoria and Albert Museum, London · Public domain · Source
• The Fall of Malwa (Akbarnama, detail) — Mughal court painters · c. 1600–1603 · Chester Beatty Library, Dublin · Public domain · Source
• The Battle of Jaunpur, 1561 (Akbarnama) — Kanha (design) and Banwali Khord (painting) · c. 1590 · Victoria and Albert Museum, London · Public domain · Source
• A Mine Explodes During the Siege of Chittor (Akbarnama, left half) — Miskina (design) and Bhura (painting) · c. 1590–1595 · Victoria and Albert Museum, London · Public domain · Source
• Akbar Shoots Jaimal at the Siege of Chittor (Akbarnama) — Mughal court painters · c. 1590–1596 · Victoria and Albert Museum, London · Public domain · Source
• Bullocks Dragging Siege Guns Uphill during the Attack on Ranthambhor Fort (Akbarnama) — Mughal court painters · c. 1590–1595 · Victoria and Albert Museum, London · Public domain · Source
• Akbar's Triumphal Entry into Surat (Akbarnama) — Farrukh Beg · c. 1590–1595 · Victoria and Albert Museum, London · Public domain · Source
• The Battle of Tukaroi, 3 March 1575 (Akbarnama) — Manohar · c. 1590 · Public domain · Source
• Akbar's General Informs Him of the Conquest of Bengal in 1576 (Akbarnama) — ʿInayat Khanazad · 1603–1605 · Chester Beatty Library, Dublin · Public domain · Source
• Feridun Shah, King of Greece, Converts to Islam and Gives His Daughter to Hamza (Hamzanama) — Mir Sayyid Ali (attributed) · c. 1557–1572 · MAK – Museum of Applied Arts, Vienna · Public domain · Source
• Turning the Wheel on the Shisan Dam (Hamzanama) — Mughal court painters · c. 1558–1573 · Chester Beatty Library, Dublin · Public domain · Source
• Akbar Captures a Cheetah (Akbarnama) — Mughal court painters · c. 1600–1603 · Chester Beatty Library, Dublin · Public domain · Source
• Akbar Receives Gifts from the Ambassadors of Badakhshan (Akbarnama) — Mughal court painters · c. 1600–1603 · Chester Beatty Library, Dublin · Public domain · Source
• Circumcision Ceremony for Akbar's Sons (Akbarnama, painting 126) — Dharam Das · c. 1602–1603 · The Cleveland Museum of Art · CC0 · Source
• Akbar Inspecting the Construction of Fatehpur Sikri (Akbarnama) — Balchand · 1603–1605 · Chester Beatty Library, Dublin · Public domain · Source
• Fatehpur Sikri, Panch Mahal — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Akbar and the Jesuits (Akbarnama) — Narsingh · c. 1600–1603 · Chester Beatty Library, Dublin · Public domain · Source
• Abu'l-Fazl Presents the Akbarnama to Akbar — Govardhan · 1603–1605 · Chester Beatty Library, Dublin · Public domain · Source
• Gate of the Tomb of the Emperor Akbar at Secundra, near Agra (Oriental Scenery, plate 9) — Thomas Daniell · 1795 · Wellcome Collection, London · Public domain · Source
• Emperor Jahangir Receiving His Two Sons — Manohar · c. 1605–1606 · British Museum, London · Public domain · Source
• Emperor Jahangir Weighing His Son Khurram in Gold — Attributed to Manohar · c. 1615 · British Museum, London · Public domain · Source
• Jahangir in Darbar — Abu'l Hasan · c. 1620–1624; partly repainted c. 1628 · Museum of Fine Arts, Boston · Public domain · Source
• Spotted Forktail, folio from the Shah Jahan Album — Abu'l Hasan (painting); Mir 'Ali Haravi (calligraphy, verso) · c. 1610–1615 (calligraphy c. 1540) · The Metropolitan Museum of Art, New York · CC0 · Source
• A Chameleon — Ustad Mansur · Early 17th century · Royal Collection Trust, UK · Public domain · Source
• Study of a Nilgai (Blue Bull), folio from the Shah Jahan Album — Ustad Mansur (painting); Mir 'Ali Haravi (calligraphy, recto) · c. 1620 (calligraphy c. 1540) · The Metropolitan Museum of Art, New York · CC0 · Source
• Great Hornbill, folio from the Shah Jahan Album — Ustad Mansur (painting); Mir 'Ali Haravi (calligraphy, recto) · c. 1615–1620 (calligraphy c. 1540) · The Metropolitan Museum of Art, New York · CC0 · Source
• Emperor Jahangir Embraces Shah 'Abbas, from the St. Petersburg Album — Abu'l Hasan · c. 1618 · Freer Gallery of Art, Washington, DC · Public domain · Source
• Jahangir Preferring a Sufi Shaikh to Kings, from the St. Petersburg Album — Bichitr · c. 1615–1618 · Freer Gallery of Art, Washington, DC · Public domain · Source
• Jahangir and Prince Khurram Entertained by Nur Jahan — Mughal court painter · c. 1640–1650 · Freer Gallery of Art, Washington, DC · Public domain · Source
• Nur Jahan Holding a Portrait of Emperor Jahangir — Bishandas · 1627 · Cleveland Museum of Art · Public domain · Source
• Shah Jahan Receives His Three Eldest Sons and Asaf Khan during His Accession Ceremonies (Padshahnama) — Bichitr · c. 1630–1657 · Royal Collection Trust, UK · Public domain · Source
• Shah Jahan on Horseback, folio from the Shah Jahan Album — Payag · c. 1630 · The Metropolitan Museum of Art, New York · Public domain · Source
• Shah Jahan Entering His Palace at Burhanpur (Padshahnama page) — 'Abid · 1630–1631 · Public domain · Source
• The Marriage Procession of Dara Shikoh — Haji Madni · 1740s · Public domain · Source
• Shah Jahan Watching an Elephant Fight, folio from a Padshahnama — Bulaqi · Probably 1639 · The Metropolitan Museum of Art, New York · CC0 · Source
• Qilij Khan Accepts the Keys of a Surrendered City (Padshahnama) — Attributed to Murad · c. 1646 · Musée Guimet, Paris · Public domain · Source
• Rosette Bearing the Names and Titles of Shah Jahan, folio from the Shah Jahan Album — Mughal court illuminator · 17th century · The Metropolitan Museum of Art, New York · Public domain · Source
• The Taje Mahal, at Agra (Oriental Scenery, plate 18) — Thomas Daniell · July 1796 · Wellcome Collection, London · Public domain · Source
• Agra, Taj Mahal — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• The Jummah Musjed, Delhi (Oriental Scenery, plate 23) — Thomas Daniell · January 1797 · Wellcome Collection, London · Public domain · Source
• Awrangzib Hunts Nilgais — Mughal court painter (attributed on Commons to Hashim) · c. 1660 · Chester Beatty Library, Dublin · Public domain · Source
• The Emperor Alamgir (reigned 1658–1707) on Horseback — Mughal court painter · c. 1690–1710 · The Cleveland Museum of Art · CC0 · Source
• A Mughal Princess Relaxes on a Terrace — Unknown Deccani painter · c. 1680–1700 · Public domain · Source
• Sultan Ali Adil Shah II of Bijapur (frontispiece to Nusrati's Gulshan-i Ishq) — Unknown Deccani painter (Hyderabad) · c. 1710 · The David Collection, Copenhagen · Public domain · Source
• Emperor Aurangzeb at the Siege of Golconda, 1687 — Unknown Indian painter · c. 1750–1790 · Anne S. K. Brown Military Collection, Brown University Library · Public domain · Source
• Imperii Magni Mogolis sive Indici Padschach (Map of the Empire of the Great Mogul) — Matthäus Seutter · c. 1740 · Public domain · Source
• The Emperor Aurangzeb Carried on a Palanquin — Bhavanidas · c. 1705–20 · The Metropolitan Museum of Art, New York · CC0 · Source
• Portrait of Alamgir (r. 1658–1707) — Mughal court painter · c. 1700 · The Cleveland Museum of Art · CC0 · Source
• Emperor Awrangzib Receives Prince Mu'azzam — Attributed to Bhavanidas · c. 1707–1712 · Chester Beatty Library, Dublin · Public domain · Source
• Farrukhsiyar on Horseback with Attendants — Unknown Mughal painter · 18th century · The British Museum, London · Public domain · Source
• Portrait of Nadir Shah Afshar Enthroned — Unknown Mughal painter · c. 1740–1750 · The David Collection, Copenhagen · Public domain · Source
• Posthumous Portrait of the Mughal Emperor Muhammad Shah (reigned 1719–1748) Holding a Falcon — Muhammad Rizavi Hindi · 1764 · The Cleveland Museum of Art · CC0 · Source
• Eastern Gate of the Jummah Musjid at Delhi (Oriental Scenery, plate 1) — Thomas Daniell · 1 March 1795 · Wellcome Collection, London · Public domain · Source
• Shah 'Alam, Mughal Emperor, Conveying the Grant of the Diwani to Lord Clive, August 1765 — Benjamin West · 1818 · British Library, London · Public domain · Source
• The Delhi Darbar of Akbar II — Attributed to Ghulam Murtaza Khan · c. 1811 · Aga Khan Museum, Toronto · Public domain · Source
• Diwan-i-Khas, Red Fort, Delhi, with Red Awnings or Shamianas — Ghulam 'Ali Khan · 1817 · British Library, London · Public domain · Source
• The Shah Burj, Saman Burj and Asad Burj of the Red Fort from the River — Ghulam 'Ali Khan · c. 1852–1854 · Public domain · Source
• Bahadur Shah II, the Last Mughal Emperor — Unknown Delhi painter · c. 1850 · Public domain · Source
• Lahore Gate of the Palace, Red Fort, Delhi — Felice Beato · 1858 · Public domain · Source

The Byzantine Empire

• Constantius Appoints Constantine as His Successor — Peter Paul Rubens · 1622 · Art Gallery of New South Wales, Sydney · Public domain · Source
• The Vision of the Cross — School of Raphael (Giulio Romano and workshop) · 1520–1524 · Sala di Costantino, Vatican Palace, Vatican City · Public domain · Source
• The Triumph of Constantine over Maxentius at the Battle of the Milvian Bridge (tapestry) — Designed by Peter Paul Rubens; woven in Paris · 1623–1625 (design 1622) · Philadelphia Museum of Art · Public domain · Source
• Dream of Constantine, Battle of the Milvian Bridge and Finding of the True Cross (Homilies of Gregory of Nazianzus, fol. 440r) — Unknown Byzantine illuminator · 879–882 · Bibliothèque nationale de France, Grec 510 · Public domain · Source
• Virgin and Child with Constantine I and Justinian I (southwestern entrance mosaic) — Unknown Byzantine mosaicists (photo: Myrabella) · Late 10th century · Hagia Sophia, Istanbul · Public domain · Source
• The burnt column, Constantinople, Turkey — Unknown photographer (Photoglob Co.) · 1890–1900 · Library of Congress · Public domain · Source
• Emperor Constantine and Empress Helena with the True Cross — Unknown icon painter · 14th–15th century · Germanisches Nationalmuseum, Nuremberg · Public domain · Source
• The First Council of Constantinople (Homilies of Gregory of Nazianzus, fol. 355r) — Unknown Byzantine illuminator · 879–883 · Bibliothèque nationale de France, Grec 510 · Public domain · Source
• Saint Ambrose Barring Theodosius from Milan Cathedral — Anthony van Dyck · c. 1619–1620 · National Gallery, London · Public domain · Source
• Constantinople. Pedestal of the Obelisk of Theodosius — Pascal Sébah · 1870s · Bibliothèque nationale et universitaire de Strasbourg (Numistral) · Public domain · Source
• Anicia Juliana between Magnanimity and Prudence (Vienna Dioscurides, fol. 6v) — Unknown Byzantine illuminator; photo: Gennadii Saus i Segura (CC BY 4.0) · c. 512 · Austrian National Library, Vienna (Cod. Med. gr. 1) · CC BY 4.0 · Source
• The Barberini Ivory — Unknown Byzantine ivory carver · First half of the 6th century · Musée du Louvre, Paris (OA 9063) · CC0 · Source
• Emperor Justinian I and His Retinue (detail) — Unknown Byzantine mosaicists · c. 547 · Basilica of San Vitale, Ravenna · Public domain · Source
• Empress Theodora and Her Retinue (detail) — Unknown Byzantine mosaicists · c. 547 · Basilica of San Vitale, Ravenna · Public domain · Source
• Belisarius Begging for Alms — Jacques-Louis David · 1781 · Palais des Beaux-Arts, Lille · Public domain · Source
• View of the same gallery from the east side (Aya Sofia, Constantinople) — Gaspare Fossati (drawing); Louis Haghe (lithograph) · 1852 · Library of Congress · Public domain · Source
• View of the north entrance (Aya Sofia, Constantinople) — Gaspare Fossati (drawing); Louis Haghe (lithograph) · 1852 · Library of Congress · Public domain · Source
• Rebecca and Eliezer at the Well (Vienna Genesis) — Unknown Byzantine illuminator · 6th century · Austrian National Library, Vienna (Cod. theol. gr. 31) · Public domain · Source
• The Raising of Lazarus (Rossano Gospels) — Unknown Byzantine illuminator · 6th century · Diocesan Museum, Rossano · Public domain · Source
• Christ Pantocrator — Unknown Byzantine icon painter · 6th century · Saint Catherine's Monastery, Sinai · Public domain · Source
• Icon of Saint Peter — Unknown Byzantine icon painter · 6th–7th century · Saint Catherine's Monastery, Sinai · Public domain · Source
• Icon of the Virgin and Child — Unknown weaver, Byzantine Egypt · 6th century · Cleveland Museum of Art · CC0 · Source
• Crucifixion with Iconoclasts (Chludov Psalter, fol. 67r) — Byzantine manuscript illuminator · c. 850–875 · State Historical Museum, Moscow · Public domain · Source
• Saint Nicetas the Confessor (Menologion of Basil II) — Illuminators of the Menologion of Basil II · c. 985 · Biblioteca Apostolica Vaticana · Public domain · Source
• Saint Athanasius the Confessor (Menologion of Basil II) — Illuminators of the Menologion of Basil II · c. 985 · Biblioteca Apostolica Vaticana · Public domain · Source
• Theophobos Marries the Sister of Emperor Theophilos (Madrid Skylitzes, fol. 53v) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• Theoktiste Teaches Theodora's Daughters to Venerate Icons (Madrid Skylitzes, fol. 44v) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• The Triumph of Orthodoxy (The Restoration of the Icons) — Unknown Byzantine icon painter · c. 1400 · British Museum, London · Public domain · Source
• David Composing the Psalms (Paris Psalter, fol. 1v) — Byzantine manuscript illuminator · c. 950–960 · Bibliothèque nationale de France, Paris · Public domain · Source
• The Angel Appears to Joshua (Joshua Roll) — Byzantine manuscript illuminator · c. 950–975 · Biblioteca Apostolica Vaticana · Public domain · Source
• Saint Isidore of Pelusium (Menologion of Basil II) — Illuminators of the Menologion of Basil II · c. 985 · Biblioteca Apostolica Vaticana · Public domain · Source
• Icon with Saint Demetrios — Byzantine ivory carver · 950–1000 · The Metropolitan Museum of Art, New York · CC0 · Source
• The Harbaville Triptych — Byzantine ivory carver · mid-10th century · Musée du Louvre, Paris · Public domain · Source
• The Baptism of the Rus' — Viktor Vasnetsov · c. 1890 · State Tretyakov Gallery, Moscow · Public domain · Source
• Nomisma with Basil II and Constantine VIII (reverse) — Imperial mint of Constantinople · 977–1025 · Cleveland Museum of Art · CC0 · Source
• The Crucifixion — Byzantine mosaicists · early 11th century · Monastery of Hosios Loukas, Boeotia · Public domain · Source
• The Three Marys (mosaic detail) — Byzantine mosaicists · c. 1042–1056 · Nea Moni Monastery, Chios · Public domain · Source
• Constantine IX Monomachos (detail of the Zoe mosaic) — Byzantine mosaicists · 1042–1055 · Hagia Sophia, Istanbul · Public domain · Source
• Medallion with Saint George from an Icon Frame — Byzantine enameller · c. 1100 · The Metropolitan Museum of Art, New York · CC0 · Source
• Coronation of an Emperor Raised on a Shield (Madrid Skylitzes, fol. 10v) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• Krum Assembles His Army; Soldiers Urge Michael I to Fight (Madrid Skylitzes, fol. 11r) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• Thomas the Slav Attacks and Besieges Constantinople (Madrid Skylitzes, fol. 32v) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• The Byzantine Fleet Burns the Rebel Fleet with Greek Fire (Madrid Skylitzes, fol. 34v, detail) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• Omurtag and the Envoys of Michael II (Madrid Skylitzes, fol. 35r) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• The Bulgarians Defeat the Byzantines under Krenites and Kourtikios (Madrid Skylitzes, fol. 108r, detail) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• Leo VI with Arab Envoys; Coronation of Constantine VII (Madrid Skylitzes, fol. 114v) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• The Byzantines Storm Preslav (Madrid Skylitzes, fol. 166r, detail) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• Triumphal Entry of John Tzimiskes (probable identification) (Madrid Skylitzes, fol. 172v) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• Alusian Joins Peter Delyan; Sortie from Thessalonica (Madrid Skylitzes, fol. 217r) — Unknown illuminator · 12th century · Biblioteca Nacional de España, Madrid · Public domain · Source
• Marriage of Romanos IV and Eudokia; Battle of Manzikert (1071); Romanos IV and Alp Arslan (Boccaccio, De casibus, French translation) — Unknown French illuminator · 15th century · Bibliothèque nationale de France, Paris (Français 236, fol. 203) · Public domain · Source
• Passages d'outremer: The Battle of Nicaea (1097) — Jean Colombe · c. 1474 · Bibliothèque nationale de France, Paris (Français 5594, fol. 37v) · Public domain · Source
• Christ Pantocrator (dome mosaic) — Unknown Byzantine mosaicists · c. 1100 · Daphni Monastery, Athens · Public domain · Source
• Mosaic Icon of Christ the Merciful (Eleemon) — Unknown Byzantine artist · First half of the 12th century · Bode-Museum, Staatliche Museen zu Berlin · Public domain · Source
• The Virgin and Child between John II Komnenos and Empress Irene — Byzantine mosaicists · c. 1118–1122 · Hagia Sophia, Istanbul · Public domain · Source
• The Virgin of Vladimir — Unknown Constantinopolitan painter · c. 1130 (later repainted) · State Tretyakov Gallery, Moscow · Public domain · Source
• The Ladder of Divine Ascent — Unknown Byzantine painter · 12th century · Saint Catherine's Monastery, Sinai · Public domain · Source
• The Entry of the Crusaders into Constantinople (12 April 1204) — Eugène Delacroix · 1840 · Musée du Louvre, Paris · Public domain · Source
• The Bronze Horses of San Marco, Venice — Charles Caryl Coleman · 1876 · Minneapolis Institute of Art · Public domain · Source
• Deesis mosaic, Hagia Sophia — Byzantine mosaicists; photo: Myrabella · 13th century; photo 2012 · Hagia Sophia, Istanbul · Public domain · Source
• Chrysobull of Andronikos II Palaiologos for the Metropolis of Monemvasia — Unknown Byzantine artist · 1301 · Byzantine and Christian Museum, Athens · Public domain · Source
• Enthroned Christ and donor mosaic (Theodore Metochites), Kariye Camii — Byzantine mosaicists; photo: Byzantine Institute staff · c. 1315–1321; photo 1955 · Dumbarton Oaks, Washington, D.C. · CC0 · Source
• Christ, the Land of the Living, mosaic lunette, Chora Church — Byzantine mosaicists; photo: Joseolgon · c. 1315–1321; photo 2026 · Kariye (Chora), Istanbul · CC BY 4.0 · Source
• Anastasis fresco, Chora Church — Byzantine painters · c. 1320 · Kariye (Chora), Istanbul · Public domain · Source
• The Nativity, fresco in the church of the Peribleptos Monastery, Mystras — Byzantine painters · c. 1348–1380 · Peribleptos Monastery, Mystras · Public domain · Source
• Portrait of Manuel II Palaiologos, from his Funeral Oration for his brother Theodore — Unknown Byzantine illuminator · Early 15th century · Bibliothèque nationale de France, Paris (Suppl. gr. 309) · Public domain · Source
• John VIII Palaeologus, Emperor of Constantinople (medal, obverse) — Pisanello · 1438 · National Gallery of Art, Washington · CC0 · Source
• Procession of the Magi (detail: the middle king) — Benozzo Gozzoli · 1459 · Magi Chapel, Palazzo Medici Riccardi, Florence · Public domain · Source
• Icon of the New Testament Trinity — Unknown Constantinopolitan painter · c. 1450 · Cleveland Museum of Art · CC0 · Source
• The Archangel Gabriel, from an Annunciation scene on the King's Door of an iconostasis — Unknown Late Byzantine painter · Second half of the 15th century · Princeton University Art Museum · Public domain · Source
• The Fall of Constantinople — Panagiotis Zografos, under the direction of Ioannis Makriyannis · c. 1836–1839 · Public domain · Source
• Siege of Constantinople, exterior fresco — Unknown Moldavian painters; photo: DimiTalen · 1537; photo 2017 · Moldovița Monastery, Vatra Moldoviței, Romania · CC0 · Source
• Byzantine wall near Irdikale (Yedikule), Constantinople, Turkey — Unknown photographer (Photoglob Co.) · 1890–1900 · Library of Congress · Public domain · Source
• Constantinople, Turkey, from the Seven Towers — Unknown photographer (lantern slide) · c. 1915 · Oregon State University Archives · No restrictions · Source
• Interior of the Yerebatan Cistern, Constantinople — Michel-François Préaulx · 1814 · Rijksmuseum, Amsterdam · CC0 · Source
• The Transfiguration — Theophanes the Greek (attributed) · 1400–1410 · Tretyakov Gallery, Moscow · Public domain · Source
• Four Military Saints — Michael Damaskinos · Second half of the 16th century · Benaki Museum, Athens · Public domain · Source
• The Dormition of the Virgin — Victor, Cretan priest-painter · c. 1650–1699 · Benaki Museum, Athens · Public domain · Source
• St Mark the Evangelist — Emmanuel Tzanes · 1657 · Benaki Museum, Athens · Public domain · Source

Ancient Egypt

• White Cross-Lined Bowl with Turtle and Sun — Predynastic Egyptian potters (Naqada culture) · c. 4000–3400 BC · Cleveland Museum of Art · CC0 · Source
• The Gebelein Painted Linen (detail) — Predynastic Egyptian artists (Naqada culture) · c. 3600–3350 BC · Museo Egizio, Turin · CC0 · Source
• Deep Bowl Depicting People, Animals, and Plants — Predynastic Egyptian potters (Naqada culture) · c. 3650–3300 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Jar Decorated with Boats — Predynastic Egyptian potters (Naqada culture) · c. 3450–3350 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Decorated Ware Jar with Spiral Design — Predynastic Egyptian potters (Naqada culture) · c. 3650–3500 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Statuette of a Woman with a Child — Predynastic Egyptian craftsmen · Predynastic Period · Neues Museum, Berlin · CC0 · Source
• The Battlefield Palette (fragment) — Late Predynastic Egyptian craftsmen · Late Predynastic Period, c. 3100 BC · British Museum, London · CC0 · Source
• The Narmer Palette (early museum postcard photograph) — Early Egyptian craftsmen · c. 3100 BC · Egyptian Museum, Cairo (photo: Archivio fotografico, Museo Egizio, Turin) · CC0 · Source
• The Meidum Geese (detail of the frieze), Chapel of Itet — Painters of the tomb chapel of Itet · c. 2600–2550 BC · Egyptian Museum, Cairo · Public domain · Source
• Statues of Rahotep and Nofret — Egyptian craftsmen of the 4th Dynasty · c. 26th century BC · Egyptian Museum, Cairo · CC0 · Source
• Cairo, Palms and Pyramids (Kairo, palmiers et pyramides) — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Approach of the Simoon – Desert at Gizeh (Egypt and Nubia, vol. III) — Louis Haghe after David Roberts · 1849 · Cleveland Museum of Art · CC0 · Source
• Triad of King Menkaure with Hathor and a Nome Goddess — Egyptian craftsmen of the 4th Dynasty · c. 2500 BC · Egyptian Museum, Cairo · CC0 · Source
• The Royal Acquaintances Memi and Sabu — Egyptian craftsmen of the 4th Dynasty · c. 2575–2465 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• King Sahure and a Nome God (detail) — Egyptian craftsmen of the 5th Dynasty · c. 2458–2446 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• The Seated Scribe — Egyptian craftsmen of the Old Kingdom · 4th–5th Dynasty, c. 2600–2350 BC · Musée du Louvre, Paris · CC0 · Source
• Mastaba Tomb of Perneb — Egyptian craftsmen of the 5th Dynasty · c. 2381–2323 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Relief of Men Bringing Birds and Cattle — Egyptian craftsmen of the 6th Dynasty · c. 2311–2281 BC · Cleveland Museum of Art · CC0 · Source
• Model of a procession of offering bearers (tomb of Meketre) — Unknown Egyptian artist · c. 1981–1975 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Model Sporting Boat (tomb of Meketre) — Unknown Egyptian artist · c. 1981–1975 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Model Cattle stable from the tomb of Meketre — Unknown Egyptian artist · c. 1981–1975 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Standing Hippopotamus ("William") — Unknown Egyptian artist · c. 1961–1878 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Stela of the Steward Mentuwoser — Unknown Egyptian artist · c. 1944 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Leaders of the Aamu of Shu, tomb of Khnumhotep II, Beni Hasan (facsimile) — Norman de Garis Davies (facsimile) · Original c. 1887–1878 BC; facsimile 20th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Weavers, Tomb of Khnumhotep (facsimile) — Norman de Garis Davies (facsimile) · Original c. 1897–1878 BC; facsimile 20th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Pectoral and Necklace of Sithathoryunet with the Name of Senwosret II — Unknown Egyptian jeweller · c. 1887–1878 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Senwosret III as a Sphinx — Unknown Egyptian sculptor · c. 1878–1840 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Coffin of Nakhtkhnum — Unknown Egyptian artist · c. 1802–1640 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Seated Statue of Hatshepsut — Unknown Egyptian sculptor · c. 1479–1458 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Sphinx of Hatshepsut — Unknown Egyptian sculptor · c. 1479–1458 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Foreigners, Tomb of Menkheperraseneb (facsimile) — Nina de Garis Davies (facsimile) · Original c. 1479–1425 BC; facsimile 20th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Karnak, Temple de Thouthmes — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Brickmakers, Tomb of Rekhmire (facsimile) — Nina de Garis Davies (facsimile) · Original c. 1479–1425 BC; facsimile 20th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Barbering, Tomb of Userhat (facsimile) — Nina de Garis Davies (facsimile) · Original c. 1427–1400 BC; facsimile 20th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Menna and Family Hunting in the Marshes, Tomb of Menna (facsimile) — Nina de Garis Davies (facsimile) · Original c. 1400–1352 BC; facsimile 20th century · The Metropolitan Museum of Art, New York · Public domain · Source
• Nakht and Family Fishing and Fowling, Tomb of Nakht (facsimile) — Norman de Garis Davies (facsimile) · Original c. 1400–1390 BC; facsimile 20th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Nebamun Hunting Fowl in the Marshes — Unknown Theban tomb painter · c. 1390–1350 BC · British Museum, London · Public domain · Source
• Pool in a Garden (tomb-chapel of Nebamun) — Unknown Theban tomb painter · c. 1380 BC · British Museum, London · Public domain · Source
• Statues of Memnon at Thebes, during the Inundation (Egypt and Nubia, vol. II) — Louis Haghe after David Roberts · 1848 · Cleveland Museum of Art · CC0 · Source
• Face from a Composite Statue, probably Queen Tiye — Unknown Egyptian sculptor · c. 1353–1336 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• House altar with Akhenaten, Nefertiti and three of their daughters — Unknown Egyptian sculptor; photo: Andreas Praefcke (2006) · c. 1340 BC · Egyptian Museum and Papyrus Collection, Berlin (ÄM 14145) · Public domain · Source
• Talatat: Portrait of Nefertiti — Unknown Egyptian sculptor · c. 1353–1337 BC · Cleveland Museum of Art (1959.188) · CC0 · Source
• Canopic Jar with a Lid in the Shape of a Royal Woman's Head — Unknown Egyptian sculptor · c. 1349–1336 BC or shortly thereafter · The Metropolitan Museum of Art, New York (07.226.1, 30.8.54) · CC0 · Source
• Broad Collar — Unknown Egyptian craftsman · c. 1353–1336 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Nubian Tribute Presented to King Tutankhamun, Tomb of Huy (facsimile) — Charles K. Wilkinson (facsimile after a painting in the tomb of Huy, TT 40) · Original c. 1353–1327 BC; 20th-century facsimile · The Metropolitan Museum of Art, New York · CC0 · Source
• Painted panel, probably from the Painted Chest of Tutankhamun — Unknown Egyptian painter; photo: Warren LeMay (2019) · c. 1332–1323 BC · Egyptian Museum, Cairo (as photographed in 2019) · CC0 · Source
• Haremhab as a Scribe of the King — Unknown Egyptian sculptor · c. 1336–1323 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Excavations at the Tomb of Tutankhamun: Howard Carter Supervising the Removal of Objects — Agence Rol (press photograph) · January 1923 · Bibliothèque nationale de France · Public domain · Source
• Karnak, Colonnade of the Great Temple — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Statue of Ramesses II — Unknown Egyptian sculptor · c. 1279–1213 BC · Museo Egizio, Turin (C 1380) · CC0 · Source
• The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt — David Roberts · 1849 · Yale Center for British Art, New Haven · Public domain · Source
• Queen Nefertari being led by Isis (facsimile) — Charles K. Wilkinson (facsimile after a painting in the tomb of Nefertari, QV 66) · Original c. 1279–1213 BC; 20th-century facsimile · The Metropolitan Museum of Art, New York · CC0 · Source
• Sennedjem and Iineferti in the Fields of Iaru (facsimile) — Charles K. Wilkinson (facsimile after a painting in the tomb of Sennedjem, TT 1) · 1922; original c. 1295–1213 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Winemaking, Tomb of Ipuy (facsimile) — Charles K. Wilkinson (per Commons; facsimile after a painting in the tomb of Ipuy, TT 217) · Original c. 1279–1213 BC; 20th-century facsimile · The Metropolitan Museum of Art, New York (30.4.118) · CC0 · Source
• Book of the Dead of Hunefer: The Weighing of the Heart — Unknown Egyptian scribe and painter · c. 1275 BC · British Museum, London · Public domain · Source
• Ani before Osiris, from the Book of the Dead of Ani (facsimile) — Facsimile by E. A. Wallis Budge (1890), after an unknown Egyptian artist · 1890 facsimile; original c. 1250 BC · Original papyrus: British Museum, London · Public domain · Source
• Great Harris Papyrus, Sheet 2: Ramesses III before the Theban Triad — Unknown Egyptian scribe and painter · c. 1150 BC · British Museum, London · Public domain · Source
• Turin Papyrus Map (detail) — Unknown Egyptian scribe · c. 1150 BC · Museo Egizio, Turin (C 1879 + 1969 + 1899) · CC0 · Source
• Inner Coffin of Henettawy (F), singer of Amun-Re (detail) — Unknown Egyptian artist · c. 1000–945 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Bronze figure of the cat goddess Bastet — Unknown Egyptian artist; photo: Gary Todd · Late Period (664–332 BC) · British Museum, London · CC0 · Source
• Book of the Dead of the Priest of Horus, Imhotep (Imuthes), solar cycle — Unknown Egyptian scribe · c. 332–200 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Mummy of Nesmin with plant wreath, mummy mask and other cartonnage elements (detail) — Unknown Egyptian artist · 200–30 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Phylae, vue générale de la partie du sud — Unknown photographer (Photoglob Co.) · c. 1890 · Library of Congress · Public domain · Source
• Denderah (Tentyris): zodiac carved on the ceiling of one of the upper rooms of the Great Temple (Description de l'Égypte) — Artists of the French expedition (Description de l'Égypte) · 1809–1822 · New York Public Library · Public domain · Source
• The Banquet of Cleopatra — Giovanni Battista Tiepolo · 1743–1744 · National Gallery of Victoria, Melbourne · Public domain · Source
• Mummy of Herakleides — Unknown Romano-Egyptian painter · c. AD 120–140 · J. Paul Getty Museum, Los Angeles (91.AP.6) · CC0 · Source
• Fayum funerary portrait of a man — Unknown Romano-Egyptian painter; photo: Jebulon · Roman period · National Archaeological Museum, Athens (inv. 1627) · CC0 · Source
• Fayum mummy portrait of a woman — Unknown Romano-Egyptian painter; photo: Ketone16 · Roman period · British Museum, London · Public domain · Source
• Battle of the Pyramids (sketch) — Wojciech Kossak · 1896 · National Museum, Warsaw · Public domain · Source
• Bonaparte before the Sphinx (Oedipus) — Jean-Léon Gérôme · 1886 · Hearst Castle, San Simeon, California · Public domain · Source
• Thebes, Biban el-Moluk: paintings from the hall of the harps in the fifth royal tomb to the east (Description de l'Égypte) — Artists of the French expedition (Description de l'Égypte) · 1809–1822 · New York Public Library · Public domain · Source
• Four royal chairs with their footstools (I monumenti dell'Egitto e della Nubia) — Ippolito Rosellini (Franco-Tuscan expedition) · 1832–1844 · New York Public Library · Public domain · Source
• The Younger Memnon: colossal bust of Ramesses II from the Ramesseum — Egyptian sculptors of the 19th Dynasty; photo: Gary Todd · c. 1250 BC · British Museum, London · CC0 · Source
• Portrait of Jean-François Champollion — Léon Cogniet · 1831 · Musée du Louvre, Paris · Public domain · Source
• The Prussian expedition on top of the Great Pyramid — Johann Jakob Frey · 1842 · Public domain · Source
• Sphinx and pyramids, Egypt — Attributed to Auguste Mariette · Undated (after 1853) · Getty Research Institute, Los Angeles · CC0 · Source
• The Grammar of Ornament, Plate IV: Egyptian No. 1 — Owen Jones · 1856 · Amgueddfa Cymru – Museum Wales · CC0 · Source
• Israel in Egypt — Edward Poynter · 1867 · Guildhall Art Gallery, London · Public domain · Source

The Mongol Empire

• Tumanba Khan, His Wife, and His Nine Sons, folio from a Chingiznama (Book of Genghis Khan) — Basawan and Bhim Gujarati · c. 1596 · The Metropolitan Museum of Art, New York · CC0 · Source
• Kabul Khan and His Family (Jami' al-Tawarikh, Supplément persan 1113, fol. 22v) — Timurid court painters, Herat · c. 1430–1434 · Bibliothèque nationale de France, Paris · Public domain · Source
• Genghis Khan and Toghril (Ong Khan) (Jami' al-Tawarikh, Supplément persan 1113, fol. 105r) — Timurid court painters, Herat · c. 1430–1434 · Bibliothèque nationale de France, Paris · Public domain · Source
• Ruler Travelling Through the Country (Diez Album, Diez A fol. 71, p. 50) — Ilkhanid painters (Tabriz?) · first quarter of the 14th century · Staatsbibliothek zu Berlin · Public domain · Source
• Mongol Military Manoeuvres (Diez Album) — Ilkhanid painters · early 14th century · Staatsbibliothek zu Berlin · Public domain · Source
• Mongols Cooking (Jami' al-Tawarikh, Supplément persan 1113) — Timurid court painters, Herat · c. 1430 · Bibliothèque nationale de France, Paris · Public domain · Source
• Mongol Falconry (Diez Album, Diez A fol. 70, p. 15) — Ilkhanid painters · 14th century · Staatsbibliothek zu Berlin · Public domain · Source
• Homage to Genghis Khan, "rex tartarorum" (Hayton, Fleur des histoires de la terre d'Orient, NAF 886, fol. 14v) — Unknown French illuminator · 14th century · Bibliothèque nationale de France, Paris · Public domain · Source
• Temüjin Proclaimed Genghis Khan in 1206 (Jami' al-Tawarikh, Supplément persan 1113, fol. 44v) — Timurid court painters, Herat · c. 1430–1434 · Bibliothèque nationale de France, Paris · Public domain · Source
• Portrait of Emperor Taizu (Genghis Khan), from the Album of Half-Length Portraits of Yuan Emperors — Yuan court painters · 14th century · National Palace Museum, Taipei · Public domain · Source
• Battle between Mongols and Chinese, 1211 (Jami' al-Tawarikh, Supplément persan 1113, fol. 49) — Timurid court painters, Herat · c. 1430–1434 · Bibliothèque nationale de France, Paris · Public domain · Source
• Siege of Beijing (Zhongdu), 1213–1214 (Jami' al-Tawarikh, Supplément persan 1113, fol. 65v) — Timurid court painters, Herat · c. 1430–1434 · Bibliothèque nationale de France, Paris · Public domain · Source
• Pursuit by Mongol Warriors (Diez Album) — Ilkhanid painters · early 14th century · Staatsbibliothek zu Berlin · Public domain · Source
• Genghis Khan's Sermon to the People of Bukhara (Ahmad Tabrizi, Shahanshahnama, Or. 2780) — Unknown Persian painter · 1397–1398 · British Library, London · Public domain · Source
• Death of Muhammad Khwarazmshah (Jami' al-Tawarikh, Supplément persan 1113, fol. 60v) — Timurid court painters, Herat · c. 1430–1434 · Bibliothèque nationale de France, Paris · Public domain · Source
• Terken Khatun Taken Captive by the Mongols (Jami' al-Tawarikh, Supplément persan 1113, fol. 84r) — Timurid court painters, Herat · c. 1430–1434 · Bibliothèque nationale de France, Paris · Public domain · Source
• Battle of Valiyan, 1221 (Jami' al-Tawarikh, Supplément persan 1113, fol. 72v) — Timurid court painters, Herat · c. 1430–1434 · Bibliothèque nationale de France, Paris · Public domain · Source
• Jalal al-Din Khwarazmshah Crossing the Indus, Escaping Genghis Khan and His Army (Chingiznama) — Banwari Khurd and Dharm Das · 1596–1600 · The British Museum, London · Public domain · Source
• The Death of Genghis Khan (Marco Polo, Livre des merveilles, BnF fr. 2810) — Egerton Master · c. 1410–1412 · Bibliothèque nationale de France, Paris · Public domain · Source
• The Battle of the Kalka (captioned "Bataille de la Kalka, en 1224") — Unknown engraver · 1855 · British Library · Public domain · Source
• Portrait of Ögedei Khan (Emperor Taizong of Yuan), from the album of Yuan emperors — Yuan court painters · 14th century · National Palace Museum, Taipei · Public domain · Source
• Ögedei Khan Enthroned (Jami' al-Tawarikh, BnF Supplément persan 1113) — Timurid painters, Herat · c. 1430 · Bibliothèque nationale de France, Paris · Public domain · Source
• Batu Khan on the Throne (Jami' al-Tawarikh, BnF Supplément persan 1113, fol. 91r) — Timurid painters, Herat · c. 1430–1434 · Bibliothèque nationale de France, Paris · Public domain · Source
• The Legend of the Invisible City of Kitezh: The Battle of Kerzhenets — Nicholas Roerich · 1913 · Public domain · Source
• The Tartars Carrying the Head of Duke Henry II before Liegnitz Castle (Hedwig Codex, fol. 12) — Unknown Silesian illuminator · 1353 · The J. Paul Getty Museum, Los Angeles · Public domain · Source
• The Battle of Legnica (Legend of St Hedwig) — Unknown illuminator · 15th century · Public domain · Source
• Altar of St Hedwig of Silesia (left and right wings) — Master of the Wielowieś Triptych · c. 1430 · Public domain · Source
• The Battle of Mohi, 1241 (Hayton, La Flor des estoires de la terre d'Orient, Cod. 2623, fol. 29r) — Unknown illuminator · 1350–1374 · Austrian National Library, Vienna · Public domain · Source
• The First Mongol Invasion (Illuminated Chronicle, p. 125) — Hungarian court illuminator (chronicle attributed to Márk Kálti) · c. 1360 · National Széchényi Library, Budapest · Public domain · Source
• Hülegü and His Wife Doquz Khatun (Jami' al-Tawarikh) — Unknown Persian painter · 14th–15th century · Public domain · Source
• Constantine and Helena, interpreted as Hülegü and Doquz Khatun (Syriac lectionary, Add. 7170) — Unknown Syriac illuminator · c. 1260 · British Library, London · Public domain · Source
• The Old Man of the Mountain (Livre des merveilles, fr. 2810, fol. 16v) — Unknown Parisian illuminator · c. 1410–1412 · Bibliothèque nationale de France, Paris · Public domain · Source
• The Capture of Alamut, 1256 (Jami' al-Tawarikh, BnF Supplément persan 1113, fol. 177v) — Timurid painters, Herat · c. 1430 · Bibliothèque nationale de France, Paris · Public domain · Source
• Hülegü Khan Feasting at Shiburghan (Jami' al-Tawarikh, MS Dorn 289, fol. 241r) — Unknown Persian painter · 16th century · National Library of Russia, St Petersburg · Public domain · Source
• The Fall of Baghdad (Diez Albums) — Ilkhanid painter · early 14th century · Staatsbibliothek zu Berlin · Public domain · Source
• The Taking of Baghdad, 1258 (Hayton, Fleur des histoires de la terre d'Orient, NAF 886) — Unknown French illuminator · 14th century · Bibliothèque nationale de France, Paris · Public domain · Source
• Siege of Baghdad, folio from an illustrated manuscript (probably the Mughal Jami' al-Tawarikh / Chingiznama) — Mughal court painters · 1596 · Saint Louis Art Museum (388:1952) · Public domain · Source
• The Caliph al-Musta'sim Brought before Hülegü Khan (Shahanshahnama, Or. 2780, fol. 89v) — Unknown Persian painter · 1398 · British Library, London · Public domain · Source
• The Siege of Erbil, 1258–1259 (Jami' al-Tawarikh, BnF Supplément persan 1113) — Timurid painters, Herat · c. 1430 · Bibliothèque nationale de France, Paris · Public domain · Source
• The Battle of Köse Dağ (Hayton of Corycus, Fleur des histoires d'Orient, BnF NAF 886, fol. 18) — Unknown illuminator · 14th century · Bibliothèque nationale de France, Paris · Public domain · Source
• Gold Dinar of Hülegü, al-Mawsil — Ilkhanid mint of al-Mawsil (Mosul) · 662 AH (1263–1264) · American Numismatic Society, New York · CC0 · Source
• Star Tile Painted in Lustre with Two Seated Figures (BK-1978-21) — Anonymous tile maker, Kashan · c. 1266–1267 · Rijksmuseum, Amsterdam · CC0 · Source
• Luster Wall Tile with a Couple (1915.524) — Anonymous potter, Kashan · 1266 · The Cleveland Museum of Art · CC0 · Source
• The Battle of Homs (Jami' al-Tawarikh, BnF Supplément persan 1113, fol. 236) — Unknown Timurid painter, Herat · c. 1430 · Bibliothèque nationale de France, Paris · Public domain · Source
• The Conversion of Ghazan to Islam (Jami' al-Tawarikh, BnF Supplément persan 1113, fol. 239r) (reproduced from a modern book) — Unknown Timurid painter, Herat · c. 1430 · Bibliothèque nationale de France, Paris · Public domain · Source
• Ilkhanid Court Scene (Diez A fol. 70, p. 22, no. 1) — Unknown Ilkhanid painter · Early 14th century · Staatsbibliothek zu Berlin · Public domain · Source
• Enthronement of Shah Zav, folio from the Great Mongol Shahnama — Unknown artist, Tabriz · c. 1330–1340 · Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. · Public domain · Source
• Iskandar Builds the Iron Rampart, folio from the Great Mongol Shahnama — Unknown artist, Tabriz · c. 1330–1340 · Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. · Public domain · Source
• Bahram Gur Slays a Dragon, folio from the Great Mongol Shahnama (1943.658.b) — Unknown artist, Tabriz · c. 1330 · The Cleveland Museum of Art · CC0 · Source
• The Mausoleum of Öljeitü (Muhammad Khodabandeh) at Soltaniyeh — Michel-François Préaulx · 1808–1809 · Public domain · Source
• Portrait of Kublai Khan (Emperor Shizu of Yuan), from the album of Yuan emperors — Attributed to Araniko (traditional attribution) · c. 1294 · National Palace Museum, Taipei · Public domain · Source
• Portrait of Empress Chabi, from the album of Yuan empresses — Unknown Yuan court painter · 13th–14th century · National Palace Museum, Taipei · Public domain · Source
• Kublai Khan Hunting (detail) — Liu Guandao · 1280 · National Palace Museum, Taipei · Public domain · Source
• Mōko Shūrai Ekotoba: Takezaki Suenaga Charges the Mongols — After the scrolls attributed to Tosa Nagataka · Original c. 1293; later copy · National Diet Library, Tokyo · Public domain · Source
• Mōko Shūrai Ekotoba: Mitsui Sukenaga Shoots at Fleeing Mongols — After the scrolls attributed to Tosa Nagataka · Original c. 1293; later copy · National Diet Library, Tokyo · Public domain · Source
• Bathing Horses — Attributed to Zhao Mengfu · Yuan dynasty (1271–1368) · Palace Museum, Beijing · Public domain · Source
• Chaoyuan Tu (Homage to the Primordial), Sanqing Hall mural, section 2 — Ma Junxiang and workshop · 1325 · Yongle Palace, Shanxi · Public domain · Source
• Meiping Vase with Narrative Scenes — Jingdezhen potters (photograph: Gary Todd) · 1320–1350 · CC0 · Source
• Octagonal Jar with Iranian Brass Mounts — Jingdezhen potters (photograph: Gary Todd) · Mid-14th century · British Museum / Victoria and Albert Museum, London (exhibited at the National Museum of China, Beijing) · CC0 · Source
• Panel with Phoenixes and Flowers — Unknown Yuan embroiderer · 14th century · The Metropolitan Museum of Art, New York · CC0 · Source
• The Polo brothers and Marco leaving Venice (Livre des merveilles, BnF fr. 2810, fol. 4r) — Unknown French illuminator · c. 1410–1412 · Bibliothèque nationale de France, Paris · Public domain · Source
• Arrival of the Polo brothers at Bukhara (Livre des merveilles, BnF fr. 2810) — Mazarine Master · c. 1410–1412 · Bibliothèque nationale de France, Paris · Public domain · Source
• Kublai Khan giving a golden tablet to the Polo brothers (Livre des merveilles, BnF fr. 2810, fol. 3v) — Unknown French illuminator · c. 1410–1412 · Bibliothèque nationale de France, Paris · Public domain · Source
• Safe Conduct Pass (Paiza) with Inscription in Phags-pa Script — Unknown Yuan-dynasty metalworker · Late 13th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Marco Polo arriving at Hormuz (Livre des merveilles, BnF fr. 2810, fol. 14v) — Boucicaut Master and workshop · c. 1410–1412 · Bibliothèque nationale de France, Paris · Public domain · Source
• A rider descending from a mountain pass, possibly a yam courier (Diez Albums) — Unknown 14th-century painter · 14th century · Staatsbibliothek zu Berlin · Public domain · Source
• Kublai Khan hunting from a pavilion carried by elephants (Livre des merveilles, BnF fr. 2810, fol. 42v) — Unknown French illuminator · c. 1410–1412 · Bibliothèque nationale de France, Paris · Public domain · Source
• The Great Khan enthroned, frontispiece to De l'estat et du gouvernement du grant Kaan, translated by Jean le Long (BnF fr. 2810, fol. 136v) — Mazarine Master · c. 1410–1412 · Bibliothèque nationale de France, Paris · Public domain · Source
• Caravan on the Silk Road (detail of the Catalan Atlas) — Attributed to Abraham Cresques · 1375 · Bibliothèque nationale de France, Paris · Public domain · Source
• Relief for the poor in China (Livre des merveilles, BnF fr. 2810, fol. 137v) — Mazarine Master · c. 1410–1412 · Bibliothèque nationale de France, Paris · Public domain · Source
• Töde Möngke and His Mongol Horde, folio from a Chingiznama — Tulsi and Madhu · 1596 · Los Angeles County Museum of Art · Public domain · Source
• Bowl with a flying crane — Unknown Golden Horde potter (photo: Ted1968) · 14th century · Musée du Louvre, Paris · CC0 · Source
• Metropolitan Alexius heals Taidula (Illustrated Chronicle of Ivan the Terrible, book 9, p. 208) — Anonymous Russian manuscript illuminators · 1560s–1570s · Public domain · Source
• The Golden Horde in the Catalan Atlas — Attributed to Abraham Cresques · 1375 · Bibliothèque nationale de France, Paris · Public domain · Source
• Timur grants an audience on his accession at Balkh, 9 April 1370 (Zafarnama of Ibrahim Sultan, frontispiece) — Unknown Timurid painters, Shiraz · 1436 · National Museum of Asian Art, Smithsonian Institution, Washington, D.C. · Public domain · Source
• Battle between Timur and Tokhtamysh Khan (right portion), Topkapı H.2153 — Unknown Timurid painter · c. 1420–1440 · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Assault on the Fortress of the Knights of St John at Smyrna (Garrett Zafarnama) — Unknown Timurid painters, Herat (traditionally attributed to Bihzad) · Late 15th century · Johns Hopkins University Library, Baltimore · Public domain · Source
• The Ambassadors of the Egyptian Sultan al-Nasir Faraj Present their Gifts, Including a Giraffe, to Timur (Zafarnama of Ibrahim Sultan) — Unknown Timurid painters, Shiraz · 1436 · Worcester Art Museum · Public domain · Source
• Mosaic walls in the Shah-i Zinda, Samarkand — Sergei Prokudin-Gorsky · c. 1911 · Library of Congress · Public domain · Source
• Dome of the Gur-e Amir from the east, Samarkand — Sergei Prokudin-Gorsky · c. 1911 · Library of Congress · Public domain · Source

Ancient Greece

• The Bull-Leaping Fresco (“Toreador Fresco”), Knossos — Minoan fresco painters (restored in the early 20th century) · c. 1600–1400 BC · Heraklion Archaeological Museum · Public domain · Source
• The “Prince of the Lilies” Relief Fresco, Knossos (reconstruction) — Minoan fresco painters (modern reconstruction) · c. 1600–1400 BC · Heraklion Archaeological Museum · CC0 · Source
• Reproduction of the “Ladies in Blue” Fresco — Émile Gilliéron (reproduction after a Minoan fresco from Knossos) · 20th century (original c. 1525–1450 BC) · The Metropolitan Museum of Art, New York · CC0 · Source
• The Dolphin Fresco, Knossos — Minoan fresco painters (restored) · c. 1600–1400 BC · Heraklion Archaeological Museum · CC0 · Source
• The Hagia Triada Sarcophagus (long side) — Minoan painters · c. 1400 BC · Heraklion Archaeological Museum · CC0 · Source
• Ship Procession (“Flotilla”) Fresco, West House, Akrotiri (part 1) — Theran fresco painters · c. 1600 BC · National Archaeological Museum, Athens · Public domain · Source
• The Spring Fresco, Akrotiri — Theran fresco painters · c. 1600 BC · National Archaeological Museum, Athens · CC0 · Source
• Boxing Children Fresco, Building B, Akrotiri — Theran fresco painters · 16th century BC · National Archaeological Museum, Athens · CC0 · Source
• Gold Funerary Mask (“Mask of Agamemnon”), Shaft Grave V, Mycenae — Mycenaean goldsmiths · c. 1550–1500 BC · National Archaeological Museum, Athens · Public domain · Source
• The Lion Gate, Mycenae — Mycenaean builders · c. 1250 BC · CC0 · Source
• Achilles and Ajax Playing a Board Game (Attic black-figure amphora, detail) — Exekias · 540–530 BC · Museo Gregoriano Etrusco, Vatican Museums · Public domain · Source
• Achilles Tending Patroclus (tondo of an Attic red-figure kylix) — Sosias Painter (attributed) · c. 500 BC · Antikensammlung, Berlin · CC0 · Source
• Attic Red-Figure Kylix, Tondo — Brygos Painter · c. 490 BC · J. Paul Getty Museum, Los Angeles · CC0 · Source
• The Procession of the Trojan Horse into Troy — Giovanni Domenico Tiepolo · c. 1760 · The National Gallery, London · Public domain · Source
• Odysseus and the Sirens (Attic red-figure stamnos, detail) — Siren Painter · c. 480–470 BC · British Museum, London · Public domain · Source
• Ulysses and the Sirens — John William Waterhouse · 1891 · National Gallery of Victoria, Melbourne · Public domain · Source
• Entry of Heracles into Olympus (black-figure hydria) — Attic vase painter; photo: Marie-Lan Nguyen · 6th century BC · National Museum of Denmark, Copenhagen · CC BY 4.0 · Source
• Kylix with Bellerophon Fighting the Chimaera — Laconian vase painter · c. 565 BC · J. Paul Getty Museum (Getty Villa), Los Angeles · CC0 · Source
• The Warrior Vase (Mycenaean krater with warriors departing for battle) — Mycenaean vase painters · c. 1200 BC · National Archaeological Museum, Athens · CC0 · Source
• Marble Statue of a Kouros (Youth) — Attic sculptor · c. 590–580 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Watercolour of the Peplos Kore (Acropolis 679), Archaiologike Ephemeris 1887, pl. 9 — Émile Gilliéron (watercolour); lithograph by K. Grundmann · 1887 (statue c. 530 BC) · Public domain · Source
• The Chigi Vase (detail: hoplites advancing to the pipes) — Chigi Painter · c. 650–640 BC · Museo Nazionale Etrusco di Villa Giulia, Rome · Public domain · Source
• The Charioteer of Delphi — Ancient Greek bronze sculptor · c. 478–474 BC · Archaeological Museum of Delphi · CC0 · Source
• Silver Stater of Aegina with Sea Turtle — Mint of Aegina · c. 550–456 BC · Bibliothèque nationale de France, Paris · Public domain · Source
• Panathenaic Prize Amphora with a Four-Horse Chariot Race — Kleophrades Painter · 490–480 BC · J. Paul Getty Museum, Los Angeles · CC0 · Source
• Olympia — Carl Rottmann · 1839 · Neue Pinakothek, Munich · Public domain · Source
• The Temple of Ceres at Paestum — Constantin Hansen · 1875 · Public domain · Source
• Sappho and Alcaeus — Lawrence Alma-Tadema · 1881 · Walters Art Museum, Baltimore · Public domain · Source
• Solon before Croesus — Nikolaus Knüpfer · c. 1650–1652 · Public domain · Source
• Croesus on the Pyre (Attic red-figure amphora, side A) — Myson · c. 500–490 BC · Musée du Louvre, Paris · Public domain · Source
• The Theatre of Miletus — Ancient builders; photo: Jarekadam · Hellenistic and Roman periods; photo 2005 · Public domain · Source
• Temple of Apollo at Didyma, Pronaos — Ancient builders; photo: Mark Landon · Begun c. 300 BC; photo 1991 · CC BY 4.0 · Source
• Temple of Athena Polias at Priene — Ancient builders; photo: O. Mustafin · 4th century BC; photo 2020 · CC0 · Source
• Frieze of Archers from the Palace of Darius I at Susa — Achaemenid Persian craftsmen · c. 510 BC · Musée du Louvre, Paris · Public domain · Source
• The Soldier of Marathon — Luc-Olivier Merson · 1869 · École nationale supérieure des Beaux-Arts, Paris · Public domain · Source
• Marathon — Carl Rottmann · 1847 · Neue Pinakothek, Munich · Public domain · Source
• Leonidas at Thermopylae — Jacques-Louis David · 1814 · Musée du Louvre, Paris · Public domain · Source
• The Battle of Salamis — Wilhelm von Kaulbach · 1868 · Maximilianeum, Munich · Public domain · Source
• Greek Hoplite and Persian Warrior (tondo of an Attic red-figure kylix) — Attic red-figure vase painter · 5th century BC · CC0 · Source
• Marble bust of Pericles (Roman copy after a Greek original) — Unknown Roman sculptor; photo: Gary Todd · Roman copy of a 5th-century BC original · Altes Museum, Berlin · CC0 · Source
• Tetradrachm: Owl (reverse) — Mint of Athens · 449–440 BC · Cleveland Museum of Art (1941.296.b) · CC0 · Source
• The Parthenon — Frederic Edwin Church · 1871 · The Metropolitan Museum of Art, New York · Public domain · Source
• Pheidias and the Frieze of the Parthenon — Lawrence Alma-Tadema · 1868 · Birmingham Museums · Public domain · Source
• Pericles and Aspasia Visiting the Studio of Phidias — Louis Hector Leroux · 1898 · Public domain · Source
• Varvakeion Athena — Unknown Roman sculptor, after Phidias; photo: Gary Todd · AD 200–250 · National Archaeological Museum, Athens · CC0 · Source
• The Erechtheion — Photo: George E. Koronaios · 2020 · CC0 · Source
• The Temple of Hephaestus — Photo: George E. Koronaios · 2020 · CC0 · Source
• Socrates and Alcibiades — Kristian Zahrtmann · 1911 · Statens Museum for Kunst, Copenhagen (KMS8219) · Public domain · Source
• View of the Parthenon from the Propylaea (Views in Greece) — Edward Dodwell (hand-coloured aquatint by John Bailey) · Drawn 1805; published 1821 · Public domain · Source
• Marble bust of Herodotos — Unknown Roman sculptor · 2nd century AD · The Metropolitan Museum of Art, New York · CC0 · Source
• South East View of the Mausoleum as Restored — James Fergusson · 1862 · Public domain · Source
• Hippocrates Visiting Democritus — Claes Corneliszoon Moeyaert · 1636 · Mauritshuis, The Hague · Public domain · Source
• The Death of Socrates — Jacques-Louis David · 1787 · The Metropolitan Museum of Art, New York · CC0 · Source
• Plato's Academy mosaic — Unknown Roman mosaicist · 1st century BC · National Archaeological Museum, Naples (inv. 124545) · Public domain · Source
• The School of Athens — Raphael · 1509–1511 · Vatican Museums, Vatican City · Public domain · Source
• Aristotle with a Bust of Homer — Rembrandt · 1653 · The Metropolitan Museum of Art, New York · Public domain · Source
• Diogenes — John William Waterhouse · 1882 · Art Gallery of New South Wales, Sydney · Public domain · Source
• Archimedes Directing the Defenses of Syracuse — Thomas Ralph Spence · 1895 · Public domain · Source
• The Apotheosis of Homer — Jean-Auguste-Dominique Ingres · 1827 · Musée du Louvre, Paris (INV 5417) · Public domain · Source
• Alexander and Bucephalus — Edgar Degas · 1861–1862 · National Gallery of Art, Washington · Public domain · Source
• Alexander and Diogenes — Gioacchino Assereto · c. 1640 · Gemäldegalerie, Staatliche Museen zu Berlin · Public domain · Source
• The Battle of the Granicus — Charles Le Brun (with Abraham Genoels) · 1665 · Musée du Louvre, Paris · Public domain · Source
• Alexander Cutting the Gordian Knot — Jan Boeckhorst · Mid-17th century · Palais des Beaux-Arts, Lille · Public domain · Source
• Alexander Mosaic (detail: Alexander on Bucephalus) — Unknown Roman mosaicist; photo: Gary Todd · c. 100 BC · National Archaeological Museum, Naples · Public domain · Source
• The Battle of Alexander at Issus — Albrecht Altdorfer · 1529 · Alte Pinakothek, Munich · Public domain · Source
• The Queens of Persia at the Feet of Alexander (The Tent of Darius) — Charles Le Brun · c. 1660–1661 · Palace of Versailles · Public domain · Source
• Alexander Entering Babylon (The Triumph of Alexander) — Charles Le Brun · 1664–1665 · Musée du Louvre, Paris (INV 2898) · Public domain · Source
• The Marriage of Alexander and Roxana — Il Sodoma (Giovanni Antonio Bazzi); photo: DIMSFIKAS · c. 1517 · Villa Farnesina, Rome · Public domain · Source
• Alexander the Great and Campaspe in the Studio of Apelles — Giovanni Battista Tiepolo · c. 1740 · Montreal Museum of Fine Arts · Public domain · Source
• Ptolemy Philadelphus in the Library of Alexandria — Vincenzo Camuccini · 1813 · Public domain · Source
• Pergamon Altar, Gigantomachy frieze (Athena group) — Unknown Pergamene sculptors; photo: Gryffindor · 2nd century BC · Pergamonmuseum, Berlin · Public domain · Source
• Pergamon, theatre on the slope — Photo: Rensi · 1992 · Public domain · Source
• Tetradrachm: Alexander the Great (obverse) — Mint of Lysimachia, under Lysimachus · 297–281 BC · Cleveland Museum of Art (1917.984.a) · CC0 · Source
• Venus de Milo (Aphrodite of Milos) — Unknown Hellenistic sculptor; photo: Shonagon · c. 150–125 BC · Musée du Louvre, Paris (Ma 399) · CC0 · Source
• Terracotta “Tanagra” figurine of a woman with sun hat and fan — Unknown Boeotian coroplast; photo: Gary Todd · 325–300 BC · Altes Museum, Berlin · CC0 · Source
• Laocoön and His Sons — Attributed to Hagesandros, Polydoros and Athanodoros of Rhodes; photo: Wilfredor · Debated (Hellenistic original or 1st-century AD work) · Vatican Museums, Vatican City · CC0 · Source
• The Winged Victory (Nike) of Samothrace — Unknown Hellenistic sculptor; photo: Wilfredor · c. 190 BC · Musée du Louvre, Paris (Ma 2369) · CC0 · Source
• Mount Nemrut, tomb sanctuary of Antiochus I of Commagene — Photo: E. Seven · Monument 69–34 BC; photo 2022 · Public domain · Source
• Bronze statue of Eros sleeping — Unknown Hellenistic bronze caster · 3rd–2nd century BC · The Metropolitan Museum of Art, New York · CC0 · Source

The Roman Empire

• Capitoline Wolf (Lupa Capitolina) — Unknown bronze caster (twins added in the 15th century); photo: Wilfredor · Disputed: 5th century BC or 11th–12th century AD · Capitoline Museums, Rome · CC0 · Source
• Romulus and Remus Suckled by the She-Wolf — Peter Paul Rubens · c. 1616 · Capitoline Museums (Pinacoteca Capitolina), Rome · CC0 · Source
• The Abduction of the Sabine Women — Nicolas Poussin · c. 1633–1634 · The Metropolitan Museum of Art, New York · Public domain · Source
• The Intervention of the Sabine Women — Jacques-Louis David · 1799 · Musée du Louvre, Paris · Public domain · Source
• Tomb of the Leopards, Monterozzi Necropolis — Etruscan painters; photo: Gleb Simonov · c. 470 BC (photo 2024) · Monterozzi Necropolis, Tarquinia · CC0 · Source
• Bronze Chariot Inlaid with Ivory (Monteleone Chariot) — Etruscan craftsmen · 2nd quarter of the 6th century BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Oath of the Horatii — Jacques-Louis David · 1784–1785 · Musée du Louvre, Paris · Public domain · Source
• The Lictors Bring to Brutus the Bodies of His Sons — Jacques-Louis David · 1789 · Musée du Louvre, Paris · Public domain · Source
• Mucius Scaevola in the Presence of Lars Porsenna — Matthias Stom · Early 1640s · Public domain · Source
• Cincinnatus Leaves to Become Consul — Cornelis Cels · 1802 · Museum of Fine Arts Ghent (MSK) · Public domain · Source
• Dido Building Carthage, or the Rise of the Carthaginian Empire — J. M. W. Turner · 1815 · The National Gallery, London · Public domain · Source
• The Landing of Scipio Africanus at Carthage (tapestry cartoon) — Attributed to Michiel Coxcie (design); anonymous draughtsman · c. 1555 · Rijksmuseum, Amsterdam · CC0 · Source
• Hannibal Swearing Eternal Enmity toward Rome — Unknown French artist · c. 1808 · Cleveland Museum of Art · CC0 · Source
• Hannibal's Crossing of the Alps (Münchener Bilderbogen no. 438) — Heinrich Leutemann · 1866 · Public domain · Source
• Snow Storm: Hannibal and his Army Crossing the Alps — J. M. W. Turner · 1812 · Tate, London · Public domain · Source
• The Death of Paulus Aemilius at the Battle of Cannae — John Trumbull · 1773 · Yale University Art Gallery, New Haven · Public domain · Source
• Archimedes at the Siege of Syracuse — Attributed to Scipione Compagno · 17th century · Public domain · Source
• The Continence of Scipio — Nicolas Poussin · 1640 · Pushkin State Museum of Fine Arts, Moscow · Public domain · Source
• Scipio Africanus Freeing Massiva — Giovanni Battista Tiepolo · 1719–1721 or c. 1750 (sources differ) · Walters Art Museum, Baltimore · Public domain · Source
• Tunis Bay, Site of Carthage, June 10th 1857 — Admiral Sir Edward Gennys Fanshawe · 10 June 1857 · Royal Museums Greenwich · Public domain · Source
• Cornelia, Mother of the Gracchi — Giuseppe Cades · 1776 · Musée du Louvre, Paris · Public domain · Source
• Marius at Minturnae — Jean-Germain Drouais · 1786 · Musée du Louvre, Paris · Public domain · Source
• Cicero Denounces Catiline — Cesare Maccari · 1880s · Palazzo Madama (Italian Senate), Rome · Public domain · Source
• Vercingetorix Throws Down His Arms at the Feet of Julius Caesar — Lionel Royer · 1899 · Musée Crozatier, Le Puy-en-Velay · Public domain · Source
• The Triumphs of Caesar: V. The Elephants — Andrea Mantegna; photo: anagoria · c. 1484–1492 · Royal Collection, Hampton Court Palace · Public domain · Source
• Caesar Giving Cleopatra the Throne of Egypt — Pietro da Cortona · c. 1637 · Musée des Beaux-Arts de Lyon · Public domain · Source
• The Death of Caesar — Vincenzo Camuccini; photo: Daderot · 1804–1805 · Galleria Nazionale d'Arte Moderna, Rome · Public domain · Source
• The Meeting of Antony and Cleopatra, 41 B.C. — Lawrence Alma-Tadema · 1885 · Public domain · Source
• The Battle of Actium, 2 September 31 BC — Laureys a Castro · 1672 · Royal Museums Greenwich · Public domain · Source
• Death of Cleopatra — Jean-Baptiste Regnault · 1796–1797 · Public domain · Source
• Augustus of Prima Porta — Roman sculptor; photo: Daderot · c. 20–17 BC (or a later copy) · Vatican Museums (Braccio Nuovo) · Public domain · Source
• Gold Aureus of Augustus, Lugdunum — Roman imperial mint of Lugdunum; photo: American Numismatic Society · 2 BC–AD 4 · American Numismatic Society, New York · CC0 · Source
• Ara Pacis Augustae, “Tellus” relief (plaster cast) — Plaster cast after Roman sculptors; photo: Daderot · Original 13–9 BC; modern cast · Spurlock Museum, University of Illinois Urbana-Champaign · CC0 · Source
• Gemma Augustea — Roman gem engraver; photo: O. Mustafin · c. AD 9–12 · Kunsthistorisches Museum, Vienna · CC0 · Source
• Maecenas Presenting the Liberal Arts to Emperor Augustus — Giovanni Battista Tiepolo · 1743 · State Hermitage Museum, Saint Petersburg · Public domain · Source
• Garden Fresco from the Villa of Livia (detail) — Roman wall painters; photo: Gleb Simonov · c. 30–20 BC · Museo Nazionale Romano – Palazzo Massimo, Rome · CC0 · Source
• Virgil Reading the Aeneid to Augustus and Octavia — Jean-Joseph Taillasson · 1787 · The National Gallery, London · Public domain · Source
• Colossal Seated Statue of Augustus — Roman sculptor; photo: Gary Todd · Mid-1st century AD · National Archaeological Museum, Naples · Public domain · Source
• Reconstruction of the Mausoleum of Augustus, Rome — Jan Goeree · Before 1704 · The Metropolitan Museum of Art, New York · Public domain · Source
• Cubiculum (bedroom) from the Villa of P. Fannius Synistor at Boscoreale — Roman painters · c. 50–40 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale — Roman painters · c. 50–40 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Mosaic floor panel with the head of Spring — Roman mosaicists · 2nd century AD · The Metropolitan Museum of Art, New York · CC0 · Source
• Fresco from the House of Romulus and Remus (VII 7,10), Pompeii — Geremia Discanno · published 1877 · Public domain · Source
• Wall painting from a house between the Forum and the Temple of Hercules, Pompeii — Wilhelm Zahn · before 1871 · Public domain · Source
• Room 25, east wall, House of the Small Fountain, Pompeii — Wilhelm Zahn · 1828 · Public domain · Source
• A Roman Art Lover — Lawrence Alma-Tadema · 1868 · Public domain · Source
• Peristyle of the House of the Vettii, Pompeii, Italy — Unknown photographer (Photoglob Co.) · c. 1890–1900 · Library of Congress · Public domain · Source
• The Odeion, Pompeii (Le case ed i monumenti di Pompei) — Fausto and Felice Niccolini · 1854–1896 · Public domain · Source
• The Last Day of Pompeii — Karl Bryullov · 1830–1833 · State Russian Museum, St Petersburg · Public domain · Source
• Nero at the Burning of Rome — Hans Makart · 1865 · Public domain · Source
• Exterior of the Coliseum, Rome, Italy — Unknown photographer (Photoglob Co.) · c. 1890–1900 · Library of Congress · Public domain · Source
• Pollice Verso — Jean-Léon Gérôme · 1872 · Phoenix Art Museum · Public domain · Source
• The Spoils of Jerusalem, relief in the Arch of Titus — Roman sculptors; photo: Jebulon · after 81; photo 2013 · Arch of Titus, Roman Forum, Rome · CC0 · Source
• Trajan's Column (frieze detail) — Roman sculptors; photo: Gary Todd · 113; photo 2019 · Trajan's Forum, Rome · Public domain · Source
• Gold aureus of Trajan — Roman imperial mint · c. 112–117 · American Numismatic Society, New York · CC0 · Source
• Interior of the Pantheon, Rome — Giovanni Paolo Panini · c. 1734 · National Gallery of Art, Washington · Public domain · Source
• Centaur Mosaic from Hadrian's Villa — Roman mosaicists · c. 120–130 · Altes Museum, Berlin · Public domain · Source
• Castel Sant'Angelo, Rome — John Inigo Richards · 1776 · Public domain · Source
• The Last Words of the Emperor Marcus Aurelius — Eugène Delacroix · 1844 · Musée des Beaux-Arts de Lyon · CC0 · Source
• Ancient Rome — Giovanni Paolo Panini · 1757 · The Metropolitan Museum of Art, New York · CC0 · Source
• Orange. Arc de Triomphe Romain — Unknown photographer (Photoglob Co.) · 1890 · Library of Congress · Public domain · Source
• Hadrian's Wall west of Housesteads — Roman builders; photo: Steven Fruitsmaak · begun c. 122; photo 2007 · Public domain · Source
• Roman bridge over the Gard, Nîmes, France — Unknown photographer (Photoglob Co.) · c. 1890–1900 · Library of Congress · Public domain · Source
• Segovia – El Puente — Unknown photographer (Photoglob Co.) · 1900 · Library of Congress · Public domain · Source
• The Roman Campagna, with the Claudian Aqueduct — Jean-Baptiste-Camille Corot · 1826 · National Gallery, London · Public domain · Source
• The arena, exterior, Nîmes, France — Unknown photographer (Photoglob Co.) · c. 1890–1900 · Library of Congress · Public domain · Source
• The Great Theatre of Ephesus — Roman builders; photo: Norman Herr · photo 2008 · Public domain · Source
• Theatre of Hierapolis — Roman builders; photo: Iurieph · photo 2024 · CC0 · Source
• Ruins of the Eastern Portico of the Temple of Baalbec — David Roberts · 1839 · Cleveland Museum of Art · CC0 · Source
• Arch of Marcus Aurelius, Tripoli (Views in the Ottoman Empire) — Luigi Mayer · 1803 · CC0 · Source
• The Roses of Heliogabalus — Lawrence Alma-Tadema · 1888 · Public domain · Source
• Zenobia's Last Look on Palmyra — Herbert Gustave Schmalz · 1888 · Public domain · Source
• Marble portrait head of the Emperor Constantine I — Roman sculptor · c. 325–370 · The Metropolitan Museum of Art, New York · CC0 · Source
• Der Domplatz in Spalato — Rudolf von Alt · 1841 · Public domain · Source
• Romans of the Decadence — Thomas Couture · 1847 · Musée d'Orsay, Paris · Public domain · Source
• The Favourites of the Emperor Honorius — John William Waterhouse · c. 1883 · Art Gallery of South Australia, Adelaide · Public domain · Source
• The Sack of Rome by the Barbarians in 410 — Joseph-Noël Sylvestre · 1890 · Public domain · Source
• Genseric's Invasion of Rome — Karl Bryullov · 1836 · Public domain · Source
• Gold solidus of Romulus Augustulus — Roman imperial mint · 475–476 · American Numismatic Society, New York · CC0 · Source
• The Course of Empire: Destruction — Thomas Cole · 1836 · New-York Historical Society · Public domain · Source

Japan

• Tale of the Shining Princess (Taketori monogatari) — Unknown Japanese painter · Late 17th century · The Metropolitan Museum of Art, New York · CC0 · Source
• The Poet Ono no Komachi, from the series Six Elegant Immortal Poets in Modern Dress (Fūryū yatsushi rokkasen), no. 2 — Hosoda Eishi · 1793–1797 · Rijksmuseum, Amsterdam · CC0 · Source
• Sugawara no Michizane, from the series One Hundred Aspects of the Moon (Tsuki hyakushi) — Tsukioka Yoshitoshi · 1880s · Library of Congress · Public domain · Source
• Illustrated Tale of Major Counsellor Ban (Ban Dainagon ekotoba), detail: people watching the fire — Attributed to Tokiwa Mitsunaga · Late 12th century · Idemitsu Museum of Arts, Tokyo · Public domain · Source
• Scene from the Tales of Ise: Water Mirror (Mizukagami), poem card (shikishi) — Attributed to Tawaraya Sōtatsu; calligraphy by Konoe Hisatsugu · c. 1600 · Public domain · Source
• Poem by Abe no Nakamaro, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) — Katsushika Hokusai · c. 1835–1836 · The Metropolitan Museum of Art, New York · CC0 · Source
• Fidelity (Shin), depicted as Murasaki Shikibu, from the series Five Cardinal Virtues — Suzuki Harunobu · c. 1767 · Art Institute of Chicago · CC0 · Source
• Illustrated Tale of Genji (Genji monogatari emaki), Azumaya chapter — Unknown court painters · c. 1120–1140 · Tokugawa Art Museum, Nagoya · Public domain · Source
• Butterflies (Kochō), Chapter 24 from The Tale of Genji, folding screen — Unknown Japanese painter · 17th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Kanjo: A Court Lady — Torii Kiyonaga · Undated · The Metropolitan Museum of Art, New York · Public domain · Source
• Night Attack on the Sanjō Palace, from the Illustrated Scrolls of the Events of the Heiji Era (Heiji monogatari emaki) — Unknown painter · Second half of the 13th century (Kamakura period) · Museum of Fine Arts, Boston · Public domain · Source
• The Moonlight Fight between Yoshitsune and Benkei on Gojō Bridge, Kyoto — Attributed to Utagawa Kuniyoshi · Undated (19th century) · Public domain · Source
• The Fever (Taira no Kiyomori) — Tsukioka Yoshitoshi · August 1883 · Minneapolis Institute of Art · Public domain · Source
• Tomoe Gozen Killing Uchida Ieyoshi at the Battle of Awazu no Hara (1184) — Ishikawa Toyonobu · c. 1750 · The Metropolitan Museum of Art, New York · CC0 · Source
• The Battle of Ichi-no-Tani (right screen of a pair of Scenes from the Tale of the Heike) — Kanō School · Mid-17th century · Minneapolis Institute of Art · Public domain · Source
• Kumagai Naozane and Taira no Atsumori — Unknown artist · 1811 · Library of Congress · Public domain · Source
• Nasu no Yoichi (from the sheet Nasu no Yoichi / Naozane and Atsumori) — Adachi Ginkō · 1885 · Library of Congress · Public domain · Source
• Tomomori Tied to a Huge Anchor, Ready to Cast Himself into the Sea (Battle of Dan-no-ura) — Attributed to Utagawa Kuniyoshi · Undated (19th century) · Public domain · Source
• Yoshitsune Attacked by the Ghosts of the Taira, from the series Hōdo Yoshitsune koi no Minamoto ichidaikagami — Utagawa Kuniyoshi · 1853 · Rijksmuseum, Amsterdam · CC0 · Source
• Portrait traditionally identified as Minamoto no Yoritomo — Unknown painter (traditionally attributed to Fujiwara no Takanobu) · Kamakura period (date disputed) · Jingo-ji, Kyoto · Public domain · Source
• Withdrawing from Saijōsan (Saijōsan hikikaeshi no zu) — Utagawa Yoshitsuna · 1847 · The Metropolitan Museum of Art, New York · CC0 · Source
• Portrait of Oda Nobunaga — Unknown painter · c. 1583 · Hideyoshi and Kiyomasa Memorial Museum, Nagoya · Public domain · Source
• The Honnō-ji Incident — Yōsai Nobukazu · 1896 · Nagoya City · Public domain · Source
• The Moon at Shizugatake (Shizugatake tsuki), from the series One Hundred Aspects of the Moon (Tsuki hyakushi) — Tsukioka Yoshitoshi · 1888 · Rijksmuseum, Amsterdam · CC0 · Source
• Portrait of Toyotomi Hideyoshi — Unknown painter; inscription by Seishō Shōtai · c. 1600 · Public domain · Source
• Hideyoshi and His Troops Leaving Nagoya Camp (Mashiba Hideyoshi kō Nagoya jin sakite no shoshō kuridashi no zu) — Tsukioka Yoshitoshi · 19th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Armor (Gusoku) — Yukinoshita Sadaie · 17th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Himeji Castle, hanging scroll painting — Unknown painter · Said to be c. 1870 (early Meiji period); undocumented · Public domain · Source
• Battle of Sekigahara Folding Screen (Sekigahara kassen byōbu) — Unknown painter · Late Edo period (19th century) · Gifu City Museum of History · Public domain · Source
• Summer Campaign of Ōsaka Folding Screen (Ōsaka natsu no jin zu byōbu, "Kuroda screen"), right screen — Unknown painters · Early 17th century · Osaka Castle Museum · Public domain · Source
• Portrait of Tokugawa Ieyasu as Tōshō Daigongen — Kanō Tan'yū · 17th century · Osaka Castle Museum · Public domain · Source
• The Shogunate Fleet, detail of the folding screen View of Edo (Edo-zu byōbu) — Unknown painter · c. 1634–1635 · National Museum of Japanese History, Sakura · Public domain · Source
• Daimyō Processions Passing along the Tōkaidō at Satta Pass — Utagawa Sadahide · 1862 · The Metropolitan Museum of Art, New York · CC0 · Source
• Plan of Deshima, from Bijzonderheden over Japan — After Isaac Titsingh · 1824–1825 · Koninklijke Bibliotheek, The Hague · Public domain · Source
• The Night Attack, Act Eleven of Chūshingura (Chūshingura jūichidanme youchi no zu) — Utagawa Kuniyoshi · 1834–1835 · Rijksmuseum, Amsterdam · CC0 · Source
• Flower Viewing in the Chiyoda Inner Palace (Chiyoda Ōoku ohanami) — Toyohara Chikanobu · 1894 · National Diet Library, Tokyo · Public domain · Source
• Kinryūzan Temple at Asakusa, from the series One Hundred Famous Views of Edo — Utagawa Hiroshige · 1856 · The Metropolitan Museum of Art, New York · CC0 · Source
• Suidō Bridge and Surugadai (Suidōbashi Surugadai), from the series One Hundred Famous Views of Edo — Utagawa Hiroshige · 1857 · Brooklyn Museum · Public domain · Source
• Plum Garden at Kameido (Kameido umeyashiki), from the series One Hundred Famous Views of Edo — Utagawa Hiroshige · 1857 · Chester Beatty, Dublin · Public domain · Source
• Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo — Utagawa Hiroshige · 1857 · The Metropolitan Museum of Art, New York · CC0 · Source
• Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro — Okumura Masanobu · c. 1740 · Cleveland Museum of Art · CC0 · Source
• Perspective Picture (Uki-e): Theater District at Dawn on Opening Day of the Kabuki Season — Utagawa Toyoharu · c. 1780 · The Metropolitan Museum of Art, New York · Public domain · Source
• Kabuki Actor Ōtani Oniji III as Yakko Edobei in the Play The Colored Reins of a Loving Wife (Koi nyōbō somewake tazuna) — Tōshūsai Sharaku · 1794 · The Metropolitan Museum of Art, New York · CC0 · Source
• The Actor Ichikawa Danjūrō VII Preparing for a Shibaraku Performance, Assisted by a Boy (surimono) — Utagawa Kunisada (I) · c. 1830 · Rijksmuseum, Amsterdam · CC0 · Source
• Three Beauties of the Present Day (Tōji san bijin) — Kitagawa Utamaro · c. 1793 · Public domain · Source
• Okita of the Naniwa-ya Tea-house — Kitagawa Utamaro · 1790s · The Metropolitan Museum of Art, New York · Public domain · Source
• Enjoying the Evening Cool at Nakasu (Nakasu no suzumi) — Torii Kiyonaga · c. 1782–1783 · The Metropolitan Museum of Art, New York · CC0 · Source
• Courtesans and Attendants in Procession (diptych) — Hosoda Eishi · c. 1790 · The Metropolitan Museum of Art, New York · CC0 · Source
• Geisha in a Pale Pink Kimono, from the series Modern Pine Needles (Tōsei matsu no ha) — Keisai Eisen · c. 1828 · Rijksmuseum, Amsterdam · CC0 · Source
• Ladies of the Inner Palace Going to a Tea Ceremony, from the series Chiyoda no Ōoku (triptych) — Toyohara Chikanobu · 1895 · The Metropolitan Museum of Art, New York · CC0 · Source
• Under the Wave off Kanagawa (Kanagawa oki nami ura), from Thirty-six Views of Mount Fuji — Katsushika Hokusai · c. 1830–1832 · Library of Congress · Public domain · Source
• Fuji in Clear Weather (from the series Thirty-six Views of Mt. Fuji) — Katsushika Hokusai · early 1830s · Cleveland Museum of Art · CC0 · Source
• Rainstorm Beneath the Summit (Sanka hakuu), from Thirty-six Views of Mount Fuji — Katsushika Hokusai · c. 1830–1832 · Library of Congress · Public domain · Source
• Kajikazawa in Kai Province (Kōshū Kajikazawa), from the series Thirty-six Views of Mount Fuji — Katsushika Hokusai · c. 1830–1832 · The Metropolitan Museum of Art, New York · CC0 · Source
• Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji — Katsushika Hokusai · c. 1830–1832 · The Metropolitan Museum of Art, New York · CC0 · Source
• Pilgrims at Kirifuri Waterfall on Mount Kurokami in Shimotsuke Province, from A Tour of Waterfalls in Various Provinces — Katsushika Hokusai · c. 1833 · Library of Congress · Public domain · Source
• The Amida Falls in the Far Reaches of the Kisokaidō Road, from A Tour of Waterfalls in Various Provinces — Katsushika Hokusai · c. 1832–1833 · The Metropolitan Museum of Art, New York · CC0 · Source
• White Egret and Irises — Utagawa Hiroshige · c. 1837 · The Metropolitan Museum of Art, New York · CC0 · Source
• Irises at Yatsuhashi (Eight Bridges) — Ogata Kōrin · after 1709 · The Metropolitan Museum of Art, New York · CC0 · Source
• Black Rooster and Nandina, from Colorful Realm of Living Beings (Dōshoku sai-e) — Itō Jakuchū · c. 1761–1765 · Museum of the Imperial Collections (Sannomaru Shōzōkan), Tokyo · Public domain · Source
• Picture of the Lake at Hakone (from the series 53 Stations of the Tokaido) — Utagawa Hiroshige · 1833 · Cleveland Museum of Art · CC0 · Source
• Morning Mist at Mishima (Mishima Asagiri), from the Fifty-Three Stations of the Tokaido (Hoeido) — Utagawa Hiroshige · 1832–1834 · Hood Museum of Art, Dartmouth College · Public domain · Source
• Night Snow at Kambara (Kambara Yoru no Yuki), from the Fifty-Three Stations of the Tokaido (Hoeido) — Utagawa Hiroshige · 1832–1834 · Hood Museum of Art, Dartmouth College · Public domain · Source
• The Famous Teahouse at Mariko (Mariko Meibutsu Chaya), from the Fifty-Three Stations of the Tokaido (Hoeido) — Utagawa Hiroshige · 1832–1834 · Hood Museum of Art, Dartmouth College · Public domain · Source
• Fuji Seen from Kanaya on the Tōkaidō, from the series Thirty-six Views of Mount Fuji — Katsushika Hokusai · c. 1830–1832 · The Metropolitan Museum of Art, New York · CC0 · Source
• Driving Rain at Shono, from the series Fifty-Three Stations of the Tokaido — Utagawa Hiroshige · 1833 · Cleveland Museum of Art · CC0 · Source
• Yabuhara: Torii Pass and the Inkstone Spring, from the Sixty-nine Stations of the Kisokaidō — Keisai Eisen · c. 1835–1838 · National Diet Library, Tokyo · Public domain · Source
• Ōmori, from the series Famous Places in the Eastern Capital — Utagawa Kuniyoshi · early 1830s · Cleveland Museum of Art · CC0 · Source
• Pleasure Outing to Watch Cormorant Fishing (Ukai-bune go-yū), triptych — Utagawa Kunisada · 1852 · National Diet Library, Tokyo · Public domain · Source
• The Sumo Wrestlers Shiranui Dakuemon and Tsurugizan Taniemon with Referee Shikimori Inosuke — Utagawa Kuniyoshi · late 1830s–early 1840s · Public domain · Source
• First Landing of Americans in Japan — Eliphalet M. Brown after Wilhelm (Peter Bernard William) Heine · 1855 · National Portrait Gallery, Smithsonian Institution, Washington · CC0 · Source
• The Black Ship Scroll (detail) — Anonymous Japanese artist · 1854 · Honolulu Museum of Art · Public domain · Source
• An Englishman at Yokohama Sorting Woven Goods (Igirisujin Yokohama ni orimono irowake no zu) — Utagawa Sadahide (engraver: Koizumi Minokichi) · 1861 · Library of Congress · Public domain · Source
• The Comings and Goings of an American Steamship — Utagawa Yoshikazu · 1861 · Public domain · Source
• Steam Train on the Railway along the Tokyo-Takanawa Coastline — Utagawa Hiroshige III · 1871 · Public domain · Source
• Tomioka Silk Mill in Kōzuke Province (Jōshū Tomioka seishijō), triptych — Utagawa Kuniteru II · 1872 · National Diet Library, Tokyo · Public domain · Source
• Mutsuhito, The Meiji Emperor — Uchida Kuichi · 1872–1873 · The Metropolitan Museum of Art, New York · CC0 · Source
• Celebrating the Promulgation of the Meiji Constitution — Kobayashi Ikuhide · 1889 · Honolulu Museum of Art · Public domain · Source
• The Meiji Emperor and Empress in a Carriage Procession for their Silver Wedding Anniversary (right sheet of a triptych) — Yōsai Nobukazu · 1894 · Honolulu Museum of Art · Public domain · Source
• Noge Yama Cherry Blossoms (hand-coloured albumen print) — Tamamura Kōzaburō · c. 1880–1900 · Honolulu Museum of Art · Public domain · Source

The Turks and the Seljuks

• Head of a Statue of Kül Tegin — Göktürk sculptor · c. 732 · National Museum of Mongolia, Ulaanbaatar · CC0 · Source
• Balbals (Turkic Stone Stelae) at Burana — Turkic stone carvers · 6th–10th century · CC0 · Source
• Deer Stones at Uushgiin Uvur, Mongolia — Photo: Bernard Gagnon · Bronze Age (c. 1200–600 BC) · CC0 · Source
• The Pazyryk Carpet — Pazyryk culture weavers · c. 5th–3rd century BC · State Hermitage Museum, St Petersburg · Public domain · Source
• Gold Crown with Eagle (attributed to the Xiongnu) — Steppe goldsmiths · Warring States period (475–221 BC) · Henan Provincial Museum, Zhengzhou (special exhibition) · CC0 · Source
• Attila and the Huns (Roman Villa in Gaul Sacked by the Huns) — Georges Rochegrosse · before 1938 · Public domain · Source
• Oghuz Khan Enthroned, from the Jami' al-Tawarikh (Supplément persan 1113, f. 9) — Timurid painter · 15th century · Bibliothèque nationale de France, Paris · Public domain · Source
• Battle Scene at the Camp of Oghuz Khan, from the Majma' al-Tawarikh of Hafiz-i Abru — Timurid painter, Herat · c. 1425–1430 · Minneapolis Institute of Art · Public domain · Source
• Oghuz Khan Miniatures from a Jami' al-Tawarikh Manuscript — Unknown painter · 14th century · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Oghuz Khan Receives a Messenger from Damascus with a Load of Bows, from the Majma' al-Tawarikh — Timurid painter, Herat · c. 1425 · The Walters Art Museum, Baltimore · Public domain · Source
• Manichaean Book Fragment (interpreted by some as the Conversion of Bögü Qaghan) — Manichaean painter, Qocho · 8th–9th century · Museum für Asiatische Kunst, Staatliche Museen zu Berlin (MIK III 4979) · Public domain · Source
• Manichaean Clergymen, Qocho, Ruin α (wall painting) — Manichaean wall painter, Qocho · 10th–11th century · Museum für Asiatische Kunst, Staatliche Museen zu Berlin · CC0 · Source
• Uyghur Princes, Bezeklik Cave 9 (reproduction) — Uyghur mural painters · 9th–12th century · Museum für Asiatische Kunst, Staatliche Museen zu Berlin (original) · Public domain · Source
• Uyghur Princesses, Bezeklik Cave 9 (wall painting) — Uyghur mural painters · 8th–9th century (per museum label) · Museum für Asiatische Kunst, Staatliche Museen zu Berlin · CC0 · Source
• Pair of Uyghur Donors, Bezeklik (wall painting fragment) — Uyghur mural painters; photo: Staatliche Museen zu Berlin · 10th–13th century · Museum für Asiatische Kunst, Staatliche Museen zu Berlin · CC BY 4.0 · Source
• Uyghur Donor, Bezeklik Cave 17 (wall painting) — Uyghur mural painters · probably 10th–11th century · Museum für Asiatische Kunst, Staatliche Museen zu Berlin · CC0 · Source
• Merchants, Bezeklik Cave 45 (south wall) — Bezeklik mural painters · 618–907 (per source; date disputed) · Public domain · Source
• Palm Sunday (probably), Church of the East Temple, Qocho (wall painting) — Church of the East painter, Qocho · 683–770 · Museum für Asiatische Kunst, Staatliche Museen zu Berlin · CC0 · Source
• Dragon in a Lake, Bezeklik Cave 19 (wall painting) — Uyghur mural painters · c. 1024–1155 · Museum für Asiatische Kunst, Staatliche Museen zu Berlin · CC0 · Source
• A Monk, Bezeklik Cave 4 (wall painting) — Uyghur mural painters · 1036–1161 · Museum für Asiatische Kunst, Staatliche Museen zu Berlin · CC0 · Source
• The Accession of Bughra Khan in Kashgar, from the Majma' al-Tawarikh — Timurid painter, Herat · c. 1425 · Public domain · Source
• World Map from the Dīwān Lughāt al-Turk — Mahmud al-Kashgari (author) · 1072–1074 (text); copy of 1266 · Millet Manuscript Library, Istanbul · Public domain · Source
• Kalon Minaret, Bukhara — Karakhanid builders · 1127 · CC0 · Source
• The Karakhanid Ruler Ilig Khan Submitting to Mahmud of Ghazni, from the Jami' al-Tawarikh (f. 127v) — Ilkhanid painter, Tabriz · 1306–1314 · Edinburgh University Library (Or. MS 20) · Public domain · Source
• The Poet Firdausi Reciting from His Work before the Ghaznavid Sultan Mahmud — Safavid court painter, Tabriz · c. 1525 · Museum für Islamische Kunst, Staatliche Museen zu Berlin (I. 5/82) · Public domain · Source
• Firdausi Approaches the Three Poets of Sultan Mahmud — Darvish 'Abdi (calligrapher); unknown painter · 1616–1620 · New York Public Library · CC0 · Source
• Opening Double Page from Part Ten of a Thirty-Volume Qur'an — 'Uthman ibn Husayn al-Warraq (copyist) · AH 466 / 1073–1074 · Astan-e Quds Razavi Library, Mashhad (no. 4316) · Public domain · Source
• Mihrab Panel, Ghazni Area — Ghaznavid or Ghurid stone carvers · late 12th–early 13th century · Linden-Museum, Stuttgart · Public domain · Source
• Mosque and Tomb of Sultan Mahmud of Ghazni (Afghaunistan, plate 10) — Lieutenant James Rattray · c. 1839–1840 · British Library, London · Public domain · Source
• Ghazni: The Towers of Victory — Robert Byron · published 1940 · Public domain · Source
• Double Page from the Fifth Volume of a Seven-Volume Qur'an (Arabe 6041, ff. 61v–62r) — 'Uthman ibn Muhammad (copyist) and 'Ali ibn 'Abd al-Rahman (illuminator) · 1111–1112 · Bibliothèque nationale de France, Paris · Public domain · Source
• Seljuk Sultan Tughril Beg on His Throne (H.1653, f. 304b) — Ilkhanid-style painter · 1314 (per Commons) · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Alp Arslan Enthroned (H.1654, f. 202b) — Timurid painter · early 15th century · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Alp Arslan on His Throne, from the Jami' al-Tawarikh — Ilkhanid painter, Tabriz · 1306–1314 · Edinburgh University Library (Arabic 20) · Public domain · Source
• Seljuk Sultan Malik-Shah on His Throne (H.1653, f. 308a) — Ilkhanid-style painter · 1314 (per Commons) · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Courtyard of the Great Mosque, Isfahan — Pascal Coste · 1851 · New York Public Library · Public domain · Source
• The Kharraqan Tomb Towers, Qazvin Province — Seljuk-era builders; photo: Soroush R1998 · 1067 and 1093 · CC BY 4.0 · Source
• Seljuk Sultan Muhammad ibn Mahmud Treated by Physicians (H.1653, f. 320b) — Ilkhanid-style painter · 1314 (per Commons) · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Seljuk Sultan Sanjar (H.1653, f. 313a) — Ilkhanid-style painter · 1314 (per Commons) · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• Mausoleum of Sultan Sanjar, Merv — Seljuk builders; photo: Sergei Prokudin-Gorsky · c. 1157; photo c. 1905–1915 · Library of Congress · Public domain · Source
• Bowl, Mina'i (Enamelled) Ware — Iranian potters · turn of the 12th/13th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Nomisma with Eudocia and Romanus IV Diogenes (reverse) — Byzantine mint, Constantinople · 1068–1071 · Cleveland Museum of Art · CC0 · Source
• The Battle of Manzikert (Boccaccio, De casibus virorum illustrium, BnF Français 226, fol. 265) — Rohan Master · 15th century · Bibliothèque nationale de France, Paris · Public domain · Source
• Copper coin of Shams al-Din Isma'il, Sivas — Danishmendid mint, Sivas; photo: American Numismatic Society · 1166–1168 · American Numismatic Society, New York · CC0 · Source
• The Siege of Antioch (Sébastien Mamerot, Passages d'outremer, BnF Français 5594, fol. 59v) — Jean Colombe · c. 1474 · Bibliothèque nationale de France, Paris · Public domain · Source
• Kerbogha Besieges Antioch — Unknown French illuminator · 1337 · Bibliothèque nationale de France, Paris · Public domain · Source
• Battle in Front of Antioch (David Aubert, Croniques abregies, fol. 532) — Unknown illuminator · 15th century · Public domain · Source
• Copper coin of Qutb al-Din Sukman II, Hisn Kayfa, 594 H — Artuqid mint, Hisn Kayfa; photo: American Numismatic Society · 1198 · American Numismatic Society, New York · CC0 · Source
• The City of Hasankeyf (Sharafnama, MS Elliott 332, fols. 55b–56a) — Unknown painter · 1597 · Bodleian Library, Oxford · Public domain · Source
• Copper coin of Qilij Arslan II (obverse and reverse) — Seljuk mint; photo: American Numismatic Society · 1156–1192 · American Numismatic Society, New York · CC0 · Source
• Kılıç Arslan II Kiosk, Konya Seljuk Palace — Garabed K. Solakian · 19th century · SALT Research, Istanbul · Public domain · Source
• Hexagonal Tile with Sphinx — Seljuk tile makers, Konya · c. 1160–1180 · The Metropolitan Museum of Art, New York · CC0 · Source
• Ertuğrul Gazi Sends His Son Savcı Bey to Sultan Alaeddin Keykubad (Tac üt-Tevarih) — Ottoman court painter · 1616 · Bibliothèque du Musée Jacquemart-André, Paris (MS 1314-1) · Public domain · Source
• Sultanhanı Caravanserai, Aksaray (main portal) — Seljuk builders · 1229 · Public domain · Source
• Inner Portal of Sultan Khan — John Henry Haynes · 1887 · Harvard University · Public domain · Source
• Sultan Khan, Interior — John Henry Haynes · 1887 · Harvard University · Public domain · Source
• Red Tower and Alanya Castle — Seljuk builders; photo: Julian Lupyan · Built 1226; photographed 2024 · CC0 · Source
• Minai Beaker with Seated Princes — Kashan potters · 1180–1220 · Cleveland Museum of Art · CC0 · Source
• Bowl — Iranian potters · Late 12th–early 13th century · Cleveland Museum of Art · CC0 · Source
• Minai-ware Bowl with a Horse and Rider — Kashan potters; photo: Daderot · 12th–13th century · Royal Ontario Museum, Toronto · CC0 · Source
• Openwork Ewer — Iranian potters, probably Kashan; photo: Daderot · Late 12th or early 13th century · Cincinnati Art Museum · CC0 · Source
• Bird-shaped Vessel — Iranian metalworkers · 12th century · Cleveland Museum of Art · CC0 · Source
• Ewer with Zodiac Signs (OA 5548) — Herat metalworkers; photo: Tangopaso · 1185–1200 · Musée du Louvre, Paris · Public domain · Source
• The Elephant Clock, from the Book of Knowledge of Ingenious Mechanical Devices by al-Jazari — After al-Jazari; Mamluk copy · 1315 (AH 715) · The Metropolitan Museum of Art, New York · CC0 · Source
• Design for the Water Clock of the Peacocks, from the Book of Knowledge of Ingenious Mechanical Devices by al-Jazari — After al-Jazari; Mamluk copy · 1315 (AH 715) · The Metropolitan Museum of Art, New York · CC0 · Source
• The Musical Boat, from the Book of Knowledge of Ingenious Mechanical Devices by al-Jazari — After al-Jazari; Farrukh ibn 'Abd al-Latif (calligrapher) · 1315 · Freer Gallery of Art, Smithsonian Institution, Washington, DC · Public domain · Source
• Peacock-shaped Hand Washing Device, from the Book of Knowledge of Ingenious Mechanical Devices by al-Jazari — After al-Jazari; Mamluk copy · 1315 · Cleveland Museum of Art · CC0 · Source
• Design for a Waterwheel Worked by Donkey Power, from the Book of Knowledge of Ingenious Mechanical Devices by al-Jazari — After al-Jazari; Mamluk copy · 1315 (AH 715) · The Metropolitan Museum of Art, New York · CC0 · Source
• Rumi's Father Gives a Sermon in the Qani'i Cemetery of Konya — Unknown Ottoman painter · 1590 · Public domain · Source
• Mawlana (Rumi) Meeting Shams-i Tabrizi (Camiü's-siyer of Muhammed Tahir, H. 1230, fol. 121a) — Unknown painter · Late 16th century · Topkapı Palace Museum Library, Istanbul · Public domain · Source
• First 18 Couplets of the Masnavi-ye Ma'navi (Mevlana Museum 51, fol. 7a) — Muhammad ibn 'Abdallah al-Qunyavi al-Valadi (copyist); Mukhlis ibn 'Abdallah al-Hindi (illuminator) · November–December 1278 · Mevlana Museum, Konya · Public domain · Source
• Mevlana Tomb — Seljuk builders; photo: Kadı · Built 1274; photographed 2024 · CC BY 4.0 · Source
• The Mevlana Museum, Konya — Builders of the Seljuk, Karamanid and Ottoman periods · 13th–16th century · CC0 · Source
• Dancing Dervish — Richard Morris Hunt · 1853 · Library of Congress · Public domain · Source
• Sketch for The Whirling Dervish — Jean-Léon Gérôme; photo: Daderot · c. 1868–1889 · Middlebury College Museum of Art, Vermont · Public domain · Source
• The Inside of a Mosque, the Dervishes Dancing (La Mottraye, Travels, vol. I, pl. 16) — William Hogarth · 1723–1724 · The Metropolitan Museum of Art, New York · CC0 · Source
• Hajji Bektash Wali (Petit recueil de peintures turques, Turc 140, fol. 13v) — Unknown Ottoman painter · 17th century · Bibliothèque nationale de France, Paris · Public domain · Source
• Alaeddin Kayqubad III Confers Investiture on Osman I (Sharafnama, MS Elliott 332, fols. 157–158) — Unknown painter · 1597 · Bodleian Library, Oxford · Public domain · Source

Persia

• Cyrus Cylinder — Babylonian scribe, for Cyrus the Great · After 539 BC · British Museum, London · CC0 · Source
• Frieze of Archers (AOD 487) — Achaemenid craftsmen · c. 510 BC · Musée du Louvre, Paris · Public domain · Source
• Fragment of a Wall Decoration from the Palace of Xerxes: "Guardsman" in Procession — Achaemenid sculptors · 486–465 BC · The Cleveland Museum of Art · CC0 · Source
• Relief of a Gift Bearer from Persepolis — Achaemenid sculptors · 500–450 BC · Los Angeles County Museum of Art · Public domain · Source
• Plaque with horned lion-griffins — Achaemenid goldsmiths · c. 6th–4th century BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Vessel terminating in the forepart of a fantastic leonine creature — Achaemenid goldsmiths · c. 5th century BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Rhyton terminating in the forepart of a bull — Achaemenid silversmiths · Late 6th or 5th century BC · Cincinnati Art Museum · CC0 · Source
• Male statuette, Oxus Treasure (ME 1897,1231.1) — Achaemenid metalworkers; photo: Marie-Lan Nguyen · 5th–4th century BC · British Museum, London · CC BY 4.0 · Source
• Processione sulla facciata della Grande Scala (Procession on the façade of the Great Staircase) — Luigi Pesce · 1858 · The Metropolitan Museum of Art, New York · CC0 · Source
• The Ruins of Persepolis — Alberto Pasini · Undated (artist in Iran 1855–1856) · Public domain · Source
• Rhyton with centaur and woman, Old Nisa — Parthian ivory carvers · 3rd–2nd century BC · State Museum of Oriental Art, Moscow · CC0 · Source
• Rock relief of the triumph of Shapur I over the Romans, Tang-e Chowgan, Bishapur — Sasanian sculptors · c. AD 260–270 · CC0 · Source
• Head of a king (MET 65.126) — Sasanian silversmiths · 4th century AD · The Metropolitan Museum of Art, New York · CC0 · Source
• Taq-i Bustan, rock relief with the investiture of Ardashir II — Antoin Sevruguin · Late 19th century · Museum Rietberg, Zürich · Public domain · Source
• Plate: the king Yazdgard I, slaying a stag — Sasanian silversmiths · c. AD 399–420 · The Metropolitan Museum of Art, New York · CC0 · Source
• Plate with a hunting scene from the tale of Bahram Gur and Azadeh — Sasanian silversmiths · c. 5th century AD · The Metropolitan Museum of Art, New York · CC0 · Source
• Anahita Vessel — Sasanian silversmiths · 4th–5th century AD · The Cleveland Museum of Art · CC0 · Source
• Wall panel with a charging boar — Sasanian stucco workers · c. 6th century AD · The Metropolitan Museum of Art, New York · CC0 · Source
• Fragment of textile with horses (2004.255) — Sasanian weavers · 5th–7th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Plate with a king hunting rams — Sasanian silversmiths · c. AD 450–550 · The Metropolitan Museum of Art, New York · CC0 · Source
• The Court of Gayumars, folio from the Shahnameh of Shah Tahmasp — Attributed to Sultan Muhammad · c. 1522–1525 · Aga Khan Museum, Toronto · Public domain · Source
• Tahmuras Defeats the Divs, folio 23v from the Shahnameh of Shah Tahmasp — Sultan Muhammad · c. 1525 · The Metropolitan Museum of Art, New York · CC0 · Source
• Zahhak Is Told His Fate, folio 29v from the Shahnameh of Shah Tahmasp — Sultan Muhammad · c. 1524 · The Metropolitan Museum of Art, New York · CC0 · Source
• Faridun crosses the Tigris on his way to fight Zahhak (Per 277.14) — Attributed to Reza Abbasi · 1590–1600 · Chester Beatty Library, Dublin · Public domain · Source
• Zal Rescued by the Simurgh (Per 277.12) — Attributed to Sadiqi Beg · c. 1590s · Chester Beatty Library, Dublin · Public domain · Source
• Zal Beneath Rudaba's Balcony, from the Shahnameh of Isma'il II — Attributed to Sadiqi Beg · 1576 · The David Collection, Copenhagen · Public domain · Source
• Rustam before Kay Khusraw under the jewelled tree (S1986.159) — Unknown painter, Gilan · 1493–1494 · Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. · Public domain · Source
• Rustam Rescues Bizhan from the Pit, page from a Shahnameh — Unknown painter, Khurasan · c. 1570–1580 · Los Angeles County Museum of Art · Public domain · Source
• Gushtasp Proves His Archery before Caesar, folio 404r from the Shahnameh of Shah Tahmasp (detail) — Attributed to 'Abd al-'Aziz and Aqa Mirak · c. 1525–1530 · The Metropolitan Museum of Art, New York · CC0 · Source
• Bahram Gur Slays the Rhino-Wolf, folio 586r from the Shahnameh of Shah Tahmasp — Attributed to 'Abd al-'Aziz and Aqa Mirak · c. 1530–1535 · The Metropolitan Museum of Art, New York · CC0 · Source
• Bahram Gur Visits the Princess of India in the Black Pavilion, from a Khamsa of Nizami (Haft Paykar) — Unknown Timurid painter · c. 1400–1410 · The Cleveland Museum of Art · CC0 · Source
• Khusraw Watches Shirin Bathing, from the Khamsa of Nizami (Or. 2265, f. 53v) — Attributed to Sultan Muhammad · 1539–1543 · British Library, London · CC0 · Source
• Majnun with the Animals in the Desert, from a Khamsa of Nizami — Attributed to Aqa Mirak · c. 1539–1544 · Public domain · Source
• The Physicians' Duel, from the Khamsa of Nizami (Or. 2265, f. 26) — Aqa Mirak · 1539–1543 · British Library, London · Public domain · Source
• Bahram Visits the White Domed Pavilion, from a Khamsa of Nizami (Haft Paykar) — Unknown painter, Shiraz · c. 1560–1580 · The Cleveland Museum of Art · CC0 · Source
• The Conference of the Birds, page from a Mantiq al-Tayr of Farid al-Din 'Attar — Habiballah of Sava · c. 1600 · The Metropolitan Museum of Art, New York · Public domain · Source
• The Traveller and the Dervish, from a Gulistan of Sa'di — Possibly Hajji Muhammad · 1486 · Public domain · Source
• Allegory of Worldly and Otherworldly Drunkenness, folio from the Divan of Hafez — Sultan Muhammad · c. 1531–1533 · The Metropolitan Museum of Art, New York, and Harvard Art Museums · Public domain · Source
• Solomon and Bilqis Sit Together and Converse Frankly, from the Haft Awrang of Jami — Unknown Safavid painter · 1556–1565 · Freer Gallery of Art, Smithsonian Institution, Washington, D.C. · Public domain · Source
• Yusuf Gives a Royal Banquet in Honour of His Marriage, from the Haft Awrang of Jami — Attributed to Shaykh Muhammad · 1556–1565 · Freer Gallery of Art, Smithsonian Institution, Washington, D.C. · Public domain · Source
• The New King Paraded around the Town on a White Elephant, from Kalila and Dimna (H.362, fol. 169r) — Unknown painter (probably Tabriz); reused in Herat for Baysunghur · c. 1410–1425; reused 1431 · Topkapı Palace Museum, Istanbul · Public domain · Source
• Frontispiece (right panel) of Kalila wa Dimna of Abu'l-Ma'ali Nasrallah, made for Baysunghur (R. 1022) — Painters of Baysunghur's library, Herat · 1429 · Topkapı Palace Museum, Istanbul · Public domain · Source
• Hunting Scene in the Presence of Prince Baysunghur, frontispiece of the Baysunghur Shahnama (MS 716, fol. 4r) — Painters of Baysunghur's library, Herat · 1430 · Golestan Palace Library, Tehran · Public domain · Source
• Court scene from the Baysunghur Shahnama (MS 716, p. 466) — Painters of Baysunghur's library, Herat · 1430 · Golestan Palace Library, Tehran · Public domain · Source
• Probable Portrait of Muhammad Juki on Horseback, from the Shahnama of Muhammad Juki (MS 239, fols. 269v–270r), detail — Timurid court painter, Herat · c. 1440 · Royal Asiatic Society, London · Public domain · Source
• Royal Feast in a Garden, left folio from the double-page frontispiece of a Shahnama — Timurid-period painter, Shiraz · c. 1440 · The Cleveland Museum of Art · CC0 · Source
• Coronation of Sultan Husayn Mirza Bayqara (LTS1995.2.26) — Attributed to Mansur · c. 1469 · Art and History Trust Collection, National Museum of Asian Art, Smithsonian Institution · Public domain · Source
• Palace Celebration (“Harem of Sultan Husayn Mirza Bayqara”), from a Divan of Amir Khusraw Dihlavi — Probably Shah Muzaffar · 1481 · Art and History Trust Collection · Public domain · Source
• Nizami Addressing His Son Muhammad, from Layla and Majnun — Attributed to Behzad · 1482 · Public domain · Source
• The Building of the Palace of Khawarnaq, from a Khamsa of Nizami (Or. 6810, fol. 154v) — Attributed to Kamal al-Din Behzad · c. 1494–1495 · British Library, London · Public domain · Source
• Brocaded Velvet with Falconer and Attendant in Animated Lattice, from a Robe — Safavid weavers, Kashan · c. 1525 · The Cleveland Museum of Art · CC0 · Source
• Horse and Groom (detached album folio) — Attributed to Haydar 'Ali · Early 16th century · Freer Gallery of Art, Smithsonian Institution, Washington, D.C. · Public domain · Source
• The Feast of 'Id Begins (detail: a young prince enthroned), from the Divan of Hafiz (“Cartier Hafiz”) — Attributed to Sultan Muhammad · c. 1531 · Public domain · Source
• The Ardabil Carpet — Safavid weavers (the inscription names Maqsud of Kashan) · 1539–1540 · Victoria and Albert Museum, London · Public domain · Source
• Shah Tahmasp I (1514–1576) Seated in a Landscape — Safavid court painter, Qazvin · c. 1575 · The Cleveland Museum of Art · Public domain · Source
• Marino Grimani Receiving the Persian Ambassador (detail) — Gabriele Caliari · Late 16th or early 17th century · Doge's Palace, Venice · Public domain · Source
• Youth Holding a Pomegranate — Riza-yi Abbasi (or a follower) · c. 1600–1650 · The Cleveland Museum of Art · CC0 · Source
• The Lovers — Reza Abbasi · 1630 · The Metropolitan Museum of Art, New York · Public domain · Source
• Standing Portrait of Shah Abbas I with One Attendant — Mu'in Musavvir · 1632–1633 (AH 1042) · Harvard Art Museums (Arthur M. Sackler Museum), Cambridge, MA · Public domain · Source
• Portrait of the Artist Reza Abbasi — Mu'in Musavvir · 19 April 1676 · Public domain · Source
• The Dutch Ambassador on his Way to Isfahan — Jan Baptist Weenix · 1653–1659 · Rijksmuseum, Amsterdam · CC0 · Source
• Royal Carpet with Silk and Metal Thread — Royal workshop, Isfahan · 17th century · The Cleveland Museum of Art · CC0 · Source
• Shah Mosque, Isfahan (tiled vaults) — Safavid builders · 1611–c. 1630 · CC0 · Source
• Shah Tahmasp I entertaining Humayun, wall painting in the Chehel Sotun Palace, Isfahan — Safavid court painters · c. 1647 (later restored) · Public domain · Source
• The Battle of Chaldiran, wall painting in the Chehel Sotun Palace, Isfahan — Safavid court painters · 17th century (later restored) · CC0 · Source
• Garden Gathering (tile panel, 03.9c) — Safavid tile-makers, Isfahan; photo: PierreSelim · 17th century · The Metropolitan Museum of Art, New York · Public domain · Source
• Tile Panel with Chase Scene — Safavid tile-makers, Isfahan; photo: Daderot · 17th century · Cinquantenaire Museum, Brussels · Public domain · Source
• Double Portrait of a Palace Usher (right) and a Royal Bodyguard (left), from an album collected by Engelbert Kaempfer — Jani · 1684–1685 (AH 1096) · British Museum, London · Public domain · Source
• Naqsh-e Jahan Square, Isfahan, from Monuments modernes de la Perse (pl. VI–VII) — Pascal Coste · 1867 · Public domain · Source
• Maidan-i Shah, Isfahan, during a Troop Parade — Antoin Sevruguin · Late 19th century · Museum Rietberg, Zurich · Public domain · Source
• Portrait of Crown Prince 'Abbas Mirza — Attributed to Mihr 'Ali · c. 1800 (auction dating) · Public domain · Source
• Military Review by Abbas Mirza — Allahverdi Afshar · 1815–1817 · State Hermitage Museum, St Petersburg · Public domain · Source
• Portrait of Fath 'Ali Shah — Attributed to Mihr 'Ali · 1816 (AH 1231) · Public domain · Source
• Fath 'Ali Shah Attended by a Prince (probably Muhammad Mirza) — Attributed to Mihr 'Ali · c. 1820 · Public domain · Source
• Prince Yahya — Attributed to Muhammad Hasan · c. 1830 · Public domain · Source
• Portrait of Muhammad Shah Qajar and His Vizier Haj Mirza Aghasi — Qajar court painter · Second quarter of the 19th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Naser al-Din Shah — Luigi Pesce · 1840s (museum dating) · The Metropolitan Museum of Art, New York · CC0 · Source
• Jalal al-Din Mirza, Son of Fath-Ali Shah Qajar — Abu'l-Hasan Ghaffari (Sani' al-Mulk) · 1859 · Smithsonian Institution, Washington, D.C. · Public domain · Source
• Naser al-Din Shah and Courtiers (detail), from a Lacquer Pen Box (Qalamdan) — Muhammad Isma'il (signed) · c. 1865 · Public domain · Source
• Cheragh Gaz Street, Tehran — Antoin Sevruguin · c. 1890 or later (Commons: c. 1880) · Public domain · Source

China

• Qin Shi Huang, from the album Portraits of Emperors of Successive Dynasties (Lidai diwang xiang) — Unknown Chinese painter · 18th century · Public domain · Source
• Terracotta Army, Pit 1: horses and soldiers — Qin imperial workshops; photo: Gary Todd · Qin dynasty, late 3rd century BC (photo 2009) · Emperor Qinshihuang's Mausoleum Site Museum, Lintong · CC0 · Source
• Kneeling archer from the Terracotta Army — Qin imperial workshops; photo: Gary Todd · Qin dynasty, late 3rd century BC (photo 2019) · Emperor Qinshihuang's Mausoleum Site Museum, Lintong · CC0 · Source
• Bronze Chariot No. 2 from the mausoleum of Qin Shi Huang — Qin imperial workshops; photo: Gary Todd · Qin dynasty, late 3rd century BC (photo 2014) · Emperor Qinshihuang's Mausoleum Site Museum, Lintong · CC0 · Source
• Jade burial suit of Liu Sheng, Prince of Zhongshan — Western Han craftsmen; photo: Gary Todd · Western Han, before 113 BC (photo 2014) · Hebei Museum, Shijiazhuang · CC0 · Source
• T-shaped painting on silk from Mawangdui Tomb 1 (upper section) — Unknown Western Han painter · Western Han, c. 168 BC · Hunan Provincial Museum, Changsha · Public domain · Source
• Jar (Hu) — Western Han potters · Western Han, 202 BC–AD 9 · Cleveland Museum of Art · CC0 · Source
• Dancer and Musicians (tomb figures) — Han dynasty potters · 1st century BC–1st century AD · The Metropolitan Museum of Art, New York · CC0 · Source
• TLV Mirror with Multiple Nipples — Eastern Han bronze casters · Eastern Han, AD 25–220 · Cleveland Museum of Art · CC0 · Source
• Bronze Galloping Horse (Flying Horse of Gansu) — Eastern Han bronze casters; photo: Gary Todd · Eastern Han, AD 25–220 (photo 2013) · Gansu Provincial Museum, Lanzhou · CC0 · Source
• Admonitions of the Instructress to the Court Ladies (Lady Feng and the bear) — After Gu Kaizhi (Tang-period copy) · Tang dynasty copy of a 4th–5th-century composition · The British Museum, London · Public domain · Source
• Nymph of the Luo River, leaf from the album Minghui jizhen — Anonymous Southern Song painter, after Gu Kaizhi · Southern Song dynasty (1127–1279) · National Palace Museum, Taipei · Public domain · Source
• Standing Portrait of Emperor Tang Taizong — Unknown Ming court painter · Ming dynasty (1368–1644) · National Palace Museum, Taipei · Public domain · Source
• Emperor Taizong Receiving the Tibetan Envoy (Bunian tu) — Attributed to Yan Liben (probably a Song copy) · Song dynasty copy of a 7th-century composition · The Palace Museum, Beijing · Public domain · Source
• Caparisoned horse, earthenware with sancai glaze — Tang dynasty potters; photo: Daderot · Tang dynasty, 675–750 · Portland Art Museum, Oregon · Public domain · Source
• Sancai-glazed camel — Tang dynasty potters; photo: Gary Todd · Tang dynasty (618–907) (photo 2019) · Shaanxi History Museum, Xi'an · CC0 · Source
• Court Ladies Playing Double Sixes (detail) — Attributed to Zhou Fang (probably a later copy) · Composition 8th century; this version probably later · Freer Gallery of Art, Washington, D.C. · Public domain · Source
• Court Ladies Wearing Flowered Headdresses (detail) — Attributed to Zhou Fang · Tang to Song dynasty (date debated) · Liaoning Provincial Museum, Shenyang · Public domain · Source
• Emperor Minghuang's Journey to Shu — After Li Zhaodao (anonymous) · 12th century (Song copy of a Tang-style composition) · National Palace Museum, Taipei · Public domain · Source
• The Night Revels of Han Xizai (detail) — Anonymous Song painter, after Gu Hongzhong · Song dynasty remake of a 10th-century original · The Palace Museum, Beijing · Public domain · Source
• Seated Portrait of Song Taizu — Unknown Song court painter · Song dynasty (960–1279) · National Palace Museum, Taipei · Public domain · Source
• Travelers among Mountains and Streams — Fan Kuan · c. 1000 · National Palace Museum, Taipei · Public domain · Source
• Summer Mountains — Attributed to Qu Ding · c. 1050 · The Metropolitan Museum of Art, New York · CC0 · Source
• Early Spring — Guo Xi · 1072 · National Palace Museum, Taipei · Public domain · Source
• Seated Portrait of Song Renzong's Empress — Unknown Song court painter · Song dynasty (960–1279) · National Palace Museum, Taipei · Public domain · Source
• Along the River During the Qingming Festival (detail: the Rainbow Bridge) — Zhang Zeduan · Early 12th century · The Palace Museum, Beijing · Public domain · Source
• Canopy with Dragon Among Flowers — Southern Song imperial workshop, Hangzhou (border: Ming dynasty) · Late 1100s (border Ming dynasty) · Cleveland Museum of Art · CC0 · Source
• Auspicious Cranes — Attributed to Emperor Huizong of Song · 1112 · Liaoning Provincial Museum, Shenyang · Public domain · Source
• Finches and Bamboo — Attributed to Emperor Huizong of Song · Early 12th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Lotus Bud Jar: Jun ware — Northern Chinese potters (Jun ware) · Northern Song–Jin dynasty, 12th–13th century · Cleveland Museum of Art · CC0 · Source
• Court Ladies Preparing Newly Woven Silk (detail: ironing) — Traditionally attributed to Emperor Huizong, after Zhang Xuan · Early 12th century · Museum of Fine Arts, Boston · Public domain · Source
• Ducks in a Lotus Pond (kesi silk tapestry) — Zhu Kerou · Southern Song dynasty (1127–1279) · Shanghai Museum · Public domain · Source
• Narcissus Basin, celadon (Ru ware) — Northern Song potters (Ru ware); photo: NISHIKAWA Shigeru · Northern Song dynasty · The Museum of Oriental Ceramics, Osaka (gift of the Sumitomo Group, Ataka Collection) · CC BY 4.0 · Source
• Imperially Commissioned Illustrations of Agriculture and Sericulture (Gengzhi tu) — Jiao Bingzhen (designs); Zhu Gui (block cutter) · 1696 · The British Museum, London · Public domain · Source
• Imperial Rites of Sericulture, Scroll 3: Picking Mulberry Leaves (detail) — Giuseppe Castiglione, Ding Guanpeng and others · After 1748 · National Palace Museum, Taipei · Public domain · Source
• Imperial Rites of Sericulture, Scroll 4: Offering Cocoons (detail) — Giuseppe Castiglione, Ding Guanpeng and others · After 1749 · National Palace Museum, Taipei · Public domain · Source
• Plate with a view of silk production — Jingdezhen porcelain painters; photo: Daderot · c. 1745 · Peabody Essex Museum, Salem, Massachusetts · Public domain · Source
• Rolwagen vase with a company in a landscape — Jingdezhen potters · c. 1635–1650 · Rijksmuseum, Amsterdam · CC0 · Source
• A tea plantation in China with workers heating and drying tea leaves — Anonymous Canton export artist · Undated (probably early 19th century) · Wellcome Collection · CC BY 4.0 · Source
• A tea plantation in China with workers packing the tea into boxes — Anonymous Canton export artist · Undated (probably early 19th century) · Wellcome Collection · CC BY 4.0 · Source
• Seated Portrait of Emperor Taizu of the Ming (the Hongwu Emperor) — Anonymous Ming court painter · Ming dynasty (1368–1644) · National Palace Museum, Taipei · Public domain · Source
• Seated Portrait of Emperor Chengzu of the Ming (the Yongle Emperor) — Anonymous Ming court painter · Ming dynasty (1368–1644) · National Palace Museum, Taipei · Public domain · Source
• Tribute Giraffe with Attendant — After Shen Du (1357–1434); later version by an unknown painter · Original 1414; this version probably 16th century · Philadelphia Museum of Art · Public domain · Source
• Emperor Xuanzong of the Ming on Horseback — Anonymous Ming court painter · Ming dynasty · National Palace Museum, Taipei · Public domain · Source
• Departure Herald (detail) — Anonymous Ming court painters; photograph by Zhenxiong Li · Ming dynasty, 16th century · National Palace Museum, Taipei · CC0 · Source
• The Palace City of Beijing (the Forbidden City) — Attributed to Zhu Bang · c. 1522–1566 (Jiajing reign) · British Museum, London · Public domain · Source
• Spring Morning in the Han Palace (detail) — Qiu Ying · Ming dynasty, 16th century · National Palace Museum, Taipei · Public domain · Source
• Court Ladies of the Former Shu — Tang Yin · Ming dynasty, early 16th century · Palace Museum, Beijing · Public domain · Source
• The Thousand Acres of Clouds, from Twelve Views of Tiger Hill, Suzhou — Shen Zhou · c. 1491–1509 · Cleveland Museum of Art · Public domain · Source
• Double-gourd vase with a Chinese lady and gentleman and their retinue in a landscape — Jingdezhen potters · c. 1635–1645 · Rijksmuseum, Amsterdam · CC0 · Source
• Portrait of the Kangxi Emperor in Court Dress — Anonymous Qing court painter · Late Kangxi period (early 18th century) · Palace Museum, Beijing · Public domain · Source
• The Kangxi Emperor's Southern Inspection Tour, Scroll 7: Wuxi to Suzhou (detail) — Wang Hui and assistants · 1690s · Public domain · Source
• Portrait of the Yongzheng Emperor Reading — Anonymous Qing court painter · Qing dynasty, 18th century · Palace Museum, Beijing · Public domain · Source
• Portrait of the Qianlong Emperor in Court Dress — Giuseppe Castiglione · 1736 · Palace Museum, Beijing · Public domain · Source
• Portrait of Empress Xiaoxianchun in Court Dress — Anonymous Qing court painter · Qing dynasty, 18th century · Palace Museum, Beijing · Public domain · Source
• The Qianlong Emperor in Ceremonial Armour on Horseback — Giuseppe Castiglione · 1739 or 1758 (dating varies) · Palace Museum, Beijing · Public domain · Source
• One Hundred Horses (detail) — Giuseppe Castiglione · 1728 · National Palace Museum, Taipei · Public domain · Source
• The Qianlong Emperor's Southern Inspection Tour, Scroll 6: Entering Suzhou along the Grand Canal (detail) — Xu Yang and assistants · 1764–1770 · The Metropolitan Museum of Art, New York · Public domain · Source
• Vase with Peaches — Jingdezhen imperial kilns · Qianlong mark and period (1736–1795) · Cleveland Museum of Art · CC0 · Source
• Velvet Textile for a Dragon Robe — Unknown Chinese weavers · 17th century (early Qing dynasty) · The Metropolitan Museum of Art, New York · CC0 · Source
• Literary Gathering (detail) — Attributed to Emperor Huizong of Song · Early 12th century · National Palace Museum, Taipei · Public domain · Source
• One Hundred Children at Play — Attributed to Su Hanchen · 12th century · Cleveland Museum of Art · CC0 · Source
• Garden of the Inept Administrator, leaf f — Wen Zhengming · 1551 · The Metropolitan Museum of Art, New York · Public domain · Source
• Watching Snow by a Brazier, from the Twelve Beauties screen — Anonymous Qing court painter · Before 1732 · Palace Museum, Beijing · Public domain · Source
• Watching Bamboo by a Doorway, from the Twelve Beauties screen — Anonymous Qing court painter · Before 1732 · Palace Museum, Beijing · Public domain · Source
• Along the River During the Qingming Festival, Qing Court Version (section) — Chen Mei, Sun Hu, Jin Kun, Dai Hong and Cheng Zhidao · 1736 · National Palace Museum, Taipei · Public domain · Source
• Prosperous Suzhou: Village School (detail) — Xu Yang · 1759 · Liaoning Provincial Museum, Shenyang · Public domain · Source
• Prosperous Suzhou: Wedding (detail) — Xu Yang · 1759 · Liaoning Provincial Museum, Shenyang · Public domain · Source
• Ten Thousand Countries Coming to Court (Wanguo laichao tu), New Year print — Wang Junfu · Mid to late 17th century · Public domain · Source
• Chinese wedding procession — Anonymous Canton export artist · 19th century · Wellcome Collection · CC BY 4.0 · Source
• The Hongs at Canton — Anonymous Canton export painter · c. 1820 · Public domain · Source
• A Trading Junk — Anonymous Chinese painter · 19th century · Royal Museums Greenwich, London · Public domain · Source
• Whampoa Anchorage from Dane's Island — Youqua · c. 1850 · Peabody Essex Museum, Salem · Public domain · Source
• Belvedere of the God of Literature, Summer Palace, Beijing — Felice Beato · 6–18 October 1860 · Peabody Essex Museum, Salem · Public domain · Source
• Manchu Ladies, Peking — John Thomson · 1869 · Wellcome Collection · CC BY 4.0 · Source
• Enamellers, Peking — John Thomson · 1869 · Wellcome Collection · CC BY 4.0 · Source
• Young man in Qing court dress, said to be the Guangxu Emperor — Unknown photographer · Published 1905 · Public domain · Source
• Empress Dowager Cixi — Yu Xunling · c. 1903–1905 · Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Smithsonian Institution · Public domain · Source
• Portrait of the Empress Dowager Cixi — Hubert Vos · 1905–1906 · Public domain · Source
• Marshal Li Recovering Nanjing during the Xinhai Revolution — Unknown Chinese printmaker · 1911 · Library of Congress · Public domain · Source

Mesopotamia

• Columns with clay cone mosaic from the Eanna precinct, Uruk (museum reconstruction) — Sumerian builders (modern reconstruction) · c. 3600–3200 BC · Pergamon Museum, Berlin · CC0 · Source
• Bearded male worshipper with cup, Square Temple of Abu, Tell Asmar — Sumerian sculptor · c. 2700–2600 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Banquet plaque, Main Shara Temple, Tell Agrab — Sumerian sculptor; photo: Daderot · c. 2700–2600 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Headdress — Sumerian goldsmiths · c. 2600–2500 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Bull's head ornament for a lyre — Sumerian metalworkers · c. 2600–2350 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Perforated votive relief of Ur-Nanshe, king of Lagash, with his family — Sumerian sculptor; photo: Gary Todd · c. 2550–2500 BC · Musée du Louvre, Paris · CC0 · Source
• Victory stele of Eannatum, king of Lagash (Stele of the Vultures) — Sumerian sculptor; photo: Gary Todd · c. 2450 BC · Musée du Louvre, Paris · CC0 · Source
• The Royal Game of Ur — Sumerian craftsmen · c. 2600–2400 BC · British Museum, London · CC0 · Source
• Copper panel with Imdugud (Anzu) and two stags, Tell al-Ubaid — Sumerian metalworkers · c. 2500 BC · British Museum, London · CC0 · Source
• Statue of Ebih-Il, superintendent of Mari — Sculptor of Mari; photo: Gary Todd · c. 2400 BC · Musée du Louvre, Paris · CC0 · Source
• Clay accounting ball with counters, and the evolution of cuneiform (display) — Mesopotamian accountants and scribes · c. 3500–3000 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Cylinder seal and modern impression: ritual scene before a temple façade — Uruk-period seal-cutter · c. 3500–3100 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Proto-cuneiform tablet: account of barley distribution with cylinder seal impression — Scribe of the Jemdet Nasr period · c. 3100–2900 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Sumerian cuneiform clay tablet, Archaic period — Sumerian scribe · c. 2900–2340 BC · Musée du Louvre, Paris · CC0 · Source
• Instructions of Shuruppak, Sumerian proverb collection — Sumerian scribe · c. 2400 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Akkadian cylinder seal with a hero subduing a bull and lions — Akkadian seal-cutter; photo: Daderot · c. 2350–2150 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Round tablet recording dimensions of fields, Tello (Girsu), 8th year of Amar-Suen — Neo-Sumerian scribe · c. 2039 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Code of Hammurabi, King of Babylon — Babylonian sculptors and scribes · c. 1792–1750 BC · Musée du Louvre, Paris · CC0 · Source
• Prologue of the Code of Hammurabi (clay tablet, AO 10237) — Old Babylonian scribe; photo: Marie-Lan Nguyen · Old Babylonian period · Musée du Louvre, Paris · Public domain · Source
• Plaster cast of the Epic of Gilgamesh, Tablet XI (the Flood Tablet; original in the British Museum) — Assyrian scribe (original); photo: Daderot · 7th century BC (original) · Harvard Semitic Museum, Cambridge, MA · Public domain · Source
• Disk of Enheduanna — Akkadian sculptor · c. 2350–2300 BC · Penn Museum, Philadelphia · CC0 · Source
• Head of a ruler — Unknown metalworker (Iran or Mesopotamia) · c. 2300–2000 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Victory Stele of Naram-Sin — Akkadian sculptor · c. 2250 BC · Musée du Louvre, Paris · CC0 · Source
• Lion of Mari — Metalworkers of Mari · late 3rd–early 2nd millennium BC · Musée du Louvre, Paris · CC0 · Source
• Statue of Gudea with the gushing vase, dedicated to Geshtinanna — Neo-Sumerian sculptor · c. 2120 BC · Musée du Louvre, Paris · CC0 · Source
• Seated statue of Gudea — Neo-Sumerian sculptor · c. 2150 BC · British Museum, London · CC0 · Source
• Foundation nail of Gudea (kneeling god) — Neo-Sumerian metalworker · c. 2100 BC · Cleveland Museum of Art · CC0 · Source
• Gudea cone celebrating the restoration of Ningirsu's temple — Neo-Sumerian scribe · c. 2100 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Foundation figure of King Ur-Namma — Neo-Sumerian metalworker · c. 2112–2095 BC · Morgan Library & Museum, New York · Public domain · Source
• The Ziggurat of Ur (lowest stage with the façade refaced in the 1980s) — Neo-Sumerian builders; photo: Tla2006 · c. 21st century BC; photo 2006 · Public domain · Source
• Top fragment of a kudurru with a mushhushshu dragon and divine symbols — Babylonian sculptor · c. 1156–1025 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Cylinder of Nebuchadnezzar — Neo-Babylonian scribe · late 7th–6th century BC · Harvard Semitic Museum, Cambridge, MA · Public domain · Source
• Ishtar Gate of Nebuchadnezzar II, reconstructed with original bricks — Neo-Babylonian builders (modern reconstruction) · c. 575 BC · Pergamon Museum, Berlin · CC0 · Source
• Striding dragon from the Ishtar Gate — Neo-Babylonian brickmakers (modern reconstruction) · c. 575 BC · Pergamon Museum, Berlin · CC0 · Source
• Glazed brick relief of a bull from the Ishtar Gate — Neo-Babylonian brickmakers · c. 575 BC · Istanbul Archaeology Museums · CC0 · Source
• Panel with striding lion — Neo-Babylonian brickmakers · c. 604–562 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Striding lion from the Processional Way, Babylon — Neo-Babylonian brickmakers · c. 604–562 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Panel from the throne room of Nebuchadnezzar II (reconstruction) — Neo-Babylonian brickmakers (modern reconstruction) · c. 604–562 BC · Vorderasiatisches Museum, Berlin · CC0 · Source
• The Walls of Babylon (Babylonis Muri), from The Eight Wonders of the World — Philips Galle after Maarten van Heemskerck · 1572 · Rijksmuseum, Amsterdam · CC0 · Source
• Belshazzar's Feast — Rembrandt van Rijn · c. 1635–1638 · National Gallery, London · Public domain · Source
• King Ashurnasirpal II, relief from the Northwest Palace, Nimrud (chamber G, slab 13) — Assyrian sculptor; photo: Daderot · 883–859 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Glazed tile from the Northwest Palace, Nimrud — Assyrian craftsmen; photo: Gary Todd · c. 850–845 BC · British Museum, London (photographed on loan at the Hong Kong Museum of History) · CC0 · Source
• Brick fragment with the head of an ibex — Assyrian craftsmen · c. 9th century BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Furniture plaque carved in relief with a “woman at the window” — Unknown ivory carver (probably Phoenician) · c. 9th–8th century BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Furniture plaque carved in relief with a griffin in a floral landscape — Unknown ivory carver (North Syrian or Phoenician style) · c. 9th–8th century BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Winged human-headed bull (lamassu), plaster cast of a relief from Khorsabad (AO 30228) — After an Assyrian original; photo: Shonagon · Original 721–705 BC · Musée du Louvre, Paris · CC0 · Source
• King Sargon II and a high official (AO 19873, AO 19874) — Assyrian sculptor; photo: Shonagon · 721–705 BC · Musée du Louvre, Paris · CC0 · Source
• Reliefs from the palace of Sargon II at Khorsabad — Assyrian sculptors; photo: Gary Todd · c. 721–705 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Bronze bands from the Shamash temple of Sargon II's palace at Khorsabad: man with bulls — Assyrian metalworkers; photo: Daderot · c. 721–705 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Winged genie blessing (AO 19863) — Assyrian sculptor; photo: Shonagon · 721–705 BC · Musée du Louvre, Paris · CC0 · Source
• Lion hunt of Ashurnasirpal II, Nimrud (probably a cast; original in the British Museum) — Assyrian sculptor; photo: Gary Todd · 883–859 BC · Pergamon Museum, Berlin · CC0 · Source
• Horse blinker carved in relief with a seated sphinx — Unknown ivory carver (North Syrian style) · c. 8th century BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Relief of King Tiglath-Pileser III in his war chariot, Nimrud — Assyrian sculptor; photo: Ywpark2003 (Prof. Yong Woo Park) · 745–727 BC · Istanbul Archaeology Museums · CC0 · Source
• Orthostats showing Assyrian soldiers, Tell Tayinat — Assyrian provincial sculptors; photo: Daderot · 738 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Groom leading horses (AO 19883) — Assyrian sculptor; photo: Shonagon · 721–705 BC · Musée du Louvre, Paris · CC0 · Source
• Battle scene of Assyrians storming a citadel — Assyrian sculptor · c. 704–681 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Babylonian prisoners under Assyrian guard, relief from Nineveh — Assyrian sculptor; photo: Gary Todd · Reign of Ashurbanipal (c. 668–631 BC) · British Museum, London · CC0 · Source
• Lion hunt: Ashurbanipal thrusts his spear into a leaping lion, North Palace, Nineveh (probably a cast; original in the British Museum) — Assyrian sculptor; photo: Gary Todd · 7th century BC · Pergamon Museum, Berlin · CC0 · Source
• Lion hunt of Ashurbanipal, North Palace, Nineveh (probably a cast; original in the British Museum) — Assyrian sculptor; photo: Gary Todd · 7th century BC · Pergamon Museum, Berlin · CC0 · Source
• Lion pierced by arrows, from the lion hunt of Ashurbanipal, North Palace, Nineveh — Assyrian sculptor; photo: Capillon · c. 645–635 BC · British Museum, London · Public domain · Source
• Cylinder seal: Ishtar with her foot on a lion, and the goddess Ninishkun interceding — Akkadian seal cutter; photo: Daderot · c. 2350–2150 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Cylinder seal and modern impression: battle of the gods — Akkadian seal cutter · c. 2350–2150 BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Four-faced goddess, Ishchali — Old Babylonian metalworker; photo: Daderot · c. 2000–1600 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• Plaque of a bull-man holding a post with a rope loop, Nippur — Old Babylonian craftsman; photo: Daderot · c. 2000–1600 BC · Oriental Institute Museum, University of Chicago · CC0 · Source
• The slaying of Humbaba (AO 22579) — Old Babylonian craftsman; photo: Shonagon · Old Babylonian period (c. 2000–1600 BC) · Musée du Louvre, Paris · CC0 · Source
• Pendant representing Humbaba (SB 3562) — Unknown craftsman; photo: Léna · c. 20th–15th century BC · Musée du Louvre, Paris · CC0 · Source
• Cylinder seal: winged lion-griffin attacked by a hero over a kneeling calf — Middle Assyrian seal cutter; photo: Daderot · c. 12th–11th century BC · The Morgan Library & Museum, New York · Public domain · Source
• Eagle-headed winged apkallu, Northwest Palace, Nimrud — Assyrian sculptor; photo: Gary Todd · 883–859 BC · British Museum, London · CC0 · Source
• Hero mastering a lion (AO 19861) — Assyrian sculptor; photo: Shonagon · 721–705 BC · Musée du Louvre, Paris · CC0 · Source
• Pendant with the head of Pazuzu — Assyrian metalworker · c. 8th–7th century BC · The Metropolitan Museum of Art, New York · CC0 · Source
• The Tower of Babel — Pieter Bruegel the Elder · 1563 · Kunsthistorisches Museum, Vienna · Public domain · Source
• Nineveh from the North-East — Frederick Charles Cooper · 1849 · Victoria and Albert Museum, London · Public domain · Source
• Samples of glazed bricks (Échantillons de briques émaillées), from Monument de Ninive — Eugène Flandin (drawings); Imprimerie nationale, Paris · 1849 · New York Public Library · Public domain · Source
• Khorsabad bronze lion — After Paul-Émile Botta, Monument de Ninive · 1850 · New York Public Library · Public domain · Source
• Lowering of the Great Winged Bull, from the Nineveh expedition — After Austen Henry Layard; image: Wellcome Collection · c. 1850 · Wellcome Collection · CC BY 4.0 · Source
• Chaos Monster and Sun God (A Second Series of the Monuments of Nineveh, plate 5) — L. Gruner (drawing), ed. Austen Henry Layard · 1853 · Public domain · Source
• Hall in an Assyrian Palace, Restored (The Monuments of Nineveh) — Austen Henry Layard · 1853 · British Museum · Public domain · Source
• The Palaces of Nimroud Restored (The Monuments of Nineveh, vol. 2, plate 1) — Austen Henry Layard, after a sketch by James Fergusson · 1853 · British Museum · Public domain · Source
• Sir Austen Henry Layard (1817–1894) — British School · c. 1890 · Government Art Collection (British Embassy, Ankara) · Public domain · Source
• General view of the Ishtar Gate from the north (The Excavations at Babylon, fig. 19) — Robert Koldewey · 1914 · Public domain · Source

The Maya and the Aztecs

• Head — Olmec artist · 1200–300 BC · Cleveland Museum of Art · CC0 · Source
• Celt with Deity — Olmec artist · 1000–300 BC · Cleveland Museum of Art · CC0 · Source
• Seated Figure — Olmec artist · 12th–9th century BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Hollow Seated Figure — Olmec artist · 1200–900 BC · Walters Art Museum, Baltimore · Public domain · Source
• Reclining Figure Resting on Pillow — Olmec artist · 1200–900 BC · Walters Art Museum, Baltimore · Public domain · Source
• Mask — Olmec artist · 10th–6th century BC · The Metropolitan Museum of Art, New York · CC0 · Source
• Tripod Vessel with Image of Tlaloc — Teotihuacan artist · 550–650 · Los Angeles County Museum of Art · Public domain · Source
• Mask — Teotihuacan artist · Classic period, 1–550 · Cleveland Museum of Art · CC0 · Source
• Mirror Back with Great Goddess — Teotihuacan-style artist · 400–550 · Cleveland Museum of Art · CC0 · Source
• Wall painting from Teotihuacan — Teotihuacan artist(s) · 500–550 · The Metropolitan Museum of Art, New York · CC0 · Source
• Tikal Temple I — Maya builders; photo: Kaldari · c. 734 (photo 2015) · Tikal National Park, Guatemala · CC0 · Source
• Tikal temples from the North Acropolis — Maya builders; photo: Tikalphotos · c. 400 BC–AD 900 (photo 2026) · Tikal National Park, Guatemala · CC0 · Source
• Ball Court, Copán — Maya builders; photo: Nosferattus · 738 (photo 2023) · Copán Archaeological Site, Honduras · CC0 · Source
• General view of Palenque (frontispiece, Incidents of Travel in Central America, Chiapas and Yucatan) — After Frederick Catherwood; from John Lloyd Stephens's book · British edition 1854 (book first published 1841) · Public domain · Source
• Gateway of the Great Teocallis, Uxmal — Frederick Catherwood · 1844 · Cleveland Museum of Art · CC0 · Source
• Gateway at Labnah (Catherwood's Views of Ancient Monuments in Central America & Yucatan) — Frederick Catherwood · 1844 · Library of Congress · Public domain · Source
• Ruins at Sabachtsche — Frederick Catherwood · c. 1841–1842 · Yale Center for British Art, New Haven · CC0 · Source
• Well at Bolonchen, Yucatan — Frederick Catherwood · 1843 · Yale Center for British Art, New Haven · CC0 · Source
• El Castillo, Chichen Itza (Incidents of Travel in Yucatan) — Frederick Catherwood · 1843 · Public domain · Source
• Tulum — Frederick Catherwood · 1844 · Public domain · Source
• Stela at Copan — Frederick Catherwood · 1843 · The Metropolitan Museum of Art, New York · CC0 · Source
• K'ak' Tiliw Chan Yopaat on Stela E (cast) — Maya sculptors (original); photo of a plaster cast: Blervis · 771 (photo 2025) · Museum of Us, San Diego · CC0 · Source
• Front Face of a Stela (El Perú-Waka' Stela 34) — Maya sculptor · 692 · Cleveland Museum of Art · CC0 · Source
• Panel with Royal Woman — Maya sculptor · 795 · Cleveland Museum of Art · CC0 · Source
• Relief with Enthroned Ruler — Chakalte' · late 8th century (museum date 770) · The Metropolitan Museum of Art, New York · CC0 · Source
• Codex-Style Vase with Mythological Scene (rollout) — Maya artist · 7th–8th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Chocolate cup depicting a mythic scene — Maya artist; photo: Daderot · 650–800 (photo 2016) · Princeton University Art Museum · Public domain · Source
• Censer, Seated King — Maya artist · 4th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Figure — Maya artist · 4th–10th century · Cleveland Museum of Art · CC0 · Source
• Figure of a woman with child — Maya artist; photo: Daderot · c. 600–900 (photo 2013) · Fitchburg Art Museum, Massachusetts · CC0 · Source
• Lintel 24 from Yaxchilan: Itzamnaaj Bahlam III and Lady K'ab'al Xook — Maya sculptors · c. 723–726 · The British Museum, London · CC0 · Source
• Copán Stela A — Maya sculptors; photo: Nosferattus · 731 (photo 2023) · Copán Archaeological Site, Honduras · CC0 · Source
• Bar Bead — Maya artist · 250–550 · Cleveland Museum of Art · CC0 · Source
• Stela Fragment with Glyphs (Tortuguero Monument 6 fragment) — Maya sculptor · 4th–9th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Vessel, Mythological Scene (rollout) — Maya artist · 7th–8th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Dresden Codex, page 2 — Maya scribes · c. 1200–1250 · Saxon State and University Library (SLUB), Dresden · CC0 · Source
• Dresden Codex, page 9 — Maya scribes · c. 1200–1250 · Saxon State and University Library (SLUB), Dresden · Public domain · Source
• Dresden Codex, section of page 43b — Maya scribes · c. 1200–1250 · Saxon State and University Library (SLUB), Dresden · Public domain · Source
• Dresden Codex, page 74 — Maya scribes · c. 1200–1250 · Saxon State and University Library (SLUB), Dresden · Public domain · Source
• Madrid Codex (Tro-Cortesianus), page 34 (19th-century facsimile) — Maya scribes · 15th century (facsimile 19th century) · Museo de América, Madrid (original) · Public domain · Source
• Chicomoztoc, the Seven Caves (plate from the atlas of Durán's Historia de las Indias) — Unknown lithographer, after the illustrations of Diego Durán's Historia de las Indias · 1867–1880 (after a manuscript of 1579–1581) · British Library, London · Public domain · Source
• The Founding of Tenochtitlan: the Eagle on the Cactus (plate from the atlas of Durán's Historia de las Indias) — Unknown lithographer, after the illustrations of Diego Durán's Historia de las Indias · 1867–1880 (after a manuscript of 1579–1581) · British Library, London · Public domain · Source
• Codex Mendoza, folio 2r: The Founding of Tenochtitlan — Unknown Nahua painters · c. 1541 · Bodleian Libraries, University of Oxford · Public domain · Source
• The Ruler Huitzilihuitl (plate from the atlas of Durán's Historia de las Indias) — Unknown lithographer, after the illustrations of Diego Durán's Historia de las Indias · 1867–1880 (after a manuscript of 1579–1581) · British Library, London · Public domain · Source
• The War against Coyoacán (Tovar Codex or Codex Ramírez) — Unknown Nahua painter · c. 1580s · Public domain · Source
• Codex Azcatitlan: The Ruler Axayacatl — Unknown Nahua painters · 16th century · Bibliothèque nationale de France, Paris · Public domain · Source
• Codex Ixtlilxochitl, folio 106r: Nezahualcóyotl — Unknown Nahua painter · Late 16th century · Bibliothèque nationale de France, Paris · Public domain · Source
• Codex Mendoza, folio 61r: A Marriage Ceremony — Unknown Nahua painters · c. 1541 · Bodleian Libraries, University of Oxford · Public domain · Source
• Codex Mendoza, folio 69r: The Palace of Moctezuma (1938 Clark facsimile) — Unknown Nahua painters · c. 1541 · Bodleian Libraries, University of Oxford · Public domain · Source
• Map of Tenochtitlan and the Gulf of Mexico, from Cortés's Praeclara narratio — Unknown engraver (published with Hernán Cortés's second letter) · 1524 · Newberry Library, Chicago · Public domain · Source
• Codex Borgia, page 56: Quetzalcoatl-Ehecatl and Mictlantecuhtli (1898 Loubat facsimile) — Unknown Mesoamerican painters · Pre-conquest (facsimile 1898) · Biblioteca Apostolica Vaticana (original) · Public domain · Source
• Codex Borgia, page 23 (1898 Loubat facsimile) — Unknown Mesoamerican painters · Pre-conquest (facsimile 1898) · Biblioteca Apostolica Vaticana (original) · Public domain · Source
• Codex Fejérváry-Mayer, page 1: The Four Directions and Xiuhtecuhtli — Unknown Mesoamerican painters · Pre-conquest · World Museum, Liverpool · Public domain · Source
• Codex Laud, folio 19: Quetzalcoatl as the Feathered Serpent and as the Wind God Ehecatl — Unknown Mesoamerican painters · c. 15th century · Bodleian Libraries, University of Oxford · Public domain · Source
• Codex Cospi, reverse, plate 21 — Unknown Mesoamerican painters · c. 15th century · Biblioteca Universitaria di Bologna · Public domain · Source
• Codex Ríos (Vaticanus A), folio 16r — Unknown Italian copyist, after a Nahua original · c. 1566 · Biblioteca Apostolica Vaticana · Public domain · Source
• An Eclipse, from Book 7 of the Florentine Codex — Nahua artists working for Bernardino de Sahagún · c. 1577 · Biblioteca Medicea Laurenziana, Florence · Public domain · Source
• Coiled Serpent — Mexica (Aztec) sculptor · 15th–early 16th century · The Metropolitan Museum of Art, New York · CC0 · Source
• Seated Deity (Macuilxochitl?) — Mexica (Aztec) sculptor · 1350–1519 · The Cleveland Museum of Art · CC0 · Source
• Aztec calendar diagram, from Descripción histórica y cronológica de las dos piedras — Antonio de León y Gama · 1792 · Library of Congress (Jay I. Kislak Collection) · Public domain · Source
• Codex Mendoza, folio 60r: A Mother Teaching Her Daughter to Weave — Unknown Nahua painters · c. 1541 · Bodleian Libraries, University of Oxford · Public domain · Source
• Codex Mendoza, folio 47r: Tribute Page — Unknown Nahua painters · c. 1541 · Bodleian Libraries, University of Oxford · Public domain · Source
• A Featherworker, from Book 9 of the Florentine Codex — Nahua artists working for Bernardino de Sahagún · c. 1577 · Biblioteca Medicea Laurenziana, Florence · Public domain · Source
• Feather Headdress ("Moctezuma's Headdress") — Colour plate in Zelia Nuttall, Ancient Mexican Feather Work (1895), after the Mexica featherwork · c. 1515 (headdress); plate 1895 · Weltmuseum Wien, Vienna · Public domain · Source
• Feather Shield "Meander and Sun" — Mexica featherworkers; photo: Landesmuseum Württemberg (H. Zwietasch, P. Frankenstein) · c. 1520 · Landesmuseum Württemberg, Stuttgart · CC BY 4.0 · Source
• Disguised Mexica Merchants in Tzinacantlan Acquiring Quetzal Feathers, from Book 9 of the Florentine Codex — Nahua artists working for Bernardino de Sahagún · c. 1577 · Biblioteca Medicea Laurenziana, Florence · Public domain · Source
• Codex Tudela: A Cacao Tree — Unknown Nahua painters · 16th century · Museo de América, Madrid · Public domain · Source
• Dancers and a Drummer Playing the Huehuetl, from Book 9 of the Florentine Codex — Nahua artists working for Bernardino de Sahagún · c. 1577 · Biblioteca Medicea Laurenziana, Florence · Public domain · Source
• Mexica Eagle and Jaguar Warriors, from Book 2 of the Florentine Codex — Nahua artists working for Bernardino de Sahagún · c. 1577 · Biblioteca Medicea Laurenziana, Florence · Public domain · Source
• The Totocalli, Moctezuma's Aviary, from Book 8 of the Florentine Codex (folio 30v) — Nahua artists working for Bernardino de Sahagún · c. 1577 · Biblioteca Medicea Laurenziana, Florence · Public domain · Source
• The Sixth Omen: A Woman Weeping at Night, from Book 12 of the Florentine Codex (folio 3r) — Nahua artists working for Bernardino de Sahagún · c. 1577 · Biblioteca Medicea Laurenziana, Florence · Public domain · Source
• Codex Azcatitlan: The Arrival of Cortés's Army with Malinche — Unknown Nahua painters · 16th century · Bibliothèque nationale de France, Paris · Public domain · Source
• Cortés Enters Cempoala and Is Received by the Totonac Lord Xicomecoatl (enconchado) — Anonymous New Spanish painter · 17th century · Museo de América, Madrid · Public domain · Source
• La Malinche and Hernán Cortés Receive the Lords of Tlaxcala, scene from the Lienzo de Tlaxcala (19th-century line copy) — Unknown copyist, after the lost 16th-century Tlaxcalan original · Original c. 1550s; copy 19th century · Public domain · Source
• The Meeting of Cortés and Moctezuma (Conquest of Mexico series) — Unknown artists · Second half of the 17th century · Library of Congress (Jay I. Kislak Collection) · Public domain · Source
• Cortés Builds the Brigantines for the Siege of Tenochtitlan, from Durán's Historia de las Indias, folio 217 — Unknown illustrator of Diego Durán's manuscript · 1579 · Biblioteca Nacional de España, Madrid · Public domain · Source
• The Tlatelolca Warrior Tzilacatzin Hurling Stones at the Spaniards, from Book 12 of the Florentine Codex — Nahua artists working for Bernardino de Sahagún · c. 1577 · Biblioteca Medicea Laurenziana, Florence · Public domain · Source
• A Healer Tending People Suffering from Smallpox, from Book 12 of the Florentine Codex — Nahua artists working for Bernardino de Sahagún · c. 1577 · Biblioteca Medicea Laurenziana, Florence · Public domain · Source
• Map of the Towns of San Miguel and San Felipe de los Chichimecas and the Village of San Francisco Chamacuero — Unknown painter, New Spain · c. 1579–1580 · Real Academia de la Historia, Madrid · Public domain · Source
• Map of Mexico City and the Valley of Mexico (Uppsala Map) — Unknown Indigenous painters, Mexico City · c. 1550 · Uppsala University Library · Public domain · Source

Bildnachweise

Die Kunstwerke in Kadim sind gemeinfrei oder stehen unter offenen Lizenzen (CC0, CC BY). CC-BY-Bilder wurden zugeschnitten und in der Größe angepasst.

Das Osmanische Reich

• Bildnis Osmans I. — Unbekannter Künstler · 19. Jahrhundert · Gemeinfrei · Quelle
• Bildnis Orhan Gazis (aus Paolo Giovio, Vitae illustrium virorum) — Unbekannter Holzschneider, nach Paolo Giovios Porträtsammlung · 16. Jahrhundert · Pitts Theology Library, Emory University · Gemeinfrei · Quelle
• Murad oder Amurath I. — Claude du Bosc · 1734 · Houghton Library, Harvard University · Gemeinfrei · Quelle
• Bayezid I. wird zum Sultan ausgerufen (Hünername, Bd. I) — Osmanische Hofmaler (Text: Seyyid Lokman) · 16. Jahrhundert · Bibliothek des Topkapı-Palast-Museums · Gemeinfrei · Quelle
• Die Schlacht von Nikopolis, 1396 — Unbekannter osmanischer Maler · Undatiert · Gemeinfrei · Quelle
• Bayezid I., „der Blitz“, schlägt die Kreuzfahrer in der Schlacht von Nikopolis in die Flucht (Hünername) — Osmanische Hofmaler (Text: Seyyid Lokman) · 1588 · Bibliothek des Topkapı-Palast-Museums · Gemeinfrei · Quelle
• Bayezid I. wird nach der Schlacht bei Ankara vor Timur gebracht (Zafarnama) — Unbekannter safawidischer Maler · 16. Jahrhundert · British Library · Gemeinfrei · Quelle
• Bursa: Fotografie von der Reise der Familie von Hallwyl durch Kleinasien und die Türkei, 1901 — Jenny Bergensten · 1901 · Hallwyl-Museum, Stockholm · Gemeinfrei · Quelle
• Bursa, Nische und Fenster der Grünen Moschee — Sébah & Joaillier · 1888–1900 · Rijksmuseum, Amsterdam · CC0 · Quelle
• Karte von Konstantinopel und Pera (Liber insularum Archipelagi) — Unbekannter Kopist, nach Cristoforo Buondelmonti · um 1475 · Walters Art Museum, Baltimore · Gemeinfrei · Quelle
• Bosporus, Rumeli und Anadolu Hisarı, Konstantinopel, Türkei — Unbekannter Fotograf (Photoglob Co.) · um 1890–1900 · Library of Congress · Gemeinfrei · Quelle
• Die Belagerung von Konstantinopel (Le siège de Constantinople, Voyage d'Outremer) — Jean Le Tavernier · um 1455 · Bibliothèque nationale de France, Fr. 9087 · Gemeinfrei · Quelle
• Mehmed II. erobert Konstantinopel — Fausto Zonaro · 1903 · Gemeinfrei · Quelle
• Der Einzug Mehmeds II. in Konstantinopel — Jean-Joseph Benjamin-Constant · 1876 · Musée des Augustins, Toulouse · Gemeinfrei · Quelle
• Hagia-Sophia-Moschee, Konstantinopel, Türkei — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Sultan Mehmed II. — Gentile Bellini · 1480 · National Gallery, London · Gemeinfrei · Quelle
• Sitzender Schreiber — Gentile Bellini zugeschrieben · 1479–1481 · Isabella Stewart Gardner Museum, Boston · Gemeinfrei · Quelle
• Medaille: Sultan Mehmed II. — Costanzo da Ferrara · Modell 1481 (alter Nachguss) · Metropolitan Museum of Art, New York · CC0 · Quelle
• Kaiserliches Tor, Topkapı-Palast, Konstantinopel — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Schah Ismail beobachtet das osmanische Heer bei Tschaldiran (Selimname des Şükri-i Bidlisi, fol. 113a) — Osmanische Hofmaler · um 1525–1530 · Bibliothek des Topkapı-Palast-Museums, Istanbul · Gemeinfrei · Quelle
• Sultan Süleyman im Profil — Umkreis von Tizian · 1530er-Jahre · Kunsthistorisches Museum, Wien · Gemeinfrei · Quelle
• Tughra (offizielle Signatur) Sultan Süleymans des Prächtigen (reg. 1520–66) — Osmanische Hofilluminatoren · um 1555–1560 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Süleyman I. während der Belagerung von Rhodos (1522) (Süleymanname, MS Hazine 1517, fol. 149r) — Nakkaş Osman zugeschrieben · um 1558 · Bibliothek des Topkapı-Palast-Museums, Istanbul · Gemeinfrei · Quelle
• Die Schlacht bei Mohács (Süleymannâme) — Osmanische Hofmaler · 1558 · Bibliothek des Topkapı-Palast-Museums · Gemeinfrei · Quelle
• Kriegsrat nach der erfolglosen Belagerung Wiens — Osmanische Hofmaler · 16. Jahrhundert · Gemeinfrei · Quelle
• Ankunft Süleymans des Prächtigen im Palast am Atmeydanı zur Beschneidungsfeier seiner Prinzen Mustafa, Mehmed und Selim (Hünername) — Osmanische Hofmaler · 1584–1588 · Gemeinfrei · Quelle
• Istanbul und Galata (Beyân-ı Menâzil) — Matrakçı Nasuh · 1537 · Universitätsbibliothek Istanbul · Gemeinfrei · Quelle
• Süleyman empfängt Königin Isabella und ihren Sohn Johann Sigismund (Süleymanname) — Osmanische Hofmaler · um 1558 · Gemeinfrei · Quelle
• Registrierung christlicher Knaben für die Devşirme (Süleymanname) — Osmanische Hofmaler · 1558 · Gemeinfrei · Quelle
• Rückkehr des osmanischen Heeres aus Szigetvár unter dem Anschein, Süleyman I. sei noch am Leben — Nakkaş Osman · 1568–1569 · Bibliothek des Topkapı-Palast-Museums, Istanbul · Gemeinfrei · Quelle
• Weltkarte des Piri Reis — Piri Reis · 1513 · Bibliothek des Topkapı-Palast-Museums, H. 1824 · Gemeinfrei · Quelle
• Karte des westlichen Teils der Stadt Venedig (Kitâb-ı Bahriye) — Nach Piri Reis · Spätes 17. – frühes 18. Jahrhundert · Walters Art Museum · Gemeinfrei · Quelle
• Istanbul (Abschrift des Kitâb-ı Bahriye) — Mustafa bin Mehmed Cündî · 1629 · Nuruosmaniye-Bibliothek, Istanbul · Gemeinfrei · Quelle
• Hayreddin Barbarossa — Anonym, italienisch, 16. Jahrhundert · 1530–60 · Metropolitan Museum of Art · CC0 · Quelle
• Barbarossas Flotte überwintert in Toulon, 1543 — Matrakçı Nasuh · 16. Jahrhundert · Gemeinfrei · Quelle
• Die französische Flotte mit Barbarossa bei der Belagerung von Nizza, 1543 — Matrakçı Nasuh · 16. Jahrhundert · Gemeinfrei · Quelle
• Dragut Reis — Anonym (niederländisch) · um 1650–1750 · Bibliotheken der KU Leuven · Gemeinfrei · Quelle
• Die Belagerung von Malta: Ankunft der türkischen Flotte, 20. Mai 1565 — Matteo Perez d'Aleccio · Spätes 16. Jahrhundert · Royal Museums Greenwich · Gemeinfrei · Quelle
• Die Seeschlacht von Lepanto — Cornelis de Wael · um 1613–1667 · Gemeinfrei · Quelle
• Fliese mit wellenförmigen Weinranken — Osmanische Fliesenmacher, Bursa · 824 n. H. / 1421 n. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Teller mit zwei Vögeln zwischen blühenden Pflanzen — Töpfer aus İznik · um 1575–90 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Teller mit Segelschiffmotiv — Töpfer aus İznik · 17. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Fliesenpaneel — Töpfer aus İznik · Zweite Hälfte des 16. Jahrhunderts · Metropolitan Museum of Art, New York · CC0 · Quelle
• Brokatseide mit Blattmedaillons von einem Kaftan — Osmanische Weber, Istanbul · 1525–75 · Cleveland Museum of Art · CC0 · Quelle
• Süleymaniye-Moschee, Konstantinopel, Türkei — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Moschee Sultan Ahmeds I., Innenansicht, Konstantinopel, Türkei — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Yeni-Cami-Moschee und Basar von Eminönü, Konstantinopel, Türkei — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Kalligrafische Galeone — ʿAbd al-Qadir Hisari · 1180 n. H. / 1766–67 n. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Der Brunnen Sultan Ahmeds, Konstantinopel, Türkei — Unbekannter Fotograf (Photoglob Co.) · 1890–1900 · Library of Congress · Gemeinfrei · Quelle
• Der Tod des Sohnes von Prinz Mustafa in Bursa (Hünernâme, Bd. II) — Osmanische Hofmaler (Text: Seyyid Lokman) · um 1585–1588 · Bibliothek des Topkapı-Palast-Museums, Istanbul · Gemeinfrei · Quelle
• Süleyman I. empfängt den siebenbürgischen Fürsten János Zsigmond 1566 bei Semlin (Detail), aus der Geschichte des Feldzugs nach Szigetvár — Nakkaş Osman · 1568–1569 · Bibliothek des Topkapı-Palast-Museums, Istanbul · Gemeinfrei · Quelle
• Das osmanische Heer marschiert 1569 auf die Stadt Tunis (Şehnâme-i Selîm Hân) — Nakkaş Osman und Ali · 1581 · Aga Khan Museum, Toronto · Gemeinfrei · Quelle
• Bildnis Sultan Murads III. — Unbekannter Maler · Unbekannt · Topkapı-Palast-Museum, Istanbul · Gemeinfrei · Quelle
• Ein Janitschar — Anonym (Vanmour-Serie) · um 1700–1737 · Rijksmuseum, Amsterdam · Gemeinfrei · Quelle
• Der Aga, Oberbefehlshaber der Janitscharen — Anonym (Vanmour-Serie) · um 1700–1737 · Rijksmuseum, Amsterdam · Gemeinfrei · Quelle
• Der Großwesir überquert den Atmeydanı (Hippodrom) — Jean-Baptiste Vanmour · um 1720–1737 · Rijksmuseum, Amsterdam · Gemeinfrei · Quelle
• Türkische Höflinge beim Festmahl vor einem Zelt — Jean-Baptiste Vanmour · um 1720–1737 · Rijksmuseum, Amsterdam · Gemeinfrei · Quelle
• Mahlzeit vornehmer türkischer Frauen — Jean-Baptiste Vanmour · um 1720–1737 · Rijksmuseum, Amsterdam · Gemeinfrei · Quelle
• Tanzende Derwische — Jean-Baptiste Vanmour · um 1720–1737 · Rijksmuseum, Amsterdam · Gemeinfrei · Quelle
• Schlafende junge Frau — Levni · um 1718–1730 · Topkapı-Palast-Museum, H. 2169 · Gemeinfrei · Quelle
• Surnâme-i Vehbî — Levni · 1720 · Bibliothek des Topkapı-Palast-Museums · Gemeinfrei · Quelle
• Festlichkeiten auf dem Wasser (Surnâme-i Vehbî) — Abdulcelil Levni und Werkstatt · um 1720 · Bibliothek des Topkapı-Palast-Museums, Istanbul · Gemeinfrei · Quelle
• Feuerwerk bei Nacht (Surnâme-i Vehbî) — Abdulcelil Levni und Werkstatt · um 1720 · Bibliothek des Topkapı-Palast-Museums, Istanbul · Gemeinfrei · Quelle
• Nahıls beim Beschneidungsfest (Surnâme-i Vehbî) — Abdulcelil Levni und Werkstatt · um 1720 · Bibliothek des Topkapı-Palast-Museums, Istanbul · Gemeinfrei · Quelle
• Bildnis Sultan Ahmeds III. — Jean-Baptiste Vanmour · um 1700–1737 · Rijksmuseum, Amsterdam · Gemeinfrei · Quelle
• Der Großwesir Nevşehirli Damat İbrahim Pascha — Jean-Baptiste Vanmour · um 1727–1730 · Rijksmuseum, Amsterdam · Gemeinfrei · Quelle
• Cornelis Calkoen auf dem Weg zur Audienz bei Sultan Ahmed III. — Jean-Baptiste Vanmour · um 1727–1730 · Rijksmuseum, Amsterdam · Gemeinfrei · Quelle
• Botschafter Cornelis Calkoen bei seiner Audienz bei Sultan Ahmed III., 14. September 1727 — Jean-Baptiste Vanmour · um 1727–1730 · Rijksmuseum, Amsterdam, SK-A-4078 · CC0 · Quelle
• Patrona Halil — Jean-Baptiste Vanmour · um 1730–1737 · Rijksmuseum, Amsterdam · Gemeinfrei · Quelle
• Sultan Selim III. bei einer Audienz — Konstantin Kapıdağlı · 1803 · Gemeinfrei · Quelle
• Sultan Mahmud II. — Athanasios Karantzoulas · Zweite Hälfte des 19. Jahrhunderts · Gemeinfrei · Quelle
• Sultan Abdülmecid I. — Unbekannter Künstler · Mitte des 19. Jahrhunderts · Gemeinfrei · Quelle
• Gesamtansicht des Hauptschiffs (Vue générale de la grande nef; Aya Sofia, Constantinople) — Gaspare Fossati · Lithografie von Louis Haghe · 1852 · Library of Congress · Gemeinfrei · Quelle
• Dolmabahçe-Palast, Konstantinopel, Türkei — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Ein Markt vor der Neuen Moschee (Yeni Cami), Konstantinopel — Amedeo Preziosi · 1879 · Gemeinfrei · Quelle
• Das Kavallerieregiment Ertuğrul auf der Galatabrücke — Fausto Zonaro · 1901 · Gemäldemuseum der Nationalpaläste, Istanbul · Gemeinfrei · Quelle
• Arzuhalci (Der öffentliche Schreiber) — Osman Hamdi Bey · 1910 · Gemeinfrei · Quelle
• Der Schildkrötenerzieher — Osman Hamdi Bey · 1906 · Pera Museum, Istanbul · Gemeinfrei · Quelle
• Fischer bringen den Fang ein — Fausto Zonaro · Spätes 19. – frühes 20. Jahrhundert · Gemeinfrei · Quelle

Das Mogulreich

• Timur überreicht Babur in Gegenwart Humayuns die Krone (Minto-Album) — Govardhan · um 1630 · Victoria and Albert Museum, London · Gemeinfrei · Quelle
• Idealisiertes Bildnis eines lesenden Prinzen, als Babur identifiziert — Wahrscheinlich Aqa Riza · um 1605–1615 · British Museum, London · Gemeinfrei · Quelle
• Babur und sein Gefolge nähern sich dem Mirza-Tor der Festung Andijan, aus einem Baburnama — Hofmaler der Moguln · 1598 · Nationalmuseum, Neu-Delhi · Gemeinfrei · Quelle
• Khwaja Qazi und andere greifen die Festung des Aba-bikr Mirza Dughlat an (Baburnama) — Hofmaler der Moguln · 1598 · Nationalmuseum, Neu-Delhi · Gemeinfrei · Quelle
• Babur bei der Einnahme Kabuls 1504, aus einem Akbarnama — Basawan und Mahesha · um 1586–1590 · National Museum of Asian Art (Freer Gallery of Art), Washington, D.C. · Gemeinfrei · Quelle
• Babur trifft Khanzada Begam und andere Damen in Kunduz, aus einem Baburnama — Mansur (laut einer teilweise beschnittenen Inschrift) · 1598 · Gemeinfrei · Quelle
• Babur beaufsichtigt die Anlage des Gartens der Treue, aus einem Baburnama — Hofmaler der Moguln · um 1589–1590 · Gemeinfrei · Quelle
• Die Schlacht von Panipat, aus einem Baburnama — Hofmaler der Moguln · 1598 · Gemeinfrei · Quelle
• Babur empfängt nach dem Sieg über Sultan Ibrahim die Beute und Humayuns Gruß, aus einem Akbarnama — Hofmaler der Moguln · um 1596–1597 oder 1604 · Cleveland Museum of Art · CC0 · Quelle
• Babur überquert den Fluss Saun, aus einem Baburnama — Jaganath · 1598 · Nationalmuseum, Neu-Delhi · Gemeinfrei · Quelle
• Kaiser Humayun — Unbekannter Künstler aus Delhi · um 1875 · Los Angeles County Museum of Art · Gemeinfrei · Quelle
• Babur ernennt Humayun zu seinem Nachfolger, aus einem Akbarnama — Lal zugeschrieben · 1602–1603 · British Library, London · Gemeinfrei · Quelle
• Die Flucht Sultan Bahadurs während Humayuns Feldzug in Gujarat, aus einem Akbarnama — Dharmdas · um 1590 · Los Angeles County Museum of Art · Gemeinfrei · Quelle
• Das Hochzeitsfest von Humayun und Hamida Banu Begam, aus einem Akbarnama — Hofmaler der Moguln · um 1595 · Gemeinfrei · Quelle
• Qaracha Khan bittet Humayun um Vergebung, aus einem Akbarnama — Hofmaler der Moguln · um 1595 · Gemeinfrei · Quelle
• Akbar und Humayun in einem Baumhaus, Kabul (Detail) — 'Abd al-Samad zugeschrieben · um 1550–1556 · Gemeinfrei · Quelle
• Mirza Kamran unterwirft sich Humayun, aus einem Akbarnama — Manohar · 1602–1603 · British Library, London · Gemeinfrei · Quelle
• Humayun besiegt die Afghanen vor der Rückeroberung Indiens, aus einem Akbarnama — Hofmaler der Moguln · um 1590 · Cleveland Museum of Art · Gemeinfrei · Quelle
• Mausoleum des Humayun, Delhi — Unbekannter Künstler aus Delhi · 1820 · British Library, London · Gemeinfrei · Quelle
• Delhi. Mausoleum des Kaisers Humayun — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Bairam Khan bittet den jungen Akbar nach der Belagerung von Mankot, 1557 (Seite aus dem Akbarnama) — Maler aus Akbars Werkstatt, Lahore · um 1590–1595 · Gemeinfrei · Quelle
• Akbars Abenteuer mit dem Elefanten Hawa'i (Akbarnama) — Basawan · um 1590 · Victoria and Albert Museum, London · Gemeinfrei · Quelle
• Der Fall von Malwa (Akbarnama, Detail) — Hofmaler der Moguln · um 1600–1603 · Chester Beatty Library, Dublin · Gemeinfrei · Quelle
• Die Schlacht von Jaunpur, 1561 (Akbarnama) — Kanha (Entwurf) und Banwali Khord (Malerei) · um 1590 · Victoria and Albert Museum, London · Gemeinfrei · Quelle
• Eine Mine explodiert während der Belagerung von Chittor (Akbarnama, linke Hälfte) — Miskina (Entwurf) und Bhura (Malerei) · um 1590–1595 · Victoria and Albert Museum, London · Gemeinfrei · Quelle
• Akbar erschießt Jaimal bei der Belagerung von Chittor (Akbarnama) — Hofmaler der Moguln · um 1590–1596 · Victoria and Albert Museum, London · Gemeinfrei · Quelle
• Ochsen ziehen beim Angriff auf die Festung Ranthambhor Belagerungsgeschütze bergauf (Akbarnama) — Hofmaler der Moguln · um 1590–1595 · Victoria and Albert Museum, London · Gemeinfrei · Quelle
• Akbars triumphaler Einzug in Surat (Akbarnama) — Farrukh Beg · um 1590–1595 · Victoria and Albert Museum, London · Gemeinfrei · Quelle
• Die Schlacht von Tukaroi, 3. März 1575 (Akbarnama) — Manohar · um 1590 · Gemeinfrei · Quelle
• Akbars General meldet ihm die Eroberung Bengalens 1576 (Akbarnama) — ʿInayat Khanazad · 1603–1605 · Chester Beatty Library, Dublin · Gemeinfrei · Quelle
• Feridun Shah, König von Griechenland, tritt zum Islam über und gibt Hamza seine Tochter (Hamzanama) — Mir Sayyid Ali zugeschrieben · um 1557–1572 · MAK – Museum für angewandte Kunst, Wien · Gemeinfrei · Quelle
• Das Drehen des Rades am Shisan-Damm (Hamzanama) — Hofmaler der Moguln · um 1558–1573 · Chester Beatty Library, Dublin · Gemeinfrei · Quelle
• Akbar fängt einen Geparden (Akbarnama) — Hofmaler der Moguln · um 1600–1603 · Chester Beatty Library, Dublin · Gemeinfrei · Quelle
• Akbar empfängt Geschenke von den Gesandten aus Badachschan (Akbarnama) — Hofmaler der Moguln · um 1600–1603 · Chester Beatty Library, Dublin · Gemeinfrei · Quelle
• Beschneidungszeremonie für Akbars Söhne (Akbarnama, Gemälde 126) — Dharam Das · um 1602–1603 · Cleveland Museum of Art · CC0 · Quelle
• Akbar besichtigt den Bau von Fatehpur Sikri (Akbarnama) — Balchand · 1603–1605 · Chester Beatty Library, Dublin · Gemeinfrei · Quelle
• Fatehpur Sikri, Panch Mahal — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Akbar und die Jesuiten (Akbarnama) — Narsingh · um 1600–1603 · Chester Beatty Library, Dublin · Gemeinfrei · Quelle
• Abu'l-Fazl überreicht Akbar das Akbarnama — Govardhan · 1603–1605 · Chester Beatty Library, Dublin · Gemeinfrei · Quelle
• Tor des Grabmals Kaiser Akbars in Sikandra bei Agra (Oriental Scenery, Tafel 9) — Thomas Daniell · 1795 · Wellcome Collection, London · Gemeinfrei · Quelle
• Kaiser Jahangir empfängt seine zwei Söhne — Manohar · um 1605–1606 · British Museum, London · Gemeinfrei · Quelle
• Kaiser Jahangir wiegt seinen Sohn Khurram in Gold auf — Manohar zugeschrieben · um 1615 · British Museum, London · Gemeinfrei · Quelle
• Jahangir im Darbar — Abu'l Hasan · um 1620–1624; um 1628 teilweise übermalt · Museum of Fine Arts, Boston · Gemeinfrei · Quelle
• Gefleckter Scherenschwanz, Blatt aus dem Shah-Jahan-Album — Abu'l Hasan (Malerei); Mir 'Ali Haravi (Kalligrafie, Verso) · um 1610–1615 (Kalligrafie um 1540) · Metropolitan Museum of Art, New York · CC0 · Quelle
• Ein Chamäleon — Ustad Mansur · Frühes 17. Jahrhundert · Royal Collection Trust, Vereinigtes Königreich · Gemeinfrei · Quelle
• Studie einer Nilgauantilope (Blaubulle), Blatt aus dem Shah-Jahan-Album — Ustad Mansur (Malerei); Mir 'Ali Haravi (Kalligrafie, Recto) · um 1620 (Kalligrafie um 1540) · Metropolitan Museum of Art, New York · CC0 · Quelle
• Doppelhornvogel, Blatt aus dem Shah-Jahan-Album — Ustad Mansur (Malerei); Mir 'Ali Haravi (Kalligrafie, Recto) · um 1615–1620 (Kalligrafie um 1540) · Metropolitan Museum of Art, New York · CC0 · Quelle
• Kaiser Jahangir umarmt Schah 'Abbas, aus dem St. Petersburger Album — Abu'l Hasan · um 1618 · Freer Gallery of Art, Washington, DC · Gemeinfrei · Quelle
• Jahangir zieht einen Sufi-Scheich den Königen vor, aus dem St. Petersburger Album — Bichitr · um 1615–1618 · Freer Gallery of Art, Washington, DC · Gemeinfrei · Quelle
• Nur Jahan bewirtet Jahangir und Prinz Khurram — Hofmaler der Moguln · um 1640–1650 · Freer Gallery of Art, Washington, DC · Gemeinfrei · Quelle
• Nur Jahan mit einem Bildnis Kaiser Jahangirs — Bishandas · 1627 · Cleveland Museum of Art · Gemeinfrei · Quelle
• Shah Jahan empfängt während seiner Thronbesteigungsfeierlichkeiten seine drei ältesten Söhne und Asaf Khan (Padshahnama) — Bichitr · um 1630–1657 · Royal Collection Trust, Vereinigtes Königreich · Gemeinfrei · Quelle
• Shah Jahan zu Pferde, Blatt aus dem Shah-Jahan-Album — Payag · um 1630 · Metropolitan Museum of Art, New York · Gemeinfrei · Quelle
• Shah Jahan betritt seinen Palast in Burhanpur (Seite aus dem Padshahnama) — 'Abid · 1630–1631 · Gemeinfrei · Quelle
• Der Hochzeitszug des Dara Shikoh — Haji Madni · 1740er-Jahre · Gemeinfrei · Quelle
• Shah Jahan beobachtet einen Elefantenkampf, Blatt aus einem Padshahnama — Bulaqi · Wahrscheinlich 1639 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Qilij Khan nimmt die Schlüssel einer übergebenen Stadt entgegen (Padshahnama) — Murad zugeschrieben · um 1646 · Musée Guimet, Paris · Gemeinfrei · Quelle
• Rosette mit den Namen und Titeln Shah Jahans, Blatt aus dem Shah-Jahan-Album — Hofilluminator der Moguln · 17. Jahrhundert · Metropolitan Museum of Art, New York · Gemeinfrei · Quelle
• Das Taj Mahal in Agra (The Taje Mahal, at Agra; Oriental Scenery, Tafel 18) — Thomas Daniell · Juli 1796 · Wellcome Collection, London · Gemeinfrei · Quelle
• Agra, Taj Mahal — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Die Freitagsmoschee in Delhi (The Jummah Musjed, Delhi; Oriental Scenery, Tafel 23) — Thomas Daniell · Januar 1797 · Wellcome Collection, London · Gemeinfrei · Quelle
• Aurangzeb jagt Nilgauantilopen — Hofmaler der Moguln (auf Commons Hashim zugeschrieben) · um 1660 · Chester Beatty Library, Dublin · Gemeinfrei · Quelle
• Kaiser Alamgir (reg. 1658–1707) zu Pferde — Hofmaler der Moguln · um 1690–1710 · Cleveland Museum of Art · CC0 · Quelle
• Eine Mogulprinzessin entspannt sich auf einer Terrasse — Unbekannter Maler aus dem Dekkan · um 1680–1700 · Gemeinfrei · Quelle
• Sultan Ali Adil Shah II. von Bijapur (Frontispiz zu Nusratis Gulshan-i Ishq) — Unbekannter Maler aus dem Dekkan (Hyderabad) · um 1710 · David Collection, Kopenhagen · Gemeinfrei · Quelle
• Kaiser Aurangzeb bei der Belagerung von Golkonda, 1687 — Unbekannter indischer Maler · um 1750–1790 · Anne S. K. Brown Military Collection, Brown University Library · Gemeinfrei · Quelle
• Imperii Magni Mogolis sive Indici Padschach (Karte des Reiches des Großmoguls) — Matthäus Seutter · um 1740 · Gemeinfrei · Quelle
• Kaiser Aurangzeb wird in einer Sänfte getragen — Bhavanidas · um 1705–20 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Bildnis Alamgirs (reg. 1658–1707) — Hofmaler der Moguln · um 1700 · Cleveland Museum of Art · CC0 · Quelle
• Kaiser Aurangzeb empfängt Prinz Mu'azzam — Bhavanidas zugeschrieben · um 1707–1712 · Chester Beatty Library, Dublin · Gemeinfrei · Quelle
• Farrukhsiyar zu Pferde mit Gefolge — Unbekannter Mogulmaler · 18. Jahrhundert · British Museum, London · Gemeinfrei · Quelle
• Bildnis des thronenden Nadir Shah Afshar — Unbekannter Mogulmaler · um 1740–1750 · David Collection, Kopenhagen · Gemeinfrei · Quelle
• Postumes Bildnis des Mogulkaisers Muhammad Shah (reg. 1719–1748) mit einem Falken — Muhammad Rizavi Hindi · 1764 · Cleveland Museum of Art · CC0 · Quelle
• Osttor der Freitagsmoschee in Delhi (Oriental Scenery, Tafel 1) — Thomas Daniell · 1. März 1795 · Wellcome Collection, London · Gemeinfrei · Quelle
• Shah 'Alam, Mogulkaiser, überträgt Lord Clive die Diwani, August 1765 — Benjamin West · 1818 · British Library, London · Gemeinfrei · Quelle
• Der Delhi-Darbar Akbars II. — Ghulam Murtaza Khan zugeschrieben · um 1811 · Aga Khan Museum, Toronto · Gemeinfrei · Quelle
• Diwan-i-Khas, Rotes Fort, Delhi, mit roten Sonnensegeln (Shamianas) — Ghulam 'Ali Khan · 1817 · British Library, London · Gemeinfrei · Quelle
• Shah Burj, Saman Burj und Asad Burj des Roten Forts vom Fluss aus — Ghulam 'Ali Khan · um 1852–1854 · Gemeinfrei · Quelle
• Bahadur Shah II., der letzte Mogulkaiser — Unbekannter Maler aus Delhi · um 1850 · Gemeinfrei · Quelle
• Lahore-Tor des Palastes, Rotes Fort, Delhi — Felice Beato · 1858 · Gemeinfrei · Quelle

Das Byzantinische Reich

• Constantius ernennt Konstantin zu seinem Nachfolger — Peter Paul Rubens · 1622 · Art Gallery of New South Wales, Sydney · Gemeinfrei · Quelle
• Die Kreuzesvision — Schule Raffaels (Giulio Romano und Werkstatt) · 1520–1524 · Sala di Costantino, Vatikanischer Palast, Vatikanstadt · Gemeinfrei · Quelle
• Der Triumph Konstantins über Maxentius in der Schlacht an der Milvischen Brücke (Tapisserie) — Entwurf: Peter Paul Rubens; gewebt in Paris · 1623–1625 (Entwurf 1622) · Philadelphia Museum of Art · Gemeinfrei · Quelle
• Traum Konstantins, Schlacht an der Milvischen Brücke und Auffindung des Wahren Kreuzes (Homilien des Gregor von Nazianz, fol. 440r) — Unbekannter byzantinischer Buchmaler · 879–882 · Bibliothèque nationale de France, Grec 510 · Gemeinfrei · Quelle
• Muttergottes mit Kind, Konstantin I. und Justinian I. (Mosaik am Südwesteingang) — Unbekannte byzantinische Mosaizisten (Foto: Myrabella) · Spätes 10. Jahrhundert · Hagia Sophia, Istanbul · Gemeinfrei · Quelle
• Die Verbrannte Säule, Konstantinopel, Türkei — Unbekannter Fotograf (Photoglob Co.) · 1890–1900 · Library of Congress · Gemeinfrei · Quelle
• Kaiser Konstantin und Kaiserin Helena mit dem Wahren Kreuz — Unbekannter Ikonenmaler · 14.–15. Jahrhundert · Germanisches Nationalmuseum, Nürnberg · Gemeinfrei · Quelle
• Das Erste Konzil von Konstantinopel (Homilien des Gregor von Nazianz, fol. 355r) — Unbekannter byzantinischer Buchmaler · 879–883 · Bibliothèque nationale de France, Grec 510 · Gemeinfrei · Quelle
• Der heilige Ambrosius verwehrt Theodosius den Zutritt zum Mailänder Dom — Anthony van Dyck · um 1619–1620 · National Gallery, London · Gemeinfrei · Quelle
• Konstantinopel. Sockel des Theodosius-Obelisken — Pascal Sébah · 1870er-Jahre · Bibliothèque nationale et universitaire de Strasbourg (Numistral) · Gemeinfrei · Quelle
• Anicia Juliana zwischen Großmut und Klugheit (Wiener Dioskurides, fol. 6v) — Unbekannter byzantinischer Buchmaler; Foto: Gennadii Saus i Segura (CC BY 4.0) · um 512 · Österreichische Nationalbibliothek, Wien (Cod. Med. gr. 1) · CC BY 4.0 · Quelle
• Das Barberini-Elfenbein — Unbekannter byzantinischer Elfenbeinschnitzer · Erste Hälfte des 6. Jahrhunderts · Louvre, Paris (OA 9063) · CC0 · Quelle
• Kaiser Justinian I. und sein Gefolge (Detail) — Unbekannte byzantinische Mosaizisten · um 547 · Basilika San Vitale, Ravenna · Gemeinfrei · Quelle
• Kaiserin Theodora und ihr Gefolge (Detail) — Unbekannte byzantinische Mosaizisten · um 547 · Basilika San Vitale, Ravenna · Gemeinfrei · Quelle
• Belisar bittet um Almosen — Jacques-Louis David · 1781 · Palais des Beaux-Arts, Lille · Gemeinfrei · Quelle
• Ansicht derselben Galerie von der Ostseite (Aya Sofia, Constantinople) — Gaspare Fossati (Zeichnung); Louis Haghe (Lithografie) · 1852 · Library of Congress · Gemeinfrei · Quelle
• Ansicht des Nordeingangs (Aya Sofia, Constantinople) — Gaspare Fossati (Zeichnung); Louis Haghe (Lithografie) · 1852 · Library of Congress · Gemeinfrei · Quelle
• Rebekka und Elieser am Brunnen (Wiener Genesis) — Unbekannter byzantinischer Buchmaler · 6. Jahrhundert · Österreichische Nationalbibliothek, Wien (Cod. theol. gr. 31) · Gemeinfrei · Quelle
• Die Auferweckung des Lazarus (Rossano-Evangeliar) — Unbekannter byzantinischer Buchmaler · 6. Jahrhundert · Diözesanmuseum, Rossano · Gemeinfrei · Quelle
• Christus Pantokrator — Unbekannter byzantinischer Ikonenmaler · 6. Jahrhundert · Katharinenkloster, Sinai · Gemeinfrei · Quelle
• Ikone des heiligen Petrus — Unbekannter byzantinischer Ikonenmaler · 6.–7. Jahrhundert · Katharinenkloster, Sinai · Gemeinfrei · Quelle
• Ikone der Muttergottes mit Kind — Unbekannter Weber, byzantinisches Ägypten · 6. Jahrhundert · Cleveland Museum of Art · CC0 · Quelle
• Kreuzigung mit Ikonoklasten (Chludov-Psalter, fol. 67r) — Byzantinischer Buchmaler · um 850–875 · Staatliches Historisches Museum, Moskau · Gemeinfrei · Quelle
• Der heilige Niketas der Bekenner (Menologion Basileios' II.) — Buchmaler des Menologions Basileios' II. · um 985 · Biblioteca Apostolica Vaticana · Gemeinfrei · Quelle
• Der heilige Athanasios der Bekenner (Menologion Basileios' II.) — Buchmaler des Menologions Basileios' II. · um 985 · Biblioteca Apostolica Vaticana · Gemeinfrei · Quelle
• Theophobos heiratet die Schwester Kaiser Theophilos' (Madrider Skylitzes, fol. 53v) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Theoktiste lehrt Theodoras Töchter die Verehrung der Ikonen (Madrider Skylitzes, fol. 44v) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Der Triumph der Orthodoxie (Die Wiederherstellung der Ikonen) — Unbekannter byzantinischer Ikonenmaler · um 1400 · British Museum, London · Gemeinfrei · Quelle
• David komponiert die Psalmen (Pariser Psalter, fol. 1v) — Byzantinischer Buchmaler · um 950–960 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Der Engel erscheint Josua (Josua-Rolle) — Byzantinischer Buchmaler · um 950–975 · Biblioteca Apostolica Vaticana · Gemeinfrei · Quelle
• Der heilige Isidor von Pelusium (Menologion Basileios' II.) — Buchmaler des Menologions Basileios' II. · um 985 · Biblioteca Apostolica Vaticana · Gemeinfrei · Quelle
• Ikone mit dem heiligen Demetrios — Byzantinischer Elfenbeinschnitzer · 950–1000 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Das Harbaville-Triptychon — Byzantinischer Elfenbeinschnitzer · Mitte des 10. Jahrhunderts · Louvre, Paris · Gemeinfrei · Quelle
• Die Taufe der Rus — Viktor Vasnetsov · um 1890 · Staatliche Tretjakow-Galerie, Moskau · Gemeinfrei · Quelle
• Nomisma mit Basileios II. und Konstantin VIII. (Rückseite) — Kaiserliche Münzstätte Konstantinopel · 977–1025 · Cleveland Museum of Art · CC0 · Quelle
• Die Kreuzigung — Byzantinische Mosaizisten · Frühes 11. Jahrhundert · Kloster Hosios Loukas, Böotien · Gemeinfrei · Quelle
• Die drei Marien (Mosaikdetail) — Byzantinische Mosaizisten · um 1042–1056 · Kloster Nea Moni, Chios · Gemeinfrei · Quelle
• Konstantin IX. Monomachos (Detail des Zoe-Mosaiks) — Byzantinische Mosaizisten · 1042–1055 · Hagia Sophia, Istanbul · Gemeinfrei · Quelle
• Medaillon mit dem heiligen Georg von einem Ikonenrahmen — Byzantinischer Emailleur · um 1100 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Krönung eines auf den Schild gehobenen Kaisers (Madrider Skylitzes, fol. 10v) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Krum sammelt sein Heer; Soldaten drängen Michael I. zum Kampf (Madrider Skylitzes, fol. 11r) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Thomas der Slawe greift Konstantinopel an und belagert es (Madrider Skylitzes, fol. 32v) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Die byzantinische Flotte verbrennt die Rebellenflotte mit Griechischem Feuer (Madrider Skylitzes, fol. 34v, Detail) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Omurtag und die Gesandten Michaels II. (Madrider Skylitzes, fol. 35r) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Die Bulgaren besiegen die Byzantiner unter Krenites und Kourtikios (Madrider Skylitzes, fol. 108r, Detail) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Leo VI. mit arabischen Gesandten; Krönung Konstantins VII. (Madrider Skylitzes, fol. 114v) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Die Byzantiner erstürmen Preslaw (Madrider Skylitzes, fol. 166r, Detail) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Triumphaler Einzug des Johannes Tzimiskes (wahrscheinliche Identifizierung) (Madrider Skylitzes, fol. 172v) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Alusian schließt sich Peter Delyan an; Ausfall aus Thessaloniki (Madrider Skylitzes, fol. 217r) — Unbekannter Buchmaler · 12. Jahrhundert · Biblioteca Nacional de España, Madrid · Gemeinfrei · Quelle
• Hochzeit von Romanos IV. und Eudokia; Schlacht bei Manzikert (1071); Romanos IV. und Alp Arslan (Boccaccio, De casibus, französische Übersetzung) — Unbekannter französischer Buchmaler · 15. Jahrhundert · Bibliothèque nationale de France, Paris (Français 236, fol. 203) · Gemeinfrei · Quelle
• Passages d'outremer: Die Schlacht von Nicäa (1097) — Jean Colombe · um 1474 · Bibliothèque nationale de France, Paris (Français 5594, fol. 37v) · Gemeinfrei · Quelle
• Christus Pantokrator (Kuppelmosaik) — Unbekannte byzantinische Mosaizisten · um 1100 · Kloster Daphni, Athen · Gemeinfrei · Quelle
• Mosaikikone Christus der Barmherzige (Eleemon) — Unbekannter byzantinischer Künstler · Erste Hälfte des 12. Jahrhunderts · Bode-Museum, Staatliche Museen zu Berlin · Gemeinfrei · Quelle
• Gottesmutter mit Kind zwischen Johannes II. Komnenos und Kaiserin Irene — Byzantinische Mosaizisten · um 1118–1122 · Hagia Sophia, Istanbul · Gemeinfrei · Quelle
• Die Gottesmutter von Wladimir — Unbekannter Maler aus Konstantinopel · um 1130 (später übermalt) · Staatliche Tretjakow-Galerie, Moskau · Gemeinfrei · Quelle
• Die Leiter des göttlichen Aufstiegs — Unbekannter byzantinischer Maler · 12. Jahrhundert · Katharinenkloster, Sinai · Gemeinfrei · Quelle
• Der Einzug der Kreuzfahrer in Konstantinopel (12. April 1204) — Eugène Delacroix · 1840 · Louvre, Paris · Gemeinfrei · Quelle
• Die Bronzepferde von San Marco, Venedig — Charles Caryl Coleman · 1876 · Minneapolis Institute of Art · Gemeinfrei · Quelle
• Deesis-Mosaik, Hagia Sophia — Byzantinische Mosaizisten; Foto: Myrabella · 13. Jahrhundert; Foto 2012 · Hagia Sophia, Istanbul · Gemeinfrei · Quelle
• Chrysobull Andronikos' II. Palaiologos für die Metropolis Monemvasia — Unbekannter byzantinischer Künstler · 1301 · Byzantinisches und Christliches Museum, Athen · Gemeinfrei · Quelle
• Thronender Christus und Stiftermosaik (Theodoros Metochites), Kariye Camii — Byzantinische Mosaizisten; Foto: Mitarbeiter des Byzantine Institute · um 1315–1321; Foto 1955 · Dumbarton Oaks, Washington, D.C. · CC0 · Quelle
• Christus, das Land der Lebenden, Mosaiklünette, Chora-Kirche — Byzantinische Mosaizisten; Foto: Joseolgon · um 1315–1321; Foto 2026 · Kariye (Chora), Istanbul · CC BY 4.0 · Quelle
• Anastasis-Fresko, Chora-Kirche — Byzantinische Maler · um 1320 · Kariye (Chora), Istanbul · Gemeinfrei · Quelle
• Die Geburt Christi, Fresko in der Kirche des Peribleptos-Klosters, Mystras — Byzantinische Maler · um 1348–1380 · Peribleptos-Kloster, Mystras · Gemeinfrei · Quelle
• Bildnis Manuels II. Palaiologos, aus seiner Leichenrede auf seinen Bruder Theodor — Unbekannter byzantinischer Buchmaler · Frühes 15. Jahrhundert · Bibliothèque nationale de France, Paris (Suppl. gr. 309) · Gemeinfrei · Quelle
• Johannes VIII. Palaiologos, Kaiser von Konstantinopel (Medaille, Vorderseite) — Pisanello · 1438 · National Gallery of Art, Washington · CC0 · Quelle
• Zug der Heiligen Drei Könige (Detail: der mittlere König) — Benozzo Gozzoli · 1459 · Cappella dei Magi, Palazzo Medici Riccardi, Florenz · Gemeinfrei · Quelle
• Ikone der neutestamentlichen Dreifaltigkeit — Unbekannter Maler aus Konstantinopel · um 1450 · Cleveland Museum of Art · CC0 · Quelle
• Der Erzengel Gabriel aus einer Verkündigungsszene an der Königstür einer Ikonostase — Unbekannter spätbyzantinischer Maler · Zweite Hälfte des 15. Jahrhunderts · Princeton University Art Museum · Gemeinfrei · Quelle
• Der Fall Konstantinopels — Panagiotis Zografos, unter der Leitung von Ioannis Makriyannis · um 1836–1839 · Gemeinfrei · Quelle
• Belagerung von Konstantinopel, Außenfresko — Unbekannte moldauische Maler; Foto: DimiTalen · 1537; Foto 2017 · Kloster Moldovița, Vatra Moldoviței, Rumänien · CC0 · Quelle
• Byzantinische Mauer bei Irdikale (Yedikule), Konstantinopel, Türkei — Unbekannter Fotograf (Photoglob Co.) · 1890–1900 · Library of Congress · Gemeinfrei · Quelle
• Konstantinopel, Türkei, von den Sieben Türmen aus — Unbekannter Fotograf (Glasdiapositiv) · um 1915 · Archiv der Oregon State University · Keine Einschränkungen · Quelle
• Inneres der Yerebatan-Zisterne, Konstantinopel — Michel-François Préaulx · 1814 · Rijksmuseum, Amsterdam · CC0 · Quelle
• Die Verklärung Christi — Theophanes dem Griechen zugeschrieben · 1400–1410 · Tretjakow-Galerie, Moskau · Gemeinfrei · Quelle
• Vier Kriegerheilige — Michael Damaskinos · Zweite Hälfte des 16. Jahrhunderts · Benaki-Museum, Athen · Gemeinfrei · Quelle
• Die Entschlafung der Gottesmutter — Viktor, kretischer Priestermaler · um 1650–1699 · Benaki-Museum, Athen · Gemeinfrei · Quelle
• Der Evangelist Markus — Emmanuel Tzanes · 1657 · Benaki-Museum, Athen · Gemeinfrei · Quelle

Das Alte Ägypten

• Schale mit weißer Kreuzlinienbemalung, Schildkröte und Sonne — Prädynastische ägyptische Töpfer (Naqada-Kultur) · um 4000–3400 v. Chr. · Cleveland Museum of Art · CC0 · Quelle
• Das bemalte Leinen von Gebelein (Detail) — Prädynastische ägyptische Künstler (Naqada-Kultur) · um 3600–3350 v. Chr. · Museo Egizio, Turin · CC0 · Quelle
• Tiefe Schale mit Darstellungen von Menschen, Tieren und Pflanzen — Prädynastische ägyptische Töpfer (Naqada-Kultur) · um 3650–3300 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Mit Booten verziertes Gefäß — Prädynastische ägyptische Töpfer (Naqada-Kultur) · um 3450–3350 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Bemaltes Gefäß (Decorated Ware) mit Spiralmuster — Prädynastische ägyptische Töpfer (Naqada-Kultur) · um 3650–3500 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Statuette einer Frau mit Kind — Prädynastische ägyptische Kunsthandwerker · Prädynastische Zeit · Neues Museum, Berlin · CC0 · Quelle
• Die Schlachtfeldpalette (Fragment) — Spätprädynastische ägyptische Kunsthandwerker · Späte prädynastische Zeit, um 3100 v. Chr. · British Museum, London · CC0 · Quelle
• Die Narmer-Palette (frühe Fotografie einer Museumspostkarte) — Frühe ägyptische Kunsthandwerker · um 3100 v. Chr. · Ägyptisches Museum, Kairo (Foto: Archivio fotografico, Museo Egizio, Turin) · CC0 · Quelle
• Die Gänse von Meidum (Detail des Frieses), Kapelle der Itet — Maler der Grabkapelle der Itet · um 2600–2550 v. Chr. · Ägyptisches Museum, Kairo · Gemeinfrei · Quelle
• Statuen des Rahotep und der Nofret — Ägyptische Kunsthandwerker der 4. Dynastie · um das 26. Jahrhundert v. Chr. · Ägyptisches Museum, Kairo · CC0 · Quelle
• Kairo, Palmen und Pyramiden (Kairo, palmiers et pyramides) — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Herannahender Samum – Wüste bei Giseh (Egypt and Nubia, Bd. III) — Louis Haghe nach David Roberts · 1849 · Cleveland Museum of Art · CC0 · Quelle
• Triade des Königs Menkaure mit Hathor und einer Gaugöttin — Ägyptische Kunsthandwerker der 4. Dynastie · um 2500 v. Chr. · Ägyptisches Museum, Kairo · CC0 · Quelle
• Die königlichen Bekannten Memi und Sabu — Ägyptische Kunsthandwerker der 4. Dynastie · um 2575–2465 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• König Sahure und ein Gaugott (Detail) — Ägyptische Kunsthandwerker der 5. Dynastie · um 2458–2446 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Der sitzende Schreiber — Ägyptische Kunsthandwerker des Alten Reiches · 4.–5. Dynastie, um 2600–2350 v. Chr. · Musée du Louvre, Paris · CC0 · Quelle
• Mastaba-Grab des Perneb — Ägyptische Kunsthandwerker der 5. Dynastie · um 2381–2323 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Relief mit Männern, die Vögel und Rinder bringen — Ägyptische Kunsthandwerker der 6. Dynastie · um 2311–2281 v. Chr. · Cleveland Museum of Art · CC0 · Quelle
• Modell einer Prozession von Opferträgern (Grab des Meketre) — Unbekannter ägyptischer Künstler · um 1981–1975 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Modell eines Jagdboots (Grab des Meketre) — Unbekannter ägyptischer Künstler · um 1981–1975 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Modell eines Rinderstalls aus dem Grab des Meketre — Unbekannter ägyptischer Künstler · um 1981–1975 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Stehendes Nilpferd („William“) — Unbekannter ägyptischer Künstler · um 1961–1878 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Stele des Hausverwalters Mentuwoser — Unbekannter ägyptischer Künstler · um 1944 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Anführer der Aamu von Schu, Grab des Chnumhotep II., Beni Hasan (Faksimile) — Norman de Garis Davies (Faksimile) · Original um 1887–1878 v. Chr.; Faksimile 20. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Weber, Grab des Chnumhotep (Faksimile) — Norman de Garis Davies (Faksimile) · Original um 1897–1878 v. Chr.; Faksimile 20. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Pektoral und Halskette der Sithathoryunet mit dem Namen Sesostris’ II. — Unbekannter ägyptischer Goldschmied · um 1887–1878 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Sesostris III. als Sphinx — Unbekannter ägyptischer Bildhauer · um 1878–1840 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Sarg des Nachtchnum — Unbekannter ägyptischer Künstler · um 1802–1640 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Sitzstatue der Hatschepsut — Unbekannter ägyptischer Bildhauer · um 1479–1458 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Sphinx der Hatschepsut — Unbekannter ägyptischer Bildhauer · um 1479–1458 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Fremdvölker, Grab des Mencheperreseneb (Faksimile) — Nina de Garis Davies (Faksimile) · Original um 1479–1425 v. Chr.; Faksimile 20. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Karnak, Tempel des Thutmosis (Karnak, Temple de Thouthmes) — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Ziegelmacher, Grab des Rechmire (Faksimile) — Nina de Garis Davies (Faksimile) · Original um 1479–1425 v. Chr.; Faksimile 20. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Barbierszene, Grab des Userhat (Faksimile) — Nina de Garis Davies (Faksimile) · Original um 1427–1400 v. Chr.; Faksimile 20. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Menna und seine Familie bei der Jagd in den Sümpfen, Grab des Menna (Faksimile) — Nina de Garis Davies (Faksimile) · Original um 1400–1352 v. Chr.; Faksimile 20. Jahrhundert · Metropolitan Museum of Art, New York · Gemeinfrei · Quelle
• Nacht und seine Familie beim Fischfang und bei der Vogeljagd, Grab des Nacht (Faksimile) — Norman de Garis Davies (Faksimile) · Original um 1400–1390 v. Chr.; Faksimile 20. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Nebamun bei der Vogeljagd in den Sümpfen — Unbekannter thebanischer Grabmaler · um 1390–1350 v. Chr. · British Museum, London · Gemeinfrei · Quelle
• Teich in einem Garten (Grabkapelle des Nebamun) — Unbekannter thebanischer Grabmaler · um 1380 v. Chr. · British Museum, London · Gemeinfrei · Quelle
• Die Memnonkolosse bei Theben während der Überschwemmung (Egypt and Nubia, Bd. II) — Louis Haghe nach David Roberts · 1848 · Cleveland Museum of Art · CC0 · Quelle
• Gesicht einer Kompositstatue, wahrscheinlich Königin Teje — Unbekannter ägyptischer Bildhauer · um 1353–1336 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Hausaltar mit Echnaton, Nofretete und drei ihrer Töchter — Unbekannter ägyptischer Bildhauer; Foto: Andreas Praefcke (2006) · um 1340 v. Chr. · Ägyptisches Museum und Papyrussammlung, Berlin (ÄM 14145) · Gemeinfrei · Quelle
• Talatat: Bildnis der Nofretete — Unbekannter ägyptischer Bildhauer · um 1353–1337 v. Chr. · Cleveland Museum of Art (1959.188) · CC0 · Quelle
• Kanope mit Deckel in Gestalt des Kopfes einer königlichen Frau — Unbekannter ägyptischer Bildhauer · um 1349–1336 v. Chr. oder kurz danach · Metropolitan Museum of Art, New York (07.226.1, 30.8.54) · CC0 · Quelle
• Breiter Halskragen — Unbekannter ägyptischer Kunsthandwerker · um 1353–1336 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Nubischer Tribut für König Tutanchamun, Grab des Huy (Faksimile) — Charles K. Wilkinson (Faksimile nach einer Malerei im Grab des Huy, TT 40) · Original um 1353–1327 v. Chr.; Faksimile des 20. Jahrhunderts · Metropolitan Museum of Art, New York · CC0 · Quelle
• Bemalte Tafel, wahrscheinlich von der Bemalten Truhe des Tutanchamun — Unbekannter ägyptischer Maler; Foto: Warren LeMay (2019) · um 1332–1323 v. Chr. · Ägyptisches Museum, Kairo (Aufnahme von 2019) · CC0 · Quelle
• Haremhab als Schreiber des Königs — Unbekannter ägyptischer Bildhauer · um 1336–1323 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Ausgrabungen am Grab des Tutanchamun: Howard Carter beaufsichtigt die Bergung von Objekten — Agence Rol (Pressefoto) · Januar 1923 · Bibliothèque nationale de France · Gemeinfrei · Quelle
• Karnak, Kolonnade des Großen Tempels — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Statue Ramses’ II. — Unbekannter ägyptischer Bildhauer · um 1279–1213 v. Chr. · Museo Egizio, Turin (C 1380) · CC0 · Quelle
• Die Hypostylhalle des Großen Tempels von Abu Simbel, Ägypten — David Roberts · 1849 · Yale Center for British Art, New Haven · Gemeinfrei · Quelle
• Königin Nefertari, von Isis geführt (Faksimile) — Charles K. Wilkinson (Faksimile nach einer Malerei im Grab der Nefertari, QV 66) · Original um 1279–1213 v. Chr.; Faksimile des 20. Jahrhunderts · Metropolitan Museum of Art, New York · CC0 · Quelle
• Sennedjem und Iineferti in den Gefilden von Iaru (Faksimile) — Charles K. Wilkinson (Faksimile nach einer Malerei im Grab des Sennedjem, TT 1) · 1922; Original um 1295–1213 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Weinherstellung, Grab des Ipuy (Faksimile) — Charles K. Wilkinson (laut Commons; Faksimile nach einer Malerei im Grab des Ipuy, TT 217) · Original um 1279–1213 v. Chr.; Faksimile des 20. Jahrhunderts · Metropolitan Museum of Art, New York (30.4.118) · CC0 · Quelle
• Totenbuch des Hunefer: Das Wägen des Herzens — Unbekannter ägyptischer Schreiber und Maler · um 1275 v. Chr. · British Museum, London · Gemeinfrei · Quelle
• Ani vor Osiris, aus dem Totenbuch des Ani (Faksimile) — Faksimile von E. A. Wallis Budge (1890) nach einem unbekannten ägyptischen Künstler · Faksimile 1890; Original um 1250 v. Chr. · Originalpapyrus: British Museum, London · Gemeinfrei · Quelle
• Großer Papyrus Harris, Blatt 2: Ramses III. vor der thebanischen Triade — Unbekannter ägyptischer Schreiber und Maler · um 1150 v. Chr. · British Museum, London · Gemeinfrei · Quelle
• Turiner Papyruskarte (Detail) — Unbekannter ägyptischer Schreiber · um 1150 v. Chr. · Museo Egizio, Turin (C 1879 + 1969 + 1899) · CC0 · Quelle
• Innerer Sarg der Henettawy (F), Sängerin des Amun-Re (Detail) — Unbekannter ägyptischer Künstler · um 1000–945 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Bronzefigur der Katzengöttin Bastet — Unbekannter ägyptischer Künstler; Foto: Gary Todd · Spätzeit (664–332 v. Chr.) · British Museum, London · CC0 · Quelle
• Totenbuch des Horuspriesters Imhotep (Imuthes), Sonnenlauf — Unbekannter ägyptischer Schreiber · um 332–200 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Mumie des Nesmin mit Pflanzenkranz, Mumienmaske und weiteren Kartonageteilen (Detail) — Unbekannter ägyptischer Künstler · 200–30 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Philae, Gesamtansicht des südlichen Teils (Phylae, vue générale de la partie du sud) — Unbekannter Fotograf (Photoglob Co.) · um 1890 · Library of Congress · Gemeinfrei · Quelle
• Dendera (Tentyris): Tierkreis an der Decke eines der oberen Räume des Großen Tempels (Description de l'Égypte) — Künstler der französischen Expedition (Description de l'Égypte) · 1809–1822 · New York Public Library · Gemeinfrei · Quelle
• Das Gastmahl der Kleopatra — Giovanni Battista Tiepolo · 1743–1744 · National Gallery of Victoria, Melbourne · Gemeinfrei · Quelle
• Mumie des Herakleides — Unbekannter römisch-ägyptischer Maler · um 120–140 n. Chr. · J. Paul Getty Museum, Los Angeles (91.AP.6) · CC0 · Quelle
• Fayum-Grabporträt eines Mannes — Unbekannter römisch-ägyptischer Maler; Foto: Jebulon · Römische Zeit · Archäologisches Nationalmuseum, Athen (Inv. 1627) · CC0 · Quelle
• Fayum-Mumienporträt einer Frau — Unbekannter römisch-ägyptischer Maler; Foto: Ketone16 · Römische Zeit · British Museum, London · Gemeinfrei · Quelle
• Die Schlacht bei den Pyramiden (Skizze) — Wojciech Kossak · 1896 · Nationalmuseum, Warschau · Gemeinfrei · Quelle
• Bonaparte vor der Sphinx (Ödipus) — Jean-Léon Gérôme · 1886 · Hearst Castle, San Simeon, Kalifornien · Gemeinfrei · Quelle
• Theben, Biban el-Moluk: Malereien aus dem Harfensaal im fünften Königsgrab nach Osten (Description de l'Égypte) — Künstler der französischen Expedition (Description de l'Égypte) · 1809–1822 · New York Public Library · Gemeinfrei · Quelle
• Vier königliche Stühle mit ihren Fußschemeln (I monumenti dell'Egitto e della Nubia) — Ippolito Rosellini (Französisch-toskanische Expedition) · 1832–1844 · New York Public Library · Gemeinfrei · Quelle
• Der Jüngere Memnon: Kolossalbüste Ramses' II. aus dem Ramesseum — Ägyptische Bildhauer der 19. Dynastie; Foto: Gary Todd · um 1250 v. Chr. · British Museum, London · CC0 · Quelle
• Bildnis Jean-François Champollions — Léon Cogniet · 1831 · Musée du Louvre, Paris · Gemeinfrei · Quelle
• Die preußische Expedition auf der Spitze der Großen Pyramide — Johann Jakob Frey · 1842 · Gemeinfrei · Quelle
• Sphinx und Pyramiden, Ägypten — Auguste Mariette zugeschrieben · Undatiert (nach 1853) · Getty Research Institute, Los Angeles · CC0 · Quelle
• The Grammar of Ornament, Tafel IV: Ägyptisch Nr. 1 — Owen Jones · 1856 · Amgueddfa Cymru – Museum Wales · CC0 · Quelle
• Israel in Ägypten — Edward Poynter · 1867 · Guildhall Art Gallery, London · Gemeinfrei · Quelle

Das Mongolische Reich

• Tumanba Khan, seine Frau und seine neun Söhne, Blatt aus einem Tschingisname (Buch des Dschingis Khan) — Basawan und Bhim Gujarati · um 1596 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Kabul Khan und seine Familie (Dschami at-Tawarich, Supplément persan 1113, fol. 22v) — Timuridische Hofmaler, Herat · um 1430–1434 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Dschingis Khan und Toghril (Ong Khan) (Dschami at-Tawarich, Supplément persan 1113, fol. 105r) — Timuridische Hofmaler, Herat · um 1430–1434 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Herrscher auf Reisen durch das Land (Diez-Album, Diez A fol. 71, S. 50) — Ilchanidische Maler (Täbris?) · erstes Viertel des 14. Jahrhunderts · Staatsbibliothek zu Berlin · Gemeinfrei · Quelle
• Mongolische Militärmanöver (Diez-Album) — Ilchanidische Maler · frühes 14. Jahrhundert · Staatsbibliothek zu Berlin · Gemeinfrei · Quelle
• Mongolen beim Kochen (Dschami at-Tawarich, Supplément persan 1113) — Timuridische Hofmaler, Herat · um 1430 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Mongolische Falknerei (Diez-Album, Diez A fol. 70, S. 15) — Ilchanidische Maler · 14. Jahrhundert · Staatsbibliothek zu Berlin · Gemeinfrei · Quelle
• Huldigung an Dschingis Khan, „rex tartarorum“ (Hayton, Fleur des histoires de la terre d'Orient, NAF 886, fol. 14v) — Unbekannter französischer Buchmaler · 14. Jahrhundert · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Temüdschin wird 1206 zum Dschingis Khan ausgerufen (Dschami at-Tawarich, Supplément persan 1113, fol. 44v) — Timuridische Hofmaler, Herat · um 1430–1434 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Bildnis des Kaisers Taizu (Dschingis Khan), aus dem Album der Halbfigurenbildnisse der Yuan-Kaiser — Hofmaler der Yuan-Dynastie · 14. Jahrhundert · Nationales Palastmuseum, Taipeh · Gemeinfrei · Quelle
• Schlacht zwischen Mongolen und Chinesen, 1211 (Dschami at-Tawarich, Supplément persan 1113, fol. 49) — Timuridische Hofmaler, Herat · um 1430–1434 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Belagerung von Peking (Zhongdu), 1213–1214 (Dschami at-Tawarich, Supplément persan 1113, fol. 65v) — Timuridische Hofmaler, Herat · um 1430–1434 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Verfolgung durch mongolische Krieger (Diez-Album) — Ilchanidische Maler · frühes 14. Jahrhundert · Staatsbibliothek zu Berlin · Gemeinfrei · Quelle
• Die Predigt Dschingis Khans an das Volk von Buchara (Ahmad Tabrizi, Schahanschahname, Or. 2780) — Unbekannter persischer Maler · 1397–1398 · British Library, London · Gemeinfrei · Quelle
• Der Tod des Choresm-Schahs Muhammad (Dschami at-Tawarich, Supplément persan 1113, fol. 60v) — Timuridische Hofmaler, Herat · um 1430–1434 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Terken Khatun wird von den Mongolen gefangen genommen (Dschami at-Tawarich, Supplément persan 1113, fol. 84r) — Timuridische Hofmaler, Herat · um 1430–1434 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Die Schlacht von Valiyan, 1221 (Dschami at-Tawarich, Supplément persan 1113, fol. 72v) — Timuridische Hofmaler, Herat · um 1430–1434 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Dschalal ad-Din Choresm-Schah überquert auf der Flucht vor Dschingis Khan und seinem Heer den Indus (Tschingisname) — Banwari Khurd und Dharm Das · 1596–1600 · British Museum, London · Gemeinfrei · Quelle
• Der Tod Dschingis Khans (Marco Polo, Livre des merveilles, BnF fr. 2810) — Egerton-Meister · um 1410–1412 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Die Schlacht an der Kalka (Bildunterschrift „Bataille de la Kalka, en 1224“) — Unbekannter Stecher · 1855 · British Library · Gemeinfrei · Quelle
• Bildnis Ögedei Khans (Kaiser Taizong der Yuan), aus dem Album der Yuan-Kaiser — Hofmaler der Yuan-Dynastie · 14. Jahrhundert · Nationales Palastmuseum, Taipeh · Gemeinfrei · Quelle
• Ögedei Khan auf dem Thron (Dschami at-Tawarich, BnF Supplément persan 1113) — Timuridische Maler, Herat · um 1430 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Batu Khan auf dem Thron (Dschami at-Tawarich, BnF Supplément persan 1113, fol. 91r) — Timuridische Maler, Herat · um 1430–1434 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Die Legende von der unsichtbaren Stadt Kitesch: Die Schlacht von Kerschenez — Nicholas Roerich · 1913 · Gemeinfrei · Quelle
• Die Tataren tragen das Haupt Herzog Heinrichs II. vor die Burg Liegnitz (Hedwigs-Codex, fol. 12) — Unbekannter schlesischer Buchmaler · 1353 · J. Paul Getty Museum, Los Angeles · Gemeinfrei · Quelle
• Die Schlacht bei Liegnitz (Hedwigslegende) — Unbekannter Buchmaler · 15. Jahrhundert · Gemeinfrei · Quelle
• Altar der heiligen Hedwig von Schlesien (linker und rechter Flügel) — Meister des Triptychons von Wielowieś · um 1430 · Gemeinfrei · Quelle
• Die Schlacht bei Muhi, 1241 (Hayton, La Flor des estoires de la terre d'Orient, Cod. 2623, fol. 29r) — Unbekannter Buchmaler · 1350–1374 · Österreichische Nationalbibliothek, Wien · Gemeinfrei · Quelle
• Der erste Mongoleneinfall (Ungarische Bilderchronik, S. 125) — Ungarischer Hofbuchmaler (Chronik Márk Kálti zugeschrieben) · um 1360 · Széchényi-Nationalbibliothek, Budapest · Gemeinfrei · Quelle
• Hülegü und seine Frau Doquz Khatun (Dschami at-Tawarich) — Unbekannter persischer Maler · 14.–15. Jahrhundert · Gemeinfrei · Quelle
• Konstantin und Helena, gedeutet als Hülegü und Doquz Khatun (syrisches Lektionar, Add. 7170) — Unbekannter syrischer Buchmaler · um 1260 · British Library, London · Gemeinfrei · Quelle
• Der Alte vom Berge (Livre des merveilles, fr. 2810, fol. 16v) — Unbekannter Pariser Buchmaler · um 1410–1412 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Die Einnahme von Alamut, 1256 (Dschami at-Tawarich, BnF Supplément persan 1113, fol. 177v) — Timuridische Maler, Herat · um 1430 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Hülegü Khan beim Festmahl in Schiburghan (Dschami at-Tawarich, MS Dorn 289, fol. 241r) — Unbekannter persischer Maler · 16. Jahrhundert · Russische Nationalbibliothek, Sankt Petersburg · Gemeinfrei · Quelle
• Der Fall Bagdads (Diez-Alben) — Ilchanidischer Maler · frühes 14. Jahrhundert · Staatsbibliothek zu Berlin · Gemeinfrei · Quelle
• Die Einnahme Bagdads, 1258 (Hayton, Fleur des histoires de la terre d'Orient, NAF 886) — Unbekannter französischer Buchmaler · 14. Jahrhundert · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Die Belagerung Bagdads, Blatt aus einer illustrierten Handschrift (wahrscheinlich Mogul-Dschami at-Tawarich / Tschingisname) — Mogulische Hofmaler · 1596 · Saint Louis Art Museum (388:1952) · Gemeinfrei · Quelle
• Der Kalif al-Mustasim wird vor Hülegü Khan gebracht (Schahanschahname, Or. 2780, fol. 89v) — Unbekannter persischer Maler · 1398 · British Library, London · Gemeinfrei · Quelle
• Die Belagerung von Erbil, 1258–1259 (Dschami at-Tawarich, BnF Supplément persan 1113) — Timuridische Maler, Herat · um 1430 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Die Schlacht am Köse Dağ (Hethum von Korykos, Fleur des histoires d'Orient, BnF NAF 886, fol. 18) — Unbekannter Buchmaler · 14. Jahrhundert · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Golddinar Hülegüs, al-Mawsil — Ilchanidische Münzstätte al-Mawsil (Mossul) · 662 n. H. (1263–1264) · American Numismatic Society, New York · CC0 · Quelle
• Sternfliese mit Lüsterbemalung und zwei sitzenden Figuren (BK-1978-21) — Anonymer Fliesenmacher, Kaschan · um 1266–1267 · Rijksmuseum, Amsterdam · CC0 · Quelle
• Lüster-Wandfliese mit einem Paar (1915.524) — Anonymer Töpfer, Kaschan · 1266 · Cleveland Museum of Art · CC0 · Quelle
• Die Schlacht von Homs (Dschami at-Tawarich, BnF Supplément persan 1113, fol. 236) — Unbekannter timuridischer Maler, Herat · um 1430 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Die Bekehrung Ghazans zum Islam (Dschami at-Tawarich, BnF Supplément persan 1113, fol. 239r) (Reproduktion aus einem modernen Buch) — Unbekannter timuridischer Maler, Herat · um 1430 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Ilchanidische Hofszene (Diez A fol. 70, S. 22, Nr. 1) — Unbekannter ilchanidischer Maler · frühes 14. Jahrhundert · Staatsbibliothek zu Berlin · Gemeinfrei · Quelle
• Thronbesteigung des Schahs Zav, Blatt aus dem Großen Mongolischen Schahname — Unbekannter Künstler, Täbris · um 1330–1340 · Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. · Gemeinfrei · Quelle
• Iskandar errichtet den eisernen Wall, Blatt aus dem Großen Mongolischen Schahname — Unbekannter Künstler, Täbris · um 1330–1340 · Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. · Gemeinfrei · Quelle
• Bahram Gur erschlägt einen Drachen, Blatt aus dem Großen Mongolischen Schahname (1943.658.b) — Unbekannter Künstler, Täbris · um 1330 · Cleveland Museum of Art · CC0 · Quelle
• Das Mausoleum des Öldscheitü (Muhammad Chodabanda) in Soltanije — Michel-François Préaulx · 1808–1809 · Gemeinfrei · Quelle
• Bildnis Kublai Khans (Kaiser Shizu der Yuan), aus dem Album der Yuan-Kaiser — Araniko zugeschrieben (traditionelle Zuschreibung) · um 1294 · Nationales Palastmuseum, Taipeh · Gemeinfrei · Quelle
• Bildnis der Kaiserin Chabi, aus dem Album der Yuan-Kaiserinnen — Unbekannter Hofmaler der Yuan-Dynastie · 13.–14. Jahrhundert · Nationales Palastmuseum, Taipeh · Gemeinfrei · Quelle
• Kublai Khan auf der Jagd (Detail) — Liu Guandao · 1280 · Nationales Palastmuseum, Taipeh · Gemeinfrei · Quelle
• Mōko Shūrai Ekotoba: Takezaki Suenaga greift die Mongolen an — Nach den Tosa Nagataka zugeschriebenen Rollen · Original um 1293; spätere Kopie · Nationale Parlamentsbibliothek, Tokio · Gemeinfrei · Quelle
• Mōko Shūrai Ekotoba: Mitsui Sukenaga schießt auf fliehende Mongolen — Nach den Tosa Nagataka zugeschriebenen Rollen · Original um 1293; spätere Kopie · Nationale Parlamentsbibliothek, Tokio · Gemeinfrei · Quelle
• Badende Pferde — Zhao Mengfu zugeschrieben · Yuan-Dynastie (1271–1368) · Palastmuseum, Peking · Gemeinfrei · Quelle
• Chaoyuan Tu (Huldigung an den Ursprünglichen), Wandmalerei der Sanqing-Halle, Abschnitt 2 — Ma Junxiang und Werkstatt · 1325 · Yongle-Palast, Shanxi · Gemeinfrei · Quelle
• Meiping-Vase mit erzählenden Szenen — Töpfer aus Jingdezhen (Foto: Gary Todd) · 1320–1350 · CC0 · Quelle
• Achteckiges Gefäß mit iranischen Messingmontierungen — Töpfer aus Jingdezhen (Foto: Gary Todd) · Mitte des 14. Jahrhunderts · British Museum / Victoria and Albert Museum, London (ausgestellt im Chinesischen Nationalmuseum, Peking) · CC0 · Quelle
• Paneel mit Phönixen und Blumen — Unbekannter Sticker der Yuan-Zeit · 14. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Die Brüder Polo und Marco verlassen Venedig (Livre des merveilles, BnF fr. 2810, fol. 4r) — Unbekannter französischer Buchmaler · um 1410–1412 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Ankunft der Brüder Polo in Buchara (Livre des merveilles, BnF fr. 2810) — Mazarine-Meister · um 1410–1412 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Kublai Khan überreicht den Brüdern Polo eine goldene Tafel (Livre des merveilles, BnF fr. 2810, fol. 3v) — Unbekannter französischer Buchmaler · um 1410–1412 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Geleitbrief-Tafel (Paiza) mit Inschrift in Phags-pa-Schrift — Unbekannter Metallhandwerker der Yuan-Dynastie · spätes 13. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Marco Polo erreicht Hormus (Livre des merveilles, BnF fr. 2810, fol. 14v) — Boucicaut-Meister und Werkstatt · um 1410–1412 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Ein Reiter steigt von einem Gebirgspass herab, möglicherweise ein Yam-Kurier (Diez-Alben) — Unbekannter Maler des 14. Jahrhunderts · 14. Jahrhundert · Staatsbibliothek zu Berlin · Gemeinfrei · Quelle
• Kublai Khan jagt aus einem von Elefanten getragenen Pavillon (Livre des merveilles, BnF fr. 2810, fol. 42v) — Unbekannter französischer Buchmaler · um 1410–1412 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Der thronende Großkhan, Frontispiz zu De l'estat et du gouvernement du grant Kaan in der Übersetzung von Jean le Long (BnF fr. 2810, fol. 136v) — Mazarine-Meister · um 1410–1412 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Karawane auf der Seidenstraße (Detail aus dem Katalanischen Weltatlas) — Abraham Cresques zugeschrieben · 1375 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Armenfürsorge in China (Livre des merveilles, BnF fr. 2810, fol. 137v) — Mazarine-Meister · um 1410–1412 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Töde Möngke und seine mongolische Horde, Blatt aus einem Tschingisname — Tulsi und Madhu · 1596 · Los Angeles County Museum of Art · Gemeinfrei · Quelle
• Schale mit fliegendem Kranich — Unbekannter Töpfer der Goldenen Horde (Foto: Ted1968) · 14. Jahrhundert · Musée du Louvre, Paris · CC0 · Quelle
• Metropolit Alexius heilt Taidula (Illustrierte Chronik Iwans des Schrecklichen, Buch 9, S. 208) — Anonyme russische Buchmaler · 1560er–1570er Jahre · Gemeinfrei · Quelle
• Die Goldene Horde im Katalanischen Weltatlas — Abraham Cresques zugeschrieben · 1375 · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Timur gewährt bei seiner Thronbesteigung in Balch eine Audienz, 9. April 1370 (Zafarname des Ibrahim Sultan, Frontispiz) — Unbekannte timuridische Maler, Schiras · 1436 · National Museum of Asian Art, Smithsonian Institution, Washington, D.C. · Gemeinfrei · Quelle
• Schlacht zwischen Timur und Tochtamysch Khan (rechter Teil), Topkapı H.2153 — Unbekannter timuridischer Maler · um 1420–1440 · Bibliothek des Topkapı-Palastmuseums, Istanbul · Gemeinfrei · Quelle
• Sturm auf die Festung der Johanniter in Smyrna (Garrett-Zafarname) — Unbekannte timuridische Maler, Herat (traditionell Bihzad zugeschrieben) · spätes 15. Jahrhundert · Bibliothek der Johns Hopkins University, Baltimore · Gemeinfrei · Quelle
• Die Gesandten des ägyptischen Sultans an-Nasir Faradsch überreichen Timur ihre Geschenke, darunter eine Giraffe (Zafarname des Ibrahim Sultan) — Unbekannte timuridische Maler, Schiras · 1436 · Worcester Art Museum · Gemeinfrei · Quelle
• Mosaikwände in der Schah-i-Sinda, Samarkand — Sergei Prokudin-Gorsky · um 1911 · Library of Congress · Gemeinfrei · Quelle
• Die Kuppel des Gur-Emir von Osten, Samarkand — Sergei Prokudin-Gorsky · um 1911 · Library of Congress · Gemeinfrei · Quelle

Das antike Griechenland

• Das Stiersprung-Fresko („Toreador-Fresko“), Knossos — Minoische Freskenmaler (im frühen 20. Jahrhundert restauriert) · um 1600–1400 v. Chr. · Archäologisches Museum Heraklion · Gemeinfrei · Quelle
• Das Relieffresko des „Lilienprinzen“, Knossos (Rekonstruktion) — Minoische Freskenmaler (moderne Rekonstruktion) · um 1600–1400 v. Chr. · Archäologisches Museum Heraklion · CC0 · Quelle
• Reproduktion des Freskos der „Damen in Blau“ — Émile Gilliéron (Reproduktion nach einem minoischen Fresko aus Knossos) · 20. Jahrhundert (Original um 1525–1450 v. Chr.) · Metropolitan Museum of Art, New York · CC0 · Quelle
• Das Delfinfresko, Knossos — Minoische Freskenmaler (restauriert) · um 1600–1400 v. Chr. · Archäologisches Museum Heraklion · CC0 · Quelle
• Der Sarkophag von Hagia Triada (Langseite) — Minoische Maler · um 1400 v. Chr. · Archäologisches Museum Heraklion · CC0 · Quelle
• Fresko der Schiffsprozession („Flottille“), Westhaus, Akrotiri (Teil 1) — Theräische Freskenmaler · um 1600 v. Chr. · Archäologisches Nationalmuseum, Athen · Gemeinfrei · Quelle
• Das Frühlingsfresko, Akrotiri — Theräische Freskenmaler · um 1600 v. Chr. · Archäologisches Nationalmuseum, Athen · CC0 · Quelle
• Fresko der boxenden Kinder, Gebäude B, Akrotiri — Theräische Freskenmaler · 16. Jahrhundert v. Chr. · Archäologisches Nationalmuseum, Athen · CC0 · Quelle
• Goldene Totenmaske („Maske des Agamemnon“), Schachtgrab V, Mykene — Mykenische Goldschmiede · um 1550–1500 v. Chr. · Archäologisches Nationalmuseum, Athen · Gemeinfrei · Quelle
• Das Löwentor, Mykene — Mykenische Baumeister · um 1250 v. Chr. · CC0 · Quelle
• Achilleus und Aias beim Brettspiel (attische schwarzfigurige Amphora, Detail) — Exekias · 540–530 v. Chr. · Museo Gregoriano Etrusco, Vatikanische Museen · Gemeinfrei · Quelle
• Achilleus verbindet Patroklos (Tondo einer attischen rotfigurigen Kylix) — Sosias-Maler (zugeschrieben) · um 500 v. Chr. · Antikensammlung, Berlin · CC0 · Quelle
• Attische rotfigurige Kylix, Tondo — Brygos-Maler · um 490 v. Chr. · J. Paul Getty Museum, Los Angeles · CC0 · Quelle
• Der Einzug des Trojanischen Pferdes in Troja — Giovanni Domenico Tiepolo · um 1760 · National Gallery, London · Gemeinfrei · Quelle
• Odysseus und die Sirenen (attischer rotfiguriger Stamnos, Detail) — Sirenen-Maler · um 480–470 v. Chr. · British Museum, London · Gemeinfrei · Quelle
• Ulysses und die Sirenen — John William Waterhouse · 1891 · National Gallery of Victoria, Melbourne · Gemeinfrei · Quelle
• Einzug des Herakles in den Olymp (schwarzfigurige Hydria) — Attischer Vasenmaler; Foto: Marie-Lan Nguyen · 6. Jahrhundert v. Chr. · Dänisches Nationalmuseum, Kopenhagen · CC BY 4.0 · Quelle
• Kylix mit Bellerophon im Kampf gegen die Chimaira — Lakonischer Vasenmaler · um 565 v. Chr. · J. Paul Getty Museum (Getty Villa), Los Angeles · CC0 · Quelle
• Die Kriegervase (mykenischer Krater mit in den Kampf ziehenden Kriegern) — Mykenische Vasenmaler · um 1200 v. Chr. · Archäologisches Nationalmuseum, Athen · CC0 · Quelle
• Marmorstatue eines Kouros (Jüngling) — Attischer Bildhauer · um 590–580 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Aquarell der Peploskore (Akropolis 679), Archaiologike Ephemeris 1887, Taf. 9 — Émile Gilliéron (Aquarell); Lithografie von K. Grundmann · 1887 (Statue um 530 v. Chr.) · Gemeinfrei · Quelle
• Die Chigi-Kanne (Detail: zum Klang der Aulos vorrückende Hopliten) — Chigi-Maler · um 650–640 v. Chr. · Museo Nazionale Etrusco di Villa Giulia, Rom · Gemeinfrei · Quelle
• Der Wagenlenker von Delphi — Antiker griechischer Bronzebildhauer · um 478–474 v. Chr. · Archäologisches Museum Delphi · CC0 · Quelle
• Silberstater von Ägina mit Meeresschildkröte — Münzstätte Ägina · um 550–456 v. Chr. · Bibliothèque nationale de France, Paris · Gemeinfrei · Quelle
• Panathenäische Preisamphora mit Viergespannrennen — Kleophrades-Maler · 490–480 v. Chr. · J. Paul Getty Museum, Los Angeles · CC0 · Quelle
• Olympia — Carl Rottmann · 1839 · Neue Pinakothek, München · Gemeinfrei · Quelle
• Der Tempel der Ceres in Paestum — Constantin Hansen · 1875 · Gemeinfrei · Quelle
• Sappho und Alkaios — Lawrence Alma-Tadema · 1881 · Walters Art Museum, Baltimore · Gemeinfrei · Quelle
• Solon vor Krösus — Nikolaus Knüpfer · um 1650–1652 · Gemeinfrei · Quelle
• Krösus auf dem Scheiterhaufen (attische rotfigurige Amphora, Seite A) — Myson · um 500–490 v. Chr. · Musée du Louvre, Paris · Gemeinfrei · Quelle
• Das Theater von Milet — Antike Baumeister; Foto: Jarekadam · Hellenistische und römische Zeit; Foto 2005 · Gemeinfrei · Quelle
• Apollontempel von Didyma, Pronaos — Antike Baumeister; Foto: Mark Landon · Begonnen um 300 v. Chr.; Foto 1991 · CC BY 4.0 · Quelle
• Tempel der Athena Polias in Priene — Antike Baumeister; Foto: O. Mustafin · 4. Jahrhundert v. Chr.; Foto 2020 · CC0 · Quelle
• Bogenschützenfries aus dem Palast Dareios’ I. in Susa — Achämenidische persische Kunsthandwerker · um 510 v. Chr. · Musée du Louvre, Paris · Gemeinfrei · Quelle
• Der Soldat von Marathon — Luc-Olivier Merson · 1869 · École nationale supérieure des Beaux-Arts, Paris · Gemeinfrei · Quelle
• Marathon — Carl Rottmann · 1847 · Neue Pinakothek, München · Gemeinfrei · Quelle
• Leonidas bei den Thermopylen — Jacques-Louis David · 1814 · Musée du Louvre, Paris · Gemeinfrei · Quelle
• Die Schlacht von Salamis — Wilhelm von Kaulbach · 1868 · Maximilianeum, München · Gemeinfrei · Quelle
• Griechischer Hoplit und persischer Krieger (Tondo einer attischen rotfigurigen Kylix) — Attischer rotfiguriger Vasenmaler · 5. Jahrhundert v. Chr. · CC0 · Quelle
• Marmorbüste des Perikles (römische Kopie nach einem griechischen Original) — Unbekannter römischer Bildhauer; Foto: Gary Todd · Römische Kopie eines Originals aus dem 5. Jahrhundert v. Chr. · Altes Museum, Berlin · CC0 · Quelle
• Tetradrachme: Eule (Rückseite) — Münzstätte Athen · 449–440 v. Chr. · Cleveland Museum of Art (1941.296.b) · CC0 · Quelle
• Der Parthenon — Frederic Edwin Church · 1871 · Metropolitan Museum of Art, New York · Gemeinfrei · Quelle
• Phidias und der Parthenonfries — Lawrence Alma-Tadema · 1868 · Birmingham Museums · Gemeinfrei · Quelle
• Perikles und Aspasia besuchen das Atelier des Phidias — Louis Hector Leroux · 1898 · Gemeinfrei · Quelle
• Athena Varvakeion — Unbekannter römischer Bildhauer nach Phidias; Foto: Gary Todd · 200–250 n. Chr. · Archäologisches Nationalmuseum, Athen · CC0 · Quelle
• Das Erechtheion — Foto: George E. Koronaios · 2020 · CC0 · Quelle
• Der Hephaistostempel — Foto: George E. Koronaios · 2020 · CC0 · Quelle
• Sokrates und Alkibiades — Kristian Zahrtmann · 1911 · Statens Museum for Kunst, Kopenhagen (KMS8219) · Gemeinfrei · Quelle
• Blick auf den Parthenon von den Propyläen (Views in Greece) — Edward Dodwell (handkolorierte Aquatinta von John Bailey) · Gezeichnet 1805; veröffentlicht 1821 · Gemeinfrei · Quelle
• Marmorbüste des Herodot — Unbekannter römischer Bildhauer · 2. Jahrhundert n. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Südostansicht des Mausoleums in rekonstruiertem Zustand — James Fergusson · 1862 · Gemeinfrei · Quelle
• Hippokrates besucht Demokrit — Claes Corneliszoon Moeyaert · 1636 · Mauritshuis, Den Haag · Gemeinfrei · Quelle
• Der Tod des Sokrates — Jacques-Louis David · 1787 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Mosaik der Akademie Platons — Unbekannter römischer Mosaizist · 1. Jahrhundert v. Chr. · Archäologisches Nationalmuseum, Neapel (Inv. 124545) · Gemeinfrei · Quelle
• Die Schule von Athen — Raffael · 1509–1511 · Vatikanische Museen, Vatikanstadt · Gemeinfrei · Quelle
• Aristoteles mit der Büste Homers — Rembrandt · 1653 · Metropolitan Museum of Art, New York · Gemeinfrei · Quelle
• Diogenes — John William Waterhouse · 1882 · Art Gallery of New South Wales, Sydney · Gemeinfrei · Quelle
• Archimedes leitet die Verteidigung von Syrakus — Thomas Ralph Spence · 1895 · Gemeinfrei · Quelle
• Die Apotheose Homers — Jean-Auguste-Dominique Ingres · 1827 · Musée du Louvre, Paris (INV 5417) · Gemeinfrei · Quelle
• Alexander und Bukephalos — Edgar Degas · 1861–1862 · National Gallery of Art, Washington · Gemeinfrei · Quelle
• Alexander und Diogenes — Gioacchino Assereto · um 1640 · Gemäldegalerie, Staatliche Museen zu Berlin · Gemeinfrei · Quelle
• Die Schlacht am Granikos — Charles Le Brun (mit Abraham Genoels) · 1665 · Musée du Louvre, Paris · Gemeinfrei · Quelle
• Alexander durchschlägt den Gordischen Knoten — Jan Boeckhorst · Mitte des 17. Jahrhunderts · Palais des Beaux-Arts, Lille · Gemeinfrei · Quelle
• Alexandermosaik (Detail: Alexander auf Bukephalos) — Unbekannter römischer Mosaizist; Foto: Gary Todd · um 100 v. Chr. · Archäologisches Nationalmuseum, Neapel · Gemeinfrei · Quelle
• Die Alexanderschlacht bei Issus — Albrecht Altdorfer · 1529 · Alte Pinakothek, München · Gemeinfrei · Quelle
• Die Königinnen Persiens zu Füßen Alexanders (Das Zelt des Dareios) — Charles Le Brun · um 1660–1661 · Schloss Versailles · Gemeinfrei · Quelle
• Alexanders Einzug in Babylon (Der Triumph Alexanders) — Charles Le Brun · 1664–1665 · Musée du Louvre, Paris (INV 2898) · Gemeinfrei · Quelle
• Die Hochzeit Alexanders mit Roxane — Il Sodoma (Giovanni Antonio Bazzi); Foto: DIMSFIKAS · um 1517 · Villa Farnesina, Rom · Gemeinfrei · Quelle
• Alexander der Große und Campaspe im Atelier des Apelles — Giovanni Battista Tiepolo · um 1740 · Montreal Museum of Fine Arts · Gemeinfrei · Quelle
• Ptolemaios Philadelphos in der Bibliothek von Alexandria — Vincenzo Camuccini · 1813 · Gemeinfrei · Quelle
• Pergamonaltar, Gigantomachiefries (Athena-Gruppe) — Unbekannte pergamenische Bildhauer; Foto: Gryffindor · 2. Jahrhundert v. Chr. · Pergamonmuseum, Berlin · Gemeinfrei · Quelle
• Pergamon, das Theater am Hang — Foto: Rensi · 1992 · Gemeinfrei · Quelle
• Tetradrachme: Alexander der Große (Vorderseite) — Münzstätte Lysimacheia, unter Lysimachos · 297–281 v. Chr. · Cleveland Museum of Art (1917.984.a) · CC0 · Quelle
• Venus von Milo (Aphrodite von Melos) — Unbekannter hellenistischer Bildhauer; Foto: Shonagon · um 150–125 v. Chr. · Musée du Louvre, Paris (Ma 399) · CC0 · Quelle
• Terrakotta-„Tanagra“-Figur einer Frau mit Sonnenhut und Fächer — Unbekannter böotischer Koroplast; Foto: Gary Todd · 325–300 v. Chr. · Altes Museum, Berlin · CC0 · Quelle
• Laokoon und seine Söhne — Hagesandros, Polydoros und Athanodoros von Rhodos zugeschrieben; Foto: Wilfredor · Umstritten (hellenistisches Original oder Werk des 1. Jahrhunderts n. Chr.) · Vatikanische Museen, Vatikanstadt · CC0 · Quelle
• Die geflügelte Siegesgöttin (Nike) von Samothrake — Unbekannter hellenistischer Bildhauer; Foto: Wilfredor · um 190 v. Chr. · Louvre, Paris (Ma 2369) · CC0 · Quelle
• Nemrut Dağı, Grabheiligtum Antiochos’ I. von Kommagene — Foto: E. Seven · Monument 69–34 v. Chr.; Foto 2022 · Gemeinfrei · Quelle
• Bronzestatue des schlafenden Eros — Unbekannter hellenistischer Bronzegießer · 3.–2. Jahrhundert v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle

Das Römische Reich

• Kapitolinische Wölfin (Lupa Capitolina) — Unbekannter Bronzegießer (Zwillinge im 15. Jahrhundert hinzugefügt); Foto: Wilfredor · Umstritten: 5. Jahrhundert v. Chr. oder 11.–12. Jahrhundert n. Chr. · Kapitolinische Museen, Rom · CC0 · Quelle
• Romulus und Remus, von der Wölfin gesäugt — Peter Paul Rubens · um 1616 · Kapitolinische Museen (Pinacoteca Capitolina), Rom · CC0 · Quelle
• Der Raub der Sabinerinnen — Nicolas Poussin · um 1633–1634 · Metropolitan Museum of Art, New York · Gemeinfrei · Quelle
• Das Eingreifen der Sabinerinnen — Jacques-Louis David · 1799 · Musée du Louvre, Paris · Gemeinfrei · Quelle
• Grab der Leoparden, Nekropole Monterozzi — Etruskische Maler; Foto: Gleb Simonov · um 470 v. Chr. (Foto 2024) · Nekropole Monterozzi, Tarquinia · CC0 · Quelle
• Bronzener Streitwagen mit Elfenbeineinlagen (Wagen von Monteleone) — Etruskische Handwerker · 2. Viertel des 6. Jahrhunderts v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Der Schwur der Horatier — Jacques-Louis David · 1784–1785 · Musée du Louvre, Paris · Gemeinfrei · Quelle
• Die Liktoren bringen Brutus die Leichen seiner Söhne — Jacques-Louis David · 1789 · Musée du Louvre, Paris · Gemeinfrei · Quelle
• Mucius Scaevola vor Lars Porsenna — Matthias Stom · Frühe 1640er-Jahre · Gemeinfrei · Quelle
• Cincinnatus bricht auf, um Konsul zu werden — Cornelis Cels · 1802 · Museum der Schönen Künste Gent (MSK) · Gemeinfrei · Quelle
• Dido erbaut Karthago oder Der Aufstieg des Karthagischen Reiches — J. M. W. Turner · 1815 · National Gallery, London · Gemeinfrei · Quelle
• Die Landung des Scipio Africanus bei Karthago (Tapisseriekarton) — Michiel Coxcie zugeschrieben (Entwurf); anonymer Zeichner · um 1555 · Rijksmuseum, Amsterdam · CC0 · Quelle
• Hannibal schwört Rom ewige Feindschaft — Unbekannter französischer Künstler · um 1808 · Cleveland Museum of Art · CC0 · Quelle
• Hannibals Zug über die Alpen (Münchener Bilderbogen Nr. 438) — Heinrich Leutemann · 1866 · Gemeinfrei · Quelle
• Schneesturm: Hannibal und sein Heer überqueren die Alpen — J. M. W. Turner · 1812 · Tate, London · Gemeinfrei · Quelle
• Der Tod des Paulus Aemilius in der Schlacht von Cannae — John Trumbull · 1773 · Yale University Art Gallery, New Haven · Gemeinfrei · Quelle
• Archimedes bei der Belagerung von Syrakus — Scipione Compagno zugeschrieben · 17. Jahrhundert · Gemeinfrei · Quelle
• Die Enthaltsamkeit des Scipio — Nicolas Poussin · 1640 · Staatliches Puschkin-Museum für Bildende Künste, Moskau · Gemeinfrei · Quelle
• Scipio Africanus lässt Massiva frei — Giovanni Battista Tiepolo · 1719–1721 oder um 1750 (Quellen uneinig) · Walters Art Museum, Baltimore · Gemeinfrei · Quelle
• Bucht von Tunis, Stätte Karthagos, 10. Juni 1857 — Admiral Sir Edward Gennys Fanshawe · 10. Juni 1857 · Royal Museums Greenwich · Gemeinfrei · Quelle
• Cornelia, Mutter der Gracchen — Giuseppe Cades · 1776 · Musée du Louvre, Paris · Gemeinfrei · Quelle
• Marius in Minturnae — Jean-Germain Drouais · 1786 · Musée du Louvre, Paris · Gemeinfrei · Quelle
• Cicero klagt Catilina an — Cesare Maccari · 1880er-Jahre · Palazzo Madama (Italienischer Senat), Rom · Gemeinfrei · Quelle
• Vercingetorix wirft seine Waffen Julius Caesar zu Füßen — Lionel Royer · 1899 · Musée Crozatier, Le Puy-en-Velay · Gemeinfrei · Quelle
• Der Triumphzug Caesars: V. Die Elefanten — Andrea Mantegna; Foto: anagoria · um 1484–1492 · Royal Collection, Hampton Court Palace · Gemeinfrei · Quelle
• Caesar übergibt Kleopatra den Thron Ägyptens — Pietro da Cortona · um 1637 · Musée des Beaux-Arts de Lyon · Gemeinfrei · Quelle
• Der Tod Caesars — Vincenzo Camuccini; Foto: Daderot · 1804–1805 · Galleria Nazionale d'Arte Moderna, Rom · Gemeinfrei · Quelle
• Die Begegnung von Antonius und Kleopatra, 41 v. Chr. — Lawrence Alma-Tadema · 1885 · Gemeinfrei · Quelle
• Die Schlacht bei Actium, 2. September 31 v. Chr. — Laureys a Castro · 1672 · Royal Museums Greenwich · Gemeinfrei · Quelle
• Der Tod der Kleopatra — Jean-Baptiste Regnault · 1796–1797 · Gemeinfrei · Quelle
• Augustus von Primaporta — Römischer Bildhauer; Foto: Daderot · um 20–17 v. Chr. (oder eine spätere Kopie) · Vatikanische Museen (Braccio Nuovo) · Gemeinfrei · Quelle
• Goldaureus des Augustus, Lugdunum — Römische kaiserliche Münzstätte Lugdunum; Foto: American Numismatic Society · 2 v. Chr.–4 n. Chr. · American Numismatic Society, New York · CC0 · Quelle
• Ara Pacis Augustae, „Tellus“-Relief (Gipsabguss) — Gipsabguss nach römischen Bildhauern; Foto: Daderot · Original 13–9 v. Chr.; moderner Abguss · Spurlock Museum, University of Illinois Urbana-Champaign · CC0 · Quelle
• Gemma Augustea — Römischer Gemmenschneider; Foto: O. Mustafin · um 9–12 n. Chr. · Kunsthistorisches Museum, Wien · CC0 · Quelle
• Maecenas stellt Kaiser Augustus die freien Künste vor — Giovanni Battista Tiepolo · 1743 · Staatliche Eremitage, Sankt Petersburg · Gemeinfrei · Quelle
• Gartenfresko aus der Villa der Livia (Detail) — Römische Wandmaler; Foto: Gleb Simonov · um 30–20 v. Chr. · Museo Nazionale Romano – Palazzo Massimo, Rom · CC0 · Quelle
• Vergil liest Augustus und Octavia aus der Aeneis vor — Jean-Joseph Taillasson · 1787 · National Gallery, London · Gemeinfrei · Quelle
• Kolossale Sitzstatue des Augustus — Römischer Bildhauer; Foto: Gary Todd · Mitte des 1. Jahrhunderts n. Chr. · Archäologisches Nationalmuseum, Neapel · Gemeinfrei · Quelle
• Rekonstruktion des Augustusmausoleums, Rom — Jan Goeree · Vor 1704 · Metropolitan Museum of Art, New York · Gemeinfrei · Quelle
• Cubiculum (Schlafzimmer) aus der Villa des P. Fannius Synistor in Boscoreale — Römische Maler · um 50–40 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Wandmalerei aus Raum H der Villa des P. Fannius Synistor in Boscoreale — Römische Maler · um 50–40 v. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Mosaikbodenfeld mit dem Kopf des Frühlings — Römische Mosaizisten · 2. Jahrhundert n. Chr. · Metropolitan Museum of Art, New York · CC0 · Quelle
• Fresko aus dem Haus des Romulus und Remus (VII 7,10), Pompeji — Geremia Discanno · veröffentlicht 1877 · Gemeinfrei · Quelle
• Wandmalerei aus einem Haus zwischen dem Forum und dem Herkulestempel, Pompeji — Wilhelm Zahn · vor 1871 · Gemeinfrei · Quelle
• Raum 25, Ostwand, Haus des kleinen Brunnens, Pompeji — Wilhelm Zahn · 1828 · Gemeinfrei · Quelle
• Ein römischer Kunstliebhaber — Lawrence Alma-Tadema · 1868 · Gemeinfrei · Quelle
• Peristyl des Hauses der Vettier, Pompeji, Italien — Unbekannter Fotograf (Photoglob Co.) · um 1890–1900 · Library of Congress · Gemeinfrei · Quelle
• Das Odeion, Pompeji (Le case ed i monumenti di Pompei) — Fausto und Felice Niccolini · 1854–1896 · Gemeinfrei · Quelle
• Der letzte Tag von Pompeji — Karl Bryullov · 1830–1833 · Staatliches Russisches Museum, Sankt Petersburg · Gemeinfrei · Quelle
• Nero beim Brand Roms — Hans Makart · 1865 · Gemeinfrei · Quelle
• Außenansicht des Kolosseums, Rom, Italien — Unbekannter Fotograf (Photoglob Co.) · um 1890–1900 · Library of Congress · Gemeinfrei · Quelle
• Pollice Verso — Jean-Léon Gérôme · 1872 · Phoenix Art Museum · Gemeinfrei · Quelle
• Die Beute aus Jerusalem, Relief im Titusbogen — Römische Bildhauer; Foto: Jebulon · nach 81; Foto 2013 · Titusbogen, Forum Romanum, Rom · CC0 · Quelle
• Trajanssäule (Friesdetail) — Römische Bildhauer; Foto: Gary Todd · 113; Foto 2019 · Trajansforum, Rom · Gemeinfrei · Quelle
• Goldaureus des Trajan — Römische kaiserliche Münzstätte · um 112–117 · American Numismatic Society, New York · CC0 · Quelle
• Das Innere des Pantheons, Rom — Giovanni Paolo Panini · um 1734 · National Gallery of Art, Washington · Gemeinfrei · Quelle
• Kentaurenmosaik aus der Hadriansvilla — Römische Mosaizisten · um 120–130 · Altes Museum, Berlin · Gemeinfrei · Quelle
• Engelsburg, Rom — John Inigo Richards · 1776 · Gemeinfrei · Quelle
• Die letzten Worte des Kaisers Marcus Aurelius — Eugène Delacroix · 1844 · Musée des Beaux-Arts de Lyon · CC0 · Quelle
• Das antike Rom — Giovanni Paolo Panini · 1757 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Orange. Römischer Triumphbogen — Unbekannter Fotograf (Photoglob Co.) · 1890 · Library of Congress · Gemeinfrei · Quelle
• Hadrianswall westlich von Housesteads — Römische Baumeister; Foto: Steven Fruitsmaak · begonnen um 122; Foto 2007 · Gemeinfrei · Quelle
• Römische Brücke über den Gard, Nîmes, Frankreich — Unbekannter Fotograf (Photoglob Co.) · um 1890–1900 · Library of Congress · Gemeinfrei · Quelle
• Segovia – Die Brücke — Unbekannter Fotograf (Photoglob Co.) · 1900 · Library of Congress · Gemeinfrei · Quelle
• Die römische Campagna mit dem Claudischen Aquädukt — Jean-Baptiste-Camille Corot · 1826 · National Gallery, London · Gemeinfrei · Quelle
• Die Arena, Außenansicht, Nîmes, Frankreich — Unbekannter Fotograf (Photoglob Co.) · um 1890–1900 · Library of Congress · Gemeinfrei · Quelle
• Das Große Theater von Ephesos — Römische Baumeister; Foto: Norman Herr · Foto 2008 · Gemeinfrei · Quelle
• Theater von Hierapolis — Römische Baumeister; Foto: Iurieph · Foto 2024 · CC0 · Quelle
• Ruinen des östlichen Portikus des Tempels von Baalbek — David Roberts · 1839 · Cleveland Museum of Art · CC0 · Quelle
• Marcus-Aurelius-Bogen, Tripolis (Views in the Ottoman Empire) — Luigi Mayer · 1803 · CC0 · Quelle
• Die Rosen des Heliogabalus — Lawrence Alma-Tadema · 1888 · Gemeinfrei · Quelle
• Zenobias letzter Blick auf Palmyra — Herbert Gustave Schmalz · 1888 · Gemeinfrei · Quelle
• Marmorner Porträtkopf Kaiser Konstantins I. — Römischer Bildhauer · um 325–370 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Der Domplatz in Spalato — Rudolf von Alt · 1841 · Gemeinfrei · Quelle
• Die Römer der Verfallszeit — Thomas Couture · 1847 · Musée d'Orsay, Paris · Gemeinfrei · Quelle
• Die Günstlinge des Kaisers Honorius — John William Waterhouse · um 1883 · Art Gallery of South Australia, Adelaide · Gemeinfrei · Quelle
• Die Plünderung Roms durch die Barbaren im Jahr 410 — Joseph-Noël Sylvestre · 1890 · Gemeinfrei · Quelle
• Geiserichs Einfall in Rom — Karl Bryullov · 1836 · Gemeinfrei · Quelle
• Goldsolidus des Romulus Augustulus — Römische kaiserliche Münzstätte · 475–476 · American Numismatic Society, New York · CC0 · Quelle
• Der Lauf des Imperiums: Zerstörung — Thomas Cole · 1836 · New-York Historical Society · Gemeinfrei · Quelle

Japan

• Die Geschichte der leuchtenden Prinzessin (Taketori monogatari) — Unbekannter japanischer Maler · Spätes 17. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Die Dichterin Ono no Komachi, aus der Serie „Sechs elegante unsterbliche Dichter in modernem Gewand“ (Fūryū yatsushi rokkasen), Nr. 2 — Hosoda Eishi · 1793–1797 · Rijksmuseum, Amsterdam · CC0 · Quelle
• Sugawara no Michizane, aus der Serie „Hundert Ansichten des Mondes“ (Tsuki hyakushi) — Tsukioka Yoshitoshi · 1880er-Jahre · Library of Congress · Gemeinfrei · Quelle
• Illustrierte Erzählung vom Großen Rat Ban (Ban Dainagon ekotoba), Detail: Menschen beobachten das Feuer — Tokiwa Mitsunaga zugeschrieben · Spätes 12. Jahrhundert · Idemitsu-Kunstmuseum, Tokio · Gemeinfrei · Quelle
• Szene aus den Erzählungen von Ise: Wasserspiegel (Mizukagami), Gedichtkarte (shikishi) — Tawaraya Sōtatsu zugeschrieben; Kalligrafie von Konoe Hisatsugu · um 1600 · Gemeinfrei · Quelle
• Gedicht von Abe no Nakamaro, aus der Serie „Hundert Gedichte, erklärt von der Amme“ (Hyakunin isshu uba ga etoki) — Katsushika Hokusai · um 1835–1836 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Treue (Shin), dargestellt als Murasaki Shikibu, aus der Serie „Die fünf Kardinaltugenden“ — Suzuki Harunobu · um 1767 · Art Institute of Chicago · CC0 · Quelle
• Illustrierte Geschichte vom Prinzen Genji (Genji monogatari emaki), Kapitel Azumaya — Unbekannte Hofmaler · um 1120–1140 · Tokugawa-Kunstmuseum, Nagoya · Gemeinfrei · Quelle
• Schmetterlinge (Kochō), Kapitel 24 der Geschichte vom Prinzen Genji, Stellschirm — Unbekannter japanischer Maler · 17. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Kanjo: Eine Hofdame — Torii Kiyonaga · Undatiert · Metropolitan Museum of Art, New York · Gemeinfrei · Quelle
• Nächtlicher Angriff auf den Sanjō-Palast, aus den Illustrierten Rollen der Ereignisse der Heiji-Ära (Heiji monogatari emaki) — Unbekannter Maler · Zweite Hälfte des 13. Jahrhunderts (Kamakura-Zeit) · Museum of Fine Arts, Boston · Gemeinfrei · Quelle
• Der Kampf zwischen Yoshitsune und Benkei im Mondlicht auf der Gojō-Brücke, Kyoto — Utagawa Kuniyoshi zugeschrieben · Undatiert (19. Jahrhundert) · Gemeinfrei · Quelle
• Das Fieber (Taira no Kiyomori) — Tsukioka Yoshitoshi · August 1883 · Minneapolis Institute of Art · Gemeinfrei · Quelle
• Tomoe Gozen tötet Uchida Ieyoshi in der Schlacht von Awazu no Hara (1184) — Ishikawa Toyonobu · um 1750 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Die Schlacht von Ichi-no-Tani (rechter Schirm eines Paares mit Szenen aus der Geschichte der Heike) — Kanō-Schule · Mitte des 17. Jahrhunderts · Minneapolis Institute of Art · Gemeinfrei · Quelle
• Kumagai Naozane und Taira no Atsumori — Unbekannter Künstler · 1811 · Library of Congress · Gemeinfrei · Quelle
• Nasu no Yoichi (vom Blatt Nasu no Yoichi / Naozane und Atsumori) — Adachi Ginkō · 1885 · Library of Congress · Gemeinfrei · Quelle
• Tomomori, an einen riesigen Anker gebunden, bereit, sich ins Meer zu stürzen (Schlacht von Dan-no-ura) — Utagawa Kuniyoshi zugeschrieben · Undatiert (19. Jahrhundert) · Gemeinfrei · Quelle
• Yoshitsune wird von den Geistern der Taira angegriffen, aus der Serie Hōdo Yoshitsune koi no Minamoto ichidaikagami — Utagawa Kuniyoshi · 1853 · Rijksmuseum, Amsterdam · CC0 · Quelle
• Traditionell als Minamoto no Yoritomo identifiziertes Bildnis — Unbekannter Maler (traditionell Fujiwara no Takanobu zugeschrieben) · Kamakura-Zeit (Datierung umstritten) · Jingo-ji, Kyoto · Gemeinfrei · Quelle
• Rückzug vom Saijōsan (Saijōsan hikikaeshi no zu) — Utagawa Yoshitsuna · 1847 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Bildnis des Oda Nobunaga — Unbekannter Maler · um 1583 · Hideyoshi-und-Kiyomasa-Gedenkmuseum, Nagoya · Gemeinfrei · Quelle
• Der Honnō-ji-Zwischenfall — Yōsai Nobukazu · 1896 · Stadt Nagoya · Gemeinfrei · Quelle
• Der Mond bei Shizugatake (Shizugatake tsuki), aus der Serie „Hundert Ansichten des Mondes“ (Tsuki hyakushi) — Tsukioka Yoshitoshi · 1888 · Rijksmuseum, Amsterdam · CC0 · Quelle
• Bildnis des Toyotomi Hideyoshi — Unbekannter Maler; Inschrift von Seishō Shōtai · um 1600 · Gemeinfrei · Quelle
• Hideyoshi und seine Truppen verlassen das Lager Nagoya (Mashiba Hideyoshi kō Nagoya jin sakite no shoshō kuridashi no zu) — Tsukioka Yoshitoshi · 19. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Rüstung (Gusoku) — Yukinoshita Sadaie · 17. Jahrhundert · Metropolitan Museum of Art, New York · CC0 · Quelle
• Burg Himeji, Hängerollenbild — Unbekannter Maler · Angeblich um 1870 (frühe Meiji-Zeit); nicht belegt · Gemeinfrei · Quelle
• Stellschirm mit der Schlacht von Sekigahara (Sekigahara kassen byōbu) — Unbekannter Maler · Späte Edo-Zeit (19. Jahrhundert) · Städtisches Geschichtsmuseum Gifu · Gemeinfrei · Quelle
• Stellschirm mit dem Sommerfeldzug von Ōsaka (Ōsaka natsu no jin zu byōbu, „Kuroda-Schirm“), rechter Schirm — Unbekannte Maler · Frühes 17. Jahrhundert · Museum der Burg Osaka · Gemeinfrei · Quelle
• Bildnis des Tokugawa Ieyasu als Tōshō Daigongen — Kanō Tan'yū · 17. Jahrhundert · Museum der Burg Osaka · Gemeinfrei · Quelle
• Die Flotte des Shogunats, Detail des Stellschirms „Ansicht von Edo“ (Edo-zu byōbu) — Unbekannter Maler · um 1634–1635 · Nationalmuseum für japanische Geschichte, Sakura · Gemeinfrei · Quelle
• Daimyō-Prozessionen auf dem Tōkaidō am Satta-Pass — Utagawa Sadahide · 1862 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Plan von Deshima, aus Bijzonderheden over Japan — nach Isaac Titsingh · 1824–1825 · Koninklijke Bibliotheek, Den Haag · Gemeinfrei · Quelle
• Der nächtliche Angriff, elfter Akt des Chūshingura (Chūshingura jūichidanme youchi no zu) — Utagawa Kuniyoshi · 1834–1835 · Rijksmuseum, Amsterdam · CC0 · Quelle
• Blütenschau im Inneren Palast von Chiyoda (Chiyoda Ōoku ohanami) — Toyohara Chikanobu · 1894 · Nationale Parlamentsbibliothek, Tokio · Gemeinfrei · Quelle
• Der Kinryūzan-Tempel in Asakusa, aus der Serie „Hundert berühmte Ansichten von Edo“ — Utagawa Hiroshige · 1856 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Suidō-Brücke und Surugadai (Suidōbashi Surugadai), aus der Serie „Hundert berühmte Ansichten von Edo“ — Utagawa Hiroshige · 1857 · Brooklyn Museum · Gemeinfrei · Quelle
• Pflaumengarten in Kameido (Kameido umeyashiki), aus der Serie „Hundert berühmte Ansichten von Edo“ — Utagawa Hiroshige · 1857 · Chester Beatty, Dublin · Gemeinfrei · Quelle
• Plötzlicher Regenschauer über der Shin-Ōhashi-Brücke und Atake (Ōhashi Atake no yūdachi), aus der Serie „Hundert berühmte Ansichten von Edo“ — Utagawa Hiroshige · 1857 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Perspektivische Innenansicht des Nakamura-Theaters mit Ichikawa Ebizo II. als Yanone Goro — Okumura Masanobu · um 1740 · Cleveland Museum of Art · CC0 · Quelle
• Perspektivbild (Uki-e): Das Theaterviertel im Morgengrauen am Eröffnungstag der Kabuki-Saison — Utagawa Toyoharu · um 1780 · Metropolitan Museum of Art, New York · Gemeinfrei · Quelle
• Der Kabuki-Schauspieler Ōtani Oniji III. als Yakko Edobei im Stück „Die bunten Zügel einer liebenden Ehefrau“ (Koi nyōbō somewake tazuna) — Tōshūsai Sharaku · 1794 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Der Schauspieler Ichikawa Danjūrō VII. bereitet sich mit Hilfe eines Jungen auf eine Shibaraku-Aufführung vor (surimono) — Utagawa Kunisada (I) · um 1830 · Rijksmuseum, Amsterdam · CC0 · Quelle
• Drei Schönheiten der Gegenwart (Tōji san bijin) — Kitagawa Utamaro · um 1793 · Gemeinfrei · Quelle
• Okita vom Teehaus Naniwa-ya — Kitagawa Utamaro · 1790er-Jahre · Metropolitan Museum of Art, New York · Gemeinfrei · Quelle
• Genuss der Abendkühle in Nakasu (Nakasu no suzumi) — Torii Kiyonaga · um 1782–1783 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Kurtisanen und Begleiterinnen in Prozession (Diptychon) — Hosoda Eishi · um 1790 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Geisha in blassrosa Kimono, aus der Serie „Moderne Kiefernnadeln“ (Tōsei matsu no ha) — Keisai Eisen · um 1828 · Rijksmuseum, Amsterdam · CC0 · Quelle
• Damen des Inneren Palastes auf dem Weg zur Teezeremonie, aus der Serie Chiyoda no Ōoku (Triptychon) — Toyohara Chikanobu · 1895 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Unter der Welle vor Kanagawa (Kanagawa oki nami ura), aus „36 Ansichten des Berges Fuji“ — Katsushika Hokusai · um 1830–1832 · Library of Congress · Gemeinfrei · Quelle
• Fuji bei klarem Wetter (aus der Serie „36 Ansichten des Berges Fuji“) — Katsushika Hokusai · frühe 1830er-Jahre · Cleveland Museum of Art · CC0 · Quelle
• Regensturm unterhalb des Gipfels (Sanka hakuu), aus „36 Ansichten des Berges Fuji“ — Katsushika Hokusai · um 1830–1832 · Library of Congress · Gemeinfrei · Quelle
• Kajikazawa in der Provinz Kai (Kōshū Kajikazawa), aus der Serie „36 Ansichten des Berges Fuji“ — Katsushika Hokusai · um 1830–1832 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Ejiri in der Provinz Suruga (Sunshū Ejiri), aus der Serie „36 Ansichten des Berges Fuji“ — Katsushika Hokusai · um 1830–1832 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Pilger am Kirifuri-Wasserfall am Berg Kurokami in der Provinz Shimotsuke, aus „Reise zu den Wasserfällen in verschiedenen Provinzen“ — Katsushika Hokusai · um 1833 · Library of Congress · Gemeinfrei · Quelle
• Der Amida-Wasserfall im fernen Hinterland der Kisokaidō-Straße, aus „Reise zu den Wasserfällen in verschiedenen Provinzen“ — Katsushika Hokusai · um 1832–1833 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Weißer Reiher und Schwertlilien — Utagawa Hiroshige · um 1837 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Schwertlilien bei Yatsuhashi (Acht Brücken) — Ogata Kōrin · nach 1709 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Schwarzer Hahn und Nandina, aus „Farbenprächtiges Reich der Lebewesen“ (Dōshoku sai-e) — Itō Jakuchū · um 1761–1765 · Museum der kaiserlichen Sammlungen (Sannomaru Shōzōkan), Tokio · Gemeinfrei · Quelle
• Bild des Sees bei Hakone (aus der Serie „Die 53 Stationen des Tōkaidō“) — Utagawa Hiroshige · 1833 · Cleveland Museum of Art · CC0 · Quelle
• Morgennebel in Mishima (Mishima Asagiri), aus „Die 53 Stationen des Tōkaidō“ (Hoeido) — Utagawa Hiroshige · 1832–1834 · Hood Museum of Art, Dartmouth College · Gemeinfrei · Quelle
• Nachtschnee in Kambara (Kambara Yoru no Yuki), aus „Die 53 Stationen des Tōkaidō“ (Hoeido) — Utagawa Hiroshige · 1832–1834 · Hood Museum of Art, Dartmouth College · Gemeinfrei · Quelle
• Das berühmte Teehaus in Mariko (Mariko Meibutsu Chaya), aus „Die 53 Stationen des Tōkaidō“ (Hoeido) — Utagawa Hiroshige · 1832–1834 · Hood Museum of Art, Dartmouth College · Gemeinfrei · Quelle
• Der Fuji, von Kanaya am Tōkaidō aus gesehen, aus der Serie „36 Ansichten des Berges Fuji“ — Katsushika Hokusai · um 1830–1832 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Peitschender Regen in Shono, aus der Serie „Die 53 Stationen des Tōkaidō“ — Utagawa Hiroshige · 1833 · Cleveland Museum of Art · CC0 · Quelle
• Yabuhara: Torii-Pass und die Tuschstein-Quelle, aus „Die 69 Stationen des Kisokaidō“ — Keisai Eisen · um 1835–1838 · Nationale Parlamentsbibliothek, Tokio · Gemeinfrei · Quelle
• Ōmori, aus der Serie „Berühmte Orte der östlichen Hauptstadt“ — Utagawa Kuniyoshi · frühe 1830er-Jahre · Cleveland Museum of Art · CC0 · Quelle
• Vergnügungsausflug zum Kormoranfischen (Ukai-bune go-yū), Triptychon — Utagawa Kunisada · 1852 · Nationale Parlamentsbibliothek, Tokio · Gemeinfrei · Quelle
• Die Sumo-Ringer Shiranui Dakuemon und Tsurugizan Taniemon mit dem Schiedsrichter Shikimori Inosuke — Utagawa Kuniyoshi · späte 1830er- bis frühe 1840er-Jahre · Gemeinfrei · Quelle
• Erste Landung der Amerikaner in Japan — Eliphalet M. Brown nach Wilhelm (Peter Bernard William) Heine · 1855 · National Portrait Gallery, Smithsonian Institution, Washington · CC0 · Quelle
• Die Rolle der Schwarzen Schiffe (Detail) — Anonymer japanischer Künstler · 1854 · Honolulu Museum of Art · Gemeinfrei · Quelle
• Ein Engländer in Yokohama beim Sortieren von Webwaren (Igirisujin Yokohama ni orimono irowake no zu) — Utagawa Sadahide (Holzschneider: Koizumi Minokichi) · 1861 · Library of Congress · Gemeinfrei · Quelle
• Das Kommen und Gehen eines amerikanischen Dampfschiffs — Utagawa Yoshikazu · 1861 · Gemeinfrei · Quelle
• Dampfzug auf der Eisenbahn entlang der Küste von Tokio-Takanawa — Utagawa Hiroshige III · 1871 · Gemeinfrei · Quelle
• Seidenspinnerei Tomioka in der Provinz Kōzuke (Jōshū Tomioka seishijō), Triptychon — Utagawa Kuniteru II · 1872 · Nationale Parlamentsbibliothek, Tokio · Gemeinfrei · Quelle
• Mutsuhito, der Meiji-Kaiser — Uchida Kuichi · 1872–1873 · Metropolitan Museum of Art, New York · CC0 · Quelle
• Feier zur Verkündung der Meiji-Verfassung — Kobayashi Ikuhide · 1889 · Honolulu Museum of Art · Gemeinfrei · Quelle
• Der Meiji-Kaiser und die Kaiserin in einer Kutschenprozession zu ihrer Silberhochzeit (rechtes Blatt eines Triptychons) — Yōsai Nobukazu · 1894 · Honolulu Museum of Art · Gemeinfrei · Quelle
• Kirschblüten am Noge Yama (handkolorierter Albuminabzug) — Tamamura Kōzaburō · um 1880–1900 · Honolulu Museum of Art · Gemeinfrei · Quelle